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  • Netherworld (1992)

    Netherworld (1992)

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    After directing the original Puppet Master in 1989, David Schmoeller was experiencing a high point in his career. In 1991, Schmoeller helmed The Arrival, his first non-Charles Band production since 1982’s The Seduction nearly killed his career. Around this time, Schmoeller was attached to numerous projects that never got made for one reason or another. He was initially supposed to direct Whispers & Shadows, a sexual thriller for Full Moon, with David Decoteau producing. Band ultimately shelved the project because it was so far removed from what Full Moon was known for. Instead, Band assigned Schmoeller to a film that Ted Nicolaou was supposed to direct before helming Subspecies. The movie was shot in New Orleans with Adolfo Bartoli as the cinematographer and Mark Shostrom handling the effects. While initially planned for a January 1992 release, David Schmoeller’s Netherworld hit video store shelves that February.

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    Synopsis

    After his father’s death, Corey Thorton (Michael Bendetti) inherited his estate in Louisiana, though he never really knew him. Cory meets his father’s lawyer, Beauregard Yates, Esq. (Robert Burr), and his housekeeper Mrs. Palmer (Anjanette Comer). He also runs into Mrs. Palmer’s daughter Diane (Holly Floria), who’s overly flirty with Cory despite being younger. While at the estate, Cory is drawn to a local brother run by Mary Magdalene (Alex Datcher). He’s seduced by Delores (Denise Gentile), a prostitute who practices voodoo and is part of a cult of bird people. Cory discovers that his late father, Noah (Robert Sampson), has been working with Delores to bring him back to life. However, the ritual involves removing Cory’s soul and putting his father’s soul in his body. With Diane trying to help him, will Cory overcome Delores’ seductive way, or will he end up in the Netherworld?

     

    Review

    Out of Full Moon’s early catalog, Netherworld has plenty going for it, but not all of it gels together. It’s one of the more story-driven movies from Full Moon, which is ambitious but feels unfocused. Sometimes, it’s hard to follow what’s happening, and while I enjoy a slow burn, it doesn’t build up to anything. For instance, the ghostly flying hand featured on the poster barely plays a role in the movie. Acting-wise, everyone does a fine enough job, but nobody stands out in a good or bad way. Michael Bendetti comes off as a wet blanket, and Holly Floria is the least-convincing pre-teen I’ve ever seen. Denise Gentile and Alex Datcher do their best with the material and easily give the film’s best performances. The worst performance would be Holly Butler as a Marilyn Monroe-inspired prostitute with a cheap blonde wig and ill-fitting voice.

    Since this is a David Schmoeller movie, the film looks great and has excellent cinematography courtesy of Adolfo Bartoli. Mark Shostrom of From Beyond and Evil Dead II fame’s effects are solid, but they’re very minimal. Aside from one petrified corpse, the flying hand, and some creepy masks, there’s not much to see. The score, composed by Bon Jovi’s keyboard player, David Bryan, is probably the most noteworthy thing about the film. Along with some songs from Edgar Winter, the music elevates the film and adds an appropriately moody atmosphere. At under ninety minutes, parts of the film drag quite a bit, making it feel longer than it is. Full Moon completionists will undoubtedly be interested, but casual viewers will likely be bored by the end. Overall, Netherworld isn’t one of the best early Full Moon movies, but at least it’s not for lack of trying.

     

    Buy Netherworld from Amazon: https://amzn.to/3Mpe3Od.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Curse of the Cannibal Confederates (1982)

    Curse of the Cannibal Confederates (1982)

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    After dropping out of the University of Maryland in 1975, Tony Malanowski pursued a career in independent filmmaking. He started Little Warsaw Productions and made his first feature film, Night of Horror, in 1981. Before directing, Malanowski had a small part in Don Dohler’s 1978 sci-fi horror film The Alien Factor. He later was an associate producer and a second unit director on Dohler’s 1982 follow-up Nightbeast. Malanowski decided to remake his 1981 film that same year but with some extra gore, much like Dohler’s follow-up. Most of the cast and crew from Night of Horror returned for this pseudo-remake, including Steve Sandkuhler and Rebecca Bach. Malanowski’s film was released in 1982 as The Curse of the Screaming Dead before Troma acquired the rights decades later. They retitled the movie Curse of the Cannibal Confederates for their 2004 Toxie’s Triple Terror DVD.

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    Synopsis

    Mel (Christopher Gummer), Wyatt (Steve Sandkuhler), and Bill (Jim Ball) are driving on a hunting trip in the southern US. They’re accompanied by their girlfriends Sarah (Rebecca Bach), Lin (Judy Dixon), and Blind Kiyomi (Mimi Ishikawa). While making a stop, Blind Kiyomi hears some strange noises and wants Mel to investigate, leading him toward a graveyard. He finds several items left behind by former Confederate soldiers and takes a diary from one of them. The group sets up camp at night when suddenly several Confederate soldiers rise from the grave as zombies. As the group fights off the Confederate zombies, they run into Deputy Franklin (Bumb Roberts) and Captain Fritz (Richard Ruxton). Neither of the police officers believes their story, but soon the Confederates catch up to them and eat them. Why are these Confederate zombies attacking, and who will survive the Curse of the Cannibal Confederates?

     

    Review

    Curse of the Cannibal Confederates is a brutal movie for me to review because there isn’t much to discuss. I make no exaggerations when I say that this is one of the most boring movies I’ve ever seen. Even Lloyd Kaufman has called this one of the five worst films in the Troma library, which is saying something. I’m not sure what the other four are, though I bet Igor and The Lunatics is one of them. Part of what makes this film so dull is that many shots last longer than they should. Moments like these show how the filmmakers are trying to reach the 90-minute mark. It doesn’t help that there’s no backing music or what sounds like a broken Casio keyboard droning endlessly. The acting is what you’d expect from this kind of movie: either flat or trying too hard to emote.

    This is also a hard movie to watch, either due to the film being overexposed or needing more light. Plus, the audio mixing is so bad that it’s often hard to understand what certain characters are saying. The zombies are pretty laughable; most have tons of white face paint plastered on and wear contemporary clothes. The gore effects aren’t the best, but they’re about on par with a low-budget horror film. Honestly, you could only get some enjoyment from this movie if you had some friends to suffer with. I understand that Night of Horror is even worse, but I don’t want to find out for myself. I agree with Lloyd that this is one of Troma’s worst movies, though I’m not sure why he’d release it. Overall, Curse of the Cannibal Confederates makes Redneck Zombies look like Night of the Living Dead by comparison.

     

    Buy Curse of the Cannibal Confederates from Amazon: https://amzn.to/42HeAjD.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Guardians of the Galaxy Volume 3 (2023)

    Guardians of the Galaxy Volume 3 (2023)

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    On a $200 million budget, Guardians of the Galaxy Vol. 2 was a massive hit, grossing over $863 million worldwide. Like its predecessor, the film also garnered many positive reviews, earning an 85% approval rating on Rotten Tomatoes. While writer/director James Gunn was initially reluctant about returning, he announced his return in April 2017. Gunn had been working on the initial draft and getting the original cast back when he was fired in 2018. Marvel/Disney removed Gunn after some old tweets were dug up, and an independent campaign was started supporting Gunn. Shortly after Warner Bros. announced Gunn would direct The Suicide Squad, Marvel/Disney rehired Gunn, and preproduction began in 2021. The movie was shot in Atlanta’s Trilith Studios from November 2021 to May 2022 on a $250 million budget. After premiering in April 2023, Guardians of the Galaxy Volume 3 was released worldwide the following May.

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    Synopsis

    After getting hit by a massive laser blast, Rocket Racoon (Bradley Cooper) is barely clinging to life. Nebula (Karen Gillan) determines that whoever made Rocket the way he has had a killswitch installed that prevents treatment. She traces the origins of the killswitch to Orgocorp, an intergalactic company headed by The High Evolutionary (Chukwudi Iwuji). With help from the Ravagers and Gamora (Zoe Saldana), the Guardians infiltrate Orgocorp’s headquarters, the Orgoscope, to find the override. During the adventure, a dying Rocket relives his past: being experimented on, seeing his friends killed, and making his escape. While searching for the killswitch override, the Guardians travel to Counter-Earth, a planet built by the High Evolutionary. With their friend’s life in jeopardy, it’s up to the Guardians to save Rocket’s life and stop the High Evolutionary. It’s the Guardians’ farewell tour, and they plan on going out with a bang!

     

    Review

    Guardians of the Galaxy Volume 3 stumbles slightly for being the final installment, but it also succeeds in several ways. For one, it’s great that we learn more about Rocket’s tragic backstory and how it plays into the film’s present. Also, like the previous installments, the motivation is deeply personal, in this case, saving a dear friend. Once again, James Gunn’s writing and directing are on-point, mixing snappy quips with heartfelt, dramatic moments, all with vibrant colors. The returning cast delivers solid performances, with Pom Klementieff, Karen Gillan, Dave Bautista, and Zoe Saldana standing out. Chukwudi Iwuji is phenomenal as the High Evolutionary, playing a cold, calculating megalomaniac that’s easy to hate. Admittedly, he starts losing his menace whenever he screams and shouts in an over-the-top fashion that makes him less threatening. Also, William Poulter isn’t terrible as Adam Warlock, but he feels wasted.

    Sadly, this movie lacks the unique charm of the first two, especially with the “adventure comedy set in space” trope. Months prior, we had Thor: Love and Thunder and Ant-Man and The Wasp: Quantumania, both adventure comedies in space. What made the first film so special back in 2014 has been done to death at this point. That said, what makes this better than those is that this film does a better job of balancing the tone. This film knows when to be funny and when to hold off on jokes, so an emotional scene plays out. This one ends with big action sequences like other Marvel movies, but they feel more personal and less hollow. At two and a half hours, parts of the film feel bloated, which could’ve been trimmed with more editing. Overall, Guardians of the Galaxy Volume 3 has some issues, but it’s a satisfying-enough finale.

    [/et_pb_text][et_pb_code _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]Buy Your Tickets on Sale to watch “Guardians of the Galaxy” playing in theaters starting May 3rd![/et_pb_code][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Assault of the Killer Bimbos (1988)

    Assault of the Killer Bimbos (1988)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]At the 1987 Cannes Film Festival, Charles Band launched a pre-sales campaign for the yet-to-be-filmed Assault of the Killer Bimbos. The title was a hit, so Band hired Gorman Bechard of Psychos in Love and Galactic Gigolo fame to direct. Unfortunately, Bechard’s initial cut was deemed so bad that Band decided to redo the movie entirely. Charlie had David DeCoteau salvage the project, so he hired Anita Rosenberg and Patti Astor to write and direct. Rosenberg and Astor turned in their script, but Empire wasn’t confident, so they had Ted Nicolaou do an extensive rewrite. With a budget of $250,000, this would be Rosenberg’s first feature film, though she was almost replaced during filming. When Empire Pictures got cold feet, they wanted Nicolaou to step in, but he believed in Rosenberg and declined. Ultimately, Anita Rosenberg’s Assault of the Killer Bimbos had a small theatrical run in May 1988.

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    Synopsis

    Lulu (Elizabeth Kaitan) is a waitress at a go-go club who aspires to be a dancer. With encouragement from her friend, go-go dancer Peaches (Christina Whitaker), Lulu hits the stage but gets booed off. To make matters worse, a sleazy gangster named Big Vinnie (Mike Muscat) kills their boss and frames them for it. The girls decide to flee to Mexico to escape law enforcement until they figure out what to do next. Along the way, they pick up a diner waitress, Darlene (Tammara Souza), who agrees to help them. The girls get into car chases with cops, run into three stoner surfers, and wind up at a fleabag motel. While holding up at the motel, the girls run into Vinnie, who’s there with his girlfriend Poodles (Patti Astor). Vinnie thinks he’s in the clear until he encounters the Assault of the Killer Bimbos!

     

    Review

    Despite how sleazy the title sounds, Assault of the Killer Bimbos is light-hearted and less exploitative than expected. Sure, there is some nudity, but for the most part, the female leads keep all their clothes on. Also, contrary to the title, the “bimbos” aren’t killers, nor do they go on an assault. Even if the title doesn’t accurately represent the film, it seems fitting for how wacky and silly it is. B-movie staple Elizabeth Kaitan is as adorable as ever and has fantastic chemistry with Christina Whitaker. Tammara Souza is an excellent addition to the group, though she doesn’t fit what most would call a “bimbo.” It’s also worth noting that this features a relatively-unknown Nick Cassavetes as a stoner/surfer who becomes Kaitan’s love interest. He’s not bad, but I highly doubt the director of The Notebook talks about this movie much.

    If the plot sounds familiar, that’s probably because it resembles Ridley Scott’s 1991 film Thema & Louise. Supposedly, the producers of Assault tried suing the makers of Thelma & Louise but withdrew due to legal costs. I’m not saying Scott or Callie Khouri intentionally ripped this off, but it’s a strange coincidence. As for this movie, it’s an interestingly feminist-centric road adventure with some light comedy and various hijinks. Admittedly, several of the jokes don’t land, but a few chuckle-worthy moments are sprinkled in. The movie tends to slow down whenever the stoner surfers are introduced, as they feel out of place. At 85 minutes, the film moves briskly, though a few slow spots could’ve been trimmed. Overall, Assault of the Killer Bimbos might not be what you expect, but it’s a decent watch. Sadly, the same can’t be said for its sister film, but that’s for another day.

     

    Buy Assault of the Killer Bimbos from Amazon: https://amzn.to/4ffBKEI.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Rose and Viktor: No Mercy (2017)

    Rose and Viktor: No Mercy (2017)

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    Originally from the California Salinas Valley, a filmmaker known only as “Moses” started a small studio called The Underground Front. With a strong sense of anti-establishment and a lack of good taste, the studio produces shorts, feature films, and comics. In 2008, Moses directed his first film, a documentary called Transcend, about a struggling filmmaker named Armando Gonzales. He followed this up with 2010’s Exploited, which starred fetish model Mercedes the Muse, who helped found The Underground Front. At some point, Moses and Mercedes’ work caught the attention of Troma Entertainment and Lloyd Kaufman. Troma agreed to distribute their next film, a grindhouse-style anthology with some influence from Bonnie & Clyde. Mercedes would star alongside Jim Schumacher, the bass player for the heavy metal band Brocas Helm since 1982. In 2017, Moses’ Rose and Viktor: No Mercy was released by Troma in June 2017.

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    Synopsis

    After his band breaks up, bass player Viktor (Jim Schumacher) decides to be a gun-for-hire that kills people for money. Along his travels, he runs into a young runaway named Rose (Mercedes), who her father sexually abused. After castrating her father (Samuel Lopez), Rose joins Viktor as they go around dispensing bloody justice for the right price. They take on a sleazy strip club owner (Michael Sundin), who’s been skimping on the money he owes his girls. An old lover of Viktor’s wants him to kill her husband, a war veteran who sees everyone as a terrorist. As they slaughter their targets, Viktor and Rose hook up with various groupies, get high, and reunite with old friends. At one point, a kid hires Viktor and Rose to eliminate The Pope (Charles Darwin Hepburn). The two set out for The Vatican on what might be their most dangerous job yet.

     

    Review

    Going into Rose and Viktor: No Mercy, I had no idea what to expect other than pure cinematic trash. It seems like Moses and crew wanted to make the most trashy exploitation film possible, and they mostly succeeded. Imagine putting Pink Flamingos and Natural Born Killers in a blender, mixing in acid, and that barely sums this up. This film isn’t concerned with having a compelling story, award-winning acting, decent cinematography, or any good taste. If there’s a taboo, it’s put on full display, whether it’s golden showers, violent sodomy, or sexualized fascism. To their credit, the effects are decent despite the low budget, and there are plenty of wince-inducing sequences. If the gross, taboo-shattering imagery doesn’t put you off, the technical shortcomings will make this unwatchable. Granted, it’s hard to judge the film’s technical qualities considering there’s a chance the filmmakers didn’t care.

    The camera shakes constantly, and tons of zoom-ins and outs make it hard to see what’s happening. Also, the filmmakers added a digital film scratch to emulate an old grindhouse film, but it feels distracting. The acting isn’t great, but I suspect most of the dialogue was dubbed in post, considering the audio quality. In their defense, Jim Schumacher and Mercedes are having an excellent time and make a great duo. Plus, several segments have a unique look to emulate different film styles, like 30’s noir and 60’s drug movies. You can tell there is artistic merit underneath all the grime and grit; even trashiness is an art. While this film is not for everyone, it’s so bizarre and unlike anything else that it’s oddly compelling. Overall, Rose and Viktor: No Mercy is rough around the edges, but its imperfections make it stand out boldly.

     

    Buy Rose and Viktor: No Mercy from Amazon: https://amzn.to/3VtC2Pe.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Killjoy’s Psycho Circus (2016)

    Killjoy’s Psycho Circus (2016)

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    While working on Killjoy Goes to Hell, writer/producer/editor/effects supervisor/director John Lechago started planning the next film. For the next installment, Lechago wanted to explore Killjoy and Batty Boop’s relationship, mortality, and life on Earth. However, Charles Band seemed reluctant to keep the series going, emphasizing Unlucky Charms and Gingerdead Man vs. Evil Bong more. Around this time, Full Moon launched fundraising campaigns to finance future movies while giving back to the fans. Through IndieGogo, Full Moon was able to fund 2016’s Evil Bong: High-5 and 2017’s Puppet Master: Axis Termination. The company decided to run a campaign for fans to contribute towards the 5th Evil Bong and Killjoy movies. After raising over $30,000, Lechago got to work on the 5-day shoot, mostly on sets at Full Moon Features. So, sixteen years after the original film, Killjoy’s Psycho Circus premiered on the El Rey Network in 2016.

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    Synopsis

    After escaping judgment in Hell, the demonic clown Killjoy (Trent Haaga) now runs a late-night talk show. Dubbed Psycho Circus, he runs the show with his old troupe mates Freakshow (Tai Chan Ngo) and Punchy (Al Burke). In Hell, Beelzebub (Stephen F. Cardwell) is stripped of his rank as an archdemon for failing to bring Killjoy back. Beelzebub asks for a second chance, so he’s given a spaceship and a co-pilot named Jezebel (Lauren Nash). Meanwhile, Killjoy’s old girlfriend, Batty Boop (Victoria De Mare), catches the show and is shocked to see her replacement. After getting rid of her imposter, Luanne (Robin Sydney), Batty gets Killjoy to take her back, which he reluctantly does. During all this, Beelzebub challenges Killjoy, sending his Six Psychos and threatening to destroy Earth’s major cities. With his spaceship and an arsenal of weapons, Killjoy sets out to confront Beelzebub once and for all!

     

    Review

    Of John Lechago’s trilogy, Killjoy’s Psycho Circus is by far the most ambitious and significant film, though not without issues. To start with what works, the acting is still as wildly entertaining as in past movies. Trent Haaga, again, is the highlight of the film, spouting off tons of vulgarities while adding a devilish charm. Likewise, Victoria De Mare is having a blast playing the seductive yet plucky Batty Boop with her squeaky accent. Despite her minor role, Robin Sydney is also fun reprising her character from Evil Bong as a Batty Boop knockoff. Tom Devlin’s makeup effects are fantastic as always, and the CGI, while not the greatest, is decent, given the budget. It’s about on par with the CGI in Sharknado, but I feel it wasn’t meant to be intentionally bad. This isn’t going to win any Oscars, but I doubt Lechago is a lazy filmmaker.

    While ostensibly a B-movie, Lechago tries injecting some social satire, poking fun at commercialism and humanity. There are gags with Killjoy arguing with a sponsor, Killjoy mentioning his merchandise, and Killjoy meeting his ravenous fans. They even poke fun at themselves with a memorable scene of Killjoy arguing with Trent Haaga over Ángel Vargas. Admittedly, many of the jokes tend to fall flat, but a few made me chuckle here and there. Also, some of the acting does come off either bland or annoying, particularly from Lauren Nash and Tim Chizmar. Plus, even at just slightly under ninety minutes, several scenes go on for way longer than necessary. Still, considering this is the fifth installment in a franchise about a demonic clown, it’s not half bad. Overall, Killjoy’s Psycho Circus is on par with the last few films, for better or worse.

     

    Buy Killjoy’s Psycho Circus from Amazon: https://amzn.to/3LDXbTk.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Godzilla vs. Mechagodzilla (1974)

    Godzilla vs. Mechagodzilla (1974)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]1973’s Godzilla vs. Megalon was an all-time low for the series, selling less than one million tickets in Japan. Despite the declining popularity, producer Tomoyuki Tanaka still saw some potential in keeping the series going. While staying in Okinawa, Tanaka felt that the Pacific island would make for an excellent setting for a Godzilla movie. With the growing popularity of giant robots in Japanese media, Toho decided to pit Godzilla against a robotic enemy. Series regular Jun Fukuda returned to direct, and the cast featured returning actors Akihiko Hirata, Hiroshi Koizumi, and Kenji Sahara. While the previous films appealed more to kids, Toho made this entry with nostalgic audiences in mind. In March 1974, Godzilla vs. Mechagodzilla roared onto Japanese screens, followed by a US release in 1977. In America, the film was released as Godzilla vs. the Bionic Monster and Godzilla vs. the Cosmic Monster.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    On Okinawa, Princess Nami (Beru-Bera Lin) has a prophecy that a giant monster will destroy the city. Meanwhile, Masahiko Shimizu (Kazuya Aoyama) discovers a new type of metal and has Professor Hideto Miyajima (Akihiko Hirata) examine it. Elsewhere, Godzilla emerges from Mt. Fuji, goes on a rampage, and fights Anguirus, who chips away Godzilla’s skin, revealing metal. Later, the real Godzilla shows up, revealing the imposter as Mechagodzilla, a giant robot duplicate with advanced weaponry. Miyajima determines that Mechagodzilla is made of the same strange metal, which turns out to be “space titanium.” Our heroes are confronted by a group of ape-like aliens led by Kuronuma (Gorō Mutsumi), who controls Mechagodzilla. To aid in the fight, Nami summons the guardian monster, King Caesar, to team up with Godzilla. As the monsters battle, our heroes must stop the aliens from using their advanced technology to rule the world!

     

    Review

    After several underwhelming entries in the Showa Era, Godzilla vs. Mechagodzilla is a godsend and a refreshing change of pace. Sure, the film has that campy Saturday matinee feel like the earlier ones, but it’s done much better here. This film doesn’t use any stock footage from previous movies to compensate for the lack of budget. Also, there’s no annoying child character added in an attempt to further appeal to kids, which is a big plus. Of Godzilla’s many adversaries, Mechagodzilla is one of the most memorable, with his array of missiles, rainbow lasers, and forcefield. Masaru Sato’s score perfectly complements Mechagodzilla, having a vibrant, jazzy feel that instantly sticks in your mind. His theme more than makes up for some of the other music cues, which sound ill-fittingly lighthearted and whimsical. Plus, there’s the song Nami sings to awaken King Caesar, which goes on for what feels like forever.

    Speaking of King Caesar, he’s one of Toho’s most unique kaiju, having been inspired by Chinese legends. It’s a shame he didn’t return until Godzilla: Final Wars because his tag-team match with Godzilla against Mechagodzilla is entertaining. It’s a visual onslaught of lasers, explosions, WWE-style smackdowns, and other crazy stuff that makes the film worth watching. Regarding the human plot, it’s an odd mix of a sci-fi movie and a spy thriller with some mysticism. Unlike the human stories in other Godzilla films, this one is more engaging and works with the monster fights well. It’s also lovely to see several actors from previous kaiju films return for this one, and they’re all great. Yes, this movie is goofy and reuses elements from other films, but it’s still an entertaining thrill ride. Overall, Godzilla vs. Mechagodzilla ranks as one of the best films of the Showa era.

     

    Buy Godzilla vs. Mechagodzilla from Amazon: https://amzn.to/4f7RrxC.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Klown Kamp Massacre (2010)

    Klown Kamp Massacre (2010)

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    Growing up in the suburbs of Albuquerque, friends Philip H.R. Gunn and David Carlos Valdez found ways to avoid boredom. At some point, Valdez’s mother gave him a camcorder which he and Gunn used to shoot various short films. Their first homemade feature was 1994’s Edwin: The Tragic Story of the Clown Who Couldn’t Make Anybody Laugh. Over the years, the two worked together on numerous short projects before they decided to try making a feature film. Being huge fans of horror films like Friday the 13th and A Nightmare on Elm Street, they decided on that. They took the character Edwin and put him in a slasher film where he goes around killing other clowns. On a shoestring budget, filming lasted 15 days on a cattle ranch outside Cuba, NM, in 2009. Troma acquired the rights the following year and released Klown Kamp Massacre on DVD.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    In 1991, Edwin the Clown (Jared Herholtz) went on a murder spree at Clown Camp and was never found. It’s now 15 years later, and the camp’s owner, Bonzo (Mike Miller), has decided to reopen despite the horrible tragedy. Brothers Vinnie (Nick Lopez) and Lenny (Reuben Finkelstein) decide to attend along with Tipsy (Matt Sanford) and Brandi (Tara Hahn). Also arriving are Philbert (Ross Kelly), Puff (Chris Payne), Squirts (Sandor Gattyan), Buzter Pie (Isaac Kappy), and Gerald (Daniel Gutierrez). These clowns are put through the wringer in learning to be funny, unaware that Edwin has returned to kill. While all this is happening, a romance between Philbert and Bonzo’s granddaughter Valerie (Kerri Duabe) starts blossoming. Unfortunately for our lovebirds, their fellow clowns are stabbed, shredded, beaten, melted, and even blown up increasingly gruesomely. Who will be the next victim and survive this Klown Kamp Massacre?

     

    Review

    If you go into a movie called Klown Kamp Massacre expecting an intelligent, thought-provoking experience, look elsewhere. Gunn and Valdez wanted to make a goofy film about a clown killing other clowns, and that’s what we get. This movie isn’t trying to be the next great horror movie; there’s nothing wrong with that. Sometimes, an 84-minute slasher about clowns getting killed in absurdly gruesome ways is all you need. To the filmmakers’ credit, they accomplished quite a lot with a minimal budget, like impressive practical effects and decent camerawork. Two kills in particular that stand out involve a seltzer bottle filled with acid and an exploding pie. Also, the night scenes are filled with fog and colored lighting, giving them a spooky feeling. Plus, a few dynamic camera angles help keep the action moving without getting too overwhelming. Gunn and Valdez show a lot of potential here.

    Given the subject matter, the acting is intentionally goofy, and while it isn’t great, there are a few standouts. Jared Herholtz sells the part of a struggling clown who ended up snapping because he couldn’t be funny. Kerri Duabe is likable as Valerie, who gets a whole backstory about childhood abuse, which adds some depth. Granted, this kind of film trying to handle such a sensitive subject might seem distasteful, so proceed with caution. Admittedly, most of the humor is pretty juvenile, relying on gross-out gags and sex jokes, but that’s Troma for you. The ending threw me for a loop without going into spoilers, so I must give them credit. As I alluded to early on, this isn’t the next great horror film, but it’s not trying to be. Overall, Klown Kamp Massacre is one of those movies best enjoyed with friends and your ideal substances.

     

    Buy Klown Kamp Massacre from Amazon: https://amzn.to/40BxdUL.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Klown Kamp Massacre (2010)

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  • Evil Dead Rise (2023)

    Evil Dead Rise (2023)

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    After the release of Army of Darkness in 1992, the series laid dormant, although there were talks of another sequel. Following years of development hell, audiences were treated with a remake in 2013 from first-time director Fede Álvarez. The remake received primarily positive reviews and was a commercial hit, grossing $97.5 million against a $17 million budget. With the renewed interest in the property, Raimi’s Army of Darkness 2 became the Ash vs. Evil Dead TV series. While a sequel to Álvarez’s remake was discussed, these plans were scrapped, but a new film was announced in 2019. Sam Raimi, Rob Tapert, and Bruce Campbell would produce, with Lee Cronin (The Hole in the Ground) as director. The movie was filmed in New Zealand in 2021 and was slated for a direct-to-streaming release on HBO Max. However, after positive test screenings, Evil Dead Rise got a theatrical release in April 2023.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Ellie (Alyssa Sutherland) is a single mother raising her kids Danny (Morgan Davies), Bridget (Gabrielle Echols), and Kassie (Nell Fisher). She gets a visit from her sister Beth (Lily Sullivan), who recently found out she was pregnant. An earthquake at their apartment building opens a hole leading to an underground vault that Danny decides to investigate. He finds a strange book and some vinyl records and brings them to the apartment to learn more. The records are recordings that reveal the book is the Naturom Demonto, roughly translated as the Book of the Dead. The book was found by priests who translated it secretly and recorded the chants, which awakened an ancient evil. Said evil possesses Ellie and soon spreads throughout the apartment complex as Beth tries to protect the kids. Will our heroes survive the night or end up dead by dawn?

     

    Review

    Given my love of the series, I was very skeptical when I first saw the trailers for Evil Dead Rise. The movie didn’t look bad, but it felt more like a generic possession movie with “Evil Dead” in the title. Thankfully, Lee Cronin’s entry stands on its own and does the series justice. His directing is incredible, mixing some of Sam Raimi’s camerawork while adding a unique flair. Also, the performances all across the board are fantastic, with Alyssa Sutherland and Lilly Sullivan being the standouts. Sullivan shines as the reluctant but dependable hero who rises to the challenge to take on the Deadites. Sutherland wholly owns the role of the demon-possessed Ellie, mixing a playful charm with a sinister edge. Even the kids perform well in this, which is rare, especially in a horror film. Plus, the other tenets have their little moments to shine.

    Since this is an Evil Dead movie, you’d expect tons of bloody carnage, which this movie delivers. Like the original, this one doesn’t rely solely on gore but instead mixes it with genuine dread and suspense. In keeping with tradition, almost all of the effects are practical, a welcome change from today’s CGI-filled landscape. Roughly 6,500 liters of fake blood were made for this film, and they used every ounce of it on screen. A few references to the original films are also sprinkled in, but it feels more earnest and heartfelt than pandering. Unfortunately, this film doesn’t have the same B-movie charm as the original or Evil Dead II, which is disappointing. Still, at roughly 97 minutes, the movie delivers what fans want while telling a heartfelt story about a broken family. Overall, Evil Dead Rise honors what came before while standing on its own as something special.

    [/et_pb_text][et_pb_code _builder_version=”4.20.4″ _module_preset=”default” link_option_url_new_window=”on” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Buy Your Tickets on Sale to watch “Evil Dead Rise” playing in theaters starting April 21st[/et_pb_code][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Dr. Alien (1989)

    Dr. Alien (1989)

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    Unfortunately, by 1988, Empire Pictures was on the verge of bankruptcy after a series of box office failures. Additionally, the studio owed a substantial debt to Crédit Lyonnais, and they were threatening to buy the studio’s assets. During this period, Scott Spiegel’s Intruder and J.F. Lawton’s Cannibal Women in the Avocado Jungle of Death were in production. David DeCoteau, who directed three movies for Empire, was making a new film with effects artist/writer Kenneth J. Hall. Originally titled I Was a Teenage Sex Mutant, filming commenced in LA for 19 days during the 1988 Writer’s Strike. During production, DeCoteau got word that Empire was going bankrupt but continued filming since the banks were unaware. After Empire folded, Charles Band founded Full Moon Features, using DeCoteau’s movie to strike a deal with Paramount Pictures. The agreement was made, and Paramount released DeCoteau’s film, now retitled Dr. Alien, in 1989.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Wesley Littlejohn (Billy Jacoby) is your average nerdy high schooler who’s constantly picked on and can’t get a girl. His best friend, Marvin (Stuart Fratkin), pressures him to talk to his crush Leanne (Olivia Barash), but he fumbles. Little do they know that they have a new biology teacher, Ms. Xenobia (Judy Landers), who’s more than she seems. She has Wesley stay after class for an experiment that involves her assistant, Drax (Raymond O’Connor), injecting him with “vitamins.” However, it turns out the vitamins make a weird growth sprout from Wesley’s head that makes him irresistible to women. This boosts Wesley’s confidence, leading him to change his wardrobe and sing in a metal band. He even gets to go out with Leanne, but his magnetism for women makes her think he’s cheating on her. On top of it all, Ms. Xenobia is an alien trying to repopulate her homeworld!

     

    Review

    Let’s get this out of the way: Dr. Alien is a dumb, somewhat sexist movie that hasn’t aged well. That being said, this is a surprisingly funny sci-fi sex comedy that’s way more enjoyable than you’d expect. Sure, the whole “nerdy guy gains confidence, stands up to bullies, and gets the girl” story is tired and cliche. However, David DeCoteau manages to take that material and inject it with a self-aware tone that homages 50s Corman movies. While there’s plenty of nudity, foul language, and sexual innuendos, the overall film has a feel-good nature to it. It doesn’t feel mean-spirited or vile, but like you’re meant to have as much fun as the cast is having. Some of the jokes don’t quite land, but some moments had me chuckling throughout, thanks to the dry delivery. Plus, all the topless women certainly kept my attention.

    Cinematographer Nicholas Von Sternberg’s stylish filming and Greg Cannom’s lo-fi makeup effects enhance the film beyond its meager budget. Billy Jacoby can get a bit whiny as the nerd, but he’s likable and has a great character arc. Stuart Fratkin is funny as Wesley’s opportunistic friend, who comes off a bit pervy, but the movie calls him out. On top of looking gorgeous, Judy Landers is fun to watch with her doe-eyed expression and soft voice. Raymond O’Connor is delightfully creepy, Olivia Barash is cute, and the rest of the cast all do a fine job. Also, cult film fans should watch for appearances from Linnea Quigley, Troy Donahue, Ginger Lynn, Michelle Bauer, and Edy Williams. At 90 minutes, the movie gets in and out fairly quickly and keeps the action going with plenty of shenanigans. Overall, Dr. Alien is stupid, but it’s an enjoyable kind of stupid.

     

    Buy Dr. Alien from Amazon: https://amzn.to/3LmBQh4.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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