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  • Ready Player One (2018)

    Ready Player One (2018)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter BodaciousCNO. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.24.0″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”]In 2010, aspiring author Ernest Cline sold the rights to his first novel, Ready Player One, to Crown Publishing Group. Not long after, Warner Bros. bought the film rights before the book was published the following year. Cline wrote the original screenplay, Eric Eason and Zak Penn handled rewrites, and Steven Spielberg was hired to direct. After a lengthy casting process, principal photography commenced in June 2016, mainly in Birmingham and Warner Bros. Studios, Leavesden. Thanks to Spielberg’s reputation, many of the pop culture references featured in the book were brought into the movie. Filming wrapped in September 2016, and ILM, Digital Domain, and Territory Studio handled the visual effects and post-production. The film initially had a late 2017 release but was delayed to avoid competition from Star Wars: The Last Jedi. After premiering at South by Southwest, Ready Player One hit theaters in March 2018.

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    Synopsis

    It is 2045, and people are escaping reality by entering a virtual reality program called The Oasis. Created by James Halliday (Mark Rylance) and Ogden Morrow (Simon Pegg), what started as a game quickly became a phenomenon. Unfortunately, Halliday passed away but left three keys hidden in The Oasis, leading to a golden Easter egg. Whoever found the keys and got the egg would win total control of The Oasis, but people lost interest. That is except for a few passionate egg hunters, aka “Gunters,” and rival tech CEO Nolan Sorrento (Ben Mendelsohn). One of these Gunters, Wade Watts (Tye Sheridan), finds the first key, which paints a massive target on his back. He soon finds himself in a rebellion led by fellow Gunter Samantha Cook (Olivia Cooke) to take down Sorrento. With control of The Oasis at stake, will our heroes succeed, or will Sorrento claim it for himself?

     

    Review

    Before going further, I will address that I haven’t read the book, so I don’t know how the movie compares. That said, Ready Player One has plenty going for it, and it’s easy to see why some people enjoy it. It’s got some exciting world-building, the characters are likable, and there’s a charm to seeing all these pop culture references. Unfortunately, once you strip all of that away, you’re left with a pretty bland story you’ve seen done before. The characters are all stock archetypes, the plot devolves into a “chosen one” narrative, and there’s nothing unique here. There’s nothing inherently wrong with using familiar stories and character types, so long as you make something different. Star Wars is a perfect example of taking tropes and ideas from other media to tell a unique story. Aside from the video game angle, this has nothing unique to offer.

    To get into some positive aspects, I thought the performances were generally strong despite lacking substantial material. Tye Sheridan makes for a decent, relatable, and sympathetic lead, especially as the film progresses. Though his scenes are brief, Mark Rylance has an innocent charm that makes him feel more human. Simon Pegg is enjoyable as always, and T.J. Miller is funny in his role as i-R0k. Also, while some of the visuals haven’t aged as well as others, there are some decent-looking digital effects. Alan Silvestri’s score fits the action well, though it sounds like his Back to the Future score. Steven Spielberg’s direction is on point, as always, though the film lacks some of his usual style. Oddly enough, the scene that felt the most like Spielberg was towards the end when Parzival meets Halliday. Sadly, that’s where most of my positives for this movie end.

    While the rest of the cast is decent, many are either forgettable or repeats of previous performances. The worst example is Ben Mendelsohn, a great actor, whose role is more or less the same as Rogue One. While most references are relegated to the background, it gets annoying when the movie blatantly tells you the reference. In particular, when they mentioned The Shining, Buckaroo Banzai, and Child’s Play, I wished I was watching those movies instead. This movie should not be two hours and twenty minutes long, especially with all the unnecessary padding. Sure, it has an action-packed climax, but I was waiting for everything to end by then. I wouldn’t call this one of Spielberg’s worst movies, but it’s a far cry from Jaws or Schindler’s List. Overall, Ready Player One has some surface-level enjoyment, but it won’t leave much of an impact.

     

    Buy Ready Player One from Amazon: https://amzn.to/3AniUMA.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Return of Godzilla (1984)

    The Return of Godzilla (1984)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”]Despite Toho’s best efforts, Terror of Mechagodzilla failed to make its budget at the box office despite receiving decent reviews. Towards the end of the 70s, producer Tomoyuki Tanaka started working on a franchise reboot that harkened to the original. Tanaka recognized that the decision to make Godzilla more kid-friendly and heroic was a mistake and wanted to correct that. Ishiro Honda was approached to direct, but he declined, so in his place, his assistant Koji Hashimoto was hired. Teruyoshi Nakano, who directed the special effects for several of the previous Godzilla movies, was brought back for this installment. New World Pictures acquired the North American distribution rights, redubbing the film and adding new scenes with Raymond Burr. The Japanese version was released as Godzilla in late 1984, though it was also known as The Return of Godzilla. The American edit came out the following year as Godzilla 1985.

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    Synopsis

    Off the coast of Daikoku Island, a fishing boat struggles against the tides when some giant monster emerges to attack. Days later, the ship is found by reporter Goro Maki (Ken Tanaka), who finds all the occupants dead except one. The lone survivor, Naoko Okumura (Yasuko Sawaguchi), claims that Godzilla attacked the boat, but the government keeps the story secret. Meanwhile, Maki visits Professor Hayashida (Yosuke Natsuki) to learn more about Godzilla and meets Naoko’s sister Hiroshi (Shin Takuma). However, the situation escalates after a Soviet sub is destroyed near Japan, so the government reveals Godzilla’s return. Soon enough, Godzilla starts laying waste to Tokyo, so the military sends out their newest weapon, the Super X. While Hayashida tries using a homing signal to lure Godzilla into a volcano, the Soviets launch a nuke toward Japan. Will Godzilla be defeated, or will Tokyo be obliterated?

     

    Review

    The Return of Godzilla was an attempt by Toho to make Godzilla scary again, and it succeeded. Throughout the movie, every scene has this gloomy, almost apocalyptic feel, even during the daytime. Koji Hashimoto does a great job at capturing this look and staging the destruction sequences once Godzilla shows up. The Godzilla suit designed by Teruyoshi Nakano is a vast improvement over the ones used in past movies. Towards the end of the Showa era, the suits looked like they were falling apart and too big to wear. The suit seems slimmer, has well-defined features, and resembles a modern version of the 1954 monster. Also, the miniature and model work and some fantastic explosions are impressive, making for some fantastic scenes of destruction. For a 40-year-old movie, the effects hold up surprisingly well, even if a bit outdated. Still, you can’t beat the classics.

    Some longtime fans might be disappointed that this doesn’t have the goofy charm of the late Showa era. I prefer this film’s darker, more serious tone, though some humor is sprinkled in if you prefer that. During Godzilla’s rampage, a bum wanders the city streets and comments on the destruction, providing the film’s comic relief. Supposedly, New World wanted to make the movie more of a comedy during their edits, but Raymond Burr objected. Considering the film’s darker tone, I’m unsure how you could’ve made this a comedy unless you tried hard. The Japanese cast all do a solid job, and the movie succeeds at making you care about the human characters. Some references to the Cold War further date the film, but it works in context, considering Godzilla represents nuclear destruction. It also seems like a natural progression from the original’s post-WWII setting.

    If I had any complaints, they’d be minor, as I feel this is one of the best entries. For as good as the effects are, a few close-up shots of Godzilla look a bit goofy. Side views look menacing, wildly when he roars, but he looks like The Cookie Monster from the front. Also, the pacing sometimes drags, especially in the more human-focused scenes, though it’s not enough to ruin the experience. While it’s disappointing that Godzilla doesn’t fight another monster, focusing solely on Godzilla was the right call. While I haven’t watched the Godzilla 1985 version, I can say that this is an excellent reintroduction to the character. Though the 1954 original is better, this is still a great starting point if you want to get into Godzilla. Overall, The Return of Godzilla succeeds at reminding audiences why Godzilla is the King of the Monsters!

     

    Buy The Return of Godzilla from Amazon: https://amzn.to/4hwmmoM.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch The Return of Godzilla (1984)

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  • FilmNerd’s Best and Worst Films of 2023

    FilmNerd’s Best and Worst Films of 2023

    [et_pb_section fb_built=”1″ admin_label=”Intro” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    Another year, another crop of movies being shat out by Hollywood that fails to live up to expectations. 2023 was a mixed bag, with some good films sprinkled amongst the mediocre to bad movies we got. Disney and Warner Bros. decided to celebrate their 100th anniversary by pumping out the same dull, uninspired garbage as before. In addition, Marvel celebrated 15 years of the MCU by making one good movie between two terrible ones. But, more importantly, 2023 marked the 5th anniversary of this site, which is certainly a milestone worth celebrating. As always, this list is my opinion, so feel free to agree or disagree with what I say. Also, I have yet to see every movie that came out in 2023, so some might not be on this list. So, with that out of the way, here are my picks for the Best and Worst Films of 2023!

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Honorable Mentions” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_heading title=”Honorable Mentions” _builder_version=”4.23.4″ _module_preset=”default” title_level=”h2″ global_colors_info=”{}”][/et_pb_heading][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/creed-3.jpeg” alt=”Creed 3″ title_text=”creed-3″ url=”https://staging.film-nerd.com/creed-iii-2023/” url_new_window=”on” admin_label=”Creed III” module_class=”image-zoom” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/last-voyage-of-the-demeter.jpg” alt=”The Last Voyage of the Demeter” title_text=”last-voyage-of-the-demeter” url=”https://staging.film-nerd.com/the-last-voyage-of-the-demeter-2023/” url_new_window=”on” admin_label=”The Last Voyage of the Demeter” module_class=”image-zoom” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/thanksgiving.jpg” alt=”Thanksgiving” title_text=”thanksgiving” url=”https://staging.film-nerd.com/thanksgiving-2023/” url_new_window=”on” admin_label=”Thanksgiving” module_class=”image-zoom” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/wonka.jpeg” alt=”Wonka” title_text=”wonka” url=”https://staging.film-nerd.com/wonka-2023/” url_new_window=”on” admin_label=”Wonka” module_class=”image-zoom” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#10: Guardians of the Galaxy Vol. 3″ _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/guardians-of-the-galaxy-vol-3.jpg” alt=”Guardians of the Galaxy Vol. 3 – Best and Worst Films of 2023″ title_text=”guardians-of-the-galaxy-vol-3″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #10: Guardians of the Galaxy Vol. 3

    As I mentioned in the intro, 2023 wasn’t a great year for Marvel fans since most offerings were subpar. The lone exception was the third and final installment of James Gunn’s epic space opera trilogy. While it isn’t quite as good as the second one, it’s still a fantastic way to cap off the trilogy. But like the first two, this hits many emotional beats that make it stand out from other comic book movies. Seeing Rocket Raccoon’s tragic backstory is heart-wrenching, and seeing him get the spotlight is excellent. That’s not to say the other guardians are pushed aside, as they’re each given their moment to shine. Admittedly, some elements feel slapped together, and not all the jokes land quite as well as others. Still, this was an entertaining, emotional, and enjoyable last Hurrah for the MCU’s most dysfunctional family. Plus, it’s the first MCU movie to say “fuck”.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=u3V5KDHRQvk&pp=ygUZZ3VhcmRpYW5zIG9mIHRoZSBnYWxheHkgMw%3D%3D” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#9: Subspecies V: Bloodrise” _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/subpecies-5-bloodrise.jpg” alt=”Subspecies V: Bloodrise – Best and Worst Films of 2023″ title_text=”subpecies-5-bloodrise” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #9: Subspecies V: Blood Rise

    I bet you never thought a movie from Full Moon Features would appear on a list of 2023’s best movies. But yes, the fifth installment in Ted Nicolaou’s iconic vampire series was way better than I could’ve imagined. You can tell that Full Moon invested a lot into this movie, and it shows in every facet of production. The locations are gorgeous, the cinematography is impeccable, and the acting is strong all across the board. This feels like the closest we’ll ever get to reliving the glory days of Full Moon circa 1989-1995. Nicolaou’s direction is on-point as always, Anders Hove gives another outstanding performance, and the story moves at a good pace. Sure, there probably were better movies in 2023, but the fact this came from Full Moon is astounding. Even if we never get something as good as this, we can still appreciate what Full Moon gave us.

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    #8: Air

    I’m not a huge sports fan, but you don’t need to know about the NBA to enjoy this inspirational film. Much like Ford v. Ferrari, this story is about overcoming the odds to make something seemingly impossible into a reality. Even if you’re already familiar with Nike’s partnership with Michael Jordan, it’s still a fascinating story worth retelling. Couple that with some fantastic performances from Matt Damon, Ben Affleck, and Jason Bateman, and you’ve got a real winner. However, the real show stealer is Viola Davis, playing Michael Jordan’s mother, who commands every scene she’s in. It helps that Alex Convery’s script has some great dialogue, and Affleck’s direction is solid and perfectly captures the 1980s. At slightly under two hours, the movie moves steadily without feeling rushed or prolonged to reach feature length. All in all, Air is a slam dunk that’s worth checking out, even for non-sports fans.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=Euy4Yu6B3nU&pp=ygUDYWly” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#7: Evil Dead Rise” _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/evil-dead-rise.jpg” alt=”Evil Dead Rise – Best and Worst Films of 2023″ title_text=”evil-dead-rise” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #7: Evil Dead Rise

    If you’ve been reading my reviews for a while, you know The Evil Dead is my all-time favorite horror film. So, when I first saw the trailers for Evil Dead Rise, I was initially skeptical about Lee Cronin’s standalone entry. Believe me when I say this movie blew my expectations out of the water and then some. Sure, it sucks that Bruce Campbell isn’t here, but the film works so well on its own that it’s ok. Unlike the sequels, this one plays out like a more serious horror film similar to the original. That said, there are some touches of dark humor and even a few nods that long-time fans will appreciate. Also, Lilly Sullivan and Alyssa Sutherland both give wonderful performances as the reluctant hero and unfortunate villain, respectively. Mix that in with some over-the-top gore, and you’ve got one of 2023’s best horror films.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=smTK_AeAPHs&pp=ygUOZXZpbCBkZWFkIHJpc2U%3D” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#6: Mission: Impossible – Dead Reckoning Part One” _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/mission-impossible-dead-reckoning-part-1.jpg” alt=”Mission: Impossible – Dead Reckoning Part One – Best and Worst Films of 2023″ title_text=”mission-impossible-dead-reckoning-part-1″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #6: Mission: Impossible – Dead Reckoning Part One

    It’s not often that a series can last for almost 30 years and still be above average, let alone good. The Mission: Impossible series is a rare exception, as each entry gets progressively better than the last. Even if this latest entry didn’t perform as well as some might’ve hoped, it’s still a fantastic action movie. Love or hate him, there’s a reason why Tom Cruise is one of the most prominent actors in the industry. His charm and likability, coupled with his need to do death-defying stunts, puts him above similar actors his age. That’s not discounting the other cast members, who do an incredible job and have their moments to shine. The action sequences are excellent, Christopher McQuarrie’s direction is impeccable, and the film leaves you wanting more. All I can say is that I cannot wait for Part Two when it comes out in 2025.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=avz06PDqDbM&pp=ygUtTWlzc2lvbjogSW1wb3NzaWJsZSAtIERlYWQgUmVja29uaW5nIFBhcnQgT25l” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#5: Spider-Man: Across the Spider-Verse” _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/spider-man-across-the-spider-verse.jpg” alt=”Spider-Man: Across the Spider-Verse – Best and Worst Films of 2023″ title_text=”spider-man-across-the-spider-verse” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #5: Spider-Man: Across the Spider-Verse

    Spider-Man: Into the Spider-Verse was one of my favorite films of 2018, so I was excited for the sequel. Considering how great the first film was, this one had much to live up to, and it more than succeeded. Like its predecessor, this one is a love letter to all things Spider-Man, with numerous references and easter eggs. Thankfully, these never get in the way of the actual story and don’t feel like they’re just for fan service. The central story focuses on Miles accepting his new calling as Spider-Man, which is riveting and keeps you on edge. Additionally, we’re given more development for Gwen Stacy, and The Spot makes for a fantastic villain. Admittedly, the beautifully fluid animation can sometimes be a bit much, but it’s still dazzling and surpasses the original. With superhero fatigue being common, Across the Spider-Verse should be what other superhero films aspire to be.
    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=cqGjhVJWtEg&pp=ygUjU3BpZGVyLU1hbjogQWNyb3NzIHRoZSBTcGlkZXItVmVyc2U%3D” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#4: John Wick: Chapter 4″ _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/john-wick-chapter-4.jpg” alt=”John Wick: Chapter 4 – Best and Worst Films of 2023″ title_text=”john-wick-chapter-4″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #4: John Wick: Chapter 4

    Much like the Mission: Impossible series, the John Wick series is the rare exception where each installment gets progressively better. This fourth, possibly final, installment is no exception, as it easily trumps even its three predecessors. There’s a reason why movies like Sisu are being greenlit, and that’s because of this decade-long series’ staying power. Once again, Keanu Reeves is in complete control as the strong yet silent assassin John Wick on his revenge quest. Another highlight is Donnie Yen as the blind assassin Caine, who has some fantastic fight scenes with Reeves. The fight choreography is superb, complimented by Chad Stahelski’s excellent direction and Dan Laustsen’s dynamic cinematography. Admittedly, it is a long movie, but there’s so much going on that keeps you engaged throughout its 169-minute runtime. While a fifth installment is still in development, it will be hard to top this one.

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    #3: Killers of the Flower Moon

    Martin Scorcese is one of those filmmakers whose movies are always good, and this is no exception. This epic about people going to great lengths to rob Native Americans of their oil money is spectacular. Leonardo DiCaprio and Robert De Niro gave some of the best performances of their careers without even trying. That said, Lily Gladstone is the highlight of this film, and I’m excited to see what she does next. The production design is exquisite, perfectly capturing the look of early 20th-century Oklahoma, highlighted by Rodrigo Prieto’s stellar cinematography. Robbie Robertson’s score is beautifully haunting and matches the somber tone throughout the story. Granted, the film is an extended sit at almost three and a half hours, but it’s still a fantastic watch. A haunting tale about the birth of the American century, Killers of the Flower Moon shouldn’t be missed.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=7cx9nCHsemc&pp=ygUaa2lsbGVycyBvZiB0aGUgZmxvd2VyIG1vb24%3D” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#2: Godzilla Minus One” _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/godzilla-minus-one.webp” alt=”Godzilla Minus One – Best and Worst Films of 2023″ title_text=”godzilla-minus-one” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #2: Godzilla Minus One

    While the Legendary Godzilla movies are enjoyable, no one does the King of the Monsters better than Toho. While Hollywood continually pumped out $200 million bore fests, along comes Godzilla Minus One, which had a $15 million budget. It’s even more impressive that the CGI in Toho’s latest kaiju movie is infinitely better than what Hollywood can deliver. Much like the 1954 original, this one depicts Godzilla as a force of destruction that instills dread. This excellent monster movie also works as a severe drama about Japan recovering after WWII that tackles survivor’s guilt. Though most other Godzilla movies had secondary human storylines, this one is engaging, and the human characters are memorable. This is a grand entry, even if you’ve never seen a Godzilla movie, and it might even convert non-fans. As I said in my original review, Godzilla Minus One should make Hollywood reevaluate their creative decisions.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=VvSrHIX5a-0&pp=ygUSZ29kemlsbGEgbWludXMgb25l” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#1: Oppenheimer” _builder_version=”4.23.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2024/01/oppenheimer-scaled.jpg” alt=”Oppenheimer – Best and Worst Films of 2023″ title_text=”oppenheimer” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.23.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ global_colors_info=”{}”]

    #1: Oppenheimer

    While Barbie might’ve won the box office battle, Christopher Nolan’s historical biopic about the atomic bomb won this reviewer’s heart. Whereas most modern movies are quickly forgotten about, this is one that I feel will stand the test of time. This is a great biopic, and it feels like Christopher Nolan’s celebration of all things cinematic. This is one of the year’s best-looking films, from the fantastic practical effects work to Hoyte van Hoytema’s excellent cinematography. Everyone in the cast is excellent, including Cillian Murphy, Emily Blunt, Matt Damon, Florence Pugh, and Robert Downey Jr. Pair with an excellent score from Ludwig Göransson, and you’ve got a cinematic experience you won’t soon forget. I usually don’t use the word “masterpiece,” but I think Nolan’s latest film deserves that title. Despite the primarily mediocre movies we get, Oppenheimer reminds us why we go to the theater in the first place.

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  • Godzilla Minus One (2023)

    Godzilla Minus One (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”]While 2016’s Shin Godzilla was a critical and commercial hit, Toho could only release another Godzilla film after some years. This was due to their agreement with Legendary Pictures not to make a Godzilla film alongside them. Meanwhile, Toho set up an office to discuss plans for the Godzilla series and hired Takashi Yamazaki to direct. For a dream sequence, Yamazaki had previously incorporated Godzilla in his 2007 film Always: Sunset on Third Street 2. Many news outlets reported that the budget was $15 million, less than 10% of Godzilla vs. Kong’s $155-200 million budget. Yamazaki set the film in post-WWII Japan and took influence from Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack. The movie was shot in Honshu’s Kantō and Chūbu regions between March and June 2022, with effects by Shirogumi Inc. After its Japanese release in November, Godzilla Minus One hit American shores in December 2023.

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    Synopsis

    Towards the end of WWII, kamikaze pilot Kōichi Shikishima (Ryunosuke Kamiki) flees his duties by flying to Odo Island. That night, he witnesses the entire base of technicians get wiped out by a giant dinosaur the locals call “Godzilla.” He returns home to find that his parents are dead, and his house was destroyed in the bombings. Kōichi inadvertently takes in Noriko Ōishi (Minami Hamabe), a local whose parents also died, and orphaned child Akiko (Sae Nagatani). While he tries to move on and works as a minesweeper, the dinosaur from before is mutated by atomic bombs. Now bigger and more powerful than ever, Godzilla makes his way to Ginza and goes on a rampage. In his wake, thousands are killed, including Noriko, and Kōichi swears revenge as the country struggles to rebuild. Will our heroes rise to take on this new threat, or will Japan be obliterated once again?

     

    Review

    In a time where we’re inundated with multi-million-dollar blockbusters with mediocre effects, along comes Godzilla Minus One to rival them. It says a lot when an under $15 million movie has better effects than The Flash, which had $300 million. Granted, $15 million isn’t a low budget, but it might as well be compared to today’s movies. While I generally prefer practical effects over CGI, I can’t deny that the digital effects in this movie are jaw-dropping. Sure, there’s a charm to the tried-and-true guys in rubber suits technique, but I’ll admit it wouldn’t have worked here. This is a much more serious, heartfelt, and emotional film on par with the original 1954 Godzilla. This is less of a kaiju movie and more of a human-focused drama featuring a kaiju. If you go into this expecting something like Godzilla vs. Kong, you will be disappointed.

    As much as I enjoyed that movie, this trumps Adam Wingard’s monster mash-up and then some. While that film had so many characters and subplots, this one keeps it simple and focuses on one central character. It helps that the human storyline is captivating, and the characters are well-developed to the point where they feel real. You care about the guilt that Kōichi feels for seemingly betraying his country and letting so many people die. Additionally, Takashi Yamazaki does an excellent job of giving the film a somber, almost apocalyptic feel. Seeing the characters wander the ruined streets of Tokyo after the bombings and Godzilla’s rampage adds to the tone. Like the Ishirō Honda original, this one depicts Godzilla as a force of destruction that wreaks havoc without mercy. As incredible as it is watching Godzilla fire his atomic breath, you also dread what he will do.

    At the heart of the film is a story of redemption, recovery, and people coming together to overcome significant obstacles. You could take Godzilla out of the movie, and it would still work as a drama about post-war Japan. That said, this film also celebrates the 70-year legacy of Godzilla, even including snippets of Akira Ifukube’s original score. If I had any criticisms, I admit that the characters can come off a bit one-note and stereotypical. Also, the acting can seem overdramatic and overly emotional, but it fits the film’s tone. Honestly, there is so much about this movie that works that it’s hard to find anything worth criticizing. Even if you’ve never seen a Godzilla movie, you’ll get something out of this and maybe want to see more. Overall, Godzilla Minus One should be a wake-up call for Hollywood to improve and put more care into their movies.

     

    Buy Godzilla: Minus One from Amazon: https://amzn.to/3CbWSNh.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Godzilla Minus One (2023)

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  • Wonka (2023)

    Wonka (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]British author Roald Dahl’s novel Charlie and the Chocolate Factory was published in the US in 1964 to instant success. The book caught the attention of filmmaker Mel Stuart and producer David Wolper, who decided to adapt it to film. Released in 1971, Willy Wonka and the Chocolate Factory received critical acclaim but wasn’t a huge financial hit. Over time, the film found its audience through repeated television viewings and home video, becoming a beloved classic. In 2005, Tim Burton directed the remake Charlie and the Chocolate Factory, which stuck closer to the original novel. While the film remains divisive, it was a massive financial success, grossing $475 million worldwide on a $150 million budget. In 2016, Warner Bros. reacquired the rights to Willy Wonka and announced the development of a new prequel film. After years of production and marketing, Wonka premiered in October 2023 before its worldwide December release.

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    Synopsis

    Since childhood, Willy Wonka (Timothée Chalamet) has dreamed of opening a chocolate shop at the Galeries Gourmet. Unfortunately, through a series of circumstances, he’s forced to work for the devious Mrs. Scrubitt (Olivia Colman). To try to pay off the overwhelming debt he owes, Wonka goes out to Galeries Gourmet to sell his chocolate. However, he’s stopped by rival chocolatiers Mr. Arthur Slugworth (Paterson Joseph), Mr. Prodnose (Matt Lucas), and Mr. Fickelgruber (Mathew Baynton). Known as The Chocolate Cartel, they control all candy production, bribing a priest (Rowan Atkinson) and the chief-of-police (Keegan-Michael Key). With help from other people forced into Mrs. Scrubitt’s servitude, Wonka vows to make his dreams a reality. Along the way, he contends with the police, Mrs. Scrubitt’s assistant, Bleacher (Tom Davis), and an Oompa Loompa (Hugh Grant). As Wonka’s mother told him, “Every good thing in this world started with a dream.”

     

    Review

    Like many people, I was immediately skeptical about this movie when I first heard about it. The original is such a timeless classic, and the 2005 version, while not great, stuck closer to the source material. It seemed pointless to revisit this material for a third time, let alone make a prequel to the original film. Thankfully, I’m happy that Wonka exceeded my expectations, living up to the 1971 classic while working on its merits. First off, Timothée Chalamet does a great job as the youthful Willy Wonka, whose unbreakable optimism is contagious. He gives the role a ton of charisma and wit that honors Gene Wilder without appearing as an imitation. You genuinely want to see him succeed and overcome the odds, even as things seem more dire. It helps that he has a solid singing voice, and the songs are incredibly catchy.

    The rest of the cast does a commendable job, mostly playing it up for laughs and mugging for the camera. The one exception is Calah Lane as the orphan girl, Noodle, who becomes fast friends with Wonka. She plays her part straight and works as an anchor for Chalamet’s unbridled positivity that keeps the film grounded. Hugh Grant also stands out as Lofty, an Oompa-Loompa pursuing Wonka and stealing his chocolate to compensate for his failures. The production design is on another level, with fantastic sets and elaborate effects, justifying the film’s $125 million budget. Paul King does a great job keeping the pacing moving without rushing or dragging things out. The movie breezes at barely two hours long and never feels bogged down by unnecessary filler scenes. It’s a fun experience that the whole family can enjoy and get something out of.

    If I had any complaints, I’d say that while the first two acts are solid, the third somewhat falls apart. The movie goes from a heartwarming journey of making one’s dreams come true to a heist film. Granted, it’s not enough to ruin the movie as it is overall enjoyable, but it is worth pointing out. Also, as whimsical as the film is, it’s not afraid to tackle some darker subject matter. It’s nothing challenging or life-altering but more than what you’d expect from a lighthearted family film. While I wouldn’t say it’s better than the Mel Stuart original, this makes for a good companion piece. But you’ll find something to enjoy whether you’ve seen the other two movies or haven’t heard of the source material. Overall, Wonka is an enjoyable, wholesome movie that reminds us to pursue our dreams and see the magic around us.

     

    Buy Wonka from Amazon: https://amzn.to/4fqQYpQ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Bad CGI Gator (2023)

    Bad CGI Gator (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]Love it or hate it, computer-generated imagery or CGI has been a tool in filmmaking for decades that won’t go away. While CGI had been experimented on since the 50s, the technology wasn’t fully realized until the early 90s. Blockbusters like Terminator 2: Judgement Day and Jurassic Park revolutionized visual effects and showed what CGI could do. However, even as the technology continued to grow, there’s always been some pushback by people who found the effects unrealistic. This isn’t helped by how most movies made in the last 20 years have mainly used digital effects. Plenty of low-budget studios crank out movies with intentionally poor digital effects, most notably The Asylum with their Sharknado series. Wanting to capitalize on this trend, Charles Band’s son Zalman wrote a screenplay based around a digital lizard. With Danny Draven directing, Bad CGI Gator premiered on Full Moon’s streaming service in late 2023.

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    Synopsis

    College grads Chad (Ben VanderMey), Sarah (Rebecca Stoughton), Pearce (Cooper Drippe), and Paisley (Sarah Buchanan) are celebrating Spring Break. They rent a cabin in the Georgia bayou along with buzzkill Sam (Michael Bonini) and Chad’s sister Hope (Maddie Lane). To try to go viral on social media, Sarah leads the others in throwing their school laptops into the lake. Little do they know that a miniature digital alligator starts growing when it comes in contact with their computers. As the group continues drinking and trying to get lucky, the gator lurks outside, looking for its next victim. Before long, the gator eats the college grads one by one, with those left scrambling for a way out. While the gator moves around unnaturally, flies through the air, and continues growing, our heroes try to stay together. It’s terror rendered too cheaply when our heroes face the Bad CGI Gator!

     

    Review

    If nothing else, Bad CGI Gator lives up to its title: it’s got a gator made from bad CGI. Like Cocaine Bear, the movie gives you exactly what the title promises, so you can’t accuse it of false advertising. Unfortunately, that’s where anything positive I can say about this movie ends since it doesn’t have much else to offer. Aside from its titular gimmick, this is another feeble excuse for a film that Full Moon seems fine with releasing. For one, this barely qualifies as a movie since its runtime is just slightly under an hour. Granted, I’m glad they didn’t add pointless filler to increase the length artificially, but it’s still worth pointing out. It feels like Charles and Zalman had an idea for something that could be amusing but didn’t think much further. Well, at least father and son are working on movies together.

    The cast seems to follow the Eli Roth school of acting, which means being as unlikeable as possible. I’m sure they’re trying to make fun of younger generations obsessed with social media, but it falls flat. Just because most of these characters are going to die doesn’t mean they should speak only in stereotypical bro talk. It doesn’t help that almost everyone plays their part as if they’re in a comedy, which often doesn’t work. It’s much funnier when the cast acts like they’re in a serious drama, contrasting with the silliness around them. Michael Bonini plays the stereotypical nerdy guy, but he is more like a football player trying to be a loser. My favorite character in the movie is Hope, played effectively by Maddie Lane, who seems just as annoyed as me. Thankfully, she’s one of the few survivors, so the movie’s got that going for it.

    Despite my criticisms and issues with the film, this is one of those movies that’s almost critic-proof. Much like the Sharknado series or movies like Llamageddon, this was intentionally made as a bad movie. While there’s undoubtedly an audience for this kind of bad movie, I’m not part of that audience. To me, the best bad movies are the accidentally bad ones, either due to incompetence or the filmmakers not caring. For example, The Room is infinitely more entertaining despite being poorly made, horribly written, and badly acted. You can tell Tommy Wiseau tried making a great drama but failed in the best way possible due to incompetence. Danny Draven’s film may provide a few laughs, but it will be quickly forgotten within a month or two. Overall, Bad CGI Gator has nothing much going for it besides a funny title and a cheesy gimmick.

     

    Buy Bad CGI Gator from Amazon: https://amzn.to/3UwKzkY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Room (2003)

    The Room (2003)

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    When it comes to bad movies, they’re typically harmless and will be quickly forgotten about before too long. However, some become legendary, such as Manos: The Hands of Fate, Plan 9 from Outer Space, or Troll 2. Enter Tommy Wiseau, a man of mysterious origins who had dreams of making it big in Hollywood. After seeing 1999’s The Talented Mr. Ripley, Wiseau was inspired to write a stageplay that was quickly rejected. Then, he tried adapting it to a novel, which was also rejected, so he decided to make a movie instead. After acquiring a $6 million budget, a mystery yet to be solved, he set out to make his masterpiece. Four months of agonizing shooting followed, plagued with issues like last-minute replacements, poor decisions, and crew members walking off. With everything said and done, Tommy Wiseau’s vanity project, The Room, was released in 2003, and the rest is history.

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    Synopsis

    Johnny (Tommy Wiseau) is a successful San Francisco banker living in a two-story home with his fiancée, Lisa (Juliette Danielle). While things seem to be going great for Johnny, what he doesn’t know is that Lisa is being unfaithful. Dissatisfied with the relationship, she cheats on him with his best friend, Mark (Greg Sestero), who instantly feels regretful. During this, Johnny, Mark, and Lisa save their neighbor Denny (Philip Haldiman) from a ruthless drug dealer. As Lisa starts accusing Johnny of being abusive, he begins spiraling out of control and seeks help from his friends. They spend time confiding in each other while tossing a football in back alleys and parks, but it doesn’t help. Soon, truths will be revealed, friendships will be tested, and their lives will never be the same. All this and much more await anyone who dares subject themselves to The Room!

     

    Review

    The Room is one of the worst movies ever made, but you probably already knew that by now. Since its release twenty years ago, everyone and their grandmother have discussed everything wrong with this film. People have talked about the bad acting, ridiculous dialogue, numerous unresolved subplots, and noticeable flubs till the cows came home. However, much like other vanity projects like Battlefield Earth or the works of Neil Breen, The Room is something special. It’s a film that is so bad and incompetent that it’s transcended to become a cult movie phenomenon. Like the “Oh my god” scene from Troll 2, Wiseau’s “You’re tearing me apart, Lisa” has become iconic. Honestly, there’s not much more I can say about this infamous epic that other reviewers haven’t already discussed. However, I will try to give my unique perspective on Mr. Wiseau’s magnum opus.

    While I think the movie is technically terrible, The Room is so unintentionally hilarious that I can’t hate it. Unlike other notoriously bad movies like Freddy Got Fingered or It’s Pat, this one doesn’t make me regret my decisions. Tommy Wiseau’s slurred speech and bad dubbing make his performance funnier, especially knowing he couldn’t remember his lines. My favorite moments are when he dismisses Lisa’s accusations and tells Mark to leave the party later. As easy as it would be to mock the other actors, I can’t fault them, considering the material they’re given. That said, Greg Sestero brings the same charm he did to Retro Puppet Master and is easily the best actor. It helps that he knew Tommy personally so he could figure out the best way to deliver his nonsensical dialogue. Also, Dan Janjigian goes all in for his small but memorable role as drug dealer Chris-R.

    For all its unintentionally funny moments, there are just as many scenes that drag the movie down. Also, some viewers may skip the numerous sex scenes that happen one after the other in the first fifteen minutes. None of them are even remotely erotic, playing out like the worst version of something you’d see on late-night Cinemax. What doesn’t help the pacing is all the stock footage of San Francisco meant to establish the locations. I wonder if Wiseau is trying to sell people the idea of visiting Alcatraz Island and The Golden Gate Bridge. For a film that’s only slightly over ninety minutes, the movie seems to go on way longer than that. While this movie is awful, I highly encourage people to watch it at least once to experience what it offers. Overall, The Room is one of the best bad movies ever, and God Bless Tommy Wiseau!

     

    Buy The Room from Amazon: https://amzn.to/47N4K2s.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Next Goal Wins (2023)

    Next Goal Wins (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]In 2014, the documentary Next Goal Wins, directed by Mike Brett and Steve Jamison, was released to universal acclaim. The film told the story of the American Samoa soccer team’s struggle to qualify for the World Cup. In 2019, Fox Searchlight Pictures announced that Taika Waititi would helm a feature film adaptation of the documentary. Among the cast included Michael Fassbender, Elisabeth Moss, numerous New Zealand-born Samoan actors making their debut, and Armie Hammer. The movie was shot in Honolulu from November 2019 to January 2020 with a $14 million budget. However, after allegations of sexual abuse surrounding Hammer surfaced in 2021, reshoots were done with Will Arnett replacing him. Due to prior commitments on Thor: Love and Thunder, Waititi’s sports movie wouldn’t be released until 2023. After premiering at the Toronto International Film Festival in September, Next Goal Wins hit theaters in November.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Since losing to Australia in 2001 31-0, the American Samoa national football team is considered the worst in history. The American Samoa Football Federation head, Tavita (Oscar Kightley), seeks a new coach to end their losing streak. Enter Thomas Rongen (Michael Fassbender), a Dutch-American football coach struggling with alcoholism and anger issues who’s recently been fired. Executive Alex Magnussen (Will Arnett) and Rongen’s ex-wife Gail (Elisabeth Moss) send him to American Samoa to fix his life. He becomes the football team’s new coach, which he’s not happy with, given his situation and the team’s reputation. However, as he gets to know the team better, especially transgender player Jaiyah Saelua (Kaimana), Rongen starts to change. He gets the team back on track and prepares them to compete in the 2014 World Cup. Will they end their decade-long losing streak or continue being a laughingstock in the football community?

     

    Review

    Taika Waititi has become a director that I have mixed feelings about, given his track record. While he’s made some great stuff like Thor: Ragnarok and Jojo Rabbit, Thor: Love and Thunder was a huge disappointment. Next Goal Wins falls somewhere in the middle: not as good as his earlier work, but better than his later stuff. This movie is like any other inspirational sports movie about an underdog team, from Cool Runnings to The Mighty Ducks. The only difference is that this film flat-out tells the audience several elements are embellished to suit the narrative better. This extends to the numerous pop culture references made throughout, including The Matrix, The Karate Kid, and Any Given Sunday. It feels like a much deeper story could’ve been explored, but much of it is sidestepped for entertainment’s sake. Again, it’s not all terrible, but there’s nothing new either.

    Michael Fassbender might’ve been an odd choice for Thomas Rongen, but he does a decent job as the struggling coach. His accent tends to slip occasionally, and he comes off so hateful to the players that it’s hard to sympathize. He follows the sports movie trope of the angry, bitter coach who learns to be a better person. Unfortunately, he’s given the most screen time/backstory at the expense of the American Samoa team, who get little development. The one exception is Jaiyah Saelua, played excellently by relative newcomer Kaimana, who’s given more character development. Seeing her relationship with the rest of the team is heartwarming, as they accept her for who she is. Honestly, I would’ve much rather seen her as the lead than the same tired story we were given. It comes off as wasted potential, but what we get does its job well enough.

    From a filmmaking perspective, Waititi does an excellent job of capturing the beauty of the Hawaiian landscape. The movie has bright colors, rich sunrises/sunsets, and plenty of tropical foliage that enhances the visuals. Otherwise, most of the film is shot statically and plainly without much in the way of dynamic camera angles. Some of the jokes land, including a bit involving Rogen going through the Five Stages of Grief. The rest mainly consists of poking fun at the Islanders, which seems a bit disingenuous. Parts of the film drag at roughly an hour and forty-four minutes, but it mostly breezes by. Fans of inspirational sports movies will enjoy this, but I can’t help feeling like this could’ve been so much more. Overall, Next Goal Wins is a decent piece of escapism, but it won’t leave much lasting impact afterward.

     

    Buy Next Goal Wins from Amazon: https://amzn.to/4flRtSa.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Thanksgiving (2023)

    Thanksgiving (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]For the 2007 double feature Grindhouse, directors Edgar Wright, Rob Zombie, and Eli Roth contributed three fake trailers. Wright homaged 70s European horror with Don’t, Zombie brought up Werewolf Women of the SS, and Roth offered up Thanksgiving. While the movie underperformed, the trailers were a highlight, and Roth started developing a feature film based on the trailer. Over the next few years, Roth and co-writer Jeff Rendell worked on fleshing out the script while producing other movies. During this time, Roth was hired by Lionsgate to direct a film adaptation of the popular video game Borderlands. While filming wrapped in 2022, reshoots were announced in early 2023, but Roth chose to make his holiday slasher instead. He left Tim Miller in charge while filming in Toronto and Ontario for three months on a $15 million budget. After 16 years of development, Thanksgiving finally slashed into theaters in November 2023.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    The small town of Plymouth, Massachusetts, is rocked to its core when a massive Black Friday sale ends in tragedy. One year later, Thomas Wright (Rick Hoffman), the store owner whose sale ended in death, plans to do it again. Wright commits despite warnings from his daughter Jessica (Nell Verlaque) and protests led by former manager Mitch Collins (Ty Olsson). Soon, a mysterious figure dressed as a pilgrim wearing a John Carver mask starts killing people in increasingly gruesome ways. The killer is targeting people involved in the Black Friday tragedy, which Jessica and her friends were present for. Sheriff Eric Newlon (Patrick Dempsey) is investigating the murders while Jessica deals with her ex-boyfriend Bobby (Jalen Thomas Brooks). As the killings continue, our heroes have to figure out who the killer is before they end up dead. This Thanksgiving, there will be no leftovers.

     

    Review

    If I’m being honest, I’ve never been the biggest fan of Eli Roth, primarily because of his writing style. In Cabin Fever and Hostel, he wrote the characters to be so unlikeable that you wanted them to die. That’s the sign of a bad writer: instead of writing well-rounded, three-dimensional characters, you make them as annoying as possible. With that in mind, I was genuinely surprised by how much I enjoyed Roth’s latest offering. Thanksgiving is a solid throwback to 80s holiday-themed slasher films like My Bloody Valentine and Happy Birthday to Me. One thing that impressed me immediately was the gore effects, which are all done practically and look great. There are some memorable kills, including a few from the original fake trailer, including the infamous trampoline scene. The over-the-top nature of the kills adds to the fun, grindhouse-type vibe the movie is going for.

    While I would’ve preferred Michael Biehn from the original trailer to return, Patrick Dempsey does an excellent job. He’s quiet and reserved, never playing the role for laughs and taking it seriously, which makes the dark humor funnier. Relative newcomer Nell Verlaque is also promising as the main heroine, Jessica, acting as the voice of reason. The rest of the cast is your typical slasher canon fodder, but that’s not to say they’re all detestable. Sure, there is some of that douchy bro attitude Eli Roth is known for, but it’s downplayed significantly here. Plus, any particularly unlikable characters are disposed of pretty quickly, so you’re never stuck with them for too long. Old-school slasher fans should look for an appearance from Lynne Griffin, known for Canadian chillers like Black Christmas and Curtains. Also, Gina Gershon has a small but memorable role early in the movie.

    If I had any complaints, I’d say one of the biggest is the runtime, roughly an hour and forty-seven minutes. A slasher film like this should be kept at ninety minutes, and plenty of slower scenes could’ve been excised. Also, while the first two acts are strong, everything starts falling apart in the third. The film loses the sense of dark fun it had and goes straight for the gross-out factor. Plus, even if the effect was digital, I wish this had that faux grainy, scratched-up look from Grindhouse. Regardless, you’ll have a good time here if you’re a fan of Eli Roth’s work or slasher films. Even if you generally don’t like Roth’s movies (like myself), you might be surprised with this one. Overall, Thanksgiving is an enjoyably gruesome and humorous take on a well-worn horror subgenre that never seems to die.

     

    Buy Thanksgiving from Amazon: https://amzn.to/4f85pzl.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Marvels (2023)

    The Marvels (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]On a $160 million budget, Captain Marvel grossed over $1 billion worldwide, making it the 9th highest-grossing film of 2019. A few months after its release, Marvel Studios head Kevin Feige announced a sequel was in the works. In early 2020, Megan McDonnell was hired to write the sequel after working on the Disney+ series WandaVision. Anna Boden and Ryan Fleck, who directed the first film, would not return, so Marvel sought a new director. After considering Olivia Wilde and Jamie Babbit, the studio hired Nia DaCosta, who previously helmed the Candyman remake. Brie Larson returned to the title role, with Teyonah Parris and newcomer Iman Vellani joining the cast. The movie was shot between July 2021 and May 2022 in Pinewood Studios, Longcross Studios, LA, and Tropea. After numerous delays, The Marvels premiered in Vegas on November 7, 2023, before its wide release three days later.

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    Synopsis

    In her quest to restore her homeworld, Dar-Benn (Zawe Ashton) acquires a Quantum Band, allowing her to create space rifts. These anomalies catch the attention of S.W.O.R.D., an intelligence agency headed by Nick Fury (Samuel L. Jackson). He asks Carol Danvers/Captain Marvel (Brie Larson) and Monica Rambeau (Teyonah Parris) to investigate, but something goes wrong. The anomaly causes Carol, Monica, and Kamala Khan/Ms. Marvel (Iman Vellani) to switch places when they use their powers. They deduce that their light-based powers are caught in a quantum entanglement caused by Dar-Benn creating jump points. It turns out that Dar-Benn is using the jump points to siphon resources to revive the Kree homeworld, Hala. With Dar-Benn’s jump points threatening to rupture existence, Carol, Monica, and Kamala team up to stop her. Will The Marvels save the universe, or will it fall apart while Dar-Benn tries restoring the Kree empire?

     

    Review

    At this point, it feels like I’m watching all the MCU movies out of obligation rather than genuine interest. With a few exceptions, most of them have been decent at best and mediocre at worst. While not as bad as Ant-Man and The Wasp: Quantumania, The Marvels is another forgettable mediocre MCU movie. Part of it could be superhero fatigue, but that doesn’t change the fact that this movie is pretty dull. To start positively, I will say that some performances aren’t half bad, with Iman Vellani being a huge standout. Much like in Ms. Marvel, her energy and enthusiasm is infectious, and I look forward to what she does next. Brie Larson and Teyonah Parris are decent, though they come off slightly on the bland side. Samuel L. Jackson still has a commanding presence, even if he isn’t given much to do.

    Unfortunately, that’s where most of the positives end, as this has all the elements of a weak MCU movie. Dar-Benn is right up there with Ronan the Conqueror and Malekith as one of the weakest villains in the series. While they try giving her a compelling motivation, she comes off as a stereotypical big bad wanting to destroy everything. It doesn’t help that Zawe Ashton’s performance mainly consists of wide-eyed expressions and delivering her lines in a whispering tone. Also, the whole “switching places when they use their powers” gimmick could’ve been fun, but it’s underutilized. Aside from a few action scenes and a decent training montage, the gimmick is hardly used and is mostly forgotten. There are also some out-of-place attempts at humor, like when the heroes visit a planet where people communicate through song. It’s on par with what Taika Waititi did on Thor: Love and Thunder.

    The film’s best parts were the quieter, more character-driven scenes, like Kamala’s family or the main heroes bonding. It’s in the big, CGI-filled action sequences that the film feels generic and hollow, like most of the MCU recently. I’m glad Nia DaCosta got to direct a big-budget blockbuster, but I don’t know if she was the right choice. Not that the film is shot poorly or the editing is awful, but there’s no sense of style. Considering her last film had a $25 million budget, maybe she’s not ready for such a vast project. One thing I can credit this movie for is that it’s relatively short, at only an hour and 45 minutes. Still, Marvel Studios should take some time off, regroup, and commit to delivering better content than this. Overall, The Marvels has moments, but you can skip this one unless you’re a hardcore MCU fan.

     

    Buy The Marvels from Amazon: https://amzn.to/3Afde7n.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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