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  • Star Wars: Episode IV – A New Hope (1977)

    Star Wars: Episode IV – A New Hope (1977)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/s-SFBQIyHW4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]George Lucas was just a budding student at USC when he made his 1967 student film, Electronic Labyrinth: THX-1138 4EB. His short caught the attention of filmmaker Francis Ford Coppola, who decided to have it expanded to feature-length. The result was 1971’s THX 1138, which initially received mixed reviews and flopped at the box office. Feeling that part of why the film failed was its bleak tone, Lucas decided to write something more lighthearted. As a result, he followed up with the 1973 coming-of-age film American Graffiti, which was a critical and commercial success. While working on American Graffiti, Lucas started developing a new sci-fi film in the vein of Flash Gordon. After being rejected by various studios, including Disney, 20th Century Fox president Alan Ladd Jr agreed to take the project. After years of rewriting, filming, refilming, and behind-the-scenes struggles, Star Wars: Episode IV – A New Hope was released.

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    Synopsis

    A long time ago in a galaxy far, far away, a group of rebels is fighting against the Galactic Empire. Princess Leia Organa (Carrie Fisher) has stolen the plans to the Empire’s latest superweapon, the Death Star. She gives the plans to a droid called R2-D2 (Kenny Baker), who escapes the Empire with counterpart C-3PO (Anthony Daniels). The two land on the desert planet Tatooine, where they soon meet local farm boy Luke Skywalker (Mark Hamill). Luke accidentally uncovers a message hidden in R2 from Leia, who requests the aid of Obi-Wan Kenobi (Alec Guinness). After the Empire kills Luke’s aunt and uncle, he agrees to join Kenobi in rescuing the princess. They team up with local smuggler Han Solo (Harrison Ford) and his friend Chewbacca (Peter Mayhew) to rescue her. With the villainous Darth Vader after them, will they be able to rescue the princess and save the galaxy?

     

    Review

    Since its original 1977 release, there’s not much I can say about this film that hasn’t already been said. While originally released as simply Star Wars, it was retitled to Star Wars: Episode IV – A New Hope years later. No matter what you call it, the film is still a great start to what would become a major franchise. Given his relative inexperience at the time, Lucas’ direction is pretty decent, utilizing plenty of wide shots and sweeping angles. Acting-wise, everyone fills their roles perfectly well, though some of their performances can be a little rocky at times. At first, Mark Hamill can come off as slightly whiny, but he gives the role plenty of humanity and sincerity. It’s fair to say that Harrison Ford steals the show as the sarcastic smuggler who takes everything in stride. Carrie Fisher is also fun as a princess who can fight for herself.

    Even if he wasn’t fully on-board with the material, Alec Guinness gives a stellar performance as the sage-like Obi-Wan Kenobi. Plus, you’ve got Peter Cushing as a wonderfully sinister villain alongside David Prowse in the Darth Vader suit. Speaking of, James Earl Jones is perfect casting for the voice, his booming voice helps make the character more intimidating. For the relatively low budget, the visual effects are superb, even if some of them are masked by tacked-on CGI. John Williams’ score is legendary for a reason, as it adds more weight and makes the film feel bigger. I’d say the only major issue is the pacing can be slow at times, but it never gets boring. Whether you call it Star Wars or Star Wars: Episode IV – A New Hope, this is still a powerful film. Overall, Star Wars: Episode IV – A New Hope more than deserves its cultural significance.

     

    Buy Star Wars: Episode IV – A New Hope on Amazon: https://amzn.to/3CkKKcJ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Star Wars: Episode IV – A New Hope (1977)

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  • Star Wars Retrospective – An Introduction

    Star Wars Retrospective – An Introduction

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    Since 1977, Star Wars has remained one of the most successful and culturally significant franchises of all time. The brainchild of filmmaker George Lucas, the series has endured thanks to its characters, expansive lore, and memorable set pieces. The original trilogy films are often considered some of the greatest science-fiction films ever made, and for good reason. However, the prequel trilogy is remembered less favorably, and the current Disney era has been divisive amongst fans. Regardless, Star Wars is just as popular as it was at release, if not more so today. 2019 marks the release of what’s considered the conclusion to the saga, Star Wars – Episode IX: The Rise of Skywalker. In preparation, I plan to review each of the films before Rise of Skywalker‘s release, both good and bad. The Force is strong with FilmNerd as we begin Star Wars: A Retrospective.

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  • Knives Out (2019)

    Knives Out (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]In 2005, up-and-coming filmmaker Rian Johnson released his debut feature Brick, which received critical praise and has a cult following. While working on that film, Johnson was also developing the concept of an Agatha Christie-style whodunit murder mystery. However, his follow-up film was the comedic drama The Brothers Bloom in 2008, an idea he had before making Brick. His big break came with the release of his 2012 sci-fi thriller Looper, which was a surprise box office hit. This led to him getting the job to work on one of the biggest sci-fi franchises ever made, Star Wars. Released in 2017, Star Wars: The Last Jedi became the year’s highest-grossing film, though it received polarizing reviews. Even still, the success of Star Wars enabled Johnson to finally make his long-in-development whodunit murder mystery. So, in 2019, Rian Johnson and his long-time producing partner Ram Bergman brought us Knives Out.

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    Synopsis

    Harlan Thrombey (Christopher Plummer), a successful murder mystery writer, has been found dead following his 85th birthday the previous day. At first, his death is ruled as a suicide, but Detectives Elliot (Lakeith Stanfield) and Wagner (Noah Segan) investigate further. They gather up several family members, including eldest daughter Linda (Jamie Lee Curtis) and youngest son Walter (Michael Shannon). Alongside them are son-in-law Richard (Don Johnson), daughter-in-law Joni (Toni Collette), and grandchildren Megan (Katherine Langford) and Jacob (Jaeden Martell). A private investigator named Benoit Blanc (Daniel Craig) has also been hired by an anonymous source to investigate the death. At the heart of it all is Marta Cabrera (Ana de Armas), Harlan’s caretaker who was close to Harlan. Finally, there’s Linda and Richard’s son Hugh aka Ransom (Chris Evans), a spoiled rich kid who depends on everyone else. With the suspects lined up, a murder mystery is about to unfold.

     

    Review

    In a time where we are inundated with various sequels, remakes, and adaptations, it’s refreshing to see an original release. Knives Out is a very clever, well thought out, and entertaining murder mystery that keeps you guessing the entire time. Without giving much away, there’s a point where you think you’ve solved it, but then you’re hit by a curveball. Admittedly, there’s a point where it seems like there are far too many twists thrown out, which can be confusing. However, Knives Out is well-written and well-acted enough that everything starts to make sense after a while. Speaking of the acting, everyone in the cast does a terrific job and they all have their shining moments. Ana de Armas, as our protagonist, is very likable and works as the straight man to everything going on. However, Daniel Craig easily steals the show as the eccentric investigator with a southern droll.

    Altogether, this is one of the best ensemble casts ever assembled, each one giving their performance 100%. Knives Out often jumps back and forth between the present and the events leading up to Harlan’s death. Luckily, the flashbacks are never intrusive or out of place and serve to give further character insight and development. Plus, like many good murder mysteries, Knives Out gives you just enough information without outright spoiling itself. Also, even with all the twists and turns the movie takes, it’s never difficult to follow or hard to understand. Say what you will about Rian Johnson, but he’s a talented filmmaker who’s in high demand for a reason. Even if you’re not a fan of Star Wars: The Last Jedi, this is easily one of his best films. Overall, Knives Out is an enjoyable thriller with plenty of humor and suspense to make it one of 2019’s best.

     

    Buy Knives Out on Amazon: https://amzn.to/4fyDtVj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Knives Out (2019)

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  • An American Werewolf in London (1981)

    An American Werewolf in London (1981)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Filmmaker John Landis is probably best remembered for comedic classics like Animal House, The Blues Brothers, and Trading Places. However, before making some of the most iconic comedies of the 70s and 80s, he had his humble beginnings. In 1969, he got his first real job as an assistant director on the WWII comedy, Kelly’s Heroes. While working on that film, Landis witnessed a gypsey burial where a man was wrapped in canvas, garlic, and rosaries. The man was also buried feet first to prevent him from rising from the dead, which gave Landis an idea. He wrote the first draft soon after, but it was shelved for years as he continued growing his career. He soon found success directing The Kentucky Fried Movie, Animal House, and The Blues Brothers, all of which were hits. With this success, he got to make his dream project, An American Werewolf in London. [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”95″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    Synopsis

    Two young American men, David (David Naughton) and Jack (Griffin Dunne), are backpacking through the moors in Yorkshire, England. While traveling, they come across a pub called The Slaughtered Lamb, where they’re not welcome, so they decide to leave. Before leaving, they’re warned to avoid the moors, stick to the roads, and beware of the moon. Unfortunately, they end up disregarding their advice and are attacked by a large wolf, Jack killed and David left scarred. Sometime later, David wakes up in a London hospital, where he’s tended to by Nurse Alex Price (Jenny Agutter). David starts having a series of vivid dreams before being visited by Jack, now a member of the undead. Jack warns him that he’ll soon turn into a werewolf and he must kill himself, but David doesn’t believe him. Eventually, the full moon comes and David is turned into a deadly hound from hell.

     

    Review

    An American Werewolf in London is easily one of the best horror comedies ever made, achieving a perfect genre balance. Like I’ve said in my reviews of Evil Dead II and Blood Diner, horror-comedies can be tricky to pull off. Luckily, Landis manages to strike a balance between dark humor, crude jokes, tension-filled suspense, and effective use of gore. Right from the opening scene, David Naughton and Griffin Dunne are instantly likable and have great chemistry with each other. Speaking of, Naughton also has great chemistry with Jenny Agutter, which also adds an element of tragic romance. There are also some great character actors throughout, including John Woodvine, Dave Schofield, Brian Glover, Rik Mayal, and Frank Oz. Everyone in the cast knows exactly when it’s appropriate to be funny and when to act serious and even ominous. Also, be sure to look for a cameo from John Landis himself.

    Of course, it’s hard to talk about An American Werewolf in London without mentioning the makeup effects, for good reason. Done by the legendary Rick Baker, these are easily some of the best practical effects ever put on film. From Jack looking disemboweled and rotting to David’s initial werewolf transformation, it puts today’s CGI effects to shame. What also makes the initial transformation effective is Naughton’s performance, the bone-crunching sound effects, and the odd choice of music. Speaking of, the soundtrack is mostly comprised of “moon” songs, such as Blue Moon, Bad Moon Rising, and Moondance. While a more contemporary score would’ve fit some scenes better, the music is weirdly effective, adding an off-kilter feel. Other than some pacing issues and certain shots lasting too long, this is still an effective horror-comedy that deserves praise. Overall, An American Werewolf in London is essential viewing for budding horror aficionados.

     

    Buy An American Werewolf in London on Amazon: https://amzn.to/4fu8gCB.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch An American Werewolf in London (1981)

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  • Sorority Babes in the Slimeball Bowl-O-Rama (1988)

    Sorority Babes in the Slimeball Bowl-O-Rama (1988)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]David DeCoteau has had a career in B-movies since the early 80s, having started at Roger Corman’s New World Pictures. He worked as a production assistant on Galaxy of Terror and Escape from New York, both released in 1981. After that, he moved on to directing mostly adult films under the pseudonym David McCabe before he met Charles Band. In 1986, DeCoteau directed Dreamanic, which was followed up by the post-apocalyptic monster movie Creepozoids in 1987. Band was so happy with DeCoteau’s work that he decided to bring him on board to become a regular. For his next film, DeCoteau started working on a film called The Imp, which was turned into a horror-comedy. With the change in tone, they decided on a new title that would fit the film more. So, in 1988, the newly re-titled Sorority Babes in the Slimeball Bowl-O-Rama was released.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    At a college frat house, three guys, Calvin (Andras Jones), Jimmie (Hal Havins), and Keith (John Stuart Wildman), are bored. They get an idea: sneak over to the local sorority house where some new pledges are being initiated and watch. Unfortunately, they get caught by head sisters Babs (Robin Rochelle), Rhonda (Kathi O’Brecht), and Frankie (Carla Baron). As punishment, the three guys must accompany pledges Taffy (Brinke Stevens) and Lisa (Michelle Bauer) on a special mission. They’re sent to break into a local bowling alley and steal a trophy, the three heads watching via security cameras. While at the bowling alley, the gang runs into Spider (Linnea Quigley), a biker who’s robbing the place. They find a bowling trophy, but it gets dropped, releasing an imp named Uncle Impie (Michael Sanye, aka Dukey Flyswatter). He offers each of them a wish, but they soon discover that comes with a price.

     

    Review

    Having a title like Sorority Babes in the Slimeball Bowl-O-Rama, you should know what kind of movie you’re getting into. While this film is not going to receive high critical praise or sweep the Oscars, but it’s not trying to. The acting ranges from mediocre to downright amateurish, the effects are shoddy, and the story is flat out ridiculous. Even by Empire/Full Moon standards, this film is complete trash, but it’s still enjoyable trash that’s worth some laughs. One thing of note is the casting of three legendary scream queens: Linnea Quigley, Brinke Stevens, and Michelle Bauer. Not only are Stevens and Bauer more than willing to show some skin, but Quigley is owning all her scenes. She’s having fun playing a bad girl similar to her role in Return of the Living Dead, minus the nudity. However, the real star of the show is Uncle Impie.

    With a heavy ebonics-speaking voice and tons of corny jokes, Uncle Impie is what makes the film so much fun. The puppet itself looks pretty good, even though it has limited movement and the mouth doesn’t entirely match the voiceover. Also, much like other great B-movies, there’s even an appearance by George “Buck” Flower, once again giving a fun performance. As stated above, Sorority Babes in the Slimeball Bowl-O-Rama is not for everyone, especially for most mainstream audiences. However, if you’re the type of person who enjoys enjoyable trash cinema, this is well worth a watch. I should note that, at the time of writing this review, a sequel is already in the works. Whether or not the sequel lives up to the original, it shows how popular a seemingly bad movie can be. Overall, Sorority Babes in the Slimeball Bowl-O-Rama is a fun time for the right audience.

     

    Buy Sorority Babes in the Slimeball Bowl-O-Rama from Amazon: https://amzn.to/4d90Swm.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Ford v Ferrari (2019)

    Ford v Ferrari (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Since the mid-1980s, James Mangold has had quite a successful career as a writer, producer, and director. His first film, the independent drama Heavy, was a hit at the Sundance Film Festival and Cannes in 1995. He followed that up with 1997’s Cop Land, which also helped revitalize Sylvester Stallone’s career which was slumping. Mangold also directed 1999’s Girl, Interrupted, which won a Best Supporting Actress Oscar for Angelina Jolie. After Kate & Leopold in 2001 and Identity in 2003, Mangold’s next major film was 2005’s Walk the Line. A biopic about Johnny Cash, the film was both a commercial and critical success, earning five Oscar nominations. 2007 marked the first time Mangold would work with actor Christian Bale on the Western remake 3:10 to Yuma. Cut to twelve years later, where Mangold has teamed up again with Bale for a new biopic, Ford v Ferrari.

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    Synopsis

    Carroll Shelby (Matt Damon) was a professional racer who won the 24 Hours of Le Mans but had to retire. Sometime later, he gets an offer from Lee Iacocca (Jon Bernthal), the VP of Ford Motors, for a major project. After a botched deal with Ferrari, Ford wants to build a car to compete against them at Le Mans. With that, Shelby decides to enlist British racer/mechanic Ken Miles (Christian Bale) to help build the car. However, Miles has doubts that such a task can be met considering the quality of cars Ferrari makes. At the same time, Leo Beebe (Josh Lucas), a senior executive VP at Ford, has his doubts about Miles. Despite this, Shelby and Miles push forward to get their car made and ready to race at Le Mans. Will they succeed and outdo Ferrari, or will they be left in the dust?

     

    Review

    Going into Ford v Ferrari, I didn’t have much to go on other than the cast and director involved. I did know that this was based on a true story, but I was unfamiliar with said story. That being said, Ford v Ferrari is a thoroughly enjoyable film with some incredible performances and stellar directions. Damon and Bale, both great actors on their own, are phenomenal together, having great back and forths with each other. Even when they fight and have their disagreements, you can tell that there’s a real friendship between them. As per usual, Josh Lucas does a good job playing a complete sleazeball who’s fun to hate. Bernthal is also good, and special mention should go to Caitriona Balfe and Noah Jupe as Bale’s wife and son. Both of them help add human drama, are fun and memorable characters, and have great scenes with Bale.

    Despite the title, the focus isn’t necessarily on Ford or Ferrari, but more so on two guys against two corporations. Throughout Ford v Ferrari, you follow these two guys as they work together despite having Ford breathing down their necks. Even if you’re not into cars, it’s fascinating seeing these guys trying to build this perfect race car. It all leads up to the big race at Le Mans, which is a pretty tense and thrilling sequence. If I had any issues, I’d say that there may be some scenes that went on a bit too long. Also, despite him being what sets things in motion, Bernthal sort of disappears at about the halfway point. Even with that said, this is yet another fantastic film from a fantastic director of other fantastic films. Overall, Ford v Ferrari is an enjoyable film about the creative spirit and overcoming the odds.

     

    Buy Ford v Ferrari on Amazon: https://amzn.to/3NUso57.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Ford v Ferrari (2019)

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  • Dolemite Is My Name (2019)

    Dolemite Is My Name (2019)

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    During the 1970s, black comedians such as Redd Foxx and Richard Pryor started becoming popular thanks to their crude humor. Around the same time, comedian Rudy Ray Moore, aka the Harlem Hillbilly, was starting to emerge onto the scene. Wanting to be an entertainer since childhood, Moore struggled to find his niche until eventually finding success in comedy. After recording and releasing three comedy albums in the early 70s, Moore decided the next step would be the movies. Released in 1975, Dolemite received mixed to negative reviews but was a massive commercial hit grossing close to $12 million. He followed that up with The Human Tornado, Petey Wheatstraw, and Disco Godfather, but his career tanked in the 80s. Sadly, Moore died in 2008, though his legacy is still celebrated by rappers like Snoop Dogg and Busta Rhymes. Eleven years following his death, the biopic Dolemite Is My Name is released.

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    Rudy Ray Moore (Eddie Murphy) is a struggling artist working at a record store in 1970s Los Angeles. He also works as an MC at a local club for his friend Ben Taylor (Craig Robinson) and his band. One day, a homeless man named Ricco (Ron Cephas Jones) comes in and starts telling stories that captivate the patrons. That night, Moore finds Ricco amongst other homeless people, paying them in cash and booze to tell stories and jokes. Moore then modifies the material, creates a new character, and performs the act at the club, becoming an instant hit. Seeing the potential, Moore decides to record a comedy album, which becomes so successful, he’s offered a recording contract. After finding success with his albums and tours, Moore sets his sights on Hollywood with a Dolemite movie. With a dedicated but inexperienced cast and crew, Moore is determined to be a star.

    In terms of Netflix original movies, Dolemite Is My Name is by far the best one released so far. The film was written by Scott Alexander and Larry Karaszewski, famous for Tim Burton’s Ed Wood, and you can tell. Much like what that film did for Ed Wood, this both pokes fun at and pays loving homage to Moore. Craig Brewer’s direction is phenomenal, as he perfectly captures the look and feel of 1970s Los Angeles. Performance-wise, everyone is on point, with Eddie Murphy giving one of his best performances in a long time. After years of being in drek like Pluto Nash, Daddy Daycare, Norbit, and Meet Dave, this is a major comeback. Not only is he giving it his all, but he perfectly captures Rudy Ray Moore’s mannerisms and body language. Murphy did his homework when it came to mimicking Rudy Ray Moore and making it his own.

    Going back to the performances, Wesley Snipes is hilarious as actor/director D’Urville Martin, who doesn’t care about anything. He perfectly plays a character who thinks he’s all high and mighty but isn’t as big as he thinks. Craig Robinson and Mike Epps are fun as Moore’s friends, and Keegan Michael-Key has some great dry humor. Also, special mention has to go to Da’Vine Joy Randolph as Lady Reed, who gives an amazing performance here. There are some fun cameos from Snoop Dogg, Chris Rock, and Luenell that make Dolemite Is My Name extra fun. Also, going back to comparing this to Ed Wood, this film has an inspiring message behind about overcoming the odds. Much like the real-life story of Rudy Ray Moore, this film shows how drive and perseverance can pay off. Overall, Dolemite Is My Name, much like its source material, is bold, brash, and wildly entertaining.

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  • Dollman (1991)

    Dollman (1991)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Filmmaker Albert Pyun is certainly no stranger to B-movies, having worked in the industry since the early 1980s. He first emerged on the scene with the surprise hit The Sword and the Sorcerer in 1982. Despite receiving mostly negative films, the film made almost $40 million against a $4 million budget, eventually earning cult status. This led to him becoming a regular for Cannon Films, directing films like Dangerously Close, Alien from LA, and Cyborg. He also directed the ill-fated Captain America in 1990 that went unreleased for two years before being released direct-to-video. While working for Cannon Films, Pyun also directed Vicious Lips in 1986 for Charles Band’s Empire Pictures. After Empire’s fall and the rise of Full Moon Features, Band recruited Pyun to direct a few more movies. They were the 1993 sci-fi horror film Arcade and the 1991 sci-fi action film Dollman.

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    Synopsis

    On the far-off planet of Arturos, the tough-as-nails cop Brick Bardo (Tim Thomerson) stops a hostage situation while doing laundry. After getting home, he’s kidnapped and brought before the villainous Sprug (Frank Collison), who has stolen Bardo’s blaster. Fortunately, Bardo manages to retrieve his weapon, the Groger Blaster, and uses it to blow up Sprug’s henchmen. Sprug escapes into his ship, Bardo chases after him, and they both end up going through a wormhole. They land on Earth, specifically The Bronx, where it turns out they’re both roughly 13 inches tall. Bardo ends up meeting Debi (Kamala Lopez), a single mother who’s frustrated by the increasing crime rate in her city. Meanwhile, Sprug is discovered by local gang leader Braxton Red (Jackie Earle Haley), and they strike a deal. It’s intergalactic urban warfare as Bardo takes on Braxton and his gang and fights to clean the streets.

     

    Review

    Much like Trancers, Tim Thomerson once again shows off just how awesomely charismatic and entertaining he can be. As Brick Bardo, he essentially acts as a parody of Dirty Harry, with his attitude, overpowered gun, and general recklessness. Kamala Lopez does a great job, playing a civilian who stands her ground against crime and corruption in the city. For a relatively silly film, Jackie Earle Haley easily steals the show, playing his character with intensity and manic energy. Albert Pyun’s direction is solid, perfectly capturing the grittiness of The Bronx and New York in the early 1990s. However, at least 40% of the film is comprised entirely of establishing shots of the city, which can be repetitive. Also, as much as I prefer in-camera effects, many of the miniatures and compositing have aged pretty poorly. Admittedly, these do add to the film’s charm as a fun, cheesy B-movie.

    One thing that helps Dollman stand out is its themes of urban decay and people struggling to make ends meet. Granted, given that this is Full Moon, this might have been accidental, but that’s what I took away from it. Still, it’s pretty apparent with how Debi is struggling as a single mother whose husband was killed by street toughs. There’s a minor subplot about her trying to help the city and stop the crimewave despite an apathetic police chief. Admittedly, not much is done with this and it doesn’t lead to anything, but it’s still an interesting addition. Much like other Full Moon films, Dollman did return, first cameoing in Bad Channels and later fighting the Demonic Toys. We’ll get to that sequel, Dollman vs Demonic Toys, some other time, but for now, Dollman gets a strong recommendation. Overall, Dollman is a solidly entertaining film despite some minor flaws.

     

    Buy Dollman from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

     

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    Where to watch Dollman (1991)

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  • Jojo Rabbit (2019)

    Jojo Rabbit (2019)

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    After WWI ended in 1918, Germany was declining, between losing the war, the terms of surrender, and economic woes. One year later, a recently discharged soldier saw the potential to rise in power through propaganda and strongarming political leaders. That man was Adolf Hitler, who rose to power from 1921 until 1933 when he was declared chancellor of Germany. He would go down in history as one of the most tyrannical and genocidal dictators to ever live. Over the years, there have been various films made about Hitler, ranging from serious dramas to hilarious satires. Some examples of satire include Charlie Chaplin’s The Great Dictator in 1940 and Mel Brooks’ The Producers in 1967. Flashforward to 2019, where New Zealand filmmaker Taika Waititi (Thor: Ragnarok) has brought us his form of Nazi mockery. Based on the book Caging Skies by Christine Leunens, we have the comedy-drama Jojo Rabbit.

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    Synopsis

    In 1940s Germany, a young boy named Johannes “Jojo” Betzler (Roman Griffin Davis) dreams of being Hitler’s right-hand man. So much so that he even has an imaginary friend who happens to be Hitler (Taika Waititi) offering sagelike advice. He attends a Hitler Youth camp run by Captain Klenzendorf (Sam Rockwell), where an accidental grenade blast leaves him scarred. Thanks to his mother Rosie (Scarlett Johansson), Jojo manages to get work from Klenzendorf, mostly small tasks like spreading propaganda. One day at home, Jojo discovers a Jewish girl named Elsa (Thomasin McKenzie), who’s been hiding out in the attic. Though initially frightened because of his teachings, Jojo reluctantly starts spending time with her, mostly learning about the “Jewish secrets”. He starts having feelings for her, which goes against what he believes as a Nazi and starts frustrating imaginary Hitler. Will he hold onto his beliefs, or will he be changed?

     

    Review

    Jojo Rabbit is the perfect film to come out now, especially given much of the hatred that’s been spreading. It’s a very sweet and touching film that shows how love and compassion can conquer fear and hate. Roman Griffin Davis, for such a young actor, delivers a fantastic performance as a boy trying to prove himself. Thomasin McKenzie is also great, being both really funny and even showing her more dramatic side in some scenes. As per usual, Sam Rockwell steals just about every scene he’s in, easily one of the film’s highlights. Scarlett Johansson is both charming and sweet as a single mother trying to raise her son by encouraging love. Both behind and in front of the camera, Taika Waititi shows just how talented he is as a filmmaker/actor. As an imaginary Hitler, he can be really funny and simultaneously really intimidating, especially near the end.

    In terms of problems, Jojo Rabbit has a few that hinder it slightly, but not enough to ruin the film. Perhaps the biggest problem is that this film has very odd tonal shifts throughout, bouncing wildly between satire and drama. One minute, you’re laughing at some of the goofier moments between Jojo and either Elsa, imaginary Hitler, or his mother. But then, almost out of nowhere, there will be some dark and heavy scenes that seem out of place. Given the subject matter, it’s fair to expect that there would some darker elements in Jojo Rabbit. But the way it’s handled feels like tonal whiplash as if trying to remind you of the horrors going on. Granted, that might’ve been the intent, but it could put some audiences off, especially if they’re going in blind. Overall, while somewhat flawed, Jojo Rabbit is still worth your time.

     

    Buy Jojo Rabbit on Amazon: https://amzn.to/4dI9wSe.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Jojo Rabbit (2019)

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  • Doctor Sleep (2019)

    Doctor Sleep (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]In 1980, Stanley Kubrick’s psychological horror film The Shining, adapted from the 1977 Stephen King novel, was released. Despite receiving mixed reviews at the time, the film was a box office hit and eventually gained a critical reevaluation. However, King was never happy with the film version, essentially saying it was a good movie but a bad adaptation. Then again, King later made Maximum Overdrive to show how to “do Stephen King right”, though to less-than-stellar results. Years later, King hired director Mick Garris to readapt The Shining as a TV miniseries that’s more faithful than Kubrick’s. Unlike the Kubrick version, the miniseries was initially received positively and won some awards, but retrospective reviews were less favorable. In 2013, King wrote a sequel to the novel, and plans for a film adaptation soon followed through Warner Bros. Six years later, director Mike Flanagan brings us 2019’s Doctor Sleep.

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    Synopsis

    Years after the incident at the Overlook Hotel, an adult Danny Torrance (Ewan McGregor) has become an alcoholic. Ever since childhood, he’s occasionally been haunted by the ghosts of the Overlook, particularly a naked old woman. Meanwhile, there’s a group called the True Knot led by a strange woman called Rose the Hat (Rebecca Ferguson). They’re a group of semi-immortal people who feed off the souls of people with powers similar to Danny’s “Shining”. When they kidnap and kill a small child with similar abilities, they’re discovered by young psychic Abra (Kyliegh Curran). Recognizing that she has exceptional powers, Rose and her group works to hunt her down to feast on her soul. Abra ends up inadvertently communicating telepathically with Danny, and he decides to help her fight off the True Knot. It all leads to a final confrontation that leads to where it all started, the Overlook Hotel.

     

    Review

    Given the legacy of Kubrick’s The Shining, Doctor Sleep certainly has a lot to live up to. While not as groundbreaking as the 1980 film, this serves as a great companion piece with that film. First off, director Mike Flanagan (Oculus, Hush, Ouija: Origin of Evil) once again shows just how talented he is. While some shots are emulating Kubrick’s work, Flanagan directs it in a way that it still stands on its own. Also, rather than going for cheap jump scares, Doctor Sleep relies more so on establishing mood and atmosphere. Ewan McGregor is excellent as a man who’s still haunted by his past that’s seeking redemption and confronting his demons. Rebecca Ferguson steals the show as a mysterious villain who, while evil, still has understandable motivations behind her actions. Also, for a first-time actress, young Kyliegh Curran shows tons of potential and gives a strong performance.

    One fear I had going into Doctor Sleep was how much they would rely on references to The Shining. Thankfully, much of that is reserved for the first few minutes and the third act when they revisit the hotel. That means we have two hours to get to know these characters and become attached to them first and foremost. Interestingly enough, rather than mostly using stock footage, they hired new actors to reprise the original’s main characters. While it is somewhat distracting for those familiar with the original, it’s still better than CGI recreations of those actors. Some audiences might be disappointed that this isn’t heavy on scares, but it works thanks to its story and characters. Of the Stephen King movies in 2019, including Pet Sematary and It Chapter Two, this is easily the best one. Overall, Doctor Sleep is a worthy successor to Kubrick’s classic film.

     

    Buy Doctor Sleep on Amazon: https://amzn.to/4hzipzC.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Doctor Sleep (2019)

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