Facebook

FilmNerd

Category: New Releases

  • Black Widow (2021)

    Black Widow (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.10.7″ _module_preset=”default”][et_pb_column _builder_version=”4.10.7″ _module_preset=”default” type=”4_4″][et_pb_video _builder_version=”4.10.7″ _module_preset=”default” src=”https://youtu.be/wqpYYosGVKA” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.10.7″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Natasha Romanova, aka Black Widow, first appeared in Marvel Comics’ Tales of Suspense #52 in 1964. Stan Lee, Don Rico, and Don Heck were the brainchild, and she was initially an Iron Man villain before becoming an Avenger. In 2004, Lionsgate announced plans for a live-action movie written and directed by David Hayter, but the project fell through. Marvel Studios reacquired the rights in 2006, and the character made her big-screen debut in 2010’s Iron Man 2. Played by Scarlett Johansson, the character has become one of the most popular Marvel Cinematic Universe. Around 2017, work on a Black Widow solo film had started, with Cate Shortland attached to direct. The film had an initial May 2020 release planned but saw delays due to the COVID-19 Pandemic. After several delays, Black Widow finally hit theaters and Disney+ in July of 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.10.7″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Following the events of Captain America: Civil War, Natasha “Black Widow” Romanoff (Scarlett Johansson) is on the run. While trying to stay in hiding, she’s attacked by a mysterious assassin called Taskmaster, though she manages to escape. Wanting to learn more about her assailant, Natasha goes to Budapest and reunites with her sister Yelena Belova (Florence Pugh). It turns out that Dreykov (Ray Winstone), the man who kidnapped them and turned them into trained killers, sent Taskmaster. These killers are known as “Black Widows,” One found a way to reverse the chemical mind control used. Dreykov operates out of the “Red Room,” so Natasha and Yelena find their surrogate parents for help. Said parents are former Russian operative Alexei Shostakov (David Harbour) and elder Black Widow Melina Vostokoff (Rachel Weisz). It’s up to our heroes to save the victims of Dreykov’s influence.

     

    Review

    Ever since her debut back in 2010, audiences had been clamoring for a Black Widow solo film. While it’s great that we finally got it, especially after the pandemic, it might’ve been a little too late. There’s no real sense that Natasha is in any real danger considering the events of the later films. It would’ve felt more timely and appropriate had this film come out in maybe late 2016/early 2017. That said, this is still a reasonably entertaining spy thriller with some pretty impressive action sequences. Scarlett Johansson still delivers a solid performance in the title role if this is her swan song. Florence Pugh is a welcome addition as her more sarcastic, wise-cracking personality compliments Johansson’s more stoic and severe delivery. David Harbour practically steals the show as the larger-than-life Red Guardian, and he has good chemistry with Rachel Weisz.

    Even though his screen-time is limited, Ray Winstone is effectively creepy, even if playing the stereotypical evil businessman. Unfortunately, Taskmaster doesn’t get that much to do aside from fighting people for all the build-up. We’re told backstory on the character, but they have no lines, and we don’t get any personality. The MCU is known for its humor, and while there are some funny moments, it often clashes with the tone. There’ll usually be a theatrical, serious scene that reels you in only for a joke to be shoehorned in. Admittedly, there are some heartfelt moments with some humor injected in, but it’s more inconsistent than balanced. This film will provide a decently entertaining experience at slightly over two hours, but I don’t see this leaving an impact. Overall, Black Widow is a reasonably entertaining spy thriller, but it could’ve been much better.

     

    Black Widow is currently playing in theaters and on Disney+. Click the link for more: https://bit.ly/36quTpS.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • A Quiet Place Part II (2021)

    A Quiet Place Part II (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]On a modest $17 million budget, A Quiet Place grossed over $340 million worldwide and received universal acclaim from critics. Paramount immediately greenlit a sequel following its success, though John Krasinski was initially hesitant about the prospect. He and writers Scott Beck and Bryan Woods considered it more of a “one-off” and weren’t interested in sequels. However, Krasinski started brainstorming ideas after Paramount rejected several more franchise-oriented pitches, and he was allowed to write and direct. The surviving cast from the first film returned, alongside newcomers Cillian Murphy and Djimon Hounsou, who replaced Brian Tyree Henry. With a $61 million budget, the film was shot mostly around Western New York, Hudson Valley, and Upstate New York. The film had its worldwide premiere in March of 2020, but due to the COVID-19 pandemic, its release was delayed. Finally, over a year later, A Quiet Place Part II was released to theaters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Following the first film, Evelyn Abbott (Emily Blunt), daughter Regan (Millicent Simmonds), and son Marcus (Noah Jupe) head out. With their home destroyed, they venture out searching for any other survivors that have a community they can settle in. Unfortunately, Marcus gets caught in a bear trap, which attracts several creatures and they make a break for it. They run into Lee’s old friend Emmett (Cillian Murphy), who reluctantly agrees to take them in despite having limited supplies. Marcus picks up a radio signal playing “Beyond the Sea” on loop, giving Regan the idea to find the source. Regan goes off alone to find the source, and Evelyn sends Emmet to find her and bring her back. Meanwhile, Evelyn goes off to find medical supplies while Marcus explores the complex, though he accidentally alerts the creatures. It’s a fight for survival as everyone sets out on their quest.

     

    Review

    A Quiet Place Part II is about on par with the original, which is both good and bad. On the one hand, it retains everything that made the first film great and expands upon it further. On the other hand, it somewhat feels like a repeat of the first one, not really doing anything different. To be fair, what it does differently is that it has more than one storyline as opposed to just one. You have Regan’s story of searching for survivors, and you have Evelyn’s story of trying to keep the family together. Speaking of, having Millicent Simmonds take centerstage was a good move since she was a standout in the first film. Here, she’s given much more to do and gets to show off just how good of an actress she is. Plus, she and Cillian Murphy make for a good pairing.

    Granted, this comes at the expense of giving Emily Blunt less to do, though she still gives a good performance. Honestly, none of the actors are particularly bad, and they each have their moments to shine. Even John Krasinski and Djimon Hounsou shine in their relatively brief appearances, though Honsou’s brief role is somewhat disappointing. Speaking of Krasinski, the opening sequence which takes place before the original gives a nice look at how this happened. While it does go on for a bit longer than expected, it doesn’t overexplain things and keeps the viewer engaged. Like the previous film, Krasinski’s direction is still solid, and he manages to maintain the same level of tension. At slightly over 90 minutes, the film goes by fairly quickly and never feels bogged down by pointless filler. Overall, A Quiet Place Part II is a solidly entertaining companion piece to the original.

     

    Buy A Quiet Place Part II from Amazon: https://amzn.to/3AquDKa.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

     

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch A Quiet Place Part II (2021)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”A Quiet Place Part II” data-year=”2021″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • A Quiet Place (2018)

    A Quiet Place (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]

    In early 2016, writers Scott Beck and Bryan Woods started working on a script for a rather unique horror film. Growing up in Iowa, the two watched numerous silent films in college, and they discussed making a silent horror film. Their script caught the attention of actor John Krasinski, who was intrigued by the concept of parents protecting their children. Krasinski signed on to not only star but also rewrite and direct what would be his third film directing credit. Though hesitant at first, his wife and fellow actress Emily Blunt signed on to star alongside her husband. Actress Millicent Simmonds, who is deaf in real life, was hired to lend the film some authenticity for deaf people. With a budget of $17 million, they went to Upstate New York to film this uniquely horrifying production. Finally, in April 2018, A Quiet Place was released to theaters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Most of humanity has been wiped out by mysterious creatures that rely on sound to find and kill their victims. We follow the Abbotts – Evelyn (Emily Blunt), husband Lee (John Krasinski), and kids Regan (Millicent Simmonds) and Marcus (Noah Jupe). With Regan being deaf and given the threat around them, the family has had to learn sign language to communicate. Unfortunately, the family is somewhat fractured because Regan feels guilty about the death of her younger brother Beau (Cade Woodward). Also, Lee has been trying to modify Regan’s cochlear implant to restore her hearing but to no avail. Through a series of events, the family is separated and away from the house when Evelyn starts going into labor. With the monsters approaching, the family has to rush together to defend their home while Evelyn gives birth. Will they survive the oncoming onslaught or will they be the next victims?

     

    Review

    A Quiet Place is an impressively well-made horror film considering it’s made by someone not traditionally known for horror. In an era where horror is typically marked by loud shouts and screams, this is a nice change of pace. Even though there’s hardly any dialogue, you’re still drawn in because you’re intrigued to see where it goes. The movie doesn’t feel the need to explain everything that’s happening, but rather letting the audience figure it out. It’s never explained where the creatures came from, how they got here, or why they’re here in the first place. It’s very similar to how Night of the Living Dead doesn’t explain how the zombies came to be. Granted, this movie is nowhere near as good as George Romero’s immortal classic, but it’s still a solid horror thriller. While it’s got plenty of good qualities, there’s plenty of bad qualities, too.

    One good thing is the cast, as everyone goes a phenomenal job, especially given that they have very little dialogue. Special mention has to go to Millicent Simmonds, who’s able to convey a lot through her body language. Krasinski, Blunt, and Jupe also give solid performances, and they all feel believable as a close-knit family. The creature effects are impressive, with plenty of detail put into its head that separates into different plates. At a brisk 90 minutes, the film goes by fairly quickly and doesn’t feel bogged down with pointless filler. That said, there are a few plot contrivances that drag the film down, such as the dumb kid trope. Additionally, it seems the focus was more on putting the characters in danger instead of having them make rational decisions. Overall, A Quiet Place has some confusing and odd moments, but it’s still a fun thrill ride.

     

    Buy A Quiet Place on Amazon: https://amzn.to/3wvmIDJ

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Perks of Being a Wallflower (2012)

    The Perks of Being a Wallflower (2012)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.9.2″ _module_preset=”default” custom_margin=”||||false|false”][et_pb_fullwidth_header title=”Special Review” subhead=”This review was requested by Patreon support JacksJD. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.9.4″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    In 1999, The Perks of Being a Wallflower, a coming-of-age novel by Stephen Chbosky, was published by Pocket Books. Incorporating some of his own experiences in high school, the book was the publisher’s highest-selling book at the time. While the book had a mixed reception, it later developed a cult following and Chbosky started getting film offers. Chbosky wanted to make a film adaptation, but he turned down several offers given how personal the story was. In 2010, John Malcovich’s Mr. Mudd Productions acquired the rights, and they allowed Chbosky to write and direct the film. For the leads, they hired Logan Lerman from the Percy Jackson series and Emma Watson of Harry Potter fame. After roughly two months of filming in Cincinnati and Pittsburgh, the film was re-edited to receive a PG-13 rating. In September of 2012, the film version of The Perks of Being a Wallflower was released.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Charlie (Logan Lerman) is a young man suffering from clinical depression that’s about to enter freshman year of high school. He’s very shy, awkward, and has trouble making friends, though he likes his English teacher Mr. Anderson (Paul Rudd). During a football game, he meets seniors/siblings Sam (Emma Watson) and Patrick (Ezra Miller), who become his friends. Soon, Charlie grows closer to Sam and Patrick and meets their friends Mary Elizabeth (Mae Whitman) and Alice (Erin Wilhelmi). They bond over their shared love of indie music and attending/participating in screenings of The Rocky Horror Picture Show. Over time, Charlie starts having flashes of his Aunt Helen (Melanie Lynskey), which also triggers blackout moments of rage/anger. He has his ups and downs throughout high school: finding love, losing friends, defending his friends, and his ever-growing depression. High school is just one step into the rest of Charlie’s life.

     

    Review

    The Perks of Being a Wallflower is a very touching and heartfelt coming-of-age story perfect for today’s generation. Even though the film is set in the early 90s, much like The Breakfast Club, anyone can relate to it. First off, for a first-time director, Chbosky’s direction is simple but effective, giving the film a real homegrown feel. The use of shadows and a muted color scheme perfectly complement the rather somber and downhome tone of the film. The cast is fantastic, with Logan Lerman, Emma Watson, and Ezra Miller all shining in their lead roles. Lerman makes for a very sympathetic and likable lead who has his moments of weakness and expertly depicts depression. He has great chemistry with Miller and Watson, though her notable British accent occasionally slips through but not significantly. Also, Paul Rudd, Tom Savini, Kate Walsh, Dylan McDermott, and Joan Cusack shine in their small roles.

    Much like the best of John Hughes, this film deals with some issues that are relevant to any audience. Admittedly, some of these issues aren’t handled too well, such as suicide, which is brought up and quickly glossed over. But for the most part, the film handles themes of depression, isolation, friendship, and young love very well. Also of note is how the film handles its gay character Patrick, who is openly gay but not too stereotypical. The film depicts him as very realistic and fun-loving despite feeling rejected by his peers, including his football player boyfriend. While the movie is very funny at times thanks to its dialogue and cast, it can also be very serious. Thankfully, it’s not the kind of serious that feels manipulative or overly emotional, and it has a quick 103-minute runtime. Overall, The Perks of Being a Wallflower is a fantastic examination of adolescence.

     

    Buy The Perks of Being a Wallflower from Amazon: https://amzn.to/3eYz9SM

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Wrath of Man (2021)

    Wrath of Man (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    Much like Martin Scorsese with Robert De Niro, filmmaker Guy Ritchie was known for frequently working with actor Jason Statham. The two worked together on Long, Stock, and Two Smoking Barrels, Snatch, and Revolver only to go their separate ways. Statham went onto star in The Expendables franchise while Ritchie directed the two Sherlock Holmes movies with Robert Downey Jr. Following the live-action Aladdin and The Gentlemen, it was announced that Ritchie would be remaking the French film Cash Truck. Released in 2004, the film was about a money transport company suffering from numerous robberies where their guards are killed. Ritchie’s remake was supposed to be released in January of 2021 but was pushed back due to COVID-19. It was released in numerous foreign territories in April, but the US wouldn’t see a release until May. Ritchie’s remake of the 2004 film would be retitled Wrath of Man.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Patrick Hill (Jason Statham) gets a job with Fortico Security, an armored truck company, as a truck driver. During a training run, Hill manages to rescue his superior Bullet (Holt McCallany) from some thugs by killing them. Though he’s commended for his actions, many of the other employees, particularly Boy Sweat Dave (Josh Hartnett), are suspicious. Turns out Hill is actually Heargraves, a crime boss whose son Dougie (Eli Brown) was killed during a truck heist. Said heist was orchestrated by former soldiers led by Jackson (Jeffrey Donovan), and Dougie’s killer was associate Jan (Scott Eastwood). Jackson and his group are now planning a major heist at Fortico Security during Black Friday for approximately $150 million. Soon, Heargraves/Hill learns that one of the truck drivers is an informant for Jackson’s group and who killed Dougie. It all culminates in a major shootout with Fortico Security as the battleground.

     

    Review

    Wrath of Man is a much darker and more serious film than what you’d normally expect from a Statham flick. While Guy Ritchie is known for making crime films, most of them have a somewhat lighthearted tone to them. Here, they try to mix in some of those quips and quick-witted dialogue with a much darker tone and story. The Gentlemen felt more in line with old-school Guy Ritchie, while this feels like a bitter and cynical Guy Ritchie. However, like many of Ritchie’s other films, this is told in a non-linear fashion, jumping backward and forward in time. This style of storytelling makes it a unique experience having to fit everything together, but it can get somewhat confusing. Even at roughly two hours, the non-linear storytelling can make the film feel longer than it actually is. Granted, it’s still paced well and is an enjoyable watch.

    Like many films where he’s the lead, Jason Statham delivers the same cool and commanding performance we’ve come to expect. Admittedly, he does come off somewhat stoic and emotionless, but then again, Statham isn’t known for playing richly complex characters. Jeffrey Donovan, though not as commanding as Statham, is still great as the leader struggling to keep his team together. Given how we spend more time with Donovan than with Statham, some might become more attached to Donovan. Then again, both aren’t exactly good people, so it’s difficult to really side with either, but that’s probably the point. In terms of action, this film delivers it in spades, though there’s a good chunk where not much action occurs. That being said, the slower scenes are still enjoyable to watch thanks to the solid acting and captivating story. Overall, Wrath of Man is a dark and intense action-thriller worth watching.

     

    Buy Wrath of Man from Amazon: https://amzn.to/4tsHUsl.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Where to watch Wrath of Man (2021)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Wrath of Man” data-year=”2021″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Godzilla vs. Kong (2021)

    Godzilla vs. Kong (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    When Legendary announced that they were moving Kong: Skull Island to Warner Bros., they also announced that Godzilla would crossover. However, the producers insisted that this crossover film wouldn’t be a remake of 1962’s King Kong vs. Godzilla. While Michael Dougherty directed Godzilla: King of the Monsters, he returned for this as a writer alongside Zach Shields. Adam Wingard, who was originally attached to a sequel to Peter Jackson’s 2005 King Kong remake, was hired to direct. Max Borenstein returned to write alongside Eric Pearson, who also co-wrote Thor: Ragnarok and did rewrites for other MCU movies. With Millie Bobby Brown and Kyle Chandler reprising their previous roles, they cast Rebecca Hall, Alexander Skarsgård, and Demián Bichir. After a six-month shoot, the film was set to release in May 2020 but was delayed due to COVID-19. Finally, Godzilla vs Kong hit theaters and HBO Max in March 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Following Godzilla’s fight with King Ghidorah, Kong is being monitored by Dr. Ilene Andrews (Rebecca Hall) on Skull Island. Meanwhile, Walter Simmons (Demián Bichir), the CEO of Apex Cybernetics, hires Dr. Nathan Lind (Alexander Skarsgård) to lead an expedition. Simmons seeks Lind because of his theories about a “Hollow Earth” that could be where the Titans originally came from. Despite his reluctance, he agrees and asks Andrews to help and let them use Kong to guide them. Meanwhile, Madison Russell (Millie Bobby Brown) seeks out conspiracy theorist Bernie Hayes (Brian Tyree Henry) to investigate Godzilla’s recent attacks. Godzilla is being labeled a threat after destroying an Apex facility, but Russell and Hayes suspect there’s more going on. Eventually, Godzilla and Kong collide in an epic struggle for dominance while the humans watch on in awe. However, unbeknownst to them, a new challenger will soon be entering the ring.

     

    Review

    Godzilla vs Kong is a very dumb and silly movie, but it’s the sort of dumb and silly that works. While Godzilla: King of the Monsters tried adding some philosophical qualities to the monsters, this gets straight to the point. Adam Wingard knows exactly what a movie like this should be, and he more or less succeeds at delivering it. Admittedly, the story doesn’t make much sense when you start thinking about it, but it serves its purpose. The story and characters are there to give a reason why Godzilla and Kong would be fighting and it works. The fight scenes here are easily the best this series of monster movies has seen with plenty of variety added. Whether it’s the fight on the ocean or the nighttime fight in Hong Kong illuminated by neon lights, it’s amazing. Kaiju fans will get exactly what they want and then some.

    For as silly and dumb as the film is, it’s much more well-acted and well-made than you would expect. Rebecca Hall and Alexander Skarsgård work as the leads, and thankfully there’s no forced romance between them. Millie Bobby Brown, Julian Dennison, and Brian Tyree Henry make for a solid trio and have some fun banter. However, Kaylee Hottle steals the show as the young, deaf Iwi girl who communicates with Kong using sign language. Their scenes together are pretty adorable and they manage to convey plenty of emotion without a line of dialogue. Though his character is the archetypal evil corporate boss, Demián Bichir is pretty entertaining and clearly having fun. Along with the film’s impressive visuals, it all comes together in a very entertaining kaiju film that fans will love. Overall, Godzilla vs Kong is the epic battle fans have long wanted and delivers exactly what it needs to.

     

    See Godzilla vs Kong in theaters or on HBO Max: https://bit.ly/3dO7aEy

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Godzilla: King of the Monsters (2019)

    Godzilla: King of the Monsters (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]

    While the reaction was divided between hardcore fans and critics, 2014’s Godzilla was a financial hit, grossing over $500 million. Though Gareth Edwards was open to returning for a sequel, he also wanted the film to work on its own. After a successful opening, Legendary Pictures immediately greenlit a sequel with plans to develop a trilogy with Edwards directing. Eventually, Edwards dropped out to direct Rogue One: A Star Wars Story, and Krampus director Michael Dougherty was hired. For this installment, Dougherty wanted to include more monster action as well as focus more on Monarch. Legendary announced that they had acquired the rights to Mothra, Rodan, and King Ghidorah, so they wanted those included. This was to be the start of a new cinematic universe that revolved around Toho’s legendary kaiju. After a three-month shoot and extensive post-production, Godzilla: King of the Monsters was released to theaters in May 2019.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Five years after the San Francisco attack, the world has started adapting to the existence of monsters being dubbed “Titans”. Dr. Emma Russell (Vera Farmiga) is working with Monarch on the “Orca”, a device that emits frequencies Titans respond to. While she and her daughter Madison (Millie Bobby Brown) witness Mothra’s birth, a group of eco-terrorists kidnaps them. Meanwhile, Monarch scientists Dr. Ishirō Serizawa (Ken Watanabe) and Dr. Vivienne Graham (Sally Hawkins) recruit Emma’s ex-husband Mark (Kyle Chandler). Despite his objections, he agrees to help find his ex-wife and daughter, who are hostages of Alan Jonah (Charles Dance). However, it turns out Emma is working with Jonah in reviving the Titans to cleanse the planet, thus eradicating humanity. She awakens Rodan and King Ghidorah, who is controlling the other Titans and causing untold destruction to reshape the Earth. With limited options, our heroes must call upon Godzilla to fight.

     

    Review

    While Godzilla: King of the Monsters delivers on the monster action as Dougherty promised, it suffers in the story department. As much as I ragged on 2014’s Godzilla for having mostly uninteresting characters, I was still invested in the story. Sure, Godzilla didn’t show up until the hour mark, but there was enough build-up to where the wait felt validated. Here, the monsters are in the film so much that, at times, it becomes sensory overload and gets overwhelming. It doesn’t help that the story is fairly uninteresting and the dialogue largely consists of unnecessary philosophizing and exposition dumps. Also, while the 2014 film had some characters I liked, there are even fewer characters I care about here. Admittedly, the acting from Farmiga, Brown, Chandler, and especially Dance is strong, but there’s not much to their characters. They could’ve been played by anyone and it wouldn’t make a difference.

    Criticisms aside, I can’t say I didn’t find some enjoyment in the giant monster brawls and nobs to older films. For one, they mention an “Oxygen Destroyer”, which was the device used to kill Godzilla in the original film. Also, the characters initially call King Ghidorah “Monster Zero”, a nod to the American title of Invasion of Astro-Monster. Plus, there are a few music cues taken from the older Godzilla films, so this should please hardcore kaiju fans. As much as I criticize the sensory overload of the monster brawls, they are easily the highlight of the film. The best fight is towards the end where Godzilla takes on King Ghidorah while Mothra and Rodan duke it out. All in all, if you’re just interested in seeing giant monsters fight, this film should satisfy you. Overall, Godzilla: King of the Monsters is a mess, but it’s a fairly enjoyable mess.

     

    Buy Godzilla: King of the Monsters from Amazon: https://amzn.to/3tvJXN4

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Kong: Skull Island (2017)

    Kong: Skull Island (2017)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_text _builder_version=”4.9.3″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Around 2013, Peter Jackson was looking for a director to make a sequel to his 2005 remake of King Kong. While Adam Wingard and Guillermo Del Toro were considered, the project fell through after going from Universal to Warner Bros. With Legendary Pictures producing and Warner Bros. distributing, they decided to make a film that would crossover with 2014’s Godzilla. After offering the directing job to Joe Cornish of Attack the Block fame, the job went to Jordan Vogt-Roberts. Working alongside screenwriter Max Borenstein, they decided to set the film after the Vietnam war, taking inspiration from Apocalypse Now. For the creature design, they took inspiration from Miyazaki’s Spirited Away and Princess Mononoke, as well as Evangelion and Pokemon. For Kong’s design, they wanted to harken back to the 1933 original, while also making him unique. After a six-month shoot, Kong: Skull Island was released in March of 2017.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.3″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_text _builder_version=”4.9.3″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    After the Vietnam War, Bill Randa (John Goodman), head of Monarch, is leading an expedition to Skull Island. For the trip, he hires Lieutenant Colonel Preston Packard (Samuel L. Jackson) to lead an army escort onto the island. He also hires professional tracker and former SAS Captain James Conrad (Tom Hiddleston) and anti-war photographer Mason Weaver (Brie Larson). Unfortunately, once they make it to the island, their helicopters are attacked by Kong, a 100-foot tall gorilla. The survivors end up splitting into groups: Conrad, Weaver, and the research team, and Randa, Packard, and his soldiers. While exploring, Conrad’s group meets the island natives and Hank Marlow (John C. Reilly), a pilot who crash-landed in WWII. Marlow explains that Kong is the God of the island and protects the natives from underground creatures called “Skullcrawlers”. Will our heroes make it off the island, or will they fall prey to Kong’s wrath?

     

    Review

    While I enjoyed the 2014 Godzilla, I had some issues with it that, though not dealbreakers, definitely hurt it. In many ways, Kong: Skull Island improves on those flaws and makes for a much better film. For one, the 2014 film had a very muted color palette and was shot at night or with little lighting. Here, not only does a majority take place in the daytime, but it’s got a much richer color palette. The vibrant colors help the film stand out, and the 70s inspired style helps give it a unique identity. Vogt-Roberts’ direction is top-notch, taking full advantage of the tropical locations and staging some incredible action sequences. From the helicopter attack to Kong fighting the big Skullcrawler, this is a feast to the eyes. Speaking of, the visual effects are impressive, Kong and the other creatures looking highly detailed and feeling three-dimensional.

    Acting-wise, everyone does a solid job with their roles, and each has a moment to shine. Tom Hiddleston makes for a good action hero, while still maintaining that sly wit that made him work as Loki. Brie Larson helps to balance the cast out, and thankfully there’s no forced romance between her and Hiddleston. Like always, Jackson gives a very commanding performance, towering over everyone else with his character’s determination to kill Kong. John Goodman also works as the scientist/government agent determined to prove the existence of giant monsters despite his naysayers. However, John C. Reilly steals the show as Marlow, acting as the comic relief, while having some genuine emotion. Many of the supporting cast also stand out in their own ways, and the writing helps elevate them. Overall, Kong: Skull Island works as a standalone monster movie and a great continuation to what Godzilla started.

     

    Buy Kong: Skull Island from Amazon: https://amzn.to/3uNoGi9

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Godzilla (2014)

    Godzilla (2014)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_row _builder_version=”4.9.3″ _module_preset=”default” column_structure=”2_3,1_3″][et_pb_column _builder_version=”4.9.3″ _module_preset=”default” type=”2_3″][et_pb_text _builder_version=”4.9.3″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    TriStar had acquired the rights to Godzilla for a 1998 film that was a critical and commercial flop. Soon after, Toho rebooted the franchise with Godzilla 2000, kickstarting a new series that culminated in 2004’s Godzilla: Final Wars. That same year, Godzilla vs. Hedorah director Yoshimitsu Banno acquired the rights intended to make a 3D IMAX short film. Through a series of connections, the project was proposed to Legendary Pictures, who green-lit a new 3-D theatrical film. They entered a partnership with Toho and signed on with Warner Bros. to co-produce and co-finance the project. Gareth Edwards, fresh off the surprise hit Monsters in 2010, was hired to direct this ambitious and very risky project. The overall team spent years developing their concepts to make sure they got it right and wouldn’t upset the fanbase. After years of development, the new American Godzilla was released in May 2014.

    [/et_pb_text][/et_pb_column][et_pb_column _builder_version=”4.9.3″ _module_preset=”default” type=”1_3″][et_pb_circle_counter _builder_version=”4.9.3″ _module_preset=”default” title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.3″ _module_preset=”default”][et_pb_column _builder_version=”4.9.3″ _module_preset=”default” type=”4_4″][et_pb_text _builder_version=”4.9.3″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Fifteen years after losing his wife due to a nuclear reactor breach, Joe Brody (Bryan Cranston) is searching for answers. He believes that something’s going on that’s being covered up much to the chagrin of his son Ford (Aaron Taylor-Johnson). Ford reluctantly agrees to go with his father to the site where it happened, the Janjira Nuclear Power Plant. While there, they discover that a secret organization called Monarch has been studying a mysterious chrysalis feeding off the radiation. Two scientists, Dr. Ishirō Serizawa (Ken Watanabe) and Dr. Vivienne Graham (Sally Hawkins) are leading the research team. Eventually, the chrysalis shatters, releasing a MUTO (Massive Unidentified Terrestrial Organism), which goes on a rampage seeking its mate. If the two reproduce, it could spell doom for the world, so Ford teams up with Monarch to fight them. Eventually, Godzilla emerges and it culminates in a fight in San Francisco.

     

    Review

    While the 1998 film was a massive failure, the 2014 Godzilla is a major improvement in every way imaginable. First off, while that film had a small, scrawny-looking lizard, this one has a massive, towering beast of radioactive fury. Not only that, but the film does a great job giving a sense of just how enormous the monsters are. Though purists might be turned off by some of the liberties taken with the design, it’s still better than expected. The MUTOs have a very unique design that still makes them feel like monsters you’d see in a Godzilla film. Admittedly, Godzilla doesn’t show up until an hour in, and he’s not given much screentime till the last act. Still, when he is on screen, it’s a feast to the eyes and ears when he roars his mighty roar. It’ll have you on the edge of your seat.

    Unfortunately, except for Bryan Cranston, most of the human characters come off a bit on the bland side. While he has arguably the best character arc in the whole movie, Cranston’s character sadly dies at the 40-minute mark. Granted, that’s par for the course with most Godzilla films, and none of the other actors are necessarily bad. Ken Watanabe makes up for it by offering genuine pathos, particularly when he shows his connection to the Hiroshima bombings. Aaron Taylor-Johnson is alright as the lead, and Elizabeth Olsen works well as his wife, but they’re pretty unremarkable. Ultimately, the real stars of the film are the monsters, and this film delivers them in spades and then some. Though it doesn’t come close to the original 1954 film, this still ranks as one of the series’ best. Overall, Godzilla 2014 is a kaiju blockbuster that lives up to its expectations.

     

    Buy Godzilla from Amazon: https://amzn.to/3ungjcP

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Raid (2012)

    The Raid (2012)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.5.6″ _module_preset=”default” custom_margin=”||||false|false”][et_pb_fullwidth_header title=”Special Review” subhead=”This review was requested by Discord user Arsene. If you’d like to join the server, click the button below.” text_orientation=”center” button_one_text=”Visit Discord” button_one_url=”https://discord.gg/sKBSX7u” background_overlay_color=”#8300E9″ _builder_version=”4.9.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” hover_enabled=”0″ title_level=”h2″ sticky_enabled=”0″][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_text _builder_version=”4.9.2″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Welsh director Gareth Evans was doing freelance work on a documentary in Indonesia where he met martial artist Iko Uwais. Seeing some potential in him, Evans decided to cast Uwais as the lead in his 2009 film Merantau. After its production, Evans and his producers were working on a large-scale gangster film called Berandal, but it fell through. Unfortunately, they didn’t have the budget to fund such a large project, so they decided to scale it back. While Merantau had a somewhat slow pace, Evans wanted his next film to be more action-packed and move much faster. Evans brought much of the cast and crew he worked on before for what he called a “full-on” action film. Given the nature of the production, they opted to film in high-definition digital instead of on film. Following its premiere at the Toronto International Film Festival, The Raid was released worldwide in 2012.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.2″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_text _builder_version=”4.9.2″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Sergeant Jaka (Joe Taslim) and Lieutenant Wahyu (Pierre Gruno) are leading a 20-man squad to raid a rundown apartment block. Their objective is to bring in crimelord Tama Riyadi (Ray Sahetapy), who runs the block and lets criminals live there. Unfortunately, the team is spotted and gunned down by Tama’s forces, leaving much of the team decimated. The only survivors are rookies Rama (Iko Uwais), Bowo (Tegar Satrya), and Dagu (Eka Rahmadia), alongside Jaka and Wahyu. As they fight for survival, the group is separated after Bowo is critically injured following the firefight. Rama gets help for Bowo by taking him to see Gofar (Iang Darmawan), a tenant who they helped out earlier. While Bowo’s wounds are being tended to, Rama goes off to find his team and fight off Tama’s forces. By the end of the day, only the strongest will make it out alive.

     

    Review

    The Raid is one of the purest action films of the last decade, featuring non-stop, high-octane action throughout. Not a minute of screentime goes by without some over-the-top action sequence involving all manner of shootouts and hand-to-hand combat. Admittedly, the intense action comes at the expense of the story and characterization as what’s there is pretty basic. There are some moments of character development here and there, but it’s more so added to provide some breathing room. However, this film’s focus isn’t on having a thoughtful story or deep characterization, but on providing wall-to-wall action. Some highlights include a hallway fight involving machetes, a two-on-one fight scene, and a full-on brawl in a drug factory. It helps that Gareth Evans films the action in a way that’s exciting and chaotic but also easy to see. Granted, there is some shaky-cam that can be somewhat disorienting.

    In between the action and moments of character development are some suspenseful scenes straight out of a horror film. The scenes go on just long enough that they maintain the suspense throughout without feeling padded out. While there isn’t much room for the cast to act, they do a serviceable job with the material they’re given. Ray Sahetapy, in particular, makes for a good villain, perfectly going back and forth between calm coolness and sadistic intensity. Iko Uwais has the looks and charisma for a solid action hero, and his fighting skills are more than impressive. The score further amps up the action with tons of fast-paced rock, though it slows down during the suspenseful scenes. At slightly over 90 minutes, the film moves at a fast pace that never feels too overwhelming or dragged out. Overall, The Raid is one of the best action films of the past decade.

     

    Buy The Raid from Amazon: https://amzn.to/3eJsUCF

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]