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Category: Full Moon Fridays

  • From Beyond (1986)

    From Beyond (1986)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]While not a massive hit, Re-Animator was one of Empire’s more successful films, grossing $2 million against a $900,000 budget. Also, the film received positive reviews from critics, including Roger Ebert, who awarded it three out of four stars. Following the success, Stuart Gordon was given a three-picture deal, the first of which would be another Lovecraft adaptation. A sequel to Re-Animator was tossed around, but executive producer Charles Band was unsure about the idea at the time. Instead, it was decided by Gordon, co-writer Dennis Paoli, and co-writer/producer Brian Yuzna decided to adapt another Lovecraft work. Much of the cast/crew from Re-Animator would be brought back, including actors Barbara Crampton and Jeffrey Combs. Whereas the last film was filmed in Los Angeles, this would be filmed in Rome at the recently-acquired Dinocitta studios. So, in 1986, Stuart Gordon’s sophomoric effort, From Beyond, was released.

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    Synopsis

    Physicist Crawford Tillinghast (Jeffrey Combs) has been assisting Dr. Edward Pretorius (Ted Sorel) in building a machine called The Resonator. The machine is designed to stimulate the pineal gland, which will allow those near the machine to see beyond reality. Something goes wrong and strange interdimensional creatures kill Pretorius, though Crawford escapes, only to end up in a mental institution. Psychiatrist Katherine McMichaels (Barbara Crampton) takes him into her care and intends to recreate the experiments that got Pretorius killed. Accompanied by football player turned detective Bubba Brownlee (Ken Foree), they return to Pretorius’ mansion and reactivate The Resonator. In addition to the strange creatures from before, they also see Pretorius, but he’s now become one with the creatures. While Crawford and Bubba want to either destroy the machine or leave, Katherine is determined, believing this may cure schizophrenia. Will our heroes survive, or will Katherine’s obsession be their downfall?

     

    Review

    Compared to the previous film, From Beyond isn’t quite as good, but it’s an impressive film in its own right. While they’ve essentially swapped roles, Barbara Crampton and Jeffrey Combs give terrific performances, able to deliver some ridiculous lines convincingly. Much like in Dawn of the Dead, Ken Foree is very entertaining as the comedic heart of the film. Thankfully, his humor never ruins some of the more serious scenes, and he knows when it’s appropriate for the moment. Similar to David Gale’s Dr. Hill in Re-Animator, Ted Sorel completely steals the show as the evil mad scientist. Even when he has to work with layers upon layers of makeup, he gives a very commanding performance. Also noteworthy is Carolyn Purdy-Gordon as the frigid Dr. Bloch, who has a pretty grisly and memorable death scene. It’s even funnier considering she was, and is still, married to the film’s director.

    In addition to the great cast, the special effects are something to behold, clearly showing the larger budget they had. Designed by the late great John Carl Buechler, the makeup and creature effects perfectly capture the cosmic horror of Lovecraft. Admittedly, some of the opticals stick out, but the rest of the effects still hold up over 30 years later. Though From Beyond lacks the over-the-top dark humor and gore of Re-Animator, the more serious tone works well here. Since the original short story is only seven pages long, everything after the pre-credits sequence acts as a sequel. In lesser hands, this would’ve failed, but given the talent behind the film, they manage to retain a Lovecraftian tone. This clearly shows how Stuart Gordon improved as a director following his impressive debut, given some of the filming conditions. Overall, From Beyond works as a Re-Animator follow-up and a standalone film.

     

    Buy From Beyond on Amazon: https://amzn.to/3CkGkCI.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch From Beyond (1986)

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  • Doctor Mordrid (1992)

    Doctor Mordrid (1992)

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  • Sorority Babes in the Slimeball Bowl-O-Rama (1988)

    Sorority Babes in the Slimeball Bowl-O-Rama (1988)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]David DeCoteau has had a career in B-movies since the early 80s, having started at Roger Corman’s New World Pictures. He worked as a production assistant on Galaxy of Terror and Escape from New York, both released in 1981. After that, he moved on to directing mostly adult films under the pseudonym David McCabe before he met Charles Band. In 1986, DeCoteau directed Dreamanic, which was followed up by the post-apocalyptic monster movie Creepozoids in 1987. Band was so happy with DeCoteau’s work that he decided to bring him on board to become a regular. For his next film, DeCoteau started working on a film called The Imp, which was turned into a horror-comedy. With the change in tone, they decided on a new title that would fit the film more. So, in 1988, the newly re-titled Sorority Babes in the Slimeball Bowl-O-Rama was released.

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    Synopsis

    At a college frat house, three guys, Calvin (Andras Jones), Jimmie (Hal Havins), and Keith (John Stuart Wildman), are bored. They get an idea: sneak over to the local sorority house where some new pledges are being initiated and watch. Unfortunately, they get caught by head sisters Babs (Robin Rochelle), Rhonda (Kathi O’Brecht), and Frankie (Carla Baron). As punishment, the three guys must accompany pledges Taffy (Brinke Stevens) and Lisa (Michelle Bauer) on a special mission. They’re sent to break into a local bowling alley and steal a trophy, the three heads watching via security cameras. While at the bowling alley, the gang runs into Spider (Linnea Quigley), a biker who’s robbing the place. They find a bowling trophy, but it gets dropped, releasing an imp named Uncle Impie (Michael Sanye, aka Dukey Flyswatter). He offers each of them a wish, but they soon discover that comes with a price.

     

    Review

    Having a title like Sorority Babes in the Slimeball Bowl-O-Rama, you should know what kind of movie you’re getting into. While this film is not going to receive high critical praise or sweep the Oscars, but it’s not trying to. The acting ranges from mediocre to downright amateurish, the effects are shoddy, and the story is flat out ridiculous. Even by Empire/Full Moon standards, this film is complete trash, but it’s still enjoyable trash that’s worth some laughs. One thing of note is the casting of three legendary scream queens: Linnea Quigley, Brinke Stevens, and Michelle Bauer. Not only are Stevens and Bauer more than willing to show some skin, but Quigley is owning all her scenes. She’s having fun playing a bad girl similar to her role in Return of the Living Dead, minus the nudity. However, the real star of the show is Uncle Impie.

    With a heavy ebonics-speaking voice and tons of corny jokes, Uncle Impie is what makes the film so much fun. The puppet itself looks pretty good, even though it has limited movement and the mouth doesn’t entirely match the voiceover. Also, much like other great B-movies, there’s even an appearance by George “Buck” Flower, once again giving a fun performance. As stated above, Sorority Babes in the Slimeball Bowl-O-Rama is not for everyone, especially for most mainstream audiences. However, if you’re the type of person who enjoys enjoyable trash cinema, this is well worth a watch. I should note that, at the time of writing this review, a sequel is already in the works. Whether or not the sequel lives up to the original, it shows how popular a seemingly bad movie can be. Overall, Sorority Babes in the Slimeball Bowl-O-Rama is a fun time for the right audience.

     

    Buy Sorority Babes in the Slimeball Bowl-O-Rama from Amazon: https://amzn.to/4d90Swm.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Dollman (1991)

    Dollman (1991)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Filmmaker Albert Pyun is certainly no stranger to B-movies, having worked in the industry since the early 1980s. He first emerged on the scene with the surprise hit The Sword and the Sorcerer in 1982. Despite receiving mostly negative films, the film made almost $40 million against a $4 million budget, eventually earning cult status. This led to him becoming a regular for Cannon Films, directing films like Dangerously CloseAlien from LA, and Cyborg. He also directed the ill-fated Captain America in 1990 that went unreleased for two years before being released direct-to-video. While working for Cannon Films, Pyun also directed Vicious Lips in 1986 for Charles Band’s Empire Pictures. After Empire’s fall and the rise of Full Moon Features, Band recruited Pyun to direct a few more movies. They were the 1993 sci-fi horror film Arcade and the 1991 sci-fi action film Dollman.

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    Synopsis

    On the far-off planet of Arturos, the tough-as-nails cop Brick Bardo (Tim Thomerson) stops a hostage situation while doing laundry. After getting home, he’s kidnapped and brought before the villainous Sprug (Frank Collison), who has stolen Bardo’s blaster. Fortunately, Bardo manages to retrieve his weapon, the Groger Blaster, and uses it to blow up Sprug’s henchmen. Sprug escapes into his ship, Bardo chases after him, and they both end up going through a wormhole. They land on Earth, specifically The Bronx, where it turns out they’re both roughly 13 inches tall. Bardo ends up meeting Debi (Kamala Lopez), a single mother who’s frustrated by the increasing crime rate in her city. Meanwhile, Sprug is discovered by local gang leader Braxton Red (Jackie Earle Haley), and they strike a deal. It’s intergalactic urban warfare as Bardo takes on Braxton and his gang and fights to clean the streets.

     

    Review

    Much like Trancers, Tim Thomerson once again shows off just how awesomely charismatic and entertaining he can be. As Brick Bardo, he essentially acts as a parody of Dirty Harry, with his attitude, overpowered gun, and general recklessness. Kamala Lopez does a great job, playing a civilian who stands her ground against crime and corruption in the city. For a relatively silly film, Jackie Earle Haley easily steals the show, playing his character with intensity and manic energy. Albert Pyun’s direction is solid, perfectly capturing the grittiness of The Bronx and New York in the early 1990s. However, at least 40% of the film is comprised entirely of establishing shots of the city, which can be repetitive. Also, as much as I prefer in-camera effects, many of the miniatures and compositing have aged pretty poorly. Admittedly, these do add to the film’s charm as a fun, cheesy B-movie.

    One thing that helps Dollman stand out is its themes of urban decay and people struggling to make ends meet. Granted, given that this is Full Moon, this might have been accidental, but that’s what I took away from it. Still, it’s pretty apparent with how Debi is struggling as a single mother whose husband was killed by street toughs. There’s a minor subplot about her trying to help the city and stop the crimewave despite an apathetic police chief. Admittedly, not much is done with this and it doesn’t lead to anything, but it’s still an interesting addition. Much like other Full Moon films, Dollman did return, first cameoing in Bad Channels and later fighting the Demonic Toys. We’ll get to that sequel, Dollman vs Demonic Toys, some other time, but for now, Dollman gets a strong recommendation. Overall, Dollman is a solidly entertaining film despite some minor flaws.

     

    Buy Dollman from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

     

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    Where to watch Dollman (1991)

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  • TerrorVision (1986)

    TerrorVision (1986)

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    Ted Nicolaou, who some may remember directed Subspecies, has had quite an interesting career, especially in the horror genre. After graduating from film school, his first job was as a sound recorder for 1974’s The Texas Chain Saw Massacre. In 1979, he worked as an editor on the film Tourist Trap, where he first met producer Charles Band. He continued editing for Band on movies like The Day Time Ended, The AlchemistTrancersGhoulies, and Zone Troopers. Eventually, Nicolaou got to direct a segment of The Dungeonmaster, but later asked Band to direct a full-length feature. Band presented him with a poster and a title, “TerrorVision”, and told him to come up with the concept. With this in mind, Nicolaou decided to make it a comedy that satirized the excess and tropes of the 1980s. After some months shooting in Italy, 1986 saw the release of Nicolaou’s feature debut, TerrorVision.

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    Synopsis

    Stan Putterman (Gerrit Graham) is working on his new satellite dish when it gets struck by a bolt of lightning. This ends up boosting the dish’s signal, much to the shock and amazement of the rest of the Putterman family. Later on, their son Sherman (Chad Allen) settles in to watch some monster movies with his survivalist Grampa (Bert Remsen). Meanwhile, Stan and his wife Raquel (Mary Woronov) go out to meet some swingers, who they eventually bring back home. Their daughter Suzy (Diane Franklin) goes out with her metalhead boyfriend OD (Jon Gries), leaving Sherman and Grampa all alone. That night, while Sherman and Grampa fall asleep, a giant alien monster emerges from the TV and eats Grampa. Soon, the rest of the family return home and Sherman tries warning them about the monster, but to no avail. Soon, the monster runs rampant and eating everything in its path.

     

    Review

    Even for an 80s horror-comedy, TerrorVision is such a strange and ridiculous film that shouldn’t work but weirdly does. The entire cast is having a great time, playing their parts as over-the-top as possible and reveling in the absurdity. You have Gerrit Graham and Mary Woronov as the parents with the sensibilities of the 50s mixed with 80s weirdness. Then there’s Diane Franklin, whose character is like a more exaggerated Cyndi Lauper mixed with a stereotypical 80s valley girl. Along with the crazy survivalist Grampa and the stereotypical metalhead OD, Chad Allen’s Sherman is pretty much the straight man. Also worth mentioning is Jennifer Richards as Medusa, a horror hostess inspired by Elvira who has some fun moments. Lastly, there’s Sonny Carl Davis in a small role, who would later go on to be a Full Moon regular. This is one of the best B-movie casts assembled.

    Given that this was his first time directing a feature, Nicolaou’s direction is fantastic, perfectly capturing that live-action cartoon aesthetic. The creature effects were done by the late John Carl Buechler, and they look fantastic, a testament to his talent. Buechler and his team manage to make the monster both hideous and gross, yet strangely cute at the same time. In terms of production design, the Putterman house is intentionally made to be as garish and tacky as possible. The look and style compliment the cast in satirizing some of the worst aspects of the 1980s. Admittedly, TerrorVision is one of those films that people will either love or hate given the ridiculousness on display. If you rolled your eyes at how I described TerrorVision, then this is not the film for you. But if you enjoy 80s campy cinema, TerrorVision is an underrated gem that’s worth a watch.

     

    Buy TerrorVision from Amazon: https://amzn.to/4hCtHDE.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch TerrorVision (1986)

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  • Demonic Toys (1992)

    Demonic Toys (1992)

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    Throughout the early to mid-’90s, Full Moon Features was dominating the booming home video market, establishing several film franchises. They were finding their biggest successes with their Puppet MasterSubspecies, and Trancers series, and they had Paramount Pictures’ backing. Full Moon was releasing several direct-to-video fantasy, sci-fi, and horror films in hopes of creating more franchises. In addition to bringing talent from the days of Empire Pictures, Full Moon also had plenty of young, fresh talent. One such person was writer David Goyer, who went on to write the Blade and Dark Knight trilogies, among other blockbusters. Then there’s filmmaker Peter Manoogian, who started at Empire directing films like The DungeonmasterEliminators, Enemy Territory, and Arena. After the fall of Empire, Manoogian moved on to Full Moon and joined Goyer to work on their first project. That project became the 1992 killer toy movie, Demonic Toys.

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    Synopsis

    Officers Judith Gray (Tracy Scoggins) and Matt Cable (Jeff Weston) are staging a fake arms deal to catch two dealers. Unfortunately, things go south when the dealers, Lincoln (Michael Russo) and Hesse (Barry Lynch), figure out this is a setup. Matt shoots Heese, Lincoln kills Matt, and they make their way to a nearby toy store with Judith in pursuit. Judith manages to catch Lincoln, while Heese stumbles through the store, bleeding out, which brings the toys to life. Amongst the toys are Baby Oopsy Daisy, Grizzly Teddy, Jack Attack, and Mr. Static, who brutally murder Heese. Meanwhile, the oblivious security guard, Charneski (Pete Schrum), orders his usual chicken dinner from his friend, Mark Wayne (Bentley Mitchum). Soon, Judith and Lincoln join the others, the toys kill Charneski, and Anne (Ellen Dunning), a teen runaway, joins them. As the toys continue hunting them, their true motives are soon revealed.

     

    Review

    Demonic Toys is prime Full Moon goodness, full of fun characters, plenty of blood, dark humor, and tiny puppets. The first thing to spotlight is Tracy Scoggins, who gives a really good performance and is having a good time. It helps that Tracy Scoggins is a huge horror and sci-fi fan who wanted to do this kind of film. Bentley Mitchum does go into overacting territory later on, almost going for something similar to Bill Paxton in Aliens. The rest of the cast does their best, but the real stars are the toys themselves. Designed by the late, great John Carl Buechler, each toy has a very distinct personality and looks great. There’s even a great moment where the teddy bear goes from a puppet to a guy in a full suit. While the film is occasionally scary, it’s more funny in a dark way.

    Though not quite as prolific as the Puppet Master series, Demonic Toys still had life following the first film. There were two spin-offs, Dollman vs Demonic Toys and Puppet Master vs Demonic Toys, and even a sequel in 2010. Manoogian went on to direct SeedpeopleThe Midas Touch, and DevilDolls, while Goyer wrote Arcade and the first spin-off. Demonic Toys is perfect for anyone looking for a fun, cheesy horror film to watch, and it goes by quickly. There will be plenty who say this movie is ridiculous, but they’re not the right audience for it. That said, it’s probably good that there weren’t too many films that went downhill over time. Still, this is a fun horror-comedy that’s perfect fodder for an all-night horror movie marathon, especially for B-movie fans. Overall, Demonic Toys is another example of how entertaining Full Moon movies can be.

     

    Buy Demonic Toys from:

    Disclosure: The above links are affiliate links, which means that, at zero cost to you, I will earn a commission if you click through the links and finalize a purchase.

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    Where to watch Demonic Toys (1992)

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  • Re-Animator (1985)

    Re-Animator (1985)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/l4xjdlP5Spc” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Though never appreciated in his own time, Howard Phillips Lovecraft, aka HP Lovecraft, is considered the grandfather of modern horror. His works, particularly his Cthulhu mythology, have inspired writers like Stephen King, Alan Moore, William S. Burroughs, and Neil Gaiman. Over the years, numerous film adaptations have been made of his work, ironic since Lovecraft wasn’t a fan of cinema. Flash forward years later when Chicago-based theater director Stuart Gordon was looking to make a new Frankenstein-type film. At a friend’s suggestion, he read Lovecraft’s Herbert West-Reanimator and wanted to adapt it either for theater or television. Having met producer Brian Yuzna, Gordon was convinced to move to Hollywood and adapt the story to film. With a roughly $1 million budget, a cast of relative unknowns, and a first-time director, it was a tall order. Then, 1985 saw the release of what would become the highly regarded cult classic, Re-Animator.

    [/et_pb_text][/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”95″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    At Miskatonic University’s Medical School, Dan Cain (Bruce Abbott) is a young medical student with a promising future. Things are going well for him and his fiancee Meg (Barbara Crampton) until they meet student Herbert West (Jeffrey Combs). West ends up taking the spare room Dan is renting out, though Meg is unsure about West and fears him. It isn’t long before West catches the ire of Dr. Carl Hill (David Gale), and the two instantly become foes. Turns out West has been developing a reagent serum that can reanimate the dead, but with catastrophic results. After an incident where Dean Halsey (Robert Sampson), Meg’s father, is accidentally killed and reanimated, Hill tries to blackmail West. Hill wants to steal West’s work, prompting West to decapitate him with a shovel, then reanimated his head and body. Newly reanimated, Hill steals West’s reagent and commences with his sinister plans.

     

    Review

    For being a low budget horror film made by mostly first timers, Re-Animator has a lot going for it. Much like Evil Dead II, the film is a perfect blending of shocking horror, over-the-top gore, and black comedy. Adding onto that, this film pushes boundaries to where, just when you think it won’t go there, it does. There are so many scenes that’ll either make you wince, laugh, or even both, oftentimes questioning your own sanity. In addition, for a cast of mostly unknowns, everyone delivers a fantastic performance, each actor playing well off one other. Bruce Abbott makes for a likable and charismatic lead, and he has fantastic chemistry with the always lovely Barbara Crampton. David Gale makes for a great villain, having a quality that’s eerily similar to horror icons like Boris Karloff. However, I would argue that the real star of Re-Animator is Jeffrey Combs.

    As Herbert West, Combs’ mix of charisma, dry comedic wit, and quirky charm makes him an instant scene stealer. His character shows such determination in his research that you actually go along with him and believe in his work. At the same time, the film makes it clear that he’s insane in his ruthless determination to get results. Along with the cast, Gordon’s first time directing is top-notch, almost framed and blocked like a filmed theater production. The practical effects, given the low budget, are impressive and among some of the best 80’s practical effects. Admittedly, there are some character decisions and plot inconsistencies that don’t make sense, but much of that is pretty unimportant. This film shows how with determination, passion, and talent, you can still make a great film without a huge budget. Overall, Re-Animator is an entertainingly dark horror comedy that deserves its cult classic status.

     

    Buy Re-Animator on Amazon: https://amzn.to/4e2KNHO.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Re-Animator (1985)

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  • Subspecies (1991)

    Subspecies (1991)

    [et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/0kC2dweoieM” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]After the success of Puppet Master, Full Moon started releasing more direct-to-video films intending to start potential franchises. Thanks to a deal with Paramount Pictures, they were able to feed the burgeoning home video market at the time. Around the same time, Full Moon also released ShadowzoneMeridian: Kiss of the Beast, and Crash and Burn. Even films originally produced under Empire Pictures, namely Trancers, were made into their own franchises for Full Moon. Speaking of Empire, Ted Nicolaou, who worked on GhouliesThe Dungeonmaster, and TerrorVision, was brought over to Full Moon. For his first film under Full Moon, Nicolaou would also be directing the first American to be filmed in Romania. While initially reluctant, Nicolaou agreed to do it despite some production setbacks, including the last remnants of communism. Then in 1991, Full Moon released Nicolaou’s Romanian film, the vampire tale, Subspecies, kicking off a whole new series.

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    Synopsis

    In the Romanian town Prejmer, the vampire king Vladislas (Angus Scrimm) is confronted by his evil son Radu (Anders Hove). Radu is after the Bloodstone, which will give him untold power, but Vladislas plans on entrusting it to Radu’s half-brother. In retaliation, Radu kills the king and gets the Bloodstone with the help of his diminutive minions, the subspecies. Meanwhile, American students Michelle (Laura Tate) and Lillian (Michelle McBride) meet up with their friend Mara (Irina Movila) in Bucharest. They soon meet Stefan (Michael Watson), who turns out to be Radu’s younger half-brother and is trying to protect them. Unfortunately, Lillian accidentally marks herself for Radu, leading to her and Mara being turned into his vampire brides. Stefan falls in love with Michelle, but Radu also has his sights set on making her one of his own. With the help of local Karl (Ivan J. Rado), Stefan must stop Radu.

     

    Review

    The first thing I’d like spotlight is how Subspecies takes full advantage of the ancient Romanian castles and ruins. The locations used really add to the look of the film and make it seem bigger than it actually is. In addition, Nicolaou’s direction is top-notch, utilizing the locations and heavy shadows to create a dark and foreboding atmosphere. Performance-wise, everyone does a decent job, but the real highlight is Anders Hove, who’s instantly memorable as the villainous Radu. His raspy voice, Nosferatu-inspired look, devilish smile, and drooling snarl make him stand out from other vampire characters. Another highlight are the subspecies themselves, who were brought to life by stop motion animator and frequent collaborator David Allen. While some of the blue screen on the puppets hasn’t aged well, the stop motion animation still looks good. Plus, the musical score is among some of the best in Full Moon’s entire catalog.

    However, while this is definitely one of the better Full Moon films, Subspecies still has its issues and flaws. For one, even at 83 minutes, there are many scenes that drag on and probably could’ve been trimmed. There are many scenes where characters are just standing around and not doing anything, which slows the pacing down. Also, while Anders Hove makes for a memorable vampire, Michael Watson’s Stefan is an incredibly weak and pretty useless vampire. Honestly, the human characters, namely Michelle and Karl, end up doing more than Stefan, a half vampire, does. Speaking of, while none of the human characters are awful, their performances are unremarkable and nothing to write home about. Even with all that said, this still works as an interesting spin on vampire mythology that works on its own. Overall, Subspecies is a great start to another signature Full Moon franchise.

     

    Buy Subspecies from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Subspecies (1991)

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  • Slave Girls from Beyond Infinity (1987)

    Slave Girls from Beyond Infinity (1987)

    [et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/S6WxCgSX7iE” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]In 1924, author and journalist Richard Connell published the short story, The Most Dangerous Game, in the American magazine Collier’s. The story was about a big-game hunter who’s stranded on a tropical island and hunted by a Russian aristocrat. Over the years, the story has been adapted into multiple films, starting with 1932’s The Most Dangerous Game from RKO. Future Oscar winner Robert Wise directed the 1945 remake, A Game of Death, which was also produced by RKO. Several more adaptations were made, such as 1956’s Run for the Sun, 1961’s Bloodlust!, and 1972’s The Woman Hunt. Even Asian filmmaker John Woo’s debut in America, 1993’s Hard Target, was loosely based on the short story. And of course, the 80s saw a sci-fi version of the story from none other than Charles Band’s Empire Pictures. That adaptation was the 1987 sci-fi adventure film, Slave Girls from Beyond Infinity.

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    Synopsis

    Daria (Elizabeth Kaitan) and Tisa (Cindy Beal) have recently escaped from a space prison and taken off in a spacecraft. Unfortunately, the ship crashes on a mysterious planet, where they meet Zed (Don Scribner), who invites them to his fortress. After cleaning up and getting elegant dresses, they join Zed for dinner, along with two other crash-landing survivors. Rik (Carl Horner) and his sister Shala (Brinke Stevens) both warn the girls about Zed, saying the other survivors disappeared. Soon enough, they discover Zed’s trophy room and learn that he plans on hunting them for sport. While Rik and Daria go off to the jungle to prepare for the hunt, Shala is taken prisoner by Zed. Eventually, Zed figures out what’s going on, captures Daria and Tisa, and sets them and Shala loose for the hunt. The girls flee for their lives as they try finding a way to survive.

     

    Review

    With a title like Slave Girls from Beyond Infinity, you’ll know right away if this is something you’re interested in. If you scoff at the title and find it ridiculous, this movie will obviously not appeal to you. However, if you know what you’re getting into and are looking for something silly but fun, this is for you. This is the sort of B-movie that knows what it is and has fun with it without being too self-aware. Elizabeth Kaitan and Cindy Beal, in addition to being gorgeous, clearly know what movie they’re in and act accordingly. Don Scribner makes for a decent villain, even though there’s not much to his character, but backstory isn’t necessary here. Carl Horner and Brinke Stevens do what they can with the small amount of screen time they’re given. Of course, it helps that the women are willing to show off their “assets”.

    Slave Girls from Beyond Infinity feels like the kind of movie a 14-year-old would stumble across at 2am on CineMax. In addition to the women either wearing skimpy outfits or being nude, there’s also robots, mutants, and laser guns. What this movie lacks in story and character development, it makes up for in unapologetic fun and sheer ridiculousness. Shout out to the late John Carl Buechler, who worked on the make-up effects for many Empire/Full Moon films. It also helps that this movie is only 75 minutes long, so it never overstays its welcome or drags out. Admittedly, there are some moments where the movie tends to slow down, but not enough to make the movie boring. Given the sociopolitical environment we live in, this movie would upset the likes of Anita Sarkeesian and other hardcore feminists. For everyone else, Slave Girls from Beyond Infinity is great B-movie entertainment.

     

    Buy Slave Girls from Beyond Infinity from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Slave Girls from Beyond Infinity (1987)

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  • Trancers (1984)

    Trancers (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/3U7vkIgjdCk?si=HIyIZ3eY_fD6TAP0″ _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]Before starting Full Moon Features, Charles Band founded Empire Pictures following his dissatisfaction with how studios handled his previous films. Founded in 1983, the company specialized primarily in fantasy, science-fiction, and horror films, many of which have become cult classics. The first few films released through Empire included The AlchemistThe Dungeonmaster, and Ghost Warrior, all released between 1983 and 1984. Around this time, Band received a sci-fi script, which Danny Bilson and Paul De Meo rewrote. The script was about a time-traveling cop, but Bilson, De Meo, and Band decided to add film noir elements. For the cast, they hired Tim Thomerson, who Band worked with on Metalstorm: The Destruction of Jared-Syn, as the lead. At Thomerson’s suggestion, they also hired a relatively unknown Helen Hunt and stand-up comedian Biff Maynard, with whom Thomerson worked. The result was the sci-fi action film Trancers, released in 1984.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” number_text_shadow_horizontal_length_tablet=”0px” number_text_shadow_vertical_length_tablet=”0px” number_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]

    Synopsis

    In 2247, Jack Deth (Tim Thomerson) is a cop hunting down trancers, zombie-like people being controlled by an evil mastermind. After an incident at a diner, Jack is told by his superior McNulty (Art LaFleur) to meet the high council. The council informs him that the mastermind behind the trancers, Whistler (Michael Stefani), lives and has retreated to the past. Using a process called “going down the line,” he’s inhabited his ancestor’s body and hunted down the council’s ancestors. Jack’s consciousness is sent into his ancestor’s body in 1985 to track down Whistler and bring him to justice. In the past, he meets Leena (Helen Hunt), a punk girl his ancestor picked up at a bar. He asks her for help finding the council’s ancestors, but she’s initially reluctant until she encounters some trancers. With her help, Jack works to track down the ancestors before Whistler gets to them.

     

    Review

    Even though aspects of the film are slightly dated, Trancers still works thanks to its fantastic story and talented cast. Tim Thomerson nails it as Jack Deth, perfectly capturing the look and attitude of a film noir detective. His sarcastic attitude, smart-ass quips, and tremendous charisma make him an instantly likable and believable leading man. To match his attitude and charisma, Helen Hunt does a great job and has fantastic chemistry with Thomerson. Michael Stefani is a good villain, and Art LaFleur is entertaining as the hard-ass police lieutenant. Charles Band’s direction is on-point, and he manages to stretch the film’s low budget as far as possible. Bilson and De Meo’s script is well-written, and the concept of time travel is unique and ahead of its time. Trancers is one of the more unique sci-fi action films of its time.

    Many crew members from Trancers worked at Full Moon, including David Allen, Ted Nicolaou, and John Carl Buechler. Allen did stop-motion effects for many Full Moon movies, Nicolaou directed the Subspecies franchise, and Buechler worked on makeup effects. Bilson and De Meo went on to write and direct Zone Troopers for Empire, reuniting Tim Thomerson and Art LaFleur. After Empire fell and Full Moon started, Band decided to resurrect Trancers into a franchise totaling five sequels. In addition to film noir, Trancers also takes inspiration from Blade Runner, even hiring Gene Winfield, who designed the spinners. Admittedly, I would’ve liked more scenes in the future setting and further explanation on how the trancers work. Even still, this is a fantastic hidden gem of a sci-fi film that more than earns its cult status. Overall, Trancers is a solid sci-fi noir that launched a popular cult franchise.

     

    Buy Trancers from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Trancers (1984)

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