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  • The Girl Who Returned (1969)

    The Girl Who Returned (1969)

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    Long before he brought us The Toxic Avenger, Lloyd Kaufman was a student at Yale University majoring in Chinese studies. In 1966, Kaufman took a break from college to work in the Peace Corps as a pathfinder in Chad. After returning home, he worked as a producer on the film Rappaccini by director Robert Edelstein. Towards the end of his college career, Kaufman decided to try his hand at filmmaking, working with a $2,000 budget. Kaufman could only afford a Bolex camera that didn’t have sound sync and could only record up to 40 seconds. Most of the cast was unknown actors who haven’t appeared in anything since, though future producer Michael Herz appeared. Once filming wrapped, various east coast universities, including Yale and Harvard, screened the film for an eager audience. Now, let’s go back to 1969 and look at Kaufman’s directorial debut, The Girl Who Returned.

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    Synopsis

    In an alternate reality, the only nations left on Earth are Luxembourg, comprised of women, and Mongolia, ruled by men. Each country competes in an Olympics competition every four years to determine who controls the world. Lucy (Gretchen Herman) trains with her strict coach Geneva (Beverly Galley) to become the best runner in Luxembourg. However, Lucy feels drained and controlled by her domineering coach, so she breaks free from home. She makes her way to Mongolia, where she meets a man (Tim McClean) and instantly falls in love. While the two of them grow as a couple, the Olympics in Luxembourg is in full swing. Soon, Lucy has to decide between her newfound lover and her devotion to her home country. At least, that’s what I think is supposed to be happening in this otherwise jumbled mess of shots.

     

    Review

    Usually, I can write a review of just about any movie with relatively no trouble, even if they’re incomprehensible. However, I was utterly baffled by The Girl Who Returned and didn’t know what I could say. On the one hand, it’s a fascinating piece of Troma and Lloyd Kaufman’s career history. On the other hand, it’s one of the most confusing and indecipherable movies I’ve ever seen. Of course, not every filmmaker’s first feature will be as good as Citizen Kane or Reservoir Dogs. That said, this feels like the stereotypical student film: black and white photography, no dialogue, and non-traditional storytelling. Also, like many student films, this comes off somewhat pretentious and too ambitious for its own good. It says a lot when even Lloyd Kaufman, the film’s director, refers to the movie as “boring.”

    Since this is a silent film, judging the acting is challenging since there’s no audible dialogue. Going off of body language, much of the cast feels stiff and uninterested, like the actors have no direction. They lack the emotional expression of silent film stars like Buster Keaton, Charlie Chaplin, or Lon Chaney. It doesn’t help that there aren’t any dialogue cards to show us what the characters are saying. The only information given to us comes from a pair of narrators who sound like they’re making things up. At 66 minutes, the film drags on and on until it abruptly ends with no clear resolution. Like I said earlier in the review, Troma completionists will probably enjoy watching this as a curiosity, but that’s it. Overall, The Girl Who Returned has its place, but I wouldn’t recommend this to Troma newcomers.

     

    Watch The Girl Who Returned on Troma Now: https://bit.ly/3qTL8XI.

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  • Killjoy 2: Deliverance from Evil (2002)

    Killjoy 2: Deliverance from Evil (2002)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]Alchemy Entertainment/Big City Pictures couldn’t generate enough revenue to sustain itself after only four movies despite its ambitious nature. Following the release of The Vault in 2001, Mel Johnson Jr. left the studio though Charles Band tried sustaining it. With Johnson gone, J.R. Bookwalter of Tempe Entertainment took over to produce a sequel to the label’s biggest hit, Killjoy. Rather than repeating the first film, Band and Bookwalter wanted to take the series in a new direction. Douglas Snauffer wrote the script, adding some inspiration from 1996’s From Dusk Till Dawn, though he later regretted this decision. Unfortunately, the original actor Ángel Vargas couldn’t return for the sequel, so Troma veteran Trent Haaga replaced him. In her directorial debut was actress Tammi Sutton, who appeared in 2001’s Horrorvision and later directed six more films. After a short shooting schedule, Killjoy 2: Deliverance from Evil hit video stores in early 2002.

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    Synopsis

    Detention officers Denise Martinez (Debbie Rochon) and Lieutenant Harris Redding (Logan Alexander) must escort a group of juvenile delinquents. The group must spend 90 days at this location to help renovate a group home for fellow troublemakers. Unfortunately, their bus gets a flat tire on the way there, and they have no cell phone reception. Redding takes some of the delinquents to find reception when Raymon “Ray-Ray” Martin (Choice Skinner) finds a seemingly abandoned house. However, Ray-Ray gets shot by the home’s owner Lilly (Tammi Sutton), and the group manages to escape with him. They take refuge in the house of voodoo priestess Kadja Boszo (Rhonda Claerbaut), who says she can heal Ray-Ray. At the same time, delinquent Nicholas “Nic” Gordon (Austin Priester) asks Kadja to summon a revenge demon against the locals. She ends up calling the monstrous Killjoy (Trent Haaga), who soon wreaks havoc on our unlikely heroes.

     

    Review

    Killjoy 2: Deliverance from Evil does a lot to distinguish itself from the original, but it suffers from similar flaws. Like the first film, the pacing drags quite a bit, and it takes a while for things to pick up. Killjoy doesn’t show up until roughly 45 minutes in, but it gets much better once he does. Though Ángel Vargas’s performance is missed, Trent Haaga plays the demonic clown well and makes it his own. He doesn’t have the snappy one-liners of his predecessors, but he adds a menacing playfulness to the character. Not only that, but the makeup design is much better than how he looked in the first film. Admittedly, most of Haaga’s dialogue consists of laughing and chuckling, but it’s easy to see why he stuck around. Haaga would go on to play the character at least three more times.

    Unfortunately, the rest of the cast doesn’t stand out much, but they serve their purpose well enough. The four main delinquents are mostly there as cannon fodder for Killjoy, but none of them are particularly annoying. Debbie Rochon primarily acts like she’s pissed the entire time, which fits her character, though she has some human moments. Admittedly, having the story revolve around a group of delinquents being reformed is a nice change of pace. Plus, the forest setting helps this stand out from the primarily urban environment of the original. There are some pretty fun kill scenes, though they’re not as wacky or silly as in the original. At an hour and seventeen minutes, the movie does feel padded at times, but it gets out relatively quickly. Overall, Killjoy 2: Deliverance from Evil slightly improves upon its predecessor while having some of the same flaws.

     

    Buy Killjoy 2: Deliverance from Evil from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Dragonball Evolution (2009)

    Dragonball Evolution (2009)

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    After his successful 1980 manga Dr. Slump, writer and artist Akira Toriyama published Dragon Ball in Weekly Shōnen Jump. Inspired by Journey to the West, the manga became a massive hit that spawned an entire media franchise. In 1986, Toei Animation produced an anime series that eventually led to the wildly successful Dragon Ball Z in 1989. Both shows gained a much broader audience when Funimation licensed them for an English dub in 1996. Seeing the series’ popularity, 20th Century Fox announced they had acquired the rights for a live-action film in 2002. The studio approached Kung Fu Hustle director Stephen Chow before hiring Final Destination director James Wong to helm the project. Unfortunately, the film ran into several production problems, including a slashed budget, the Writer’s Strike, and unfavorable fan reactions. After seven years of development, Dragonball Evolution landed in theaters in April 2009.

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    Synopsis

    After being imprisoned for thousands of years, the evil Lord Piccolo (James Marsters) searches for the Dragonballs. According to legend, whoever finds all seven Dragonballs will be granted one wish, which could spell doom for Earth. Piccolo sends his henchwoman Mai (Eriko Tamura) to retrieve the balls and kill anyone who gets in her way. She kills the elderly Gohan (Randall Duk Kim), who gave his 4-starred ball to his grandson Goku (Justin Chatwin). Before he dies, Gohan tells his grandson to seek Master Roshi (Chow Yun-fat), a martial arts guru with a Dragonball. Along the way, Goku runs into Bulma (Emmy Rossum), who’s built a device that can track the Dragonballs’ energy readings. While this is going on, Goku struggles with his feelings for his high school crush Chi-Chi (Jamie Chung). With the world’s fate hanging in the balance, it’s up to our brave heroes to defeat Piccolo.

     

    Review

    Honestly, this is one of those projects that seemed doomed to fail even before the cameras started rolling. Even if this weren’t an adaptation of a popular anime, Dragonball Evolution still fails to entertain as a standalone film. For one, the film’s writer, Ben Ramsey, said that he saw this purely as a job in an interview. He stated that he accepted the gig with no passion for the source material, and it shows. Even though characters, objects, etc., are taken from the show, almost all of it is entirely different. For instance, Goku has changed from the cheerful goofball we know and love to an angsty teenager. The newly added high school subplot feels out of place, probably meant to add realism that was not needed. Even when it somewhat resembles the anime in the third act, it feels hollow and empty.

    The differences between the film and anime aside, this is one of the most poorly made blockbusters I’ve ever seen. For one, the CGI looks shockingly bad for a movie made in 2009, especially the noticeable green screen used. Some of the effects look unfinished, as if they rushed the render time to meet the release date. Most of the acting comes off flat and dull, particularly from Chatwin and Rossum, who have only one facial expression. Chow Yun-fat, Randall Duk Kim, and Ernie Hudson look like they’re embarrassed to be on screen. The only one who seems to be trying is James Marsters, who makes a decently intimidating villain. The fight scenes are jumbled and incomprehensible, and by the end, you’ll be begging for it to be over. Overall, Dragonball Evolution is not only a poor adaptation but also a dull action fantasy film.

     

    Buy Dragonball Evolution from Amazon: https://amzn.to/3qmS0g7.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Blades (1989)

    Blades (1989)

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    In 1975, Steven Spielberg’s Jaws became an instant pop culture phenomenon and ushered in the Hollywood blockbuster. Over the years, the film influenced numerous filmmakers and spawned several spoofs and knock-offs trying to capitalize on its success. One person inspired by the Spielberg classic was up-and-coming producer John Finegan, who was looking into making low-budget horror films. The son of a pro golfer, he spent much of his childhood on a golf course with a giant lawnmower. Seeing this gave Finegan the idea to make a spoof of the Spielberg classic with a lawnmower replacing the shark. During a presentation at NYU, Finegan recruited aspiring filmmakers Thomas Rondinella and Bill Pace to work on Girl School Screamers. Once they wrapped filming, Finegan assigned them to work on the Jaws parody film. In 1989, Troma Entertainment distributed the killer lawnmower movie Blades.

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    Synopsis

    At the Tall Grass Country Club, owner Norman Osgood (William Towner) is preparing for the annual golf tournament. He hires former golfer Roy Kent (Robert North) to organize the event, much to Kelly Lange’s (Victoria Scott) chagrin. Unfortunately, things take a turn for the worst when several people are found dead all over the golf course. Kelly wants to cancel the tournament until they find the killer, but Norman insists the event will stay on. Norman organizes a local search party to search for whoever is responsible as the killings continue. They accuse local groundskeeper Deke Slade (Jeremy Whelan), but he insists that a rogue lawnmower is running amok. After proving to Norman what’s going on, Roy and Kelly team up with Deke to destroy the lawnmower. Just when you thought it was safe to putt, you’ll wish you stayed at the country club.

     

    Review

    Blades isn’t quite as good as Joe Dante’s Piranha as a Jaws parody, but it’s still enjoyable. People who have practically studied the 1975 film top to bottom will recognize all the scenes copied here. What helps this film stand out is that, instead of an animal attacking people, it’s a machine this time around. The idea of an ordinary lawnmower becoming sentient and killing people is a darkly comedic spin on something so familiar. Like the killer shark movie, this one uses plenty of POV shots before revealing the lawnmower in the climax. When we finally see the lawnmower, it has a monstrous yet straightforward design that’s appropriately ridiculous and threatening. There are some reasonably gruesome death scenes, though most of them consist of people getting their legs chewed off. Even still, this is arguably the best movie about a killer lawnmower for what it’s worth.

    For a low-budget horror-comedy, the cast does a primarily above-average job delivering their lines, though there aren’t many stand-outs. Perhaps the only real stand-out is Jeremy Whelan, who gives a performance that’s almost too good for this type of movie. He plays the part as if he were Robert Shaw rather than just an imitation of his Quint character. While he’s no Roy Schieder, Robert North makes a decent lead and has some interesting character flaws. In addition to filling in the Richard Dreyfuss role, Victoria Scott has some good back-and-forths with North. William Towner fills in for the Amity Island mayor, but he doesn’t have the charisma Murray Hamilton had. At slightly over 90 minutes, the film does take a while to get going, but it goes by quickly. Overall, Blades is a decent parody with above-average acting and a unique concept that B-movie fans can enjoy.

     

    Buy Blades from Amazon: https://amzn.to/3zMKNsQ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • End of the World (1977)

    End of the World (1977)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]While hardly a household name, writer/director John Hayes certainly had an oddly fascinating career spanning several decades. His first claim to fame was writing the Oscar-nominated short film The Kiss by future TV director Everett Chambers. Throughout the 60s and 70s, Hayes became known for directing various low-budget drive-in exploitation films of varying genres. His movies included titles like The Farmer’s Other Daughter, The Cut-Throats, Garden of the Dead, and Jailbait Babysitter. Around this time, Charles Band started getting into film production and even dabbled in directing movies. His first film was Last Foxtrot in Burbank, followed by Crash!, which Hayes worked on as a sound mixer. Through his connections with producer Irwin Yablans, Band got Hayes to direct a sci-fi film capitalizing on the disaster craze. With a small budget and some fading genre actors, John Hayes’ End of the World hit theaters in August 1977.

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    Synopsis

    NASA Professor Andrew Boran (Kirk Scott) starts noticing strange radio signals coming from space that carry a foreboding message. Andrew soon learns that the transmissions are coming from Earth, so he and his wife Sylvia (Sue Lyon) investigate. It turns out that the signals are a warning about a series of natural disasters about to hit Earth. During their investigation, Andrew and Sylvia find themselves kidnapped by aliens disguised as a priest and some nuns. The leader Zindar, disguised as Father Pergado (Christopher Lee), explains that Earth has become a hotbed of diseases. They plan on destroying the planet through a series of natural disasters and force Andrew to steal a Variance Crystal. To do this, Andrew must infiltrate the very same lab he works for and betray humanity to save his wife. Will our heroes survive, and will the aliens bring about the end of the world?

     

    Review

    Despite his reverence, the late Sir Christopher Lee is no stranger to starring in movies he later came to regret. For example, he apologized to director Joe Dante for starring in The Howling II, the sequel to Dante’s werewolf classic. I mention this because Lee famously called End of the World one of the worst movies he ever starred in. Honestly, having just seen the film, it’s not hard to see why Lee would prefer people not to remember it. Even by 1970s Charles Band standards, this is an absolute mess of half-baked ideas, flat direction, and dull execution. Acting-wise, everyone seems to be either bored or confused as to what exactly is supposed to be happening. Sue Lyon, who was pretty good in Crash!, comes off demure and somewhat bland here. It doesn’t help that Kirk Scott, as her husband, acts as stiff as a board.

    That said, even if he did not want to be there, Christopher Lee seems to be at least trying. He is always the consummate professional, and he delivers his lines with eloquence and grace that’s too good for this movie. Unfortunately, Lee disappears for much of the runtime until roughly halfway through despite his prominent billing. The rest of the film is padded out with boring dialogue scenes, endless driving scenes, and many walking scenes. John Hayes’ direction feels flat, not helped by many outdoor scenes being so darkly lit that you can’t see. Every so often, there’s an explosion, but don’t expect the same level of explosiveness as Laserblast. Ultimately, this movie commits the biggest sin in cinema: it’s boring, which is honestly worse than just being terrible. Overall, unless you’re a die-hard Christopher Lee fan, End of the World is best left forgotten.

     

    Buy End of the World from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • FilmNerd’s Best and Worst Films of 2021

    FilmNerd’s Best and Worst Films of 2021

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    So, you’re probably reading this and wondering where the Best and Worst Films of 2020 list? Well, the thing is, I didn’t see enough movies in 2020 to justify doing a best and worst list. Since the pandemic caused several movie theaters to shut down, that prevented me from seeing a lot of movies. Not to mention many of the films that were supposed to come out ended up getting delayed. Things somewhat improved in 2021 as theaters started opening back up, and we got some great movies coming in. Before going further, I’d like to preface and say that I didn’t see everything that came out in 2021. So, if you don’t see a movie that should be on this list, keep that in mind. So, without further ado, here’s my list of what I consider to be the best and worst films of 2021!

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    Honorable Mentions

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/black-widow.jpg” alt=”Black Widow” title_text=”black-widow” url=”https://staging.film-nerd.com/black-widow-2021/” url_new_window=”on” admin_label=”Black Widow” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/godzilla-vs-kong.jpg” alt=”Godzilla vs. Kong” title_text=”godzilla-vs-kong” url=”https://staging.film-nerd.com/godzilla-vs-kong-2021/” url_new_window=”on” admin_label=”Godzilla vs. Kong” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/a-quiet-place-part-2.jpg” alt=”A Quiet Place Part 2″ title_text=”a-quiet-place-part-2″ url=”https://staging.film-nerd.com/a-quiet-place-part-ii-2021/” url_new_window=”on” admin_label=”A Quiet Place Part II” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/wrath-of-man.jpg” alt=”Wrath of Man” title_text=”wrath-of-man” url=”https://staging.film-nerd.com/wrath-of-man-2021/” url_new_window=”on” admin_label=”Wrath of Man” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#10: Copshop” _builder_version=”4.14.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/copshop-scaled.jpg” alt=”Copshop – Best and Worst Films of 2021″ title_text=”copshop” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.14.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    #10: Copshop

    Sometimes, all you need to have a good time is a simple plot, excellent characters, and tons of action. In that sense, Copshop delivers one of the most entertaining experiences I’ve had watching a movie, even at home. Admittedly, it takes several cues from movies like Assault on Precinct 13, but that doesn’t make it any less fun. While Frank Grillo and Gerard Butler are the headliners, Alexis Louder dominates the entire film and goes toe-to-toe with them. Director Joe Carnahan wanted to make a 70s style pulp action movie, and that’s just what we got. This movie won’t redefine the action genre for years to come, but not everything needs to reinvent the wheel. There’s nothing wrong with just wanting to be a straightforward action thriller with tons of swears, blood, and moody lighting. If you want something that’ll thrill you for under two hours, Copshop won’t disappoint.

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    #9: No Time to Die

    After playing the iconic spy for 15 years, Daniel Craig went out with a bang in No Time to Die. For his final outing as James Bond, the filmmakers pulled out all the stops and delivered a thrilling action movie. Admittedly, the villain wasn’t developed enough to feel fleshed out despite a decent performance from Rami Malek. Also, it was disappointing that the marketing built up Ana de Armas, only for her to appear in one scene. Nevertheless, this movie delivered some of the franchise’s best and most intense action set pieces. Kudos to Daniel Craig, who performed many of these stunts himself even in his early 50s and did it gracefully. The movie can feel pretty daunting with an almost three-hour runtime, but there’s plenty of plot to justify the runtime. All in all, No Time to Die celebrates one of the most iconic Bonds and delivers thrilling action.

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    #8: Ghostbusters: Afterlife

    After a very divisive 2016 reboot, Jason Reitman managed to bring it back with Ghostbusters: Afterlife. There was plenty of pressure on his shoulders, especially considering his dad made the first two movies. I’m happy to say that Jason not only met expectations, but he also managed to exceed them. Unlike the reboot, which upset both hardcore and casual fans, this will satisfy both crowds and general audiences. There are plenty of references to the original film, but they never get in the way of the main story. It helps that the movie has plenty of new characters to help new audiences get invested. McKenna Grace makes for a delightful lead, Paul Rudd is likable as always, and Finn Wolfhard has some fun moments. Whether you’re a long-time fan or you’re just getting into the series, Ghostbusters: Afterlife is worth catching.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=xaG_5ZZ2PyM” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#7: Shang-Chi and the Legend of the Ten Rings” _builder_version=”4.14.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/shang-chi-and-the-legend-of-the-ten-rings.jpg” alt=”Shang-Chi and the Legend of the Ten Rings – Best and Worst Films of 2021″ title_text=”shang-chi-and-the-legend-of-the-ten-rings” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.14.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    #7: Shang-Chi and the Legend of the Ten Rings

    This year gave us some highs and lows for the Marvel Cinematic Universe, with Eternals arguably being the lowest. Thankfully, Shang-Chi and the Legend of the Ten Rings was one of the highs this year had to offer. Admittedly, the film did reuse several tropes we’ve come to expect from Marvel, but it managed to reuse them effectively. It helped that the cast helped elevate the material, particularly Simu Liu and Tony Leung as father and son. While most modern MCU movies have a hard time balancing humor with drama, this one did a much better job. It even managed to take some unliked elements from past films and spin them in a way that works. Even the big action sequences towards the end are done in a fun and refreshing way. Being the first Asian-led MCU movie, Shang-Chi and the Legend of the Ten Rings is enjoyable.

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    #6: Free Guy

    Free Guy was one of those movies that were supposed to come out in 2020 but were delayed to 2021. Thankfully, the wait was worth it because what we got was a surprisingly endearing and intelligent sci-fi comedy. Ryan Reynolds has more or less been playing the same type of character, but he does it so well. It’s honestly amazing that he’s been able to play the same character for so many years and make it entertaining. What helps is the unique concept of a video game character coming to life and attaining free will. Not only that, but it pokes fun at the video game industry as a whole without coming off as demeaning. Even if you’re not into video games, there are plenty of laughs to be had and some witty satire. All in all, Free Guy is a refreshing take on old material.

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    #5: Spider-Man: No Way Home

    Just like how not every movie that flops is terrible, not every movie that makes money is good. In the case of Spider-Man: No Way Home, it’s a movie that’s made tons of money and is good. Much like Spider-Man: Into the Spider-Verse celebrated the web slinger’s comic history, this movie celebrates the web slinger’s cinematic legacy. Not only do we get reintroduced to characters from the past, but each of them gets proper closure. Aside from that, this is probably the biggest MCU movie since Avengers: Endgame, though not quite as good. The stakes are higher, the action is more epic, the characters’ go through significant changes, and the runtime is longer. Even if it feels like the MCU should’ve ended with Iron Man’s ultimate sacrifice, at least we got this movie. It’s not perfect, but Spider-Man: No Way Home is one of the Marvel Cinematic Universe’s best films.

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    #4: Nightmare Alley

    Guillermo Del Toro is one of those filmmakers who rarely makes a bad movie, and Nightmare Alley is no exception. Like his other movies, this has a very dark and foreboding atmosphere that only he could provide. This film was a departure for him since there are no supernatural elements, but he still makes it spooky. It’s not as strong as his past movies like Pan’s Labyrinth or The Shape of Water, but it’s still great. Alongside the top-notch cinematography and production design, the cast has some of the best actors one could ask for. Bradley Cooper and Cate Blanchett are phenomenal, and the supporting players like Rooney Mara and Ron Perlman add to it. The only major fault with the film is the runtime, which can feel somewhat dragged out to reach feature-length. Aside from that, Nightmare Alley is a darkly entertaining thriller that film noir fans would enjoy.

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    #3: Pig

    Nicolas Cage has been the butt of several jokes for choosing some questionable roles for the last few decades. Admittedly, it’s hard not to see why when he’s starring in movies like Left Behind and Dying of the Light. However, you get something like 2018’s Mandy and 2021’s Pig, which reminds you why Nicolas Cage won an Oscar. While it’s not as insane or vivid as Panos Cosmatos’ magnum opus, Pig is still a well-made character drama. Cage gives one of his best performances as a former chef wanting to live his best life isolated from society. Though he’s a man of few words, you know he’s a broken, damaged man finding solace in his pet pig. Like many other movies on this list, this is another slow burn, but it’s worth sitting through. If you want to see Nicolas Cage at his best, give Pig a try.

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    #2: The Green Knight

    Every so often, a movie comes out that isn’t a huge blockbuster but still gets a lot of hype. The Green Knight was one of those movies, and thankfully, it lived up to the hype and then some. I wasn’t sure what to expect going into seeing the movie, but I was pleasantly surprised by what I saw. What I got was one of the most jaw-dropping, visually stunning, darkly beautiful films I’ve seen in some time. David Lowery’s direction is on-point, with every shot looking like something out of a medieval painting by Caravaggio or Rembrandt. While the filmmakers use some CGI, it complements the practical effects rather than taking over the movie. The cast is excellent, with Dev Patel giving one of his best performances and Ralph Ineson as the titular character. It’s another slow burn, but The Green Knight is a movie you’ll regret not seeing.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=sS6ksY8xWCY” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#1: The Suicide Squad” _builder_version=”4.14.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2022/01/the-suicide-squad.jpg” alt=”The Suicide Squad – Best and Worst Films of 2021″ title_text=”the-suicide-squad” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.14.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    #1: The Suicide Squad

    Ordinarily, I’m not a fan of remakes and reboots since it devalues the original and is ultimately pointless. However, considering that the original was one of the worst movies of 2016, I’m glad The Suicide Squad exists. While the 2016 Suicide Squad was a chaotic mess of flashy colors and incomprehensible action, this reboot improved everything. The action sequences are hyper-kinetic and stylized but not in a way that feels overwhelming or confusing to understand. James Gunn was able to take obscure comic book characters and make them full-fledged three-dimensional people you care about. Even the returning characters from the first film are massively improved, with Margot Robbie easily giving her best performance. It’s a shame the movie didn’t do as well because of the original’s reputation, as it deserved to do better. I’m happy to say that The Suicide Squad is my favorite movie of 2021!

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=eg5ciqQzmK0″ _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Worst Films” _builder_version=”3.22″ global_colors_info=”{}”][et_pb_row _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.14.4″ global_colors_info=”{}”]

    Worst/Most Disappointing Films

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/carnal-monsters.jpg” alt=”Carnal Monsters” title_text=”carnal-monsters” url=”https://staging.film-nerd.com/carnal-monsters-2021/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Carnal Monsters” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/halloween-kills.jpg” alt=”Halloween Kills” title_text=”halloween-kills” url=”https://staging.film-nerd.com/halloween-kills-2021/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Halloween Kills” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/the-kings-man-scaled.jpg” alt=”The King’s Man” title_text=”the-kings-man” url=”https://staging.film-nerd.com/the-kings-man-2021/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”The King’s Man” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2021/12/space-jam-a-new-legacy.jpg” alt=”Space Jam: A New Legacy” title_text=”space-jam-a-new-legacy” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Space Jam: A New Legacy” _builder_version=”4.14.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Green Knight (2021)

    The Green Knight (2021)

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    In the 14th Century, an unknown author wrote the Arthurian legend Sir Gawain and the Green Knight. The story is about the virtuous Sir Gawain, who accepts a challenge from a mysterious Green Knight that ends grimly. In 2018, A24 announced that acclaimed director David Lowery would adapt the story for a modern audience. Lowery drew inspiration from 80s fantasy films like Willow and Excalibur, known for their much darker tones. For the lead role, Dev Patel, who was working on The Personal History of David Copperfield, was cast. While the film was an adaptation, Lowery decided to make Sir Gawain a more flawed character to stand apart. He also made the conscious effort not directly to reference King Arthur or any of his knights aside from Gawain. While initially planned for a May 2020 release, The Green Knight finally hit theaters in July 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In the Middle Ages, a young knight named Gawain (Dev Patel) must go to Camelot on Christmas Day. Soon, the mysterious Green Knight (Ralph Ineson) visits and offers a challenge to The King (Sean Harris) and his knights. If anyone can land a blow on The Green Knight, they’ll win his green axe, but there’s a catch. Whoever wins must travel to visit him at The Green Chapel and receive an equal blow from the knight. Gawain accepts the challenge and decapitates the knight, winning his axe, but the knight reminds him of the deal. After soaking in the reverence for a year, Gawain sets out on his quest to find The Green Knight. Along the way, Gawain’s honor and chivalry are called into question as he meets some interesting characters. Will Gawain succeed in his quest, or will he back down from his destiny?

     

    Review

    Aside from the fundamental premise, I didn’t know what to expect when I went into this movie. I’m glad I went in knowing next to nothing because The Green Knight is one of 2021’s best films. First off, Dev Patel does an excellent job playing Sir Gawain, especially considering he’s the only one we follow. It’s interesting to see him play this character as someone struggling with living up to expectations. After slaying the Green Knight, he’s already hailed as a hero, and people revere him despite not venturing on his quest. There are points throughout the film where he’s tempted to turn back, but he instead chooses to keep going. Ralph Ineson is also memorable as the titular character, especially with the heavy prosthetics, and has a commanding presence. The cast also features Alicia Vikander, Joel Egerton, and Sean Harris, who do a fantastic job.

    The Green Knight is a fantasy film that other similar movies should note since most nowadays are relatively forgettable. Not only does the film have a great cast, but the production design and overall filmmaking are breathtaking. David Lowery takes full advantage of the locations given and creates some beautiful imagery, like something out of a painting. While they use some digital effects, there are more practical effects, and the CGI helps complement those effects. There are some genuinely memorable digital set pieces, which is rare in a world where digital is the norm. Plus, Daniel Hart’s haunting score adds to the overall atmosphere without getting in the way of what’s happening. The slow pacing might put off some audiences, but it’s still a journey worth taking at least once. Overall, The Green Knight is a beautifully well-crafted dark fantasy that makes you question Arthurian legend.

     

    Buy The Green Knight from Amazon: https://amzn.to/3FH8e8J.

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  • Promare (2019)

    Promare (2019)

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    In 2007, Japanese animator Hiroyuki Imaishi gained worldwide attention for the series Gurren Lagann from the studio Gainax. He also directed the 2010 series Panty & Stocking with Garterbelt before leaving Gainax in 2011 to start Studio Trigger. Their first project was the 2013 short film Little Witch Academia, which spun off into Kill la Kill. Imaishi frequently worked with writer Kazuki Nakashima, whose credits include Ultraman Max, Kamen Rider Fourze, and Batman Ninja. In 2017, Studio Trigger and XFLAG revealed a new project that had been in production for roughly four years. Later announced as a film in 2018, the project would see Imaishi and Nakashima returning to collaborate. The two had previously worked on Gurren Lagann and Kill la Kill, both earning critical praise. Promare premiered in Japan in May and the US in September two years later.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    A series of spontaneous combustions ends up killing half the world’s population in an event called the Great World Blaze. Following the cataclysmic event, a group of people with pyrokinetic abilities emerged called Burnish, and they continued spreading. Thirty years later, the firefighting group Burning Rescue rolls out whenever a fire arises due to Burnish attacks. They run into Mad Burnish, a terrorist group led by Lio Foita, during one such episode and take them down. Burning Rescue member Galo Thymos is hailed as a hero by Kray Foresight, the city governor and Galo’s hero. However, Kray reveals his true intentions when Galo learns he’s using Burnish to power a spaceship. It turns out the Earth is about to explode, and Kray wants to migrate with a select group of people. Galo and Lio have to settle their differences and work together to save the world.

     

    Review

    Promare is one of the most stunningly beautiful animated movies I’ve seen in quite some time. There are so many bright and vibrant colors that it feels like a euphoric trip throughout. The pacing is fast-paced and kinetic, so you’re never bored and constantly left on the edge of your seat. The music, which is insanely catchy and quickly gets stuck in your head, perfectly complements the kinetic pacing. At just under two hours, the film flies by pretty fast but not so much where it feels anemic. Even though the target audience is teens, even hardcore and casual adult anime fans will enjoy watching this. Admittedly, some of the transitions between 2D and 3D can be jarring, and the fast pace can get overwhelming. It’s almost like an animated Michael Bay movie, but it’s way better than the live-action Transformers movies.

    Unfortunately, despite how dazzling the animation is, the story comes off as convoluted, and the characters are paper-thin. There is so much happening, and it goes by so fast that it’s challenging to keep up with sometimes. Also, the characters don’t have much of a personality aside from the basic archetypes they fill. You’ve got the reckless hero, the solemn and misunderstood villain, and the hero figure revealed to be the true villain. Aside from their designs, even the side characters are pretty one-dimensional and primarily forgettable, though they’re not the central focus. The film does touch on some serious issues, such as exploiting people considered harmful for a supposedly good cause. Even with a basic story and characters, this movie will satisfy you if you’re looking for a fun thrill ride. Overall, Promare is a flawed but enjoyable roller coaster of an animated movie.

     

    Buy Promare from Amazon: https://amzn.to/3J2OZIS.

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  • Nightmare Alley (2021)

    Nightmare Alley (2021)

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    In 1946, William Lindsay Graham published Nightmare Alley, a novel that explores the darker side of carnivals and their inhabitants. Graham based much of the book on conversations with a former carny while serving in the Spanish Civil War. In 1947, 20th Century Fox bought the rights to adapt the novel into a feature film with director Edmund Goulding. The film received mixed reviews from critics and was a financial disappointment when it was released. Over time, the film has been reappraised and is now considered a classic of the film noir genre. In 2017, Searchlight Pictures announced a new film adaptation of the novel directed by Guillermo Del Toro was in development. Production started in January 2020 but was halted due to COVID-19, though they managed to finish filming in December. After nearly two and a half years of production, Del Toro’s Nightmare Alley hit theaters in December 2021.

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    Synopsis

    After burning down his childhood home, Stanton “Stan” Carlisle (Bradley Cooper) gets a job working for a local carnival. He works with clairvoyant “Madame Zeena” (Toni Collette) and her husband, Pete (David Strathairn), who teaches him some tricks. Pete shows Stan how they use a coded language system to make it seem like they have psychic powers. While at the carnival, Stan falls in love with fellow carny Molly (Rooney Mara), who performs an electrifying act. Despite warnings from her father figure Bruno (Ron Perlman), Molly decides to run off with Stan for a better life. Two years later, Stan has become famous for his psychic act with Molly as his assistant using Pete’s methods. During one show, psychologist Dr. Lilith Ritter (Cate Blanchett) challenges Stan’s abilities, but they later develop an odd relationship. They plan to extort money from Judge Kimball (Richard Jenkins), which soon spirals out of control.

     

    Review

    Guillermo Del Toro is one of those filmmakers who consistently put out high-quality entertainment, and Nightmare Alley is no exception. Admittedly, it’s not as strong as films like Pan’s Labyrinth or The Shape of Water, but it’s still impressive. The production design and cinematography are exquisite and capture the film noir aesthetic found in old pulp novels. Even in the daytime scenes, there’s a sense of gloom and dread throughout that leave you feeling uncomfortable. The score by composer Nathan Johnson (Knives Out) further adds tension and has a hauntingly beautiful quality. Bradley Cooper makes for an excellent lead, playing his part with plenty of charisma despite his shady dealings. As a femme fatale type, Cate Blanchett is perfect casting, and she has fantastic chemistry with Cooper. Also, Rooney Mara is wonderfully empathetic as a naive woman caught in the middle of this odd
    ménage à trois.

    The rest of the supporting cast, including Willem Dafoe, Ron Perlman, Toni Collette, Richard Jenkins, and Mary Steenburgen, are fantastic. Even with their limited screen time, each gets a shining moment, and they’ll stick with you well after they’re gone. Granted, I have not seen the original 1947 movie, so I can’t say how this film compares to that version. Also, I will admit that the film is pushing it with its two-and-a-half-hour runtime, and plenty could’ve been trimmed. This slow burner doesn’t necessarily have a structured plot, which might put off some audiences. It doesn’t get going until 40 minutes in, but if you’re willing to go for the ride, it’s worth it. This movie may not be one of Del Toro’s best, but that doesn’t take away from how incredible it is. Overall, Nightmare Alley is a well-crafted psychological thriller that’ll stay with you well after watching it.

     

    Buy tickets to Nightmare Alley from Fandango: https://fandan.co/3sMJoRk.

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  • The King’s Man (2021)

    The King’s Man (2021)

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    On a budget of over $100 million, Kingsman: The Golden Circle grossed $410 million worldwide despite a mixed reception. Following its release, director Matthew Vaughn confirmed that a third entry would be in production soon. This next installment would end the planned trilogy, though Vaughn decided to make a prequel. Since this would be telling the story of how the Kingsman was founded, none of the original cast would return. In 2018, the studio announced that Ralph Fiennes and Harris Dickinson were cast as the leads. Other cast members reported included Daniel Brühl, Charles Dance, Rhys Ifans, Matthew Goode, Gemma Arterton, and Djimon Hounsou. Filming commenced in January 2019 with a planned November release, but unfortunately, the film’s release was delayed numerous times. After being delayed for roughly two years, The King’s Man finally hit theaters in December 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#EDF000″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    It’s 1902, and Orlando (Ralph Fiennes) is visiting a South African concentration camp with his wife Emily (Alexandra Maria Lara). They’re working with the Red Cross when Emily is shot and killed during a sniper attack at the camp. Years later, Orlando lives with his son Conrad (Harris Dickinson), who wants to fight in WWI despite his father’s objections. They visit War Secretary Herbert Kitchener (Charles Dance), who ensures to Orlando that Conrad will not be able to enlist. Meanwhile, a shadowy organization led by “Shepherd” plans to further tensions between the United Kingdom, Germany, and Russia. One of their agents is Grigori Rasputin (Rhys Ifans), a Russian monk who’s also a top advisor to the Tsar. He plans to convince the Tsar to pull out from the war, so Orlando and his spy network take action. Little do they know that there’s more at stake than they realize.

     

    Review

    One complaint I had with Kingsman: The Golden Circle was how chaotic and exhaustive the action sequences were. Even still, there was a sense of fun and energy to the film that made it exciting to watch. Unfortunately, The King’s Man lacks the spark that made the first two films so enjoyable in the first place. Before getting into the negatives, I will say that this has a decent cast with an exceptional lead. Ralph Fiennes does his best with the material given, and he’s easily the movie’s highlight. Rhys Ifans is having fun playing a larger-than-life villain, but unfortunately, he’s not in the film for long. Gemma Arterton and Djimon Honsou also make good additions, and Harris Dickinson does a decent job as Orlando’s son. And of course, there’s Charles Dance, who’s great in just about everything he’s in.

    Sadly, not even this talented cast can save a mainly dull film aside from a few moments. The only memorable sequences here are the fight with Rasputin and the climactic gunfight towards the end. Aside from these, most of the runtime is nothing but dialogue-heavy scenes of boring exposition and tedious back-and-forths. Also, whereas the first two movies prided themselves on having colorful, larger-than-life villains, there’s nothing to this film’s lead villain. As eccentric as Rasputin is, he’s not the primary villain, and the reveal leaves you asking more questions. At well over two hours long, several points in this movie feel like padding to further stretch the runtime. It’s disappointing that Kingsman: The Secret Service was so good, but the sequels gradually fell in quality. Overall, The King’s Man is a far cry from its insanely fun and exciting predecessors.

     

    Buy tickets to The King’s Man from Fandango: https://fandan.co/33Kdydt.

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