Facebook

FilmNerd

Author: FilmNerd

  • Novocaine (2025)

    Novocaine (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Growing up, Dan Berk and Robert Olsen were big fans of over-the-top action movies like Commando and Lethal Weapon. While horror movies like Body, Stake Land 2, and Villains got them attention, they dreamed of making an action movie. That opportunity came when Berk and Olsen got a script from Lars Jacobson about a man who can’t feel pain. Specifically, the lead has Congenital insensitivity to pain (CIP), a rare condition where those affected can’t feel physical pain. Seeing potential, Berk and Olsen knew they had to make this a comedic action movie like the ones they loved. They hired Jack Quaid fresh off his role in The Boys due to his Tom Hanks-like charm and likeability. With a budget of $18 million, principal photography took place in South Africa in mid-2024. After an early premiere at Regal Theaters, Novocaine hit the silver screen in March 2025.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Mild-mannered Nathan Caine (Jack Quaid) is an assistant bank manager living with Congenital Insensitivity to Pain with Anhidrosis, or CIPA. Despite his introverted nature, he develops a romantic interest in coworker Sherry Margrave (Amber Midthunder) and hesitantly asks her out. The two fall in love, but things go awry when the bank gets robbed, and the thieves take Sherry hostage. Despite his instincts telling him not to, Nathan decides to go after the robbers and rescue Sherry. Meanwhile, officers Mincy Langston (Betty Gabriel) and Coltraine Duffy (Matt Walsh) believe Nathan is working with the robbers. Throughout his journey, Nathan gets stabbed, gets shot at, has his hand deep-fried, and gets knocked out numerous times. With help from his internet pal, Roscoe Dixon (Jacob Batalon), Nathan tracks down the leader, Simon Greenly (Ray Nicholson). But what Nathan soon discovers will change his life forever.

     

    Review

    Novocaine is one of the year’s biggest surprises, combining comedy and action with a surprisingly sweet love story. When I first saw the trailer, I was excited but worried it might not live up to its potential. Thankfully, the movie was every bit as entertaining and fast-paced as I hoped it would be. Like many great action movies of the 80s, this one perfectly organically combines action and comedy. The jokes never get in the way of the action, and the action isn’t gratuitous enough to derail the comedy. Given the premise, making the hero an indestructible bullet farm would be easy, but that’s not the case. While he can’t feel pain, that doesn’t mean he can’t get hurt, and we’re shown how vulnerable he is. A modern action movie rarely has a hero who’s beaten and bloody, and it’s greatly appreciated here.

    Jack Quaid is perfectly cast as the introverted but good-hearted Nathan Caine, bringing great charm and likability. His snarky wit and dry humor make him a fun lead you instantly root for. Amber Midthunder does a great job as the love interest, Sherry Margrave, and she’s got great chemistry with Quaid. It helps that the first third is spent developing their relationship so that when she’s kidnapped, it’s more impactful. Much like his father, Ray Nicholson makes for a great hateable villain with his broad smile and explosive energy. Betty Gabriel and Matt Walsh are fun in their scenes together as they try to make sense of what’s happening. Like in the Tom Holland Spider-Man movies, Jacob Batalon works as the comic relief, though he can get tiresome. All in all, the cast does a fine job with the material, which could’ve gone wrong in lesser hands.

    As undeniably enjoyable as the film is, that’s not to say it’s without flaws, though they aren’t especially egregious. For one, as inventive as having a pain-resistant lead in an action movie is, it’s not significantly groundbreaking. Plus, as wonderfully gratuitous as the violence is, it lacks the grit or over-the-top vibes of John Wick or Deadpool. I’ve seen people criticize that the hero could still die even if he can’t feel pain, which the movie addresses. Granted, if inconsistencies like that bother you, you already know whether or not you’ll enjoy this. Sure, the movie has problems, but if you can sit back and let the film go, it’s a fun ride. While some of the hour and 50-minute runtime could’ve been trimmed, the pacing is so fast that you won’t notice. Overall, Novocaine is an enjoyable thrill ride thanks to its likable lead, gratuitous violence, and gleeful attitude.

     

    Novocaine is currently in theaters.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Leprechaun 2 (1994)

    Leprechaun 2 (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Despite primarily negative reviews, 1993’s Leprechaun was a surprise hit, grossing $8.5 million on a $900,000 budget. Trimark Pictures wanted a sequel right away, but the original’s writer/director, Mark Jones, went off to make Rumplestilskin. For the sequel, Trimark hired relative newcomer Rodman Flender, who made his debut directing The Unborn for Roger Corman. Aside from Warwick Davis, none of the original cast returned, so this sequel became more of a reboot. With a slightly higher budget of $1.5 million, filming lasted 18-21 days in and around Los Angeles. Despite going overschedule and shooting late into the night, production went off relatively well, and everyone got along. After the original’s success, the studio hoped that they’d be able to strike gold again with a theatrical sequel. Roughly a year after the first one, Leprechaun 2 made its way onto screens in April 1994.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”55″ bar_bg_color=”#EDF000″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In ancient Ireland, Lubdan the Leprechaun (Warwick Davis) seeks a bride to celebrate his 1,000th birthday. He promises to free his servant, William O’Day (James Lancaster), once married, except Lubdan’s intended bride is O’Day’s daughter. While O’Day manages to stop him, Lubdan vows to marry one of O’Day’s descendants on his 2,000th birthday. Cut to 1990s Los Angeles, where Lubdan sets his sights on O’Day’s descendant, Bridget Callum (Shevonne Durkin). She’s unhappy because her boyfriend, Cody Ingalls (Charlie Heath), is focused more on his work than her. Cody and his drunken boss Morty (Sandy Baron) run a haunted tour that’s scamming people hoping to see celebrity gravesites. Soon, Lubdan goes on a killing spree as he tries to abduct Bridget and make him his bride. Will Cody step up and save his girlfriend, or will Lubdan finally get his bride?

     

    Review

    Say what you will about the first Leprechaun, but at least it had an undeniable charm. The filmmakers put in more effort than you’d expect for a low-budget horror-comedy about a killer leprechaun. Sadly, Leprechaun 2 lacks the energy and fun that the original had, though it isn’t entirely awful. As with the first film, Warwick Davis is the highlight of the movie and the main reason to watch. You can tell he’s having a blast playing this character, and Gabe Bartalos’ makeup effects are still top-notch. There are also some fun gags here, including a guy hallucinating that a twin-bladed lawnmower is the lead actress’s breasts. Plus, seeing character actors like Clint Howard, Kimmy Robertson, Tony Cox, Billy Beck, and Michael McDonald is a treat. Also, The Leprechaun’s layer is a nifty bit of production design, even if there are some prominent styrofoam rocks.

    Sadly, the rest of the movie is dull and uninteresting, not helped by the lackluster leads. Shevonne Durkin, who coincidentally appeared in Tammy and the T-Rex that same year, can’t act to save her life. She might be pretty, but her delivery is so flat that it makes you appreciate Jennifer Aniston in the original. It doesn’t help that Charlie Heath is a wet blanket as her boyfriend, Cody, who’s uninteresting and bland. It’s the typical “guy who’s too focused on work neglects his love interest” storyline we’ve seen hundreds of times. Sandy Baron has funny moments as Cody’s drunken boss, Morty, like him exploiting the “30 minutes or free” pizza rule. There’s also a cool effect where he wishes for The Leprechaun’s gold, and the pot grows in his stomach. Unfortunately, little moments like that can’t save an otherwise dull movie.

    I know it seems like I’m expecting too much from a movie called Leprechaun 2, but I’m not. I only want a goofy, occasionally creepy, killer leprechaun movie, and I barely got that watching this. To the film’s credit, Rodman Flender’s direction isn’t too bad, and he does throw in some creative touches. There’s some foggy scenery, the aforementioned underground layer, and some colored lighting added to create an eerie mood. Plus, having The Leprechaun’s layer in Harry Houdini’s old house has tons of potential that sadly gets wasted. For as much fun as the cast and crew had, it’s a shame the audience won’t experience that same feeling. Even at slightly under 90 minutes, the pacing drags, and the movie feels longer than it is. Overall, Leprechaun 2 isn’t the worst sequel, but it’s a step down from the original, which wasn’t that good either.

     

    Buy Leprechaun 2 from Amazon: https://amzn.to/4bMWjaE.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Captain America: Brave New World (2025)

    Captain America: Brave New World (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]On a $250 million budget, Captain America: Civil War grossed over $1 billion, becoming the highest-grossing film of 2016. Though Chris Evans returned for Avengers: Infinity War and Avengers: Endgame, this was the last standalone Captain America movie. In the latter, Steve Rogers hands his shield to Anthony Mackie’s Falcon, which led to him taking the mantle. This scene led to the events of The Falcon and The Winter Soldier, a limited series on Disney+. While there were discussions of a second season, Marvel intended for the show to lead into a future film. Series writers Malcolm Spellman and Dalan Musson signed on to write a fourth Captain America movie with Julius Onah directing. Principal photography occurred in Atlanta between March and June 2023, with reshoots the following year. After premiering at the TCL Chinese Theatre, Captain America: Brave New World opened wide in February 2025.
    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Having assumed the role of Captain America, Sam Wilson (Anthony Mackie) struggles to live up to expectations. He’s paired with Joaquin Torres (Danny Ramirez), who’s become the new Falcon and is excited to work with Wilson. Adding to Wilson’s doubts is his old friend Isaiah Bradley (Carl Lumbly), who questions his ties to the government. Meanwhile, newly elected President Thaddeus Ross (Harrison Ford) struggles to maintain peace due to his past actions. The discovery of a Celestial emerging from the Earth starts an arms race where numerous nations are vying for control. Adding to the tension is an attack on the White House that leaves foreign powers questioning Ross’ abilities. Deciding to investigate further, Wilson and Ramirez discover an enormous conspiracy that could ignite a new world war. Who is pulling the strings, and will Wilson be able to prove himself as Captain America?

     

    Review

    While Deadpool & Wolverine was a step in the right direction, Captain America: Brave New World feels the opposite. Granted, it’s not the worst MCU movie in recent memory, but the fact that it’s more middle-of-the-road is disappointing. The film takes so many elements from earlier MCU entries that it fails to establish a unique identity. Considering this is the first to star Anthony Mackie as Captain America, he deserved better than a middle-of-the-road movie. Still, I hope Julius Onah continues working in Hollywood because I think he has potential as a filmmaker. If you remove all the drab CGI and messy choreography, you can tell Onah is a competent director. His previous outing, 2019’s Luce, received tons of critical acclaim and award nominations, so he has talent. Here’s hoping this movie is successful enough that he can move on to better projects.

    Anthony Mackie does a solid job as the new Captain America, bringing plenty of charisma to the role. A prominent theme of the movie is how Sam Wilson doubts his abilities and whether he can measure up. This feeling reflects the audience’s going in, and it’s appreciated that the filmmakers organically explore this. Surprisingly, the best performance comes from Harrison Ford, who cared more here than Indiana Jones and the Dial of Destiny. He brings a level of vulnerability and empathy you wouldn’t expect from Ford, and it’s greatly appreciated. It makes his transformation into Red Hulk more impactful, as it’s the culmination of his conflicted feelings made manifest. Unfortunately, despite the marketing playing up Cap’s fight with Red Hulk, it only amounts to 10 minutes of screen time. Sadly, actors like Giancarlo Esposito and Shira Haas feel wasted, though they have their moments.

    Like many recent MCU movies, the overused CGI comes off as drab and monotonous rather than exciting. Admittedly, the effects used to render Red Hulk are impressive, and the scenes of him destroying Washington, DC, are thrilling. It’s just unfortunate that the film has numerous scenes with noticeable green screen on par with Black Panther. Those scenes must have been part of the reshoots since they feel incomplete and added at the last minute. Numerous subplots and characters are complicated to keep track of and rely on easter eggs without going into spoilers. Despite my criticisms, you’ll find enough to enjoy if you take it as a simple superhero movie. But Anthony Mackie deserved a better debut for his Captain America than a slightly above-average affair. Overall, Captain America: Brave New World has plenty of fun action and decent performances but falls short of expectations.

     

    Buy Captain America: Brave New World from Amazon: https://amzn.to/4pk1Vi9.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Where to watch Captain America: Brave New World (2025)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Captain America: Brave New World” data-year=”2025″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Body Double (1984)

    Body Double (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Filmmaker Brian De Palma became a household name due to the success of Carrie, Dressed to Kill, and Scarface. In response, Columbia Pictures signed him to a three-picture deal, granting him complete creative freedom. Reflecting on his experience with Angie Dickinson’s body doubles in Dressed to Kill, he used that as a basis. De Palma hired Robert J. Avrech to cowrite the script after being impressed with his 1980 outing, Blood Bride. Initially, De Palma wanted to hire adult film actress Annette Haven, but the studio rejected her due to her work. After actresses like Linda Hamilton, Jamie Lee Curtis, and Carrie Fisher turned it down, Melanie Griffith took the part. Filming took place in early 1984 around Los Angeles with a $10 million budget, though Columbia had their doubts. After a lengthy battle with the MPAA and a less-than-stellar pre-screening, Body Double hit theaters in October 1984.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After losing a leading role and catching his girlfriend cheating, struggling actor Jake Scully (Craig Wasson) is down and out. Scully meets fellow actor Sam Bouchard (Gregg Henry) at a class, who offers him a unique opportunity. Sam asks Jake to housesit . Jake becomes fascinated with the neighbor, Gloria Revelle (Deborah Shelton), but soon discovers a stranger stalking and abusing her. Scully pursues her further, learning that a disfigured “Indian” has been threatening her life, and they fall in love. Unfortunately, the Indian breaks into Gloria’s home and kills her with a drill before Jake can save her. Feeling guilty, Jake watches a porno channel featuring Holly Body (Melanie Griffith) dancing similar to Gloria. He decides to enter the adult industry to meet Holly and figure out how she factors into Gloria’s death. What Jake discovers as he investigates further will change his life forever.

     

    Review

    Body Double is a solidly entertaining erotic thriller that could only come out in the 1980s. It’s common knowledge that Brian De Palma took inspiration from Alfred Hitchcock, and you can see that here. Plotwise, the film takes elements from Rear Window with the voyeurism and Vertigo with the lead’s crippling fear and obsession. Like Hitchcock, De Palma uses rear projection, split diopter, and continuous takes to establish mood and atmosphere. Thankfully, De Palma uses these techniques as more of an homage than a straight rip-off of Hitchcock. The movie explores illusion, voyeurism, artificiality, and the line between fantasy and reality while delivering an exhilarating thriller. Admittedly, the film takes a while to get going, but after the first act, things pick up quickly. There are so many twists, surprises, and reveals you won’t see coming, which can almost be overwhelming. Still, it’s a fun ride worth taking.

    Craig Wasson does a great job playing the handsome yet flawed lead who finds himself in over his head. Seeing him go deeper down the rabbit hole as he tries to solve the mystery is fascinating. Gregg Henry is also fun as Scully’s new friend Sam, coming off as lighthearted, sociable, and supportive. With her stunning looks and demure nature, Deborah Shelton works perfectly as the femme fatale, even if she’s dubbed. However, the stand-out performance is Melanie Griffth as the confident and self-assured Holly Boyd, who works perfectly off Wasson. Even though she doesn’t show up until halfway in, she dominates the screen with her sexuality and charisma. De Palma regular Dennis Franz is fun as the loud-mouthed director of the vampire movie Wasson stars in. Also, B-movie fans will get a kick from seeing Barbara Crampton in her debut feature film.

    As I alluded to earlier, there are some slow scenes towards the beginning as we get to know Jake Scully. The buildup to Jake going to the modern home goes for longer than it should and could’ve been shortened. Still, there are some fantastic set pieces, notably the music video segment featuring Frankie Goes to Hollywood’s “Relax.” It’s filmed in one continuous take with no cuts, and every action is perfectly choreographed to the song. The excellent camerawork is courtesy of Stephen Burum, who earned an Oscar nomination for Hoffa. Speaking of music, Pino Donaggio’s score is phenomenal, seamlessly going from soft and swelling to loud and bombastic. While the nods to Hitchcock might be derivative, and the first act is slow, this is still an entertaining thriller. Overall, Body Double is a sexually charged neo-noir thriller with great cinematography, solid performances, and memorable music.

     

    Buy Body Double from Amazon: https://amzn.to/3WN1zo3.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Blue Velvet (1986)

    Blue Velvet (1986)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]After finding success with 1980’s The Elephant Man, director David Lynch was contemplating what to make next. He met with producer Richard Roth to discuss a screenplay called Ronnie Rocket, which Roth passed due to its abstractness. Still intrigued, Roth asked Lynch for other ideas, and Lynch talked about voyeurism, severed ears, and a Bobby Vinton song. After working and reworking the script, Lynch had trouble finding a studio due to the violent nature of the story. On top of that, 1984’s Dune was such a critical and commercial failure that producers actively avoided Lynch. Thankfully, producer Dino De Laurentiis saw potential and agreed to offer a $6 million budget and total artistic freedom. Filming lasted from August to November 1985 in Wilmington, North Carolina, with a cast of relatively unknown actors. After premiering at the Montréal World Film Festival, Blue Velvet hit theater screens in September 1986.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”95″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    After his dad suffers a stroke, college student Jeffrey Beaumont (Kyle MacLachlan) comes home to help his family. While walking home from the hospital, Jeffrey finds a severed ear and takes it to Detective Williams (George Dickerson). Jeffrey meets Williams’s daughter Sandy (Laura Dern), who tells him the ear may relate to a local lounge singer. After seeing a performance by the singer Dorothy Vallens (Isabella Rossellini), Jeffrey becomes intrigued and sneaks into her apartment. Unfortunately, this act of voyeurism leads him to the psychotic Frank Booth (Dennis Hopper), who tortures and abuses Dorothy. Jeffrey develops a sadomasochistic relationship with Dorothy through this connection while also fostering a romance with Sandy. As he continues going down the rabbit hole, Jeffrey discovers a grand conspiracy involving drug dealers, corrupt cops, and kidnapping. How far is Jeffrey willing to go to solve this mystery, and will he do the right thing?

     

    Review

    Blue Velvet is one of the most beautifully crafted yet viscerally raw films ever made, and that says a lot. Every shot feels so fine-tuned and exact that you can imagine what David Lynch was thinking. You feel like you’re peeking into Lynch’s brain and seeing what lies inside like Jeffrey uncovering the secret underworld. This film subverts the image of suburban America and explores film noir conventions, including the femme fatale and flawed hero. Dorothy is a complex woman but isn’t manipulative, while Jeffrey is the good guy but isn’t without flaws. The tone goes from horrifying to humorous in a way that feels like whiplash, but Lynch makes it work. You get the sense that Lynch is challenging how you see things, much like Jeffrey’s changing worldview. Admittedly, the heavy-handed symbolism can appear pretentious, but the film still works as a gripping thriller.

    Kyle MacLachlan excels as the complex yet endearing hero navigating the dark world he discovers. Witnessing his transformation from a shy college student to a shattered man is captivating, and MacLachlan embodies this change brilliantly. Isabella Rossellini shines as Dorothy Vallens, a stunning woman ensnared by darkness, longing for escape. Meanwhile, Laura Dern impresses as Sandy Williams, a naive young woman who offers a ray of hope to Jeffrey. Dennis Hopper delivers arguably the finest performance of his career as the twisted Frank Booth, one of cinema’s greatest villains. He oscillates between humor and charm, then shifts to madness and terror, making him wholly unpredictable. The supporting cast also shines, featuring talents like Hope Lange, Priscilla Pointer, Frances Bay, Brad Dourif, and Jack Nance. Even Dean Stockwell makes the most of his one scene, memorably lip-synching a Roy Orbison song.

    Like many of David Lynch’s films, this one has mixed opinions – some love it, while others hate it. The subject is dark and uncomfortable, and the weird tonal changes can be off-putting to some viewers. However, if you’re willing to take in everything on screen for what it is, you’ll find a thought-provoking and well-made movie. Frederick Elmes’ cinematography is gorgeous and haunting, while Angelo Badalamenti’s beautiful score seamlessly transitions from romantic to horrifying. Some might scoff at the slow pacing, but it purposefully adds a false sense of security before the shocking scenes. At around two hours long, the movie never overstays its welcome or feels like it’s dragging to the end. If you’ve never seen a David Lynch movie and want an introduction, I’d recommend this as a starting point. Overall, Blue Velvet deserves its status as an American thriller classic and is arguably David Lynch’s best film.

     

    Buy Blue Velvet from Amazon: https://amzn.to/3Wkq4bZ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Where to watch Blue Velvet (1986)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Blue Velvet” data-year=”1986″ data-theme=”light”>

    [/et_pb_code][et_pb_divider _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_divider][et_pb_blurb title=”David Lynch, 1946 – 2025″ image=”https://staging.film-nerd.com/wp-content/uploads/2025/01/Brody-LynchPostcript.webp” alt=”David Lynch” _builder_version=”4.27.4″ header_text_align=”center” text_orientation=”center” animation=”off” global_colors_info=”{}”]

    This review is dedicated to the memory of legendary filmmaker David Lynch, who passed away on January 15, 2025, at 78.

    [/et_pb_blurb][/et_pb_column][/et_pb_row][/et_pb_section]

  • FilmNerd’s Best and Worst Films of 2024

    FilmNerd’s Best and Worst Films of 2024

    [et_pb_section fb_built=”1″ admin_label=”Intro” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]Here we are again; another year has passed, and we’re reflecting on where we were the year before. This year, multiple sequels to popular movies hit theaters, some good, some bad, and some unexpected. Disney seems to have learned some lessons from last year since most of its films performed better in 2024. It was also a solid year for horror fans, with some great gems satisfying those looking for something unnerving. As usual, I will take this opportunity to reflect on what I saw last year. Like before, not every movie from 2024 will be on here simply because I didn’t see them for whatever reason. Also, remember that this is strictly my opinion, so feel free to agree or disagree with my choices. So, with all the introductions out of the way, here are my Best and Worst Films of 2024![/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Honorable Mentions” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_heading title=”Honorable Mentions” _builder_version=”4.27.4″ _module_preset=”default” title_level=”h2″ global_colors_info=”{}”][/et_pb_heading][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/civil-war.jpg” alt=”Civil War” title_text=”civil-war” url=”https://staging.film-nerd.com/civil-war-2024/” url_new_window=”on” admin_label=”Civil War” module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/furiosa-a-mad-max-saga.jpg” alt=”Furiosa: A Mad Max Saga” title_text=”furiosa-a-mad-max-saga” url=”https://staging.film-nerd.com/furiosa-a-mad-max-saga-2024/” url_new_window=”on” admin_label=”Furiosa: A Mad Max Saga” module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/smile-2-scaled.jpg” alt=”Smile 2″ title_text=”smile-2″ url=”https://staging.film-nerd.com/smile-2-2024/” url_new_window=”on” admin_label=”Smile 2″ module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/sonic-the-hedgehog-3.jpg” alt=”Sonic the Hedgehog 3″ title_text=”sonic-the-hedgehog-3″ url=”https://staging.film-nerd.com/sonic-the-hedgehog-3-2024/” url_new_window=”on” admin_label=”Sonic the Hedgehog 3″ module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#10: Transformers One” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/transformers-one.jpg” alt=”Transformers One” title_text=”transformers-one” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #10: Transformers One

    In 2018, I ranked Bumblebee #10 on my list of the year’s best movies, and I stand by that ranking. I’m happy that Transformers One is now the second film in the series to earn a spot. ILM’s animation is stellar, with every environment rich in detail and combining machinery with organic elements. The cast is fantastic, from Chris Hemsworth as the charismatic Orion Pax to Brian Tyree Henry as the conflicted D-16. It helps that long-time fans and general audiences unfamiliar with Transformers can enjoy this movie. At the heart of the film is a tragic story about two lifelong friends torn apart due to unforeseen circumstances. It’s a shame this movie underperformed at the box office due to a poor marketing campaign. If you avoided this one, give it a shot, as you might be pleasantly surprised by how good it is.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=0rmJXXKDrsM” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#9: Alien: Romulus” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/alien-romulus-scaled.jpg” alt=”Alien: Romulus” title_text=”alien-romulus” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #9: Alien: Romulus

    After the mess that was Alien: Covenant, no one could’ve predicted that a new installment would be this good. Fortunately, Fede Alvarez proves that there’s still life in this long-dormant franchise by returning to basics. Sure, the movie does rely on nostalgia bait, but it feels sincere rather than a cheap callback to something familiar. Also, I was stunned to find out that most of the effects were practical, especially when CGI is the go-to. From the retro-futuristic sets to the creature suits, it’s impressive how much they accomplished with $80 million. It makes sense that the studio released it theatrically because it would’ve been a crime to dump this on streaming. The cast is terrific, the cinematography is excellent, and the pacing is solid, building tension and suspense that ramps up. Regardless of where the series goes, Alien: Romulus is a must-watch for fans and newcomers.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=OzY2r2JXsDM” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#8: Deadpool & Wolverine” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/deadpool-and-wolverine-scaled.jpg” alt=”Deadpool & Wolverine” title_text=”deadpool-and-wolverine” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #8: Deadpool & Wolverine

    It’s safe to say that, aside from some decent entries, the MCU has dipped in quality since Avengers: Endgame. Thankfully, Deadpool & Wolverine is easily the most fun I’ve had at an MCU movie in quite some time. From the wild action sequences to the fun callbacks, every moment of this movie is fantastic. What makes the film work is the chemistry between Ryan Reynolds and Hugh Jackman as they clash back and forth. Also, unlike other recent MCU movies, this one effectively balances comedy with drama without feeling forced. Plus, this film made me weirdly nostalgic for the mid-2000s superhero movies, like Fantastic Four and X-Men: Origins – Wolverine. I’m unsure if the MCU will improve, but at least we got this madcap buddy comedy. While I can’t guarantee this will make you an MCU fan again, you’ll at least come out of this entertained.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=73_1biulkYk” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#7: The Fall Guy” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/the-fall-guy.jpg” alt=”The Fall Guy” title_text=”the-fall-guy” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #7: The Fall Guy

    Sadly, I didn’t get a chance to catch The Fall Guy in theaters, but I’m glad I finally watched it. While I’ve never seen the show, this movie is wildly entertaining, funny, and surprisingly heartfelt. Ryan Gosling makes for a fun lead as a stuntman caught in the criminal underworld trying to rescue the star. Emily Blunt is also entertaining as the stressed-out filmmaker trying to make her directorial debut with almost everything going wrong. Gosling and Blunt have great chemistry; you want to see them repair their relationship after years of separation. This movie also feels like a love letter to stunt performers, who often go unnoticed in the industry. Every hit, punch, flip, shot, and crash feels real because a lot of it is real. If you missed this one in theaters like me, you owe it to yourself to watch it.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=j7jPnwVGdZ8&pp=ygUMdGhlIGZhbGwgZ3V5″ _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#6: Abigail” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/abigail.jpg” alt=”Abigail” title_text=”abigail” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #6: Abigail

    In my Best and Worst Films of 2019 list, Radio Silence’s Ready or Not was ranked 10th. The filmmaking duo of Matt Bettinelli-Olpin and Tyler Gillett return to the list with Abigail, another surprise hit. Like their 2019 outing, this movie revels in how much blood can be spilled in less than two hours. Every cast member is given their moment to shine, and each one excels in their roles. While the ensemble cast does a great job, the real standout performance has to be Alisha Weir as Abigail. She gives one of the best performances out of a child actor in years, and I’m excited for her future work. The movie is also clever in how it reinvents the vampire mythology while still sticking to what worked before. Even if it started as a remake, this is one of the most original vampire movies I’ve seen in years.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=3PsP8MFH8p0&pp=ygUHYWJpZ2FpbA%3D%3D” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#5: Monkey Man” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/monkey-man-scaled.jpg” alt=”Monkey Man” title_text=”monkey-man” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #5: Monkey Man

    Every year has its fair share of good and bad surprises, and Dev Patel’s Monkey Man is among the former. For his first time out, Patel delivers a solid action movie with a political message. Thankfully, the message doesn’t feel obtrusive or as if it’s the film’s central focus and nothing else. You can enjoy this as a no-holds-barred action thriller without feeling like they’re cramming the message down your throat. Admittedly, some editing choices and a second act that drags are huge hindrances to an otherwise excellent movie. Remember, I want to see Patel continue as a director because he has plenty of potential. Along with Patel, Sharlto Copley chews his scenes delightfully, Sobhita Dhulipala is fantastic, and Sikandar Kher is a great villain. Overall, Monkey Man is a terrific thriller that shows Patel’s ability to deliver as an actor and a director.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=g8zxiB5Qhsc&pp=ygUKbW9ua2V5IG1hbg%3D%3D” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#4: Late Night with The Devil” _builder_version=”4.27.4″ collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/late-night-with-the-devil.jpg” alt=”Late Night with The Devil” title_text=”late-night-with-the-devil” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #4: Late Night with the Devil

    Sometimes, a movie comes along that, even if it underperforms at the box office, still gets a lot of attention. We had Late Night with the Devil this year, which received tons of praise despite grossing $600,000 in theaters. This film does an amazing job emulating the look of a 1970s late-night talk show. From the clothes and sets to the bumpers and music, it feels like watching something you would’ve seen back then. David Dastmalchian does a great job playing a talk show host struggling to keep his show on the air. What makes the movie so scary is how it starts somewhat lighthearted but gets gradually creepier until the climax. Sadly, some out-of-place CGI and AI-generated art hinder the film, but not enough to write it off. Despite its flaws, Late Night with the Devil is a terrifying film that’s worth a watch.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=cvt-mauboTc&pp=ygUZbGF0ZSBuaWdodCB3aXRoIHRoZSBkZXZpbA%3D%3D” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#3: Inside Out 2″ _builder_version=”4.27.4″ global_colors_info=”{}” collapsed=”on”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/inside-out-2.jpg” alt=”Inside Out 2″ title_text=”inside-out-2″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    #3: Inside Out 2

    Legacy sequels are tricky, as they’re usually more bad than good, though there are exceptions. When I heard Pixar was making an Inside Out sequel, I was hopeful but skeptical about whether they could deliver. Thankfully, Inside Out 2 exceeded all my expectations, proving they can still create great movies after all these years. Like its predecessor, this film explores themes that audiences, young and old, will resonate with, like self-identity and emotional repression. The animation is fantastic, as usual; the voice actors do a great job, and the story is engaging. Also, this film doesn’t have a straightforward villain but rather someone doing what they think is right but isn’t. This sequel is still outstanding, even if it doesn’t fully recapture the original’s magic. Lastly, while plenty of modern animated movies incorporate panic attacks, this one does it better.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=LEjhY15eCx0&pp=ygUMaW5zaWRlIG91dCAy” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#2: The Substance” _builder_version=”4.27.4″ global_colors_info=”{}” collapsed=”on”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/the-substance-scaled.jpg” alt=”The Substance” title_text=”the-substance” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    #2: The Substance

    As I said about Late Night with the Devil, sometimes a movie suddenly attracts much attention. Coralie Fargeat’s The Substance is one of those movies, and it deserves all the acclaim it’s received. Not only is this an outrageously gruesome body horror film, but it’s also a clever satire of beauty standards. Demi Moore easily delivers the best performance of her career, and Margaret Qualley continues making a name for herself here. This film taps into themes of ageism, body image, and societal norms in a way not seen before. Even at slightly over two and a half hours long, the movie moves at a brisk pace that never drags. It all leads to a big crescendo of gross-out gore and gruesome spectacle that genre fans will love. If there’s any justice in this world, The Substance will earn several Academy Awards, but it probably won’t.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=LNlrGhBpYjc&pp=ygUNdGhlIHN1YnN0YW5jZQ%3D%3D” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”#1: Nosferatu” _builder_version=”4.27.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/nosferatu.jpg” alt=”Nosferatu” title_text=”nosferatu” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    #1: Nosferatu

    I was genuinely struggling with whether to rank this or The Substance at #1 on the list. It was a tough call, but I decided to give the spot to Robert Eggers’ modern take on a classic. Like Eggers’ other works, this one is brimming with a style we hardly see in today’s movies. Everything works, from the harsh shadows and emphasis on darkness to the subtle editing and haunting score. Bill Skarsgard is virtually unrecognizable as Count Orlok, and Lily Rose-Depp delivers an outstanding performance. But more importantly, this movie brings us back to the primal, animalistic vampire with no humanity left. It doesn’t try to make us sympathize with the monster but make them as evil and vicious as possible. Nosferatu is a movie I won’t forget anytime soon, and that’s why it’s my favorite film of 2024.

    [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https://www.youtube.com/watch?v=nulvWqYUM8k&pp=ygUJbm9zZmVyYXR1″ _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Worst Films” _builder_version=”4.16″ global_colors_info=”{}” collapsed=”off”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_heading title=”Worst/Most Disappointing Films” _builder_version=”4.23.4″ _module_preset=”default” title_level=”h2″ global_colors_info=”{}”][/et_pb_heading][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/ghostbusters-frozen-empire-scaled.jpg” alt=”Ghostbusters: Frozen Empire” title_text=”ghostbusters-frozen-empire” url=”https://staging.film-nerd.com/ghostbusters-frozen-empire-2024/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Ghostbusters: Frozen Empire” module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/joker-folie-a-deux-scaled.jpg” alt=”Joker: Folie à Deux” title_text=”joker-folie-a-deux” url=”https://staging.film-nerd.com/joker-folie-a-deux-2024/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Joker: Folie à Deux” module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/red-one-scaled.jpg” alt=”Red One” title_text=”red-one” url=”https://staging.film-nerd.com/red-one-2024/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Red One” module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https://staging.film-nerd.com/wp-content/uploads/2025/01/venom-the-last-dance-scaled.jpg” alt=”Venom: The Last Dance” title_text=”venom-the-last-dance” url=”https://staging.film-nerd.com/venom-the-last-dance-2024/” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Venom: The Last Dance” module_class=”image-zoom” _builder_version=”4.27.4″ global_colors_info=”{}”][/et_pb_image][/et_pb_column][/et_pb_row][/et_pb_section]

  • Nosferatu (2024)

    Nosferatu (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]In 1922, F. W. Murnau’s Nosferatu: A Symphony of Horror, an unofficial adaptation of Dracula, opened in German theaters. Despite a lawsuit from Bram Stoker’s heirs demanding the film be destroyed, several prints survived, and the film became a classic. In 1979, Werner Herzog remade the movie as Nosferatu the Vampyre, starring Klaus Kinski and Isabelle Adjani. In 2015, Robert Eggers announced he’d be working on a remake, though he had reservations about redoing a beloved classic. While Daniel Day-Lewis, Willem Dafoe, and Mads Mikkelsen were considered, Bill Skarsgård ultimately won the role of Count Orlok. Dafoe joined the cast alongside Lily-Rose Depp, who replayed Anya Taylor-Joy, Nicholas Hoult, Emma Corrin, and Aaron Taylor-Johnson. With a $50 million budget, filming lasted between February and May 2023 in and around Prague and Romania. After its Berlin premiere, Nosferatu opened on Christmas Day 2024.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”95″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Estate agent Thomas Hutter (Nicholas Hoult) is commissioned by his employer, Herr Knock (Simon McBurney), for a special assignment. He must travel to the Carpathian Mountains to visit the reclusive Count Orlok (Bill Skarsgård) and finalize a land deal. Despite the warnings of his wife Ellen (Lily-Rose Depp), Thomas ventures forth while she stays with Friedrich Harding (Aaron Taylor-Johnson). Upon arrival, Orlok makes Thomas his prisoner in his castle, keeping him locked away as he plans his journey. Back home, Ellen has been suffering from seizures and night terrors, which perplexes her doctor, Wilhelm Sievers (Ralph Ineson). Sievers consults his mentor, Albin Eberhart Von Franz (Willem Dafoe), and he explains that Ellen is under Orlok’s control. Soon, Orlok arrives, bringing plague rats that quickly ravage the town while Thomas stumbles his way back. Will Count Orlok be vanquished, or will he claim Ellen as his own?

     

    Review

    Robert Eggers’ Nosferatu is a fantastic update to the groundbreaking silent classic and one of the best movies of 2024. Although I’m not usually a fan of remakes, there have been great ones, such as John Carpenter’s The Thing. Thankfully, this third version of the vampire classic joins the ranks of other masterful reimaginings. Unlike remakes that come off as attempts to capitalize on nostalgia, you can tell that Eggers enjoyed making this. He masterfully directs the film, creating a foreboding sense of dread that never lets up from start to finish. From the contrasting light and darkness to the use of shadows, it’s nothing short of spectacular. Working alongside regular cinematographer Jarin Blaschke and production designer Craig Lathrop, Eggers creates an elegantly dark and gothic look. Combined with the fantastic locations in Prague and Romania, there’s a grotesque beauty to every scene.

    Lily Rose-Depp gives an incredible performance, playing it in an understated yet emotional way that feels real. Nicholas Hoult also excels at conveying the fear that Orlok brings, and you believe in his relationship with Rose-Depp. Bill Skarsgård shines as Count Orlok, his imposing presence and booming voice towering over everyone, even when he’s not there. Whether it’s causing Ellen’s seizures or bringing the plague, Orlok is still a threat while off-screen. Some fans might bemoan the difference in appearance between this version and the original Orlok, but the spirit remains intact. Aaron Taylor-Johnson and Emma Corrin are also great as the skeptical yet supportive Friederich and Anna Harding. Like always, Willem Dafoe excels as the occult expert who can deliver expository dialogue captivatingly. All in all, the cast does an incredible job of delivering centuries-old dialogue that most actors would struggle with.

    While most modern vampire movies try to humanize the creatures, this one reintroduces the more monstrous side of earlier versions. There is no human quality in Orlok; instead, it is a facade masking the monster that lies within. The fact that this movie shows Orlok killing children indicates that Eggers isn’t concerned with displaying Orlok’s human qualities. The film moves at a deliberately slow pace punctuated by shocking moments that last long enough to be effective. Adding to this pacing is the minimalist score by Robin Carolan, which is both understated and haunting. At slightly over two hours long, there is never a dull moment, and every scene feels deliberate. This film is one of those rare cinematic experiences that sticks with you long after you’ve left the theater. Overall, Nosferatu is another home run for Eggers, punctuated by excellent direction, great performances, and a gripping story.

     

    Nosferatu is currently in theaters.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Don’t Open Till Christmas (1984)

    Don’t Open Till Christmas (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]After working on the American release of 1970’s Mark of the Devil, producer Stephen Minasian focused on horror. He helped Sean Cunningham and Wes Craven with The Last House on the Left and funded Friday the 13th. Minasian met producer Dick Randall soon after and co-produced 1982’s Pieces, which began an eventual partnership. Seeing how popular slashers were, Minasian wanted to make two based on holidays: April Fool’s Day and Christmas. Randall offered Edmund Purdom the lead in the Christmas slasher, which he accepted if he got to direct. Filming started in December 1982, but issues quickly arose due to disagreements between Purdom and Randall. Purdom quit the production, so writer Derek Ford took over, only to be replaced by editor Ray Selfie. After two years of reshoots, recastings, and re-editing, Don’t Open Till Christmas finally hit theaters in December 1984.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    On the dreary streets of London, someone in a green jacket and creepy mask is killing people dressed as Santa. Chief Inspector Ian Harris (Edmund Purdom) and Detective Sergeant Powell (Mark Jones) are hot on the case. They interview Kate Briosky (Belinda Mayne) and her boyfriend, Cliff Boyd (Gerry Sundquist), after witnessing her father’s murder days earlier. During all this, a stranger named Giles (Alan Wake), who claims to be a reporter, asks about the murders. Soon, a stripper named Sherry Graham (Kelly Baker) gets kidnapped by the killer after witnessing him murder another Santa. To make matters worse, Kate learns that Harris is no longer on the case, so she does some investigating. After checking a mental hospital that Harris visited, she discovers that the killer had been committed and is Harris’ brother. But who is the Santa slasher, and will his rampage be stopped?

     

    Review

    Due to numerous production problems, Don’t Open Till Christmas is a mess but enjoyable nonetheless. Interestingly, this film came out around the same time as Silent Night, Deadly Night but wasn’t nearly as controversial. If anything, it’s much more graphic and sleazy than Charles Sellier, Jr.’s slasher, with almost the opposite plot. For one, nearly every Santa shown is drunk or perverted, either peeping through windows or going to a peep show. Plus, most violent sequences occur in back alleys, public restrooms, or the London Dungeon, adding a layer of grime. A prime example is when Pat Astley wears a Santa coat and a thong while chased by the killer. Also, the kills are much more mean-spirited here, with Santas set ablaze, stabbed repeatedly, shot point blank, and even castrated. If parents complained about Billy impaling a woman on deer antlers, they’d have a field day with this.

    While the performances are decent overall, they’re nothing special besides a few standouts, namely Purdom and Lake. Though he disappears during the middle, Edmund Purdom brings a level of class to the film. Alan Lake also does a great job playing a menacing creep who perfectly plays his insanity in an understated way. He doesn’t constantly mug for the camera or go too over the top but instead plays it quietly and subdued. Belinda Mayne makes for a decent heroine, even if there isn’t much to her character. What’s strange is that you’d think she’d be the final girl, but it ends up being Kelly Baker’s experience girl. As for the rest of the cast, they do their jobs fine enough but don’t expect any Oscar-worthy performances. However, scream queen Caroline Munro does have a cameo as herself, which is always appreciated.

    Even without knowing the production history, you can tell that something went wrong with the movie’s structure. Characters are introduced as if they will play a significant role, only to vanish with a one-line explanation. Plus, given Purdom left the production, the other characters have to explain what the lead is doing off-screen. Between the scenes of Santa’s being murdered, most of the runtime consists of dialogue that goes on for too long. Even at 86 minutes, the movie feels padded with filler scenes that could’ve easily been excised. Despite how much of a mess this film is, it’s still enjoyable, mainly for the kills and the sleaze. Also, this movie has such an out-of-nowhere ending that you’ll never see coming, which makes it worth watching. Overall, Don’t Open Till Christmas is less of a long-lost classic and more of an interesting curiosity.

     

    Buy Don’t Open Till Christmas from Amazon: https://amzn.to/49PzhyR.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Don’t Open Till Christmas (1984)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Don’t Open Till Christmas” data-year=”1984″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Sonic the Hedgehog 3 (2024)

    Sonic the Hedgehog 3 (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]On a budget of around $90-110 million, Sonic the Hedgehog 2 grossed over $400 million worldwide. Before its release, Sega and Paramount announced a third installment and a spin-off series at ViacomCBS’s investor event. The filmmakers took inspiration from the video games Sonic Adventure 2 and Shadow the Hedgehog for the story. Jim Carrey announced that he was possibly retiring from acting but agreed to return because he liked the script. Due to the SAG-AFTRA strike, principal photography got delayed from August to November 2023 in Farhman, Surrey, England. Along with Carrey, James Marsden, Ben Schwartz, Tika Sumpter, Colleen O’Shaughnessey, Idris Elba, Lee Majdoub, and Tom Butler all returned. Filming wrapped in March 2024, with Keanu Reeves announced as the voice of Shadow the Hedgehog in April. After premiering at the Empire Leicester Square, Sonic the Hedgehog 3 opened worldwide in December 2024.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Sonic (Ben Schwartz) is partying with Tails (Colleen O’Shaughnessey), Knuckles (Idris Elba), Tom (James Marsden), and Maddie (Tika Sumpter). Suddenly, G.U.N. Director Rockwell (Krysten Ritter) drops by requesting Team Sonic’s aid in dealing with a disturbance in Tokyo. Upon arrival, they meet the source of the chaos: a black hedgehog named Shadow (Keanu Reeves), who easily overpowers them. Later, the three meet with Commander Walters (Tom Butler), who explains that Shadow was part of a failed government project. Unfortunately, drones mortally wound him, but not before entrusting Sonic with a keycard, though G.U.N. falsely thinks Sonic killed Walters. With few options left, Sonic agrees to work with Dr. Ivo Robotnik (Jim Carrey) to stop Shadow. Soon, they discover that Shadow is working with Ivo’s long-lost grandfather, Gerald (Jim Carrey), who recruits Ivo to his side. Will Team Sonic stop the Robotnik’s ultimate plan, or will their fractured friendship spell doom?

     

    Review

    In a series of surprisingly decent movies, Sonic the Hedgehog 3 is the best one by far. Like the other films, this one strikes a good balance of action, comedy, and drama without feeling tonally inconsistent. Admittedly, some jokes don’t land, and most humor centers on slapstick, but there are some chuckle-worthy moments. Thankfully, there’s none of the over-the-top humor introduced in the second movie with Maddie’s sister. There are surprisingly more pun-filled jokes, especially from Sonic, though that’s in keeping with the character. There are also a few attempts at breaking the fourth wall jokes, but they don’t land as well as hoped. Still, the humor works, and the dramatic scenes feel earned rather than coming from nowhere and feeling forced. The filmmakers seem to have listened to the audience’s feedback and deliberately made changes to improve the movie.

    Like the previous installments, everyone in the cast, including Ben Schwartz, Colleen O’Shaughnessey, and Idris Elba, does a fantastic job. Jim Carrey does an excellent job playing both Ivo and Gerald Robotnik, providing plenty of humor and some complexity. However, the actual standout performance is by Keanu Reeves, who provides the voice of Shadow the Hedgehog. He brings a level of gravitas and seriousness that perfectly contrasts with Carrey’s wackiness and Sonic’s affable personality. You can tell that Reeves takes the role as seriously as any of the John Wick movies, and it’s appreciated. Marsden and Sumpter do a decent job, though their screen time is reduced to make way for Sonic and friends. Krysten Ritter also works as the stern Director Rockwell, and Lee Majdoub always delivers as Agent Stone. Alyla Browne is another standout as Maria, who brings out the humanity in Shadow, making his backstory more tragic.

    Like in the past entries, the action is fast-paced and exciting, though it can be somewhat disorienting. It helps that cinematographer Brandon Trost does a great job of framing the action so you can see what’s happening. Jeff Fowler took advantage of the larger budget to create grandiose set pieces. Many sequences are straight out of the games, even using songs by Crush 40, like Live and Learn. Fans will appreciate all the game references, but they’re not so distracting that general audiences will get confused. At an hour and fifty minutes, the film goes appropriately quick, though some portions could’ve been excised here and there. Whether you liked the first two movies or disliked one over the other, this one will satisfy you. Overall, Sonic the Hedgehog 3 is one of those rare instances of the third installment being the strongest entry.

     

    Sonic the Hedgehog 3 is currently in theaters.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Silent Night, Deadly Night (1984)

    Silent Night, Deadly Night (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]In the early 1980s, producer Scott Schneid received a screenplay by Harvard graduate Paul Caimi about a killer Santa. While he disliked the script, Schneid found the concept intriguing, so he hired Michael Hickey to write a new treatment. Schneid and fellow producer Dennis Whitehead sold the screenplay to Tri-Star Pictures, which recruited Ira Barmak as executive producer. The studio hired Charles E. Sellier Jr. to direct, although Schneid and Whitehead wanted someone fresh and new. With a $750,000 budget, filming lasted from March to April 1983 in Heber City and Midway, Utah. Initially titled Slayride, Tri-Star gave the film a limited release with the plan to go nationwide if it was successful. The producers didn’t expect any controversy since killer Santas had appeared in 1972’s Tales from the Crypt and 1980’s Christmas Evil. Before its release in November 1984, Tri-Star retitled the film Silent Night, Deadly Night.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    When he was only 5, Billy Chapman (Jonathan Best) witnessed a crazed maniac dressed like Santa kill his parents. Three years later, Billy (Danny Wagner) and his younger brother Ricky (Max Broadhead) now live in an orphanage. Despite the pleas of Sister Margaret (Gilmer McCormick), Mother Superior (Lilyan Chauvin) beats Billy into believing that punishment is good. Ten years later, Billy (Robert Brian Wilson) gets a job as a stock boy in a local toy store. Things go smoothly until Christmas when memories of his parent’s murder and the Mother Superior’s abuse still haunt him. To make matters worse, the store owner, Mr. Sims (Britt Leach), has Billy fill in as the store Santa. This act leads to him finally snapping and going on a rampage, killing anyone he deems naughty. Will Sister Margaret be able to stop Billy, or will it be too late to stop his murderous wrath?

     

    Review

    It would be a vast understatement to say that Silent Night, Deadly Night upset some people upon its 1984 release. Groups protested in front of the theaters, and child advocacy groups worked to get the film pulled after two weeks. To top it off, critics Gene Siskel and Roger Ebert denounced the movie and tried shaming the filmmakers involved. It’s hard to say if a film like this would generate the same controversy 40 years later, but who knows? Regardless, TriStar is at fault for creating such a sensationalist marketing campaign that, while effective, ultimately was their undoing. I agree with Lilyan Chauvin, who said in a documentary that the distributor should’ve focused on the psychological aspects. Much like Happy Birthday to Me, while the ad campaign has become iconic, it doesn’t represent the film truthfully. Otherwise, parents should have talked with their kids instead of demanding the film’s expulsion.

    Controversy aside, this is one of the better slashers to come out of the slasher boom of the early 1980s. There’s much more depth and layers for a movie about a guy dressed as Santa killing people than expected. Like Christmas Evil, this works as a slasher and a character study of an otherwise typical person’s descent into madness. While most slashers briefly explain the killer’s motive, this one spends the first half developing the killer. While you disagree with him killing people, you understand why Billy does what he does and feel sorry for him. Adding to this is Robert Brian Wilson’s performance, where he perfectly goes from friendly and charming to sinister and chilling. Every performance is strong, particularly Lilyan Chauvin as the ruthless Mother Superior and Gilmer McCormick as the sympathetic Sister Margaret. Another highlight is Will Hare, who spectacularly milks his one scene.

    Like any good slasher, the kills are well done and brutal, utilizing Christmas iconography in twisted ways. Whether it’s hanging someone with Christmas lights or impaling a girl on deer antlers, the kill scenes are memorable. But for all that works, the film has its share of flaws, namely some flat direction and slow pacing. Several scenes involving people either driving, walking around, or staring go on way longer than needed. One particular scene involving a cop exploring an underground boiler room goes on for way too long. Also, you can tell that Sellier didn’t think too highly of the film since the direction is mostly flat. Even so, taking the controversy out of it, this is one of the best slasher films the ’80s offers. Overall, Silent Night, Deadly Night is a smartly written, well-acted horror film that deserves more credit than it gets.

     

    Buy Silent Night, Deadly Night from Amazon: https://amzn.to/4frkbki.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]