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  • Hocus Pocus (1993)

    Hocus Pocus (1993)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

    Since childhood, producer David Kirschner loved Halloween and would tell his daughter ghost stories to set an ominous tone. She was particularly captivated by a story he told of a boy cursed to be a cat by three witches. He hired Mick Garris to adapt the tale into a screenplay called Halloween House, submitting it to Disney in 1984. Over the years, the script went through various rewrites, but production stalled until it caught Bette Midler’s attention. With her onboard, the studio moved ahead with the production, hiring Newsies director Kenny Ortega to helm the project. Leonardo DiCaprio was originally going to play the lead but dropped out to star in What’s Eating Gilbert Grape? On a $28 million budget, the movie was shot in Burbank, Salem, and Marblehead from October 1992 to February 1993. To avoid competing with The Nightmare Before Christmas, Hocus Pocus was released in July 1993.

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    Synopsis

    In 17th Century Salem, young Thackery Binx (Sean Murray) is cursed to be a cat by three witches. These witches are The Sanderson Sisters – Winifred (Bette Midler), Mary (Kathy Najimy), and Sarah (Sarah Jessica Parker). While the witches are found and hanged for their crimes, Thackery is left to wander Salem for eternity. Three hundred years later, Max Dennison (Omri Katz) is forced to take his younger sister Dani (Thora Birch) trick-or-treating. They run into Allison (Vinessa Shaw), whom Max has a crush on, and she shows them the Sanderson Sisters’ cottage. Max lights a black candle, inadvertently resurrecting The Sisters, but they run off with their spellbook. The Sisters enlist Winifred’s zombified ex-lover, Billy Butcherson (Doug Jones), to retrieve it to redo their eternal youth spell. With precious time on their hands, our heroes have to stop the witches before they succeed in exacting their revenge.

     

    Review

    While initially a critical and commercial flop, Hocus Pocus has gone on to amass a huge cult following. It’s easy to see how, given the way the film perfectly captures the dark yet playful essence of Halloween. Though much of the material was toned down over the various rewrites, this is still dark for a Disney movie. A child dies in the opening, characters constantly mention how Max is a virgin, and there’s even a public hanging. This is the rare kind of family film where both children and adults can find something to enjoy. The kids will love the goofy shenanigans and fun characters, while adults will appreciate the occasional risque jokes and themes. Admittedly, some of these elements don’t mesh together well, but it’s not enough to create tonal whiplash. Your enjoyment will depend on your tolerance for slapstick and fish-out-of-water humor.

    Omri Katz is likable as Max, and he has excellent chemistry with both Thora Birch and Vinessa Shaw. You buy the brother-sister relationship between Max and Dani, and the budding romance with Allison is charming. While Sean Murray plays the human version of Thackery Binx, Jason Marsden provides the voice for when he’s a cat. Marsden does an excellent job injecting some dry wit into the film to bring an animatronic/digital cat to life. Doug Jones is a lot of fun as the mute Billy Butcherson, playing his part as exaggerated as possible. Stephanie Faracy and the late Charles Rocket are fun as Max and Dani’s parents, acting oblivious without seeming obnoxious. There are also some nice cameos from the late Kathleen Freeman, Gary Marshall, and Penny Marshall. It’s a well-rounded cast, with each actor given their moment to shine.

    However, the real stars of the film are The Sanderson Sisters, each one perfectly cast for their part. Bette Midler is funny and menacing as the lead witch, Winifred, who gets some of the movie’s best lines. Kathy Najimy and Sarah Jessica Parker balance her menace by providing comic relief, essentially witch versions of The Three Stooges. Kenny Ortega’s direction is fluid and dynamic, largely thanks to his background directing music videos. William Sandel’s production design, Tony Gardner’s practical effects, Mary E. Vogt’s costumes, and Hiro Narita’s cinematography are all mesmerizing. Admittedly, some of the digital effects haven’t aged that well, and its 90s aesthetic might put off modern audiences. Still, even for cynical Disney haters, it’s hard to deny the film’s magical qualities and not find something enjoyable. Overall, Hocus Pocus is a highly entertaining, if somewhat flawed, Halloween adventure the whole family can watch.

     

    Buy Hocus Pocus from Amazon: https://amzn.to/46QD4JD.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Killers of the Flower Moon (2023)

    Killers of the Flower Moon (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]David Grann’s Killers of the Flower Moon: The Osage Murders and the Birth of the FBI was published in 2017. The book tells the real-life story of how members of the Osage people were murdered after gaining wealth from oil. Grann’s book received rave reviews from The New York Times, Rolling Stone, and Publishers Weekly, so Hollywood soon came calling. In 2016, Imperative Entertainment bought the film rights for $5 million, with Martin Scorsese announced to be helming the project. Paramount Pictures originally announced they’d distribute the film in 2019 but were unsure due to the $200 million budget. While filming was delayed due to COVID-19, Scorsese made a deal with Apple TV+ to co-finance and co-distribute the film. The movie was shot in Osage County and Washington County, Oklahoma, from April to October 2021. After premiering at Cannes, Killers of the Flower Moon hit theaters in October 2023.

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    Synopsis

    In 1918, Ernest Burkhart (Leonardo DiCaprio) returns from the war to meet his uncle William “King” Hale (Robert De Niro). While Ernest was away, the Osage acquired mass amounts of wealth after discovering oil, which upsets Hale despite his appearance. He asks Ernest to work as a driver for Mollie Kyle (Lilly Gladstone), an Osage whose family owns the land. The two develop a relationship and get married, entitling Ernest to a share of the land should Mollie’s family die. While Hale has several Osage killed secretly, Ernest is ordered to poison Mollie’s insulin, slowly killing her without her realizing. News of the murders reaches Washington, D.C., so the Bureau of Investigation sends Agent Tom White (Jesse Plemons) to investigate. Though they try covering everything up, Ernest and Hale must answer for their crimes as everything crumbles around them.

     

    Review

    Martin Scorsese is one of those rare filmmakers who still delivers quality cinema even in his twilight years. His latest epic, Killers of the Flower Moon, is no exception, as it gives Oppenheimer a run for its money. First and foremost, the movie is three and a half hours long, but its lengthy runtime is justified. There is so much story to be had that this could’ve worked as a six-hour miniseries on HBO. Plus, it’s one of those movies that keeps you engaged throughout its extended runtime, a rare feat. It helps that the film has an engaging story that continually builds tension and never lets up. It’s a story of love, betrayal, greed, and prejudice that tackles one of America’s more troubled tales. The film also has some incredible production design, which makes you feel like you’re in early 20th-century Oklahoma.

    Like many of Scorsese’s films, the performances are excellent all across the board, from the leads to the supporting cast. As easy as it would’ve been to phone in his performance, Robert De Niro proves he can still kill it. Even at 80, De Niro has such a commanding presence as the outwardly friendly but secretly evil King Hale. Leonardo Di Caprio gives what might be the best performance of his career as the conflicted Ernest Burkhart. You can tell he wants to make his uncle happy but also loves his wife despite his terrible actions. However, the real stand-out is Lily Gladstone, who perfectly matches Di Caprio’s wild energy with a quiet, tragic demeanor. If any actor deserves an Oscar, it’s her, just for the lengths she goes through during the film. There are also significant supporting roles from John Lithgow, Brendan Fraser, Louis Cancelmi, and Martin Scorsese.

    Scorsese and company went to great lengths to be as accurate to the Osage’s history and culture as possible. While I’ve never read the book or know everything about the Osage Nation, I’m sure Scorsese did his job well. Rodrigo Prieto’s cinematography effectively captures the Oklahoma plains’ beauty, and Robbie Robertson’s haunting score compliments the story. Plenty of slow moments might come off as dull, but they help make the harsher scenes more impactful. Without going into spoilers, the best way to describe the ending is bittersweet: there’s some hope, but it’s still tragic. Aside from its lengthy runtime, it’s challenging to think of anything wrong with this film. Between this and Christopher Nolan’s biopic, it will be tough to decide what’s the best movie of 2023. Overall, Killers of the Flower Moon is another epic in Martin Scorsese’s historic career that deserves its critical acclaim.

     

    Buy Killers of the Flower Moon from Amazon: https://amzn.to/3Aqgo8b.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Lupin the Third: The Castle of Cagliostro (1979)

    Lupin the Third: The Castle of Cagliostro (1979)

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    In 1967, Kazuhiko Katō, using the pseudonym Monkey Punch, created the manga series Lupin III for Weekly Manga Action magazine. The manga proved so popular that the famed studio Tokyo Movie created a two-part anime series in 1971 and 1977. During the second series’ run, Tokyo Movie produced the character’s first feature film, The Mystery of Mamo, in 1978. On a budget of ¥500 million, the movie grossed ¥915 million, making it the 9th highest-grossing Japanese film that year. After the film’s success, the studio wanted to move ahead with another installment to be released the following year. Hayao Miyazaki, who co-directed episodes of the series with Isao Takahata, would make his directorial debut with this film. With a shortened production schedule and the largest budget for an anime film, much was riding on its success. Lupin the Third: The Castle of Cagliostro hit Japanese cinemas in December 1979.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    Synopsis

    Lupin III (Bob Bergen) and his cohort Daisuke Jigen (Steve Bulen) steal millions from the Monte Carlo Casino. Unfortunately, it turns out that the money they stole is counterfeit, so they decide to track down the source. Along the way, they run into a young bride-to-be named Clarisse (Joan-Carol O’Connell), who’s to marry Count Lazare (Michael McConnohie). They soon discover that The Count is only marrying Clarisse so he can uncover Cagliostro’s lost treasure. Lupin enlists his friend Goemon Ishikawa XIII (Steve Kramer) for help and tips off his nemesis, Inspector Zenigata (David Povall). In addition, Lupin’s former lover, Fujiko Mine (Edie Mirman), is posing as Clarisse’s assistant to uncover The Count’s counterfeiting operations. While Lupin and his friends try to save Clarisse from The Count, Fujiko and Zenigata search for evidence. It’s an adventure of a lifetime, and it all takes place in The Castle of Cagliostro!

     

    Review

    Of the many films in Miyazaki’s legendary career, Lupin the Third: The Castle of Cagliostro is among his least well-known. Everyone sings the praises of Princess Mononoke, Spirited Away, and My Neighbor Totoro, but not many acknowledge this one. While this may not be as groundbreaking as those movies, I think this one deserves more credit than it gets. If not for this film, Miyazaki may not have started one of the most iconic animation studios ever. You can see early traces of Miyazaki’s style, such as the character designs, beautiful landscapes, and fast-paced action. It’s a visual feast, from the opening chase scene between Clarisse and The Count’s henchmen to Lupin outrunning Zenigata’s goons. Also, with its slapstick humor, funny dialogue, and nonstop chaos, there’s never a dull moment. The fast-paced tone may put some off, but you’ll have a good time if you go along for the ride.

    Despite having previously reviewed Lupin III: The First, I’m not as familiar with the franchise as others. From what I gathered, this version of Lupin is very different from how the character is usually depicted. Usually, he’s portrayed as a cocky, smarmy, womanizing thief who only cares about the next big score. Here, he’s still a thief but more heroic and happy-go-lucky, wanting to do good but constantly getting into trouble. Purists might be disappointed by this version, but I think making him a thief with a heart of gold works. Making him and his colleagues more friendly and humorous allows the audience to sympathize and root for the characters. Thankfully, the movie maintains their core personalities – Lupin is affable, Jigen is sarcastic, and Goemon is stoic. This may not be the definitive version of what Lupin III is, but for this movie, it works.

    Considering all the dubs made over the years, it’s hard to judge the performances since none is the same. For this review, I’ll cover the Streamline dub produced in 1992 since it’s currently on Amazon Prime. That said, the dub actors do a great job bringing these characters to life and fit the personalities well. Bob Bergen gives Lupin a unique charm that makes him instantly likable, and David Povall brings much energy to Zenigata. Steve Bulen and Steve Kramer are great as Jigen and Goemon, and Edie Mirman brings plenty of sass to Fujiko. I’m not sure how this dub compares to the Manga Entertainment dub from 2000, but I’m sure it’s also good. Whichever dub you pick, this is still an incredible animated adventure worth checking out, especially for Miyazaki fans. Overall, Lupin the Third: The Castle of Cagliostro may not be 100% faithful, but it’s nonetheless enjoyable.

     

    Buy Lupin the Third: The Castle of Cagliostro from Amazon: https://amzn.to/3LK7hS9.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Friday the 13th: A New Beginning (1985)

    Friday the 13th: A New Beginning (1985)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]As previously stated, producer Frank Mancuso, Jr. insisted that Friday the 13th: The Final Chapter would be the last installment. However, the film grossed $33 million against a $2.2 million budget, so Paramount decided to continue the series anyway. Phil Scuderi, one of the series’ longtime financiers, hired Danny Steinmann of The Unseen and Savage Streets fame to direct. Since Jason died in the last film, the producers decided to make the next installment a whodunit like the original. Under the working title Repetition, the movie was shot in and around Beverly Hills and Camarillo, California, in 1984. Unfortunately, there were production issues, namely clashes between Steinmann and Mancuso and edits mandated by the MPAA. Little did the filmmakers know that the final result would be one of the most divisive entries in the series. Ultimately, Friday the 13th: A New Beginning opened in March 1985.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Years after surviving his encounter with Jason Voorhees, Tommy Jarvis (John Shepherd) is put in a halfway house. Due to the trauma he endured, Tommy is very quiet and reserved, which makes him an easy target for bullying. Terror strikes the community when mentally disturbed Vic (Mark Venturini) kills overweight Joey (Dominick Brascia) over a chocolate bar. Soon, more murders happen near the halfway house, and numerous suspects are named, including Tommy and possibly Jason. Among those killed are lovers Eddie (John Robert Dixon) and Tina (Debisue Voorhees) and the goth Violet (Tiffany Helm). Soon, the only ones left are Pam (Melanie Kinnaman) and Reggie “The Reckless” (Shavar Ross), with Tommy mysteriously absent. They soon meet the killer, wearing a hockey mask that’s very similar but different to Jason’s. But is this Jason back from the dead, is it a mentally deranged Tommy, or is it someone else?

     

    Review

    Like Halloween III: Season of the Witch, Friday the 13th: A New Beginning has been harshly criticized since its release. Most of the criticism is over the killer’s identity and how it pulled a fast one on the audience. While it’s not as strong as the earlier installments, this film doesn’t deserve nearly the hate it gets. For one, John Shepherd does a great job as a traumatized Tommy Jarvis, acting quiet and reserved. Even though he doesn’t have many lines, you can tell from his facial expressions that he’s been through a lot. Melanie Kinnaman is also good as the strong and nurturing Pam, who wants to help Tommy overcome his trauma. Shavar Ross is also fun as the fearless Reggie “The Reckless” and has excellent chemistry with Kinnaman and Shepherd. Carol Locatell and Ron Sloan are also memorable as a foul-mouthed redneck and her yokel son, respectively.

    The thing that makes any Friday the 13th movie work is the creativity and brutality of the kills. There are some decent kills, though they’re not as brutal as those from The Final Chapter or Part 3. Some more unique kills include a flare to the mouth, hedge trimmers to the eyes, and a head-crushing belt. Aside from that, most of the film’s deaths are the usual stabbings and slashings you’ve expected from this series. It seems director Danny Steinmann was more interested in showing busty women topless than creating elaborate kills. Nudity does add to the series’ charm, but it doesn’t mean the difference between a good and lousy installment. It doesn’t help that, aside from a few standouts, most of the characters aren’t all that memorable. While no one is insufferably annoying, it’s hard to feel sad about people dying when they don’t have much characterization.

    While it’s admirable that the filmmakers tried making this more of a whodunit, they somewhat give away the killer’s identity. I won’t spoil it here, but if you watch the film, it’s made pretty obvious who will be the killer. Whether intentional or not, it’s frustrating when you learn who the killer is, considering the direction they could’ve gone in. They tried to build off the ending of the last film and double down on it in this film’s ending. Unfortunately, the fans were so upset that the setup was abandoned, which is a shame but not a series-ender. This is a competently-made, decently-paced slasher with some decent kills and a few memorable characters. But as an entry in one of the longest-running horror franchises, this one misses the mark, but not without trying. Overall, Friday the 13th: A New Beginning isn’t great, but it’s at least underrated.

     

    Buy Friday the 13th: A New Beginning from Amazon: https://amzn.to/4hudv73.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Friday the 13th: A New Beginning (1985)

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  • Halloween 4: The Return of Michael Myers (1988)

    Halloween 4: The Return of Michael Myers (1988)

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    While it grossed over $14 million against a $4.6 million budget, Halloween III: Season of the Witch was widely hated. Though it’s since been reappraied by critics and audiences, at the time, the movie upset people who expected Michael Myers. John Carpenter and Debra Hill hired Dennis Etchison to write for a fourth installment, with Joe Dante possibly directing. Unfortunately, executive producer Moustapha Akkad rejected the script, wanting more of a straightforward slasher with Michael Myers. Carpenter and Hill sold their rights to Akkad, who hired Dwight H. Little and Alan B. McElroy for the project. Donald Pleasance was the only returning cast member from the first two films as Jamie Lee Curtis’ career had exploded. Among the new cast was a young Danielle Harris, Ellie Cornell, and George P. Wilbur as the iconic killer. Finally, Halloween 4: The Return of Michael Myers was released in theaters in October 1988.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    Synopsis

    Ten years after his original rampage, Michael Myers (George P. Wilbur) is comatose and is transferred to Smith’s Grove. He awakens when he finds out he has a niece and escapes to Haddonfield, killing several people during his trek. His former psychiatrist, Dr. Sam Loomis (Donald Pleasance), learns about Michael’s escape and chases after him. Over in Haddonfield, Jamie Strode (Danielle Harris) lives with her foster parents, Richard (Jeff Olson) and Darlene Carruthers (Karen Alston). While the parents attend a Halloween party, their daughter Rachel (Ellie Cornell) has to babysit Jamie while she goes trick-or-treating. After arriving in Haddonfield, Loomis meets Sheriff Meeker (Beau Starr) to warn him about Michael’s intent to kill Jamie. A lynch mob hunts down Michael while Loomis and Meeker try to protect Jamie and Rachel from Michael’s wrath. Who will survive, and who will be the next victim of Michael Myers’ return?

     

    Review

    While I have my issues, Halloween 4: The Return of Michael Myers is a decent, if unremarkable, slasher. It doesn’t come close to the quality of John Carpenter’s original, but for what it is, it’s okay. For starters, the opening credits sequence is excellent, perfectly capturing the vibe of Halloween and the changing seasons. From there, the movie retains this spooky vibe with its use of fog and minimal lighting. Since this was still early in his career, Dwight Little did great as a director and showed potential. The acting is solid, with Donald Pleasance being the consummate professional and carrying the film. Relative newcomers Danielle Harris and Ellie Cornell are also great and have good chemistry as their relationship develops. George Wilbur makes for a good Michael Myers, giving off an imposing presence that sets him apart from his predecessors.

    Admittedly, most of my problems with this film are issues that stem from problematic elements from previous installments. In my review of Halloween II, I mentioned that I didn’t enjoy the twist with Laurie being Michael’s sister. This film builds on that twist with the inclusion of Jamie, Laurie’s daughter and Michael’s niece. While it helps that Danielle Harris does a great job, the fact they followed up on the twist is bothersome. Also, the fact that Michael and Loomis survived the explosion in the second installment undermines its ending. From what I’ve read, the film was initially meant to be more of a ghost story, which would’ve been interesting. I understand the producers wanted to bring Michael Myers back, but they had to jump through hoops to get there. That said, it’s still less insulting than what was done to Michael in Halloween Kills and Halloween Ends.

    The kills are relatively tame for a slasher film, which isn’t entirely wrong, but it makes the movie feel soft. A few stand out, but that’s thanks to the late addition of special effects artist John Carl Buechler. Still, don’t expect anything as visceral as Crispin Glover’s death in Friday the 13th: The Final Chapter. Another strong point of the film is the score by John Carpenter’s long-time associate, Alan Howarth. He mixes the original theme with some moody synth music that adds to the movie’s ominous tone. While it takes time to get going, the climax, where the movie turns into a siege film, is thrilling. At roughly 88 minutes, there is quite a bit of padding, but the film gets in and out fairly quickly. Overall, Halloween 4: The Return of Michael Myers is a step down in quality, but it has its moments.

     

    Buy Halloween 4: The Return of Michael Myers from Amazon: https://amzn.to/3ZJcYFP.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Mutant Hunt (1987)

    Mutant Hunt (1987)

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    While Charles Band’s Wizard Video label gained popularity in its early days, it was nearing its end by 1987. Combined with the cost of running Empire Pictures and each film bombing, Band was losing more and more money. His cost-saving deal with Tim Kincaid to produce cheap quickies in New York wasn’t proving fruitful as Band had hoped. Substandard movies like Breeders and Robot Holocaust were not flying off the shelves as their licensed European titles. But there was another film Kincaid shot before the previous two that had been sitting on the shelf for years. This would end up being Kincaid and company’s most ambitious project up to this point. Unfortunately, this also was the last film released under Wizard Video before the label shut down. Though filmed in 1985, Tim Kincaid’s Mutant Hunt didn’t hit video store shelves until April 1987.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Robots have become a daily necessity for everyday life in the not-too-distant future, but that’s about to change. A genetic scientist working for the world’s leading robot manufacturer, Inteltrex, named Z (Bill Peterson), has gone mad with power. He injects his powerful Delta 7 cyborgs with a drug called “Europhon,” which mutates them into bloodthirsty killers who melt. When Z’s colleague Paul Haynes (Mark Umile) discovers the truth, he and his sister Darla (Mary Fahey) try to escape. Paul gets captured, so Darla enlists mercenary Matt Riker (Rick Gianasi) to help rescue her brother and stop Z’s cyborgs. Along the way, they meet Paul’s friends: undercover operative Elaine Eliot (Taunie Vrenon) and weapons expert Johnny Felix (Ron Reynaldi). While Z sends his cyborgs to do his bidding, his business partner Domina (Stormy Spill) has something brewing in secret. The fate of the free world rests on the mutant hunt!

     

    Review

    If you’ve been following my Full Moon Fridays series, you’ll know that I’ve torn Tim Kincaid’s movies apart. Even for low-budget filmmaking, Kincaid’s offerings are usually dull, poorly acted, and incompetent attempts at entertainment. Admittedly, Mutant Hunt has many of the same problems as his earlier efforts, but it’s easily the best. This isn’t some accidental masterpiece or anything like that, but it’s at least got more going for it. The special effects by artists Ed French, John Bisson, and James Chai are incredible, given the meager budget. Each mutant cyborg is given a distinct look as they melt and deteriorate into monsters as the film progresses. The highlight is one cyborg who loses much of his face and jaw, now being played by a puppet. It’s, without a doubt, the best effect in the entire movie, and that’s saying something.

    The music is also worth mentioning, as that late 80s stock synth score seemed to work back then. Also worth noting is that some of the music used was taken from another Wizard Video release, David DeCoteau’s Dreamaniac. It makes sense that they’d use that film’s music since it was undoubtedly the best thing about that movie. A decent variety of locations are also used, particularly a former Navy harbor near Manhattan used for the climax. Since all of Kincaid’s films were shot in mid to late-80s New York, they serve as a time capsule. It’s a peek at New York City before it was gentrified and cleaned up in the 1990s to increase tourism. While this movie would’ve been perfect for a 42nd Street Grindhouse, the fact that it was released direct-to-video is ironic. Regardless of the film’s overall quality, it still has some value for its historical place.

    Sadly, the rest of the movie is the same dull walk through New York alleys we’ve seen before. The acting isn’t as bland as Breeders, and some stand out in unintentionally hilarious ways. For instance, Rick Gianasi’s introduction as Matt Riker involves him fighting a cyborg in his apartment in his underwear. He does have a few funny lines of dialogue, but his true potential wouldn’t be showcased until Sgt. Kabukiman N.Y.P.D. Bill Peterson is weak as the villain, though Stormy Spill has her moments as she plots her revenge on Z. The guys playing the mutant cyborgs make the most of the trim material they’re given and are having some fun. While this isn’t a good movie, I will say that if you have friends and some substances, you’ll enjoy this. Overall, Mutant Hunt is probably Tim Kincaid’s best movie, though that’s not saying much.

     

    Buy Mutant Hunt from Amazon: https://amzn.to/3RAp1mV.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Mutant Hunt (1987)

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  • Ferocious Female Freedom Fighters (1982)

    Ferocious Female Freedom Fighters (1982)

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    In 1966, Woody Allen released What’s Up, Tiger Lily?, a redubbed version of a Japanese spy caper from 1964. Soon, other filmmakers used this technique of taking old foreign films and recutting and redubbing them to make new content. Roger Corman reedited several movies from the Lone Wolf and Cub series to create 1981’s Shogun Assassin. Charles Band cobbled two women-in-prison films together, shot additional footage with Linda Blair, and released it as Savage Island. It was only a short time until Lloyd Kaufman decided to get in on this after acquiring a Filipino movie called Passionate Woman. While the film was shot in English, Kaufman replaced the language track with one scripted by his brother Charles. They attempted to take an unintentionally funny foreign wrestling movie and make it intentionally funny, which horrified the original producer. The result was the retitled spoof Ferocious Female Freedom Fighters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    Synopsis

    Bambi (Eva Arnaz) is a Judo champion who, despite her fighter prowess, wants to leave the fighting world behind. However, her mother insists she keeps fighting to earn enough money to afford an operation for her little brother. According to the doctor, her brother suffers from a condition where semen rushes to his head when he gets excited. Bambi gets involved with an Elvis-impersonating trainer named Barney (Barry Prima), who gets her into criminal activities. While the money is enough for her brother, Bambi confides in her friend Mia (Leily Sagita) about the degrading wrestling. Barney can also see that this underground wrestling ring isn’t right for Bambi, so he helps her escape. What follows are several poorly staged fight scenes, a jive-talking snake, and a lot of farting. But Bambi is determined because she is a ferocious female freedom fighter! At least, that’s what the dub says.

     

    Review

    If the synopsis sounded incomprehensible just from reading it, imagine watching Ferocious Female Freedom Fighters and making sense of it. Granted, I can’t imagine the movie would make much sense with the original audio, but the “comedic” dubbing hurts it. Part of me wishes I could watch this movie with the original audio, but I doubt it would’ve helped. Troma wasn’t taking the film seriously, considering all the farts, sex jokes, and low-brow humor used in the dubbing. It’s like what the company behind the dub of the anime Ghost Stories did, only with fewer racial jokes. Unfortunately, because of the dub, it’s hard to follow along with what’s happening in the movie, let alone care. I’m not saying the original film was probably some lost masterpiece of Filipino cinema, but its plot could’ve been decent. Instead, what we got is a complete mess.

    It’s hard to gauge the acting in this film, considering we aren’t hearing the actors’ original voices. Going off of their facial expressions and body language, it seemed like they were trying their best. Also, to give the actors credit, some of the fight sequences aren’t half bad, even if sloppily put together. There are some unintentionally hilarious moments from the original film, most notably a random mud wrestling fight. Also, some of the dubbing made me chuckle, mostly the Elvis impersonator and the weirdly out-of-place snake that speaks jive. But aside from some mild giggles, the rest of the movie is dull, and the humor falls flat. Lately, I’ve been trying to write longer reviews to explain things better, but honestly, there’s not much to say here. Overall, Ferocious Female Freedom Fighters is another movie whose title is better than the actual content.

     

    Buy Ferocious Female Freedom Fighters from Amazon: https://amzn.to/46opywm.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Forrest Gump (1994)

    Forrest Gump (1994)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter Kevin Glauber. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.22.2″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]

    In 1986, novelist and non-fiction writer Winston Groom wrote the novel Forrest Gump about a savant’s life and upbringing. While not a huge hit, selling 30,000 copies, the book caught the attention of producers Wendy Finerman and Steve Tisch. After a bidding war, Warner Bros. acquired the rights and paid Groom $500,000 to write the script. Unfortunately, the release of 1989’s Rain Man made Warner Bros. reconsider and let the rights relapse while the producers scrambled. They contacted Columbia Pictures, who rejected it, but after a rewrite by Eric Roth, Paramount Pictures bought the rights instead. After numerous directors and actors were considered, Robert Zemeckis and Tom Hanks were chosen, and filming started in August 1993. Made on a budget of $55 million, filming lasted for four months before ILM handled the post-production. After years of development, Forrest Gump finally hit theaters in July 1994.

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    Synopsis

    Forrest Gump (Tom Hanks), a dimwitted yet well-meaning person, tells his life story while waiting for a bus. He talks about growing up with his single mother (Sally Field), who wanted him to live an everyday life. While everyone else made fun of him, he took solace in his friendship with Jenny Curran (Robin Wright). Through a series of events, he gets a football scholarship and then enlists in the army after graduating. He befriends shrimping enthusiast Benjamin Buford “Bubba” Blue (Mykelti Williamson) and catches the ire of Lt. Dan Taylor (Gary Sinise). While Bubba dies, Dan survives, though he loses his legs, and Forrest acquires a knack for ping pong. He carries on Bubba’s legacy by becoming a shrimp boat captain, making millions through a stroke of luck. Despite the progression of time, only one thing keeps Forrest awake at night: his girl, Jenny.

     

    Review

    Almost thirty years after its release, Forrest Gump has been examined, deconstructed, and evaluated by critics and scholars several times. Honestly, there’s not much I can say about the film that everyone and their grandma haven’t already said. So, all I can offer is my honest opinion, discuss what works and doesn’t, and leave the rest to you. First, the cast is terrific, with everyone delivering, from Tom Hanks and Robin Wright to Gary Sinise and Sally Field. Hanks plays the part with a somewhat child-like innocence as he navigates the world during history’s most significant moments. Despite everything around him, he remains optimistic, hopeful, and determined even when everyone says no. Robin Wright also does a great job as Jenny, who looks innocent but has a tragic arc throughout the film. She has excellent chemistry with Hanks, and it’s genuinely heartwarming seeing her pick herself back up.

    Gary Sinise steals the show as Lt. Dan Taylor, who initially comes off mean but softens up. His is another interesting character arc, from needing to carry on a family legacy to accepting what he’s been given. While her screen time is limited, Sally Field also does an excellent job as Forrest’s well-meaning mother. Robert Zemeckis does a great job as director, filming some dynamic shots to make the action feel much more extensive. The effects used to place Tom Hanks in stock footage of John F. Kennedy and Richard Nixon are also impressive. Admittedly, the noticeable lip movements to match the dialogue and some weird composites break the illusion. On the flip side, the effects of removing Gary Sinise’s legs are so amazing that they look natural. Granted, it helps that Sinise put in the performance needed to make the effects look convincing.

    While I think this is a good movie and understand why it’s beloved, I have some issues with it. It can be hard to follow the story since a new plot starts every 15 minutes. For instance, writing the synopsis was hard since so much happens in the movie that it’s hard to condense. Also, at just under two and a half hours, the film feels long, not helped by some slower filler scenes. But my biggest issue with the movie is that it feels overly sentimental, like a sanitized version of American history. It doesn’t help that Forrest gets out of every bad situation relatively unscathed and with a smile on his face. Still, despite my complaints, I can’t discredit this movie’s impact, and I can appreciate it for what it is. Overall, Forrest Gump may be slightly overrated, but it’s still a powerful film worth watching.

     

    Buy Forrest Gump from Amazon: https://amzn.to/3Lp7qKA.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Forrest Gump (1994)

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  • AIMEE: The Visitor (2023)

    AIMEE: The Visitor (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]From the Greek legend of Talos to literary works like Mary Shelley’s Frankenstein, people have been fascinated by artificial life. The idea of human thought being mechanized and automated has been researched and tested for centuries. However, the concept of artificial intelligence was fully explored once scientists gathered for what became The Dartmouth Workshop of 1956. Meanwhile, science-fiction writers like Isaac Asimov and Phillip K. Dick were telling stories about the dangers of AI. Similarly, filmmakers like Stanley Kubrick, James Cameron, and The Wachowskis expressed similar fears of machine learning. As technology continued to evolve throughout the 20th century, more research was being done into how effective AI could be. Ever the opportunist Charles Band of Full Moon Entertainment decided to explore this by creating the first AI-generated femme fatale. The result was the 2023 sci-fi thriller AIMEE: The Visitor.

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    Synopsis

    Scott Keyes (Dallas Schaefer) is a computer programmer who spends his days watching porn and eating fast food. He’s hired hacker siblings Hunter (Felix Merback) and Gazelle (Faith West) to steal top-secret software to sell online. The two bring Scott a new artificial intelligence program, which he tinkers with and unlocks AIMEE, an ai-generated woman. Scott is immediately drawn to how seemingly perfect she is: she’s intelligent, funny, does whatever Scott wants, and never complains. Elsewhere, two government agents (Joe Kurak and Tom Dacey Carr) are snooping around when they’re mysteriously electrocuted. While Hunter is perfectly content, Gazelle is suspicious of AIMEE and starts digging into its code. She finds out about AIMEE’s dark secrets and tries to pull Scott away, eventually beginning a romantic relationship with him. Little do they know that AIMEE is willing to do everything and anything to keep Scott all to herself.

     

    Review

    Given AI’s prevalence in the last few years, it makes sense for a movie like AIMEE: The Visitor to emerge. As technology evolves, we find ourselves being pulled further into the digital world and away from the real one. Granted, this concept isn’t anything new, and that’s one of the biggest problems with Charles Band’s sci-fi thriller. In 2023 alone, we had the film M3GAN, which tackled the same issue of an artificial person replacing human contact. Granted, if it’s told well and given some uniqueness, there’s nothing wrong with retelling the same story repeatedly. The only thing that separates this film is that the AI is the titular artificially generated woman. In this movie’s defense, Aimee is terrifying and manipulative, and she makes for a great villain. She does an excellent job of showcasing how dangerous artificial people can be if technology goes too far.

    Dallas Schaefer plays Scott as an arrogant yet lovable jerk who appreciates his colleagues despite constantly mocking them. Granted, he doesn’t fit the bill of someone who spends all day eating junk and using porn to relieve himself. While he comes off a bit unlikable, you also get the sense that he’s confused as Aimee keeps manipulating him. Felix Merback and Faith West also perform well as hacker siblings who put up with Scott’s antics for the money. Admittedly, the romance between Scott and Gazelle comes out of nowhere and isn’t given a proper build-up. While we don’t know the character’s history with each other, how they interact doesn’t suggest a romance blossoming. Considering this is a modern version of a 90s erotic thriller, the romance could’ve been an excuse for some nudity. It doesn’t help that we’re not given much development at only an hour in length.

    Like many recent Full Moon offerings, this one could not have had a large budget, though Band makes it work. The small cast and single location help give a sense of claustrophobia and tension as Aimee spies on our heroes. There’s also a decent use of light and shadow to make the film look more dynamic and suspenseful. While there is some questionable CGI here and there, it’s not distracting enough to take you out of the action. Without giving any spoilers, I will say that the ending genuinely surprised me with how depressing it was. As easy as it would’ve been to end happily, the fact that it ends on a bleak note is commendable. While I wouldn’t call this one of Full Moon’s best, it’s at least one of their more ambitious movies. Overall, AIMEE: The Visitor is flawed but has some fun sci-fi thrills.

     

    Special thanks to Full Moon Features for providing me with an early screener copy for review.

    Buy AIMEE: The Visitor from Amazon: https://amzn.to/4fv3THc.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Parts of the Family (2003)

    Parts of the Family (2003)

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    1989’s Rabid Grannies became a popular title for Troma Entertainment, so Lloyd Kaufman formed a partnership with producer Johan Vandewoestijne. The following year, Vandewoestijne produced Maniac Nurses Find Ecstacy, which was directed by Belgian filmmaker Léon Paul De Bruyn. When Troma acquired the distribution rights, they considered retitling it to seem like a sequel to 1976’s Bloodsucking Freaks. Instead, they used the original title, and the film ended up being another small hit for Troma. Vandewoestijne also produced 1994’s State of Mind, which featured American actors Lisa Gaye, Fred Williamson, and Jill Scholen. A decade later, Vandewoestijne reunited with De Bruyn to produce a Belgian zombie movie called Parts of the Family. When Troma acquired the movie for distribution, they found the final product unwatchable and decided to “fix” it. When they released the film on DVD in 2003, they included the original and an “improved” version with questionable results.

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    Synopsis

    After pulling off a bank heist, Jason Goodis (Bob Dougherty) is fleeing from the cops and looking for a hideout. While on the run, he kidnaps young model Elle (Cecilia Bergqvist) and holds her up in an old mansion. As the police try talking Jason down and bringing in a negotiator named Carl Ressler (Lloyd Kaufman), things turn dark. Through flashbacks, we learn that Elle knew the family who previously lived in the mansion and was their maid. She was having an affair with the son but was found by the father, and she killed them both. When the mother and daughter came home, Elle killed them and buried the bodies, vowing to keep them safe. In the present, the family rises as zombies and goes on the hunt, attacking Jason and the police outside. Who will survive, and who will become a part of the family?

     

    Review

    I should mention that the version of Parts of the Family I’m reviewing is the original, not the Troma-edited version. From what I understand, the main changes made were a mocking commentary by Lloyd Kaufman and some stock footage. Having seen the original version, I can see why Troma wanted to “fix” it since the film is plodding. I don’t mind a slow-burn movie if it produces a good payoff, but unfortunately, this one doesn’t. It almost feels like the filmmakers tried taking a cue from From Dusk Till Dawn with its genre switch. However, the characters and the writing kept you engaged before the vampires showed up, making the Rodriguez/Tarantino collaboration work. With this, we know so little about the characters, and the dialogue is so dull that it’s hard to care. Sometimes, it feels like watching a soap opera with nudity and blood.

    In terms of acting, everyone does a serviceable enough job with the material, though no one stands out. Cecilia Bergqvist, while not terrible, was most likely hired because she looks good naked rather than her acting ability. Her delivery is flat, lifeless, and more laughable than believable when she tries to show emotion. Bob Dougherty isn’t much better, as he tries to play a tough guy but fumbles around and doesn’t offer much. Aside from Lloyd Kaufman as a police negotiator, everyone else might as well have been a cardboard cutout. Even the actors playing the family, when they’re living and undead, blend into the background and offer nothing. It doesn’t help that all these elements – crime thriller, erotic drama, and zombie horror – don’t mesh well together. It’s like Léon Paul De Bruyn had all these ideas but didn’t know how to make them work.

    Admittedly, the only things that held my attention were the nudity, the gore, the decent soundtrack, and the gloomy atmosphere. As I said, Cecilia Bergqvist looks great when she’s naked, and we see her like that constantly. Also, the movie is full of blood and guts, especially in the last act when the family returns as zombies. The makeup for the zombies is crude but effective, and there’s enough blood spray to make Sam Raimi blush. While repetitive, the score adds a creepy, almost haunting feel to the film, and there’s some decent cinematography. It’s clear the director tried making more of an arthouse horror film, so it’s a shame that it didn’t work. Even at 85 minutes, the movie’s so slow and tedious, and it’s only worth seeing for the few trashy elements. Overall, Parts of the Family isn’t the worst Troma movie, but there are much better ones.

     

    Buy Parts of the Family from Amazon: https://amzn.to/3Zed34e.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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