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  • Sorority Babes in the Slimeball Bowl-O-Rama 2 (2022)

    Sorority Babes in the Slimeball Bowl-O-Rama 2 (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]Since its release in 1988, Sorority Babes in the Slimeball Bowl-O-Rama has become a huge cult favorite. Director David DeCoteau continued working with Charles Band into the Full Moon era, directing almost 30 movies for the studio. Some of the more notable films DeCoteau made included Puppet Master III: Toulon’s Revenge, Beach Babes From Beyond, and Shrieker. After directing Puppet Master: Axis of Evil, Decoteau made the 1313 series and family films like A Talking Cat!?! In 2019, Charles Band announced The Deadly 10, a series of 10 movies linked to the studio’s past. Chief among them was a sequel to the 1988 cult classic with DeCoteau returning to the director’s chair. Unfortunately, plans were put on hold due to the pandemic, but the project resumed in 2022. With Brinke Stevens directing, Sorority Babes in the Slimeball Bowl-O-Rama 2 premiered on Full Moon’s streaming service in December 2022.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    At the Pi-Epsilon sorority, sisters Sarah (Jessie Gill) and Tiffany (Katie O’Neill) are desperate to recruit new pledges. Luckily for them, Ginger (Audrey Neal) and Devon (Hannah Tullett) are looking to join alongside the rebellious Bitsy (Glory Rodriguez). Their housemother, Auntie Snake (Kelli Maroney), warns them about the initiation ritual, given what happened in 1988. However, Sarah wants to maintain tradition, so she sends Ginger, Devon, and Bitsy to the ill-fated bowling alley. Along with Bart (Luka Parente), Turkey (Nathan Blair), and Dinger (Justin Lupo), the girls have to steal a trophy. While throwing a little bowling party, Bitsy and Turkey stumble across the trophy, only for Turkey to accidentally break it. This brings out The Imp (Derek Jeremiah Reid), who grants their wishes but with disastrous consequences. It’s happening all over again as this new batch of would-be victims contends with the mischievous imp.

     

    Review

    The original Sorority Babes in the Slimeball Bowl-O-Rama isn’t what I’d call a good movie, but it was enjoyably trashy. Sure, the story was nonsensical, the acting was mediocre, and the effects were shoddy, but it had charm. On the other hand, the sequel has none of the low-budget charms that made the original enjoyable to watch. Before going into my criticisms, there are some nice things I can say about this unfortunate sequel. For starters, Kelli Maroney is easily the movie’s high point, giving an entertainingly snarky and cynical performance. Also, while Michael Sonye is missed, Derek Jeremiah Reid does a decent job doing a similar voice as The Imp. He offers the same corny jokes and off-color remarks you’d expect from the character and does it reasonably well. Also, Brinke Stevens and Michelle Bauer have fun cameos as ghosts watching the film play out.

    Unfortunately, that’s where any of the positives end because the movie, as a whole, really does not work. For one, it’s more or less a remake of the original, with almost nothing new added aside from different characters. Also, it says a lot when the puppet from the 1988 original looks better than the puppet here. With this, everything feels flat and generic, with no dynamic look, no interesting camerawork, and shoddy CGI. Say what you will about David DeCoteau’s directing, but he at least gave the first film some style. While the cast looks like they’re having fun, none of the characters are likable or stand out. Plus, the fact that this is barely over an hour while the original was 80 minutes exemplifies its disappointing nature. Despite its best intentions, Sorority Babes in the Slimeball Bowl-O-Rama 2 is a huge letdown from the first film.

     

    Buy Sorority Babes in the Slimeball Bowl-O-Rama 2 from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Lust for Freedom (1987)

    Lust for Freedom (1987)

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    Following the closing of the Robinson Mine, the citizens of Ely, Nevada, formed The Bristlecone Film Committee in 1983. The committee advertised their town as an ideal filming location, which caught the attention of producer/director Eric Louzil. Louzil contacted the committee in 1984 to use Ely as the filming location for a women-in-prison movie, Georgia County Lock-up. Filming started in 1985 on a $1.5 million budget, with many locals serving as cast and crew. About 30% of the film was shot in Nevada, while the rest of the filming took place in California. In 1986, Louzil met with Lloyd Kaufman, who agreed to add $125,000 for sound, additional filming, and converting to 35mm. In exchange, Troma would get distribution rights to the film, which included theatrical and home video. After premiering at Cannes in 1987 as Lust For Freedom, the film hit theaters the following year.

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    Synopsis

    After an undercover drug bust went wrong, police detective Gillian Kaites (Melanie Coll) mourns the death of her partner/fiance. She goes on a road trip to try and forget what happened and is taken to the Georgia County police. Kaites meets with Sheriff Coale (William J. Kulzer), who spikes her drink and frames her for possessing illegal substances. She wakes up in prison with several other women who’ve been captured and thrown in jail for bogus reasons. Coale and his partner, Ms. Pusker (Judi Trevor), subject the prisoners to torture and abuse. In addition, Warden Maxwell (Howard Knight) sells the girls off to the highest bidder and makes snuff porn. Having witnessed all the abuse she and the other prisoners have suffered, Kaites decides to start a jailbreak. She’ll make sure her fellow prisoners have the same lust for freedom that she does.

     

    Review

    Lust For Freedom is as bare bones as you can get with a women-in-prison movie, and that’s not bad. This movie is exactly what you want if you’re looking for gratuitous nudity, massive explosions, and gun violence. Unfortunately, that’s about all this movie offers because the rest is pretty bland and not as bombastic as it promises. To his credit, it feels like Louzil wanted to make a legitimate exploitation film rather than an intentionally campy flick. Like Fortress of Amerikkka, which came out two years later, this movie plays it reasonably straight. All the actors play their parts like they’re in a legitimate drama, with no one going too over the top. This is Melanie Coll’s only acting credit to date, and it’s easy to see why since she’s not very memorable. It’s not that she’s terrible, but she doesn’t stand out from everyone else.

    William J. Kulzer, who gave a stand-out villainous performance in Louzil’s later film, is surprisingly subdued here. What’s more surprising is that he goes from being a bad guy to becoming one of the good guys later. Opposite Kulzer is Judi Trevor, who seems to be trying to stand apart from everyone else with her performance. She tries to be intimidating and over-the-top, but it doesn’t quite work when the rest of the movie is uninteresting. There’s plenty of T&A, but it feels less like a trashy exploitation flick and more like soft-core porn. The soundtrack keeps this movie mildly entertaining, especially the title track and “Rock You To Hell” by Grim Reaper. Combined with all the nudity and explosions, the music enhances this film’s cheesy B-movie quality. Overall, Lust For Freedom has some entertaining elements, but it’s mostly a forgettable watch.

     

    Buy Lust For Freedom from Amazon: https://amzn.to/4jR7ink.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Lust for Freedom (1987)

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  • Violent Night (2022)

    Violent Night (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]In 2020, Universal bought the rights to a script by Pat Casey and Josh Miller of Sonic the Hedgehog fame. The genesis of this script came from a decades-long debate: is Die Hard a Christmas movie? With this in mind, they wrote an action movie like the Bruce Willis classic that was undeniably a Christmas movie. In the director’s chair was Tommy Wirkola, most famous for his Dead Snow movies and Hansel & Gretel: Witch Hunters. For the role of the violent Santa, David Harbour of Stranger Things fame was hired, though he was initially reluctant. What drew him to the script was that amidst the bloody violence was a message about the spirit of Christmas. With the rest of the cast in place, filming lasted from January to March 2022 in Winnipeg. After premiering at New York Comic Con in October, Violent Night hit theaters nationwide in December.

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    Synopsis

    Santa Claus (David Harbour) contemplates quitting at an Irish pub on Christmas Eve, given how rotten the kids have become. Elsewhere, Jason Lightstone (Alex Hassell), his estranged wife Linda (Alexis Louder), and their daughter Trudy (Leah Brady) visit his family. Gathered at the mansion of his foul-mouthed mother, Gertrude (Beverly D’Angelo), are Jason’s sister Alva (Edi Patterson), and her family. Santa eventually arrives at the mansion, only to see the staff executed by mercenaries led by “Mr. Scrooge” (John Leguizamo). Scrooge and his cohorts are there to steal the $300 million that Gertrude stole from her own company. Using a walkie-talkie, Trudy tells Santa what’s going on, so he reluctantly attacks the mercenaries, killing them off one-by-one. As Santa’s rampage continues, Scrooge wonders if he’s the real deal as he tries to eliminate the jolly would-be hero. These bad guys better watch out because Santa Claus is comin’ to town!

     

    Review

    Since the trailer was first dropped, Violent Night has gotten much attention based solely on the ridiculous premise. Well, I’m here to let you know that this movie is exactly what you think it is, and it’s fantastic. First, David Harbour gives one of his best performances as a disgruntled Santa, questioning whether or not he should continue. Not only does he deliver when it comes to the action, but he adds tons of humanity to the role. Also noteworthy is Leah Brady as Trudy, the young girl who still believes in Santa even when things are bad. The relationship she and Harbour build gives the film much more heart than expected from such a bloody movie. As the villain Scrooge, John Leguizamo chews through the scenery and has a blast playing this larger-than-life character. The scenes between him and Harbour are easily the film’s best parts.

    As the marketing would lead you to believe, this is one violent and bloody Christmas film. This isn’t surprising, considering that David Leitch, who directed Deadpool 2 and Bullet Train, produced the movie. Like those movies, the action is very fluid, well-shot, and well-choreographed, making them a spectacle to behold. The action sequences complement the story, especially when we learn little tidbits about Santa’s history as a Viking warrior. If I had any complaints, I’d say that most other characters feel more like caricatures than actual people. Aside from Trudy’s parents, none of the other characters are likable, though that may have been the intent. Also, despite the film clocking in at under two hours, a good 5-10 minutes could’ve been trimmed without ruining anything. Overall, Violent Night is a bloody, violent, and surprisingly heartfelt Christmas movie that will get you in the holiday spirit.

     

    Buy Violent Night from Amazon: https://amzn.to/3AlPDBZ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Violent Night (2022)

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  • Famous T & A (1982)

    Famous T & A (1982)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]With the advent of home video in the 1980s, numerous studios started making compilation tapes using obscure movie footage. Some notable examples include Terror in the Aisles, Coming Soon, and It Came from Hollywood. There was Film House Fever, Mad Ron’s Prevues from Hell, and the Wizard Video comp tapes on the low-budget side. In 1982, Charles Band and Ken Dixon created The Best of Sex and Violence, a compilation of obscure movie trailers. The appeal of these comp tapes was that they were relatively easy to make, cost very little, and provided content. With the first comp tape being such a hit, Band and Dixon put together a more titillating tape. They hired B-movie queen Sybil Danning to host this collection of clips featuring name actresses getting nude. Released in 1982, Famous T & A tried to recapture the magic that Band and Dixon struck before.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    After strapping on her outfit for one of her big projects, Sybil Danning introduces these scintillating scenes. First up, we have revealing moments of actress Phyllis Davis on the set of the survival film Terminal Island. Next, Ornella Muti, best known as Princess Aura from Flash Gordon, bears all in the obscure 70s film Summer Affair. We also get the original Bond girl, Ursula Andress, paraded around in the cannibal film Slave of the Cannibal God. There’s also international superstar Jacqueline Bisset, fresh off of her roles in Bullitt and Airport, in 1971’s Secrets. We even get scenes from Charles Band’s earlier works, featuring Idy Tripodi from Auditions and Angela Aames from Fairy Tales. A pre-Elvira Cassandra Peterson shakes it in The Working Girls, and Vanity hooks up with a gorilla on Tanya’s Island. This and more can be found in the bizarre 74-minute collection Famous T & A.

     

    Review

    Despite my criticisms of its non-existent production values, I thought The Best of Sex and Violence was a fun treat. It had a good selection of trailers, each divided into individual segments, with a fun host delivering snappy comebacks. With Famous T&A, not even Sybil Danning’s presence can save this poor excuse for a compilation. Unlike Sex and Violence, this movie has no structure, going from one clip to another with no rhyme or reason. It doesn’t help that many clips are of inferior quality and choppily edited, making them nearly impossible to watch. Plus, for a movie claiming to feature now-famous actresses baring it all, only a few are what I’d consider “stars.” Besides Ursula Andress and Jacqueline Bissett, anyone unfamiliar with cult films won’t know Phyllis Davis, Laura Gemser, or Ornella Muti. Also, despite being listed on the poster, Nastassja Kinski is nowhere to be seen.

    Granted, in a pre-internet age, this movie certainly had its place for those looking for gratuitous sex and nudity. Back in the day, it was harder for people to find this stuff outside scuzzy movie theaters on 42nd Street. Comp tapes like this were an excellent way for people to access instant content years before the internet. This movie has its place in obscure film history, even if the final product isn’t great. After this, Ken Dixon would make two more compilation movies for Wizard Video: Filmgore and Zombiethon. His last credit was the cheesy space movie Slave Girls from Beyond Infinity, starring Elizabeth Kaitan, who makes everything better. As for this compilation, unless you want to see grainy footage of actresses stripping and screwing, there are better choices. Overall, Famous T&A isn’t awful, but you could spend 74 minutes doing something better.

     

    Buy Famous T&A on Amazon: https://amzn.to/43ddDRY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Famous T&A (1982)

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  • Rabid Grannies (1988)

    Rabid Grannies (1988)

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    After making Lucker the Necrophagus in 1986, Belgian filmmaker Johan Vandewoestijne approached Emmauel Kervyn with a directing opportunity. Kervyn was a martial arts expert who had been developing a project called Talion to star Jean-Claude Van Damme. Unfortunately, the project fell apart when producer André Coppens, head of VDS Films, ran out of money. However, Keryn had a horror movie script called The Long Night that was ready to start shooting. The movie was shot in Kortrijk and Ingelmunster Castle in 1987, with an all-French cast speaking English for commercial appeal. While Stardust Pictures mainly produced the film, Troma contributed to the budget in exchange for international distribution rights. Unfortunately, when Troma released it, several more graphic scenes were cut without the director’s knowledge. While released in Belgium in 1988 as Les Mémés Cannibales, the film hit the US in 1989 as Rabid Grannies.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#E09900″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    In a remote Belgian castle, the Remington family celebrates the birthdays of Aunts Elizabeth (Danielle Daven) and Victoria (Anne-Marie Fox). Most everyone in the family is a terrible person just looking to inherit their aunts’ wealth when they die. During the party, one of the servants, Alice (Patricia Davia), sees a strange woman by the gate (Cindy Rimoe). She gives Alice a box and says it’s a gift for the aunts courtesy of their absent nephew Christopher. During the party, Elizabeth and Victoria open the box, which releases a strange mist that turns them into horrific demons. The two then rip and tear the family apart as the rest struggle to escape the aunts’ wrath. The survivors hide in other parts of the castle, but it won’t be long before the aunties come for them. Which family members will survive, and who will fall victim to the demonic aunties?

     

    Review

    Despite the title, there are no grannies, nor does anyone become rabid. Though, I guess Rabid Grannies is a more memorable title and fits the original, which translates to The Cannibal Grannies. Questionable title aside, this is a decent, if forgettable, monster/splatter film reminiscent of Peter Jackson’s early work. There are some decent effects in creature design and gore for a relatively low budget. The scene where the aunts first transform is particularly memorable for how gross and slimy it is. There are also some entertaining death scenes, including a greedy fat man getting his ass bitten. The movie even dares to kill a child character, something rarely seen in horror movies even today. There’s much to enjoy for gorehounds and fans of cheesy 80s horror films. Unfortunately, for all the decent stuff in this movie, there’s just as much wrong here.

    The film’s biggest problem is that there aren’t any likable characters you can root for. Aside from maybe the kids, everyone is terrible, selfish, and, in some cases, sexist and homophobic. The action takes a long time to pick up, with the first 30 minutes devoted to family drama. Granted, if the intent were to emulate what it’s like to attend a family gathering, I’d say they nailed it. Still, it’ll be a while before any family gets picked off, even when things pick up in the second act. It doesn’t help that, as inventive as some of the death scenes are, many are cut to where they’re incomprehensible. The movie is padded at slightly over 90 minutes, but there’s enough dark humor and creativity to keep it fresh. Overall, Rabid Grannies will be either fun or godawful, depending on your taste, but either is valid.

     

    Buy Rabid Grannies from Amazon: https://amzn.to/3ONZzqp.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Rabid Grannies (1988)

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  • Oblivion (1994)

    Oblivion (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”]In 1986, Charles Band had a concept for a film called Shoot to Kill, a science-fiction/western mix. Unfortunately, the film wasn’t made after Empire Pictures went bankrupt years later, but Band carried it over to Full Moon. In the early 90s, Band shot several movies in Romania, including Subspecies, Mandroid, Trancers 4 and 5, and Lurking Fear. Seeing the potential, Band and cinematographer turned producer Vlad Paunescu established Castel Film Productions due to the inexpensive costs. For their first project, Band decided to resurrect the Shoot to Kill idea and hired comic book writer Peter David. Initially, Jeff Burr was set to direct before being replaced by Sam Irvin, who previously worked as Brian DePalma’s assistant. With a reported budget of $2.5 million, this was going to be one of Full Moon’s most ambitious films. While intended for a theatrical release, Oblivion hit video store shelves in late 1994.

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    Synopsis

    In 3031, on a remote planet, the alien outlaw Red Eye (Andrew Divoff) invades the Old West-style town of Oblivion. He challenges the town marshal, Zed Stone (Mike Genovese), to a duel, only to cheat and kill Stone. Red Eye and his goons – Lash (Musetta Vander), Bork (Irwin Keyes), and Wormhole (Frank Roman) – take over the town. Elsewhere, the marshal’s son Zack (Richard Joseph Paul) rescues a native named Buteo (Jimmie F. Skaggs) from a giant scorpion. Unfortunately, Zack learns of his father’s death from the local undertaker, Mr. Gaunt (Carel Struycken), and attends the funeral. Despite the outcries from the townsfolk, Zack abhors violence due to being an empath and refuses to confront Red Eye. However, when Red Eye and his gang kidnap Buteo, Zack decides to face his fears and rescue him. It’s high noon in outer space as cowboys and aliens go toe-to-toe in Oblivion!

     

    Review

    Oblivion is a fun genre mash-up showing what Full Moon could do with a sizable budget. For one, the cast is to die for, with names like Andrew Divoff, Meg Foster, Isaac Hayes, and Julie Newmar. Divoff, in particular, is having the time of his life playing the notorious reptilian outlaw Red Eye. Another highlight is George Takei as a drunken inventor who spouts off Star Trek quotes and is quite belligerent. There’s also Musetta Vander, who steals the show as Red Eye’s right-hand lady, Lash, who chews through the scenery. Admittedly, Richard Joseph Paul is a bit weak as the hero, but he does come through toward the end. Additionally, Jackie Swanson and Jimmie F. Skaggs come off as somewhat bland, though Skaggs at least has more to do. This is a movie where the villains are far more interesting than the heroes.

    Many of the costumes and sets may look cheap, but by Full Moon standards, this is a big-budget blockbuster. The blending of Old West and modern-day technology is a nice melding that helps it stand out from other westerns. Sam Irvin manages to stage some exciting action sequences, and Peter David’s script is filled with great gags. One joke that stands out is when Zack gives an emotional speech at his father’s funeral during bingo night. There’s also some excellent stop-motion animation from the late David Allen, which is always a treat. It’s a shame this movie didn’t get a theatrical release because I could’ve seen it doing relatively well. Sure, it doesn’t stack up to 1994’s The Lion King or Forrest Gump, but it’s better than The Flintstones. Overall, Oblivion is a flawed but entertaining genre mash-up from Full Moon’s heyday.

     

    Buy Oblivion from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Blood Rage (1987)

    Blood Rage (1987)

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    With the popularity of slasher films in the early 1980s, numerous studios tried making their own hoping for success. After gathering the funds from some investors, producer Marianne Kanter set about making a slasher in 1983. Kanter hired John Grissmer, whose only directing credit was the 1977 horror film Scalpel, to helm the project. While most of the cast was relatively unknown, the filmmakers hired Louise Lasser, best known for Woody Allen’s Bananas. Unfortunately, the film ran into numerous production problems, including director John Grissmer leaving over disagreements with Louise Lasser. Fortunately, Kanter convinced Grissmer to return and finish the movie, which was then titled Nightmare at Shadow Woods. Unfortunately, the film sat on the shelf for four years before getting a limited theatrical release in 1987. While heavily edited for theaters, the movie was released uncut on VHS under the new title Blood Rage.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In 1974, young Terry killed a couple making love and pinned the blame on his brother Todd. Ten years later, Terry (Mark Soper) lives with his mother, Maddy (Louise Lasser), while Todd (Mark Soper) has been institutionalized. Maddy is engaged to marry Brad (William Fuller), who owns the apartment complex she and Terry live at. Unbeknownst to them, Todd has escaped the mental institution and is pursued by Dr. Berman (Marianne Kanter). These events cause Terry to snap and resume his murdering ways as he kills Brad, Dr. Berman, and anyone else. Ultimately, Terry plans on pinning the murders on Todd as he did years ago while Todd tries clearing his name. When Maddy gets word of Todd’s escape, she gets worried and starts drinking, unaware of all the murders around her. Will Todd be able to clear his name, and who will fall victim to Terry’s blood rage?

     

    Review

    As far as slasher films go, Blood Rage is pretty standard, though it has a few things going for it. For instance, while none of the performances are outstanding, they’re above average for this type of movie. Even if it feels like she’d rather be anywhere else, Louise Lasser is easily the best actor in the film. Granted, most of her screen time is spent eating leftovers, drinking wine, and drunkenly calling people on the phone. Still, there are moments where she gives a heartfelt performance that’s almost way too good for this movie. Also, Mark Soper does a decent job playing twins, giving each one a distinct personality to help differentiate the two. Admittedly, the rest of the cast is pretty forgettable, but I wouldn’t say there was anyone who was particularly annoying. The actors do their best even if the material isn’t the greatest.

    Given its low budget, the gore effects are top-notch, whether someone is cut in half or a head splits open. The makeup effects were done by Ed French, who also worked on Sleepaway Camp, The Stuff, and Vampire’s Kiss. Also, the music by composer Richard Einhorn, who also worked on The Prowler, is pretty catchy and fits the film. On the downside, some aspects of the story, such as the motivations, don’t make much sense. After the opening scene, Terry lives happily while his brother is locked away, but Terry kills again for no reason. Why would he return to his murderous ways when he’s living well while people think his brother is a killer? There’s even a moment when a character asks Terry why he’s doing this, but there’s no explanation given. Overall, Blood Rage has some decent performances and gore effects, but the story is a mess.

     

    Buy Blood Rage from Amazon: https://amzn.to/3gncoLE.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Vegas in Space (1991)

    Vegas in Space (1991)

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    After making Super-8 films as a teenager, Phillip R. Ford enrolled in San Francisco State University’s film program. While attending class, Ford met Philip Mills, better known as Doris Fish, a drag queen originally from Sydney. One night, Ford showed Fish and her wife, Lori Naslund, Trouble in Paradise, a Super-8 short he had filmed back in 1981. Doris was so impressed with Ford’s short film that she agreed to star in his next project, Rollercoaster to Hell. The student movie got tons of attention and was shown on KTVU’s Creature Features, where Ford announced his next film. Doris had aspirations of making it big in Hollywood and pitched Ford an idea for an outer-space musical comedy. Filming lasted between 1983 and 1984, but post-production took an additional seven years due to a lack of funds. After everything was said and done, Vegas in Space finally premiered in October 1991.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In the 23rd century, Captain Dan Tracey (Doris Fish) and his Space Cadets receive a critical mission. Vel Croford, Empress of Earth (Miss X), instructs them to travel to the planet Kleetoeres to solve a jewel heist. However, only women are allowed on Kleetoeres, so Tracey and his men must take sex reassignment pills to blend in. Now, as women, Captain Tracy Daniels, Lt. Sheila Shadows (Ramona Fischer), and Lt. Debbie Dane (Lori Naslund) visit the Empress. According to Empress Nueva Gabor (Ginger Quest), her Girllinium gems, which maintain the planet’s orbit, have been stolen. The prime suspect is Veneer (Miss X), the planet’s queen of police, who agrees to work with Daniels. Helping out the ladies is Nueva’s Vice Empress, Princess Angel (Tippi), who secretly has an agenda. Who stole the Girllinium gems, will the ladies stop them, and what else will happen in Vegas in Space?

     

    Review

    Vegas in Space certainly earns its cult status just for how weird it is, especially with its intentionally tacky aesthetic. This movie was a labor of love, from the homemade sets and colorful costumes to the intentionally cheesy tone. Even if this was initially made as a vanity project for Doris Fish, you could tell the filmmakers cared. They spent the better part of a decade trying to get this film made, and that commitment is admirable. While made for a small budget, the filmmakers created a distinct, albeit tacky style that lends to the movie’s charm. The performances are over-the-top and campy, but that’s the vibe they were going for, and it works. The late Doris Fish shines as Dan Tracy/Tracey Daniels, the enigmatic leader who’s both strong and sassy. Her cohorts, Ramona Fisher and Lori Naslund, are appropriately ditzy and bubbly, which goes well with Fish’s attitude.

    However, as goofy as the movie is, and while the people involved had fun, it’s a bit of a mess. For a film that’s 85 minutes long, there’s a lot of padding to reach feature length. There are several scenes where nothing plot-related happens, and characters talk endlessly, dragging the pacing to a crawl. Some jokes land, but unless you’re familiar with drag culture, most of the humor will be lost on you. It’s also weird to call this a musical since there’s only one musical number toward the movie’s end. Plus, the film plays it a bit too safe, considering it’s made by drag queens for drag queens. If you’re a fan of campy sci-fi, you might get some enjoyment here, but there are better options. Overall, Vegas in Space might appeal more to drag fans, but it’s only watchable as a curiosity.

     

    Buy Vegas in Space from Amazon: https://amzn.to/3UUvQPb.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • V for Vendetta (2006)

    V for Vendetta (2006)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter Patrick Glauber. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.19.0″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”]In 1988, producer Joel Silver bought the rights to two of Alan Moore’s works, V for Vendetta and Watchmen. After the Silver-produced Road House was a relative success, writer Hilary Henkin worked on an initial draft. In the mid-90s, The Wachowskis, fans of the comic, started working on a script before making The Matrix. After the production of the last two Matrix movies wrapped, The Wachowskis offered James McTeigue the director’s chair. For the role of V, James Purefoy was initially cast but was replaced by Hugo Weaving due to creative differences. McTeigue cast Natalie Portman after meeting her on the set of Star Wars: Episode II – Attack of the Clones. Principal photography took place in London and Potsdam from March to June 2005 and was cinematographer Adrian Biddle’s last film. After premiering at the Butt-Numb-A-Thon in December 2005, V for Vendetta opened in US theaters in March 2006.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In the year 2020, Britain has become the world’s superpower under the rule of Chancellor Adam Sutler (John Hurt). While the rest of the populace has become complacent, one man known only as “V” (Hugo Weaving) opposes them. After rescuing a young woman named Evey Hammond (Natalie Portman), he takes her as his apprentice. With Evey’s help, “V” assassinates a group that previously worked at the Larkhill Detention Facility, conducting experiments on prisoners. Under orders from Sutler, Chief Inspector Eric Finch (Stephen Rea) is assigned to investigate and try to apprehend “V.” During his investigation, Inspector Finch learns that the government he serves engineered a virus to help bring them to power. Meanwhile, Evey ends up betraying “V” only to be locked in prison for her association with “V.” Britain will never be the same as November 5th approaches, when “V” executes his final plan.

     

    Review

    While most mid-2000s comic book movies were mediocre to below average, V for Vendetta is among the best. Admittedly, there are numerous differences between the film and its source material, which will upset hardcore fans of the book. Despite its considerable differences, the movie captures the book’s spirit and recontextualizes it for modern audiences. The film manages to tackle government repression, totalitarianism, and other sociopolitical issues while also being an entertaining action movie. Speaking of action, James McTeigue creates stylishly fluid sequences that feel like ballet acts as “V” slices through his enemies. Admittedly, there aren’t very many action scenes, but the ones we get are exciting to help advance the story. This comic book movie is more concerned with delivering a compelling story than having many fights. Even if Alan Moore was disappointed with the final result, The Wachowskis did a great job adapting the book.

    Hugo Weaving does a phenomenal job as the titular hero, though it’s disappointing what happened with James Purefoy. Natalie Portman delivers one of her best performances as Evey Hammond, a young woman who goes through a dramatic change. We see her go from a reluctant accomplice to being beaten and tortured until emerging as a strong government oppressor. Stephen Rea also goes through a similar change, albeit more subtly, as he digs deeper into what his government did. The rest of the supporting cast, including John Hurt, Stephen Fry, Tim Pigott-Smith, Roger Allam, and Sinéad Cusack, are excellent. At slightly over two hours, parts of the film drag, but the story is compelling enough to keep audiences invested. Even if it’s not the most faithful adaptation, this is still an excellent comic book movie with a thought-provoking story. Overall, V for Vendetta is a modern-day classic of comic book action.

     

    Buy V for Vendetta from Amazon: https://amzn.to/3AFe6lH.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Black Panther: Wakanda Forever (2022)

    Black Panther: Wakanda Forever (2022)

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    On a $200 million budget, Black Panther broke tons of box office records, grossing over $1.3 billion worldwide. Not only was it the second-highest-grossing film of the year, but it was also the ninth-highest-grossing film of all time. Naturally, Marvel Studios immediately wanted a sequel and announced it mid-2019, with Ryan Coogler agreeing to return as director. Sadly, plans were put on hold when actor Chadwick Boseman passed away on August 28, 2020, due to colon cancer. Marvel and Disney agreed not to recast the actor or create a CGI double to avoid fan backlash. The filmmakers chose Namor the Sub-Mariner for its central villain, who debuted in Marvel Comics #1 in 1939. Filming commenced in June 2021 at Trilith Studios and, due to various factors, wrapped around March 2022. While initially scheduled for a mid-2022 release, Black Panther: Wakanda Forever premiered in October before releasing nationwide in November 2022.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Following the death of King T’Challa, the world is turning its attention to Wakanda to share its resources. Despite pressure from foreign governments, Queen Ramonda (Angela Bassett) refuses since she knows what these people can do. Meanwhile, Shuri (Letitia Wright) is still mourning her brother’s death, believing she couldn’t save him despite all her technology. Ramonda tries to help her heal when they’re visited by Namor (Tenoch Huerta Mejía), king of the underwater city Talokon. He comes with a request – Wakanda will be destroyed unless they find an American scientist who designed a vibranium-detecting machine. The scientist in question is MIT student Riri Williams (Dominique Thorne), who gets kidnapped with Shuri by Namor’s soldiers. Ramonda recruits Nakia (Lupita Nyong’o) to rescue them, leading to Talokon going to war with Wakanda. With the threat of their home’s destruction, only one thing can stop Namor: the Black Panther!

     

    Review

    It could not have been easy for the filmmakers to make this movie, given Chadwick Boseman’s untimely death. That said, Black Panther: Wakanda Forever is a great sequel that honors the original while doing its own thing. First, the performances all across the board are phenomenal, with every actor having their moment to shine. Angela Bassett, in particular, delivers some heartfelt monologues about what her family has lost, and she sells it. I also have to commend Letitia Wright, who’s in an unenviable position of going from supporting player to lead actor. She carries the movie through and through, and her growth as a character is well done. While most MCU villains have been forgettable, Tenoch Huerta Mejía’s Namor is one of the better villains recently. He’s the kind of villain where you disagree with his methods, but you understand his motivation. He’s a very complex character.

    Returning actors Danai Gurira, Lupita Nyong’o, and Winston Duke do exceptionally well, with Duke delivering most of the humor. Martin Freeman and Julia Louis-Dreyfus do a good job, but they’re not given much to do. On the flip side, Dominique Thorne is an excellent addition to the MCU, and I’m excited to see her grow. There are fantastic action sequences between the more dramatic moments involving car chases, sea battles, and desert fights. Ryan Coogler does a great job setting up these sequences, making them thrilling and easy to see. If I have any complaints, the biggest would be the runtime, which clocks in at two hours and 40 minutes. Usually, I don’t mind a longer movie, but some padding could’ve been trimmed to make this a good two hours. Overall, Black Panther: Wakanda Forever is another fantastic MCU film that pays tribute to a fallen icon.

    [/et_pb_text][et_pb_code _builder_version=”4.19.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Buy Your Tickets on Sale to watch “Black Panther: Wakanda Forever” playing in theaters starting November 11th![/et_pb_code][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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