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Category: New Releases

  • Peppermint (2018)

    Peppermint (2018)

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    In 2004, Pierre Morel made his directorial debut with the action film District 13, which got some positive attention. However, it was in 2008 when he made probably the biggest movie of his career, the action-thriller Taken. Starring Liam Neeson as a retired CIA agent with a certain set of skills, the movie was a commercial hit. The film helped reinvent Neeson as an action hero, and it spawned two sequels, though without any involvement from Morel. He followed that up with 2010’s From Paris with Love starring John Travolta, then 2015’s The Gunman starring Sean Penn. Unfortunately, unlike Taken, neither film did very well financially and were mostly lambasted by critics. Flash forward to 2018, where Morel returns with a new action thriller starring Jennifer Garner called Peppermint. While not known for action, this is Garner’s first leading action role since 2005’s Elektra, so how does it fare?

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    The film stars Garner as Riley North, a typical middle-age soccer mom not unlike ones you’d find at the supermarket. She lives with her mechanic husband Chris (Jeff Hephner) and daughter Carly (Cailey Fleming). While working, Chris gets an offer to be the getaway driver for a guy trying to ripoff a drug dealer. Chris ends up declining, but the head of the cartel Diego Garcia (Juan Pablo Raba) catches wind and takes action. Garcia kills the friend and sends his guys to kill Chris, finding him, Riley, and Carly at a carnival. Chris and Carly are killed while Riley is left critically injured and taken to a hospital. Once recovered, she identifies the guys responsible, but their attorney tries bribing her and the guys end up going free. Riley ends up disappearing for five years as she hones her skills and systematically taking out the guys responsible.

    On the surface, this movie sounds pretty basic: person’s attacked, they’re left for dead, get back up and get revenge. Before I get into a lot of what drags this movie down, I’ll get into the positives. Right off the bat, the best thing about this is Jennifer Garner, who clearly put tons of work into this. She definitely gives it her all, and she does have some more dramatic moments to show off her acting abilities. When it comes to the action, it’s mindless and excessive, but it gets the job done and can be entertaining. Also, it seems like the filmmakers were trying to show us how mentally unstable a vigilante is. They don’t do much with it, but I can see what they’re trying to do. Also, it’s got some actors in it that I like, such as John Gallagher Jr. and John Ortiz.

    Unfortunately, that’s where my positives with this movie end, as this is a pretty below-average revenge thriller. For starters, it feels like there’s footage missing as there are scenes explained to us that we’re never shown. The characters talk about what Riley’s been doing in the interim five years, but we’re only shown YouTube videos. Also, this movie relies probably too much on social media, especially in scenes where characters say Twitter really likes Riley. On a filmmaking level, the editing is a mess, with tons of shaky cam and choppy quick cuts throughout. There’s also an odd tonal dissonance, like the movie doesn’t know if it wants to be serious or over-the-top. Between the cartoonishly corrupt lawyers and the stereotypically evil cartel members, this should be a fun and ridiculous action film. However, Peppermint is a dreary and derivative film that reminds you of better revenge movies to watch.

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  • Upgrade (2018)

    Upgrade (2018)

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    Leigh Whannell, while not necessarily a household name, is still a major figure in the modern horror genre. Along with co-writer/director James Wan, he’s responsible for creating Saw, and has been involved in each subsequent film. He also wrote, for James Wan, Dead SilenceInsidious, and Insidious: Chapter 2, as well as directing Insidious: Chapter 3. However, once Wan moved onto bigger projects like Furious 7 and The Conjuring, the two went their separate ways. While Whannell was comfortable as a writer/producer/actor, he always wanted to become a director in his own right. Even though he had directed Insidious: Chapter 3, Whannell was more so interested in directing his own film. So, in the summer of 2018, Whannell brought us the high-concept sci-fi film Upgrade. With a relatively low budget and somewhat lesser-known cast, how did Whannell’s first solo outing turn out?

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    Synopsis

    Set in an unspecified future, the movie centers around stay-at-home mechanic Grey (Logan Marshall-Green), who’s not exactly into newer technology. Grey must deliver a car to tech guru Eron Keen (Harrison Gilbertson), and he brings his wife Asha (Melanie Vallejo). While there, Eron introduces them to his latest innovation, an AI chip called STEM that acts as a secondary brain. Later that night, Grey and Asha drive home only for their car to crash and for them to get attacked. Asha gets killed while Grey is shot in the back of the neck, paralyzing him. Now confined to a wheelchair, hope seems lost for Grey until Eron gives him an offer. Eron will install the STEM chip to allow Grey to move so long as Grey keeps it a secret. Reluctantly, Grey agrees, and with his new enhancements, he decides to go after those responsible for his wife’s death.

     

    Review

    I was fortunate to come into this nearly blind aside from hearing about the movie and knowing the general concept. With that in mind, I was really surprised by just how amazing this movie was. First off, the cast of this movie is phenomenal, especially Logan Marshall-Green who completely owns his role. When he ends up a quadriplegic, he does a great job playing a broken-down man who’s lost everything. Once he gets integrated with STEM, he instantly becomes a badass and just tears through guys left and right. Throughout the movie, Grey hears the voice of STEM (Simon Maiden) in his head, which actually works here. It creates a great dynamic where it debates who’s really in control: the man or the machine. The rest of the cast also do a good job, namely Eron Keen and Betty Gabriel.

    The film also has a very stylish look to it, especially its use of color and lighting. It has a very 80s sci-fi look to it, similar to movies like The Terminator and Blade Runner. The music also adds to the style of the film, with a lot of synth beats and high energy beats. The direction from Leigh Whannel is great, and the cinematography is very stylish and inventive in its camera angles. The editing, while quick cut, flows naturally and you’re never left disoriented and confused like other quick-cut action films. If there are any problems, there’s not much time spent developing the relationship between Grey and Asha. Also, once you learn more about what’s going on, there’s a lot of strange and oddly convenient coincidences. Overall, Upgrade is one of the most underrated and inventive movies to come out in 2018.

     

    Buy Upgrade from Amazon: https://amzn.to/3Xwgh2R.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Upgrade (2018)

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  • Happy Death Day (2017)

    Happy Death Day (2017)

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    Have you ever experienced deja vu? You know, that feeling where you feel like you’ve been there before or already experienced something. There are times where we feel like we’re reliving the same events over and over again in an endless loop. Of course, there have been movies about reliving past events multiple times. Probably the most famous is 1993’s Groundhog Day starring Bill Murray. That film dealt with a stubborn and curmudgeonly news reporter who relives the same day over and over again. A similar concept was used over 20 years later for the 2014 sci-fi action film Edge of Tomorrow with Tom Cruise and Emily Blunt. While they were different genres, both movies told a similar tale of someone having to change their ways. Since we had a comedy and sci-fi action film, naturally we would soon get a horror film. In 2017, we got Happy Death Day.

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    After getting drunk last night, college student Theresa “Tree” Gelbman (Jessica Rothe) awakens in a classmate’s dorm. She soon storms out, and we get a glimpse of her world. She ignores her dad’s calls, tosses a cupcake her roommate made, and has an affair with her teacher. That night, Tree ends up getting killed by a masked killer on her way to a party. However, instead of dying, she wakes up as if nothing happened, and soon finds she’s reliving the previous day. While she finds it odd, Tree goes about her day like before, all the while wondering what’s going on. That night, instead of going down the tunnel, she goes to the party, but the killer from before finds her. She wakes up once again reliving the same day, realizing that she’s in a time loop. Now, she has to solve her own murder and prevent further death.

    Without giving too much away, the reveal of the killer’s identity will throw you for a loop. Despite its somewhat unoriginality, the strength of this movie lies in its main cast, especially the lead. Jessica Rothe does a great job playing a character who you still want to follow even before her transformation. The rest of the cast also play their parts well, particularly Israel Broussard, Ruby Modine, and especially Rob Mello. Also, for the kind of movie this is, it’s very well shot with some nice camerawork and tilted angles. Especially in the third act, the camerawork makes this a very visually interesting watch. Admittedly, the biggest fault of the movie is the fact that it’s fairly tame at a PG-13 rating. Not saying that this should’ve been extremely graphic and violent, but the rating makes it feel like an edited-for-TV movie.

    As I mentioned before, many have said that this is the horror version of Groundhog Day. Beyond just the concept of someone stuck in a time loop, both movies also feature characters who start out despicable. As the movie goes on, both characters do learn the error of their ways and work to improve themselves. However, in Groundhog Day, learning a lesson was at the forefront, whereas it’s almost secondary in Happy Death Day. The whole point of this movie is Tree figuring out who her killer is and how to stop them. This movie works as an interesting murder mystery, with Tree listing off possible suspects and trying to evade death. Also, when she starts changing herself, you’re rooting for her, especially how well Jessica Rothe delivers the more emotional scenes. Overall, while hampered by its tame rating and somewhat unoriginality, Happy Death Day is still an enjoyable watch.

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  • The Meg (2018)

    The Meg (2018)

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    These days, it seems that we are inundated with shark movies, with a new one coming out almost every year. Most of these are cheaply made, have terrible acting, very shoddy CGI, and are intentionally cheesy and ridiculous. Of course, every now and then, we get one that tries a bit more, such as The Shallows. Granted, no shark movie can every hope to live up to Stephen Spielberg’s Jaws, which still remains the gold standard. Shark movies we get nowadays include the Sharknado series, Mega Shark vs Giant OctopusSharktopus, and Jurassic Shark. Hell, at the time of writing this, there’s a new one that premiered on the SyFy channel called Santa Jaws (yeah, seriously). Amongst these made-for-TV shark movies, now we have a big-budget version of these kinds of movies with The Meg.

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    We follow rescue diver Jonas Taylor (Jason Statham), who is dealing with an incident from years ago. He was rescuing people from a downed submarine when he left some to die when the hull was attacked. While many, including Dr. Heller (Robert Taylor), think he’s crazy and a coward, Taylor believes something attacked them. Cut to the present where billionaire Jack Morris (Rainn Wilson) is meeting with Dr. Minway Zhang (Winston Chao). Dr. Zhang and his team have been constructing a giant undersea research facility called Mana One, which Morris paid for. Here, we also meet Zhang’s daughter Suyin (Li Bingbing), Jaxx Herd (Ruby Rose), and James “Mac” Mackreides (Cliff Curtis). They’re trying to explore the Mariana Trench, but things go south when a submersible they send in is attacked. Taylor is recruited to save the crew, but when a Megalodon shark is discovered, it’s all a matter of survival.

    From the setup, the plot of the film is pretty basic. At one point, Statham even points out some of the cliches about his character. Apparently, this is based on a book of the same name by Steve Alten, which I have not read. While I’m unsure how accurate this follows the book, I can say this movie is one hell of a ride. I’m sure some will roll their eyes at this, but it’s just pure fun that shouldn’t be taken seriously. I mean, this is from the director of Cool Runnings3 Ninjas, and both National Treasure movies we’re talking about. This is really the kind of movie you don’t need to think too hard about. It’s just the perfect August movie: not a huge summer blockbuster but not totally dreadful either. It helps that this has a pretty solid cast, with Statham obviously being the best part.

    That isn’t to say that the rest of the cast is bad, far from it even. Rainn Wilson is funny as always, Ruby Rose is pretty awesome, and Cliff Curtis is an enjoyable addition. Also, Winston Chao and Suyin do a great job, really selling the father-daughter relationship they have. There is a little girl here, namely Shuya Sophia Cai as Meiying, but rather than being annoying, she’s actually adorable. Of course, there are some pretty intense moments here, especially when the megalodon is masked in darkness. While it is primarily CGI, the shark is still a pretty intimidating presence, and you do get legitimately scared. It all leads to an exciting climax where the survivors have to try and kill the shark, and it’s awesome. There’s even a moment I won’t spoil where Statham officially enters the Action Hero Hall of Fame. I won’t say it, but you’ll know.

    Overall, this is a fun summer movie to end the season out on. With a great cast, some fairly decent camerawork, and a fun climax, The Meg will please any shark movie fan.

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  • Mission: Impossible – Fallout (2018)

    Mission: Impossible – Fallout (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Regardless of how you may feel about Tom Cruise, you can’t deny his star power. Having made it big with 80s hits Risky Business and Top Gun, Cruise has become one of the biggest actors today. Why else would 2017’s The Mummy be such a big hit in China? Regardless, he is still beloved for his charming personality, boundless energy, and willingness to do tons of crazy stunts. Since the mid-90s, Cruise has enjoyed a lot of success thanks to the Mission: Impossible franchise. In spite of the franchise’s fluctuating quality, it’s still a very popular and profitable franchise. Fast forward to 2018, 22 years since Brian De Palma (Sisters) crafted the original spy thriller. The sixth film in the franchise, Mission: Impossible – Fallout reunites much of the cast we’re used to, as well as some new ones, to bring us one of the most action-packed spectacles of the year.
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    Synopsis

    Ethan Hunt (Cruise) is tasked with retrieving three plutonium cores before a terrorist group called The Apostles get them. This group plans on using them to create nuclear weapons to, as they put it, tear down the old world. Hunt brings in his regular teammates, Luther (Ving Rhames) and Benji (Simon Pegg), but he is also assigned a new team member, CIA agent Walker (Henry Cavill). He’s been assigned to keep an eye on Hunt and his team after a mission gone wrong. Along the way, they also run into former MI6 agent Ilsa Faust (Rebecca Ferguson), who may or may not be on Hunt’s side. In the midst of this is anarchist Solomon Lane (Sean Harris) who has a personal vendetta against Hunt. What follows are car chases, motorcycle chases, on-foot chases, and a helicopter fight as our heroes race against time to save the world once again.

     

    Review

    Compared to the many other action films this year, this one gives many of those a run for their money. Everything in this movie works so well. For one, Cruise is awesome as always and proves why he’s still a force to be reckoned with. Half of the fun of this movie is just seeing all the crazy stunts he performs. Plus, it’s great seeing him, Rhames, and Pegg working off each other and having a good time. You really get a sense of the camaraderie these guys have given their history together. Cavill is also memorable as a tall and broad-shouldered guy who can easily go toe-to-toe with Cruise. Ferguson is also great as a conflicted agent torn between her feelings for Hunt and her mission. Another stand-out is Vanessa Kirby as The White Widow, who has a very femme fatale quality, but also has great comedic timing.

    What can really make or break a movie like this are the action sequences, and this does not disappoint. The movie is filled with tons of intense action set-pieces that are well-filmed and well-choreographed. As mentioned earlier, many of the stunts on display here are real. For instance, Cruise really does pilot a helicopter, run for miles across rooftops, and drive a motorcycle through traffic. It’s just amazing to see how they top themselves between movies. But of course, the action sequences don’t really matter unless you like the characters or the story isn’t interesting. Like I said before, the acting is phenomenal across the board, and there is so much going on that you’re never bored. The plot will make you guess and question what’s happening, but not in a way that leaves you confused. If you’re smart and pay attention, you’ll be able to follow along just fine.

    Normally, this is where I’d get into the negatives I have with the movie. Thing is, unless something comes to me, I really can’t think of anything wrong with this movie. I guess maybe some of the villains aren’t very well-developed and maybe the plot is a bit convoluted. Honestly, many of those are nitpicks that absolutely do not take anything away from this movie. This is still a really fun, exciting, and intense action spy thriller. Even if you’ve never seen the previous films, Mission: Impossible – Fallout is still one of the best action movies in years, and it reminds us how to properly do big summer blockbusters.

     

    Buy Mission: Impossible – Fallout from Amazon: https://amzn.to/4oFFILe.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Mission: Impossible – Fallout (2018)

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  • Skyscraper (2018)

    Skyscraper (2018)

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    Movies set in a high-rise building are not necessarily a new concept. There have been many films over the years set in a tall building, whether it’s silent films like Safety Last! and Metropolis, action classics like The Towering Inferno or Die Hard, and more recent favorites like Land of the Dead and Dredd. Hell, there have even been horror movies set in a high-rise, such as Poltergeist III and Gremlins 2: The New Batch. For whatever reason, Hollywood really likes to use high-rise buildings as a setting for just about any type of film. This year, we’ve got another one to add to the list, Skyscraper. Directed by Rawson Marshall Thurber, the director of Dodgeball: A True Underdog StoryWe’re The Millers, and Central Intelligence, this is a major departure since this is his first non-comedy movie. So, with this being his first straight-up action film, does this movie rise to the top of other high-rise movies, or does it come crashing down in smoldering ruins?

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    The film opens at a snowy cabin where the police, SWAT teams, and FBI have surrounded the area after receiving a domestic disturbance call. A group of soldiers led by Will Sawyer, played by Dwayne “The Rock” Johnson, is sent in to deal with the situation, which results in the abusive father blowing himself up with a vest bomb. While the explosion left Will horribly scarred and without his left leg, it does lead to him meeting Sarah, played by Neve Campbell, a military nurse who ends up being his wife. Ten years later, Will has moved on to working as a security consultant and is hired by multi-billionaire Zhao Long Ji, played by Chin Han, to evaluate the security systems of his new skyscraper known as The Pearl, which is being touted as the tallest building in the world. Things seem to be going well until a group of terrorists invade the building and start a massive fire that engulfs the top half of the building. Will finds himself being framed for the attack, and he must find a way to clear his name, stop the terrorists, and save his family who are still trapped in the burning building.

    Obviously, when you look at the plot of this film, it doesn’t exactly read as something original or something that’s never really been done before. The movie borrows elements from a lot of much better action movies, mostly Die Hard and The Towering Inferno, with some taken from The Fugitive, namely how the hero is trying to clear his name while a police officer is trying to capture him. Of course, just because a movie takes elements from other films doesn’t necessarily mean it’s bad. What it comes down to is how the filmmakers handle the material and if they can make it work. For the most part, it does work here, largely due to the cast they’ve assembled and some of the action set pieces on display. Regardless of how you may feel about a lot of the movies he’s done, Dwayne Johnson is so likable and so charismatic that you can’t help but get behind him and want to see him win. In this, he is an insanely likable guy, who actually takes a few hits in the film and has some more human/vulnerable scenes throughout. Much like Die Hard, his character does go through the ringer and gets beaten and bruised quite a bit, and the fact that he has to do many of these scenes with a prosthetic leg makes him somewhat more relatable. Neve Campbell, known mostly for her role as Sidney Prescott from the Scream franchise, is also a stand-out here. She actually gets to kick some ass in the film and get really into some of the bigger action sequences, which is refreshing to see in such a big movie with a larger-than-life actor like Johnson. The child actors who play their kids, McKenna Roberts and Noah Cottrell, are not too bad here, not overly annoying like most child actors can be and are actually pretty competent throughout. The rest of the cast, while not necessarily amazing in their roles, still do a serviceable job here as well. The action scenes, while obviously done digitally for the most part, are a fun spectacle to watch, especially a scene where Dwayne Johnson makes a long jump off a multi-story crane into the building, as well as a scene where Neve Campbell and the kids run through a park in the building as it’s going up in flames.

    Now comes the part where I have to get into what doesn’t really work about the movie. With a movie like this, it might seem pointless to talk about the flaws and the things that don’t make sense here, but as someone who cares about film and like to examine movies beyond just what’s on screen, I feel that I should, or else I wouldn’t be doing my job very well. For one, Will’s son has asthma that really only acts up when the script calls for it. Also, the movie is full of action movie cliches, whether it’s the villain who just keeps talking and talking while one of the good characters is taking the time to get a shot off on them, the main character having a tragic backstory that makes them promise never to do something only to do that thing later on, or the main character having a best friend who ends up betraying them at some point. Of course, a lot of these are nothing new, but it is both funny/annoying when these cliches pop up. As I mentioned before, Dwayne Johnson is supposed to be more of an everyman who gets beaten, bruised, and takes several hits in the movie, much like John McClane in Die Hard. But what made it work in Die Hard was that Bruce Willis, unlike many other action heroes of the time, wasn’t built like a brick house with tons of muscle. He really just looked like a regular guy who was stuck in a horrible situation and just had to make the most of it. Here, because Dwayne Johnson is so shredded and incredibly buff, it makes it somewhat laughable that he’s supposed to be scared of doing some of the crazier stuff his character does. The movie also has a lot of conveniences throughout, where a seemingly impossible-to-solve situation is resolved by something so simple. I don’t want to spoil too much of the plot for anyone who goes to see it, but when you see it, you’ll know what I mean. Lastly, when you find out why the terrorists are doing what they’re doing, you stop and wonder how and why something like this would happen.

    Flaws aside, I still think this is an enjoyable if wildly predictable film. Largely thanks to a likable and talented cast and some pretty fun action sequences throughout, Skyscraper doesn’t reinvent the wheel when it comes to action movies and doesn’t rise to the top like similar films, but it is still a fun movie to watch when you need something to put on for 90 minutes that you don’t have to think about too much and just sit back and enjoy the ride.

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  • Ant-Man and the Wasp (2018)

    Ant-Man and the Wasp (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Ant-Man, originally also known as Dr. Hank Pym, was created by legendary comic book writer Stan Lee, scripter Larry Lieber, and penciler Jack Kirby, and first appeared in Tales to Astonish #27 in 1962. Soon after, Lee and Kirby, alongside comic book writer/artist Ernie Hart created Ant-Man’s partner in crime-fighting known as The Wasp, originally Janet van Dyne, who debuted in Tales to Astonish #44 in 1963. Having been founding members of the original Avengers, the two had the unique ability to shrink down in size, giving them enhanced strength and speed. Pym was eventually replaced by ex-convict and electronics expert Scott Lang, who was created by David Michelinie and John Byrne, and he first became the new Ant-Man in Marvel Premiere #47 in 1979. He was soon followed by Hope Pym, aka Hope van Dyne, who was created by Tom DeFalco and Ron Frenz initially as the super-villain Red Queen debuting in A-Next #7 in 1999. Flash forward to many years later when, in 2015, Marvel Studios released Ant-Man as part of their Marvel Cinematic Universe. Starring Paul Rudd as the titular character, as well as featuring Evangeline Lilly as Hope van Dyne and Michael Douglas as Dr. Hank Pym, the film was an enjoyable superhero movie, if somewhat middle-of-the-road when compared to Iron ManCaptain American: The First Avenger, and The Winter Soldier, and The Avengers. Nonetheless, much like the other films in the MCU, Ant-Man was a hit with both critics and audiences and, in 2018, we’ve been given a sequel called Ant-Man and The Wasp.

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    Synopsis

    Taking place two years after the events of Captain America: Civil War, we find Scott Lang (Paul Rudd) now under house arrest following his encounter with the Avengers and teaming up with Captain America. Because of this, ties between him, Hope (Evangeline Lilly) and Dr. Pym (Michael Douglas) have all but ceased. That all changes when Lang starts having visions of Hope’s mother Janet, played by Michelle Pfeiffer, who has been trapped in the Quantum Realm for years. Believing this to be a message of her still being alive, Hope kidnaps Lang and wants to use him to help her and Pym find and bring Janet back once the two have finished working on a tunnel that will allow them to safely travel to the Quantum Realm. At the same time, there’s a new villain in town known only as Ghost (Hannah John-Kamen) who has the ability to shift in and out of the Quantum Realm following an experiment gone horribly wrong. There’s also the black market dealer Sonny Burch (Walton Goggins) who’s after Hope after he learns of the tech that she and her father possesses. Along the way, Lang, Hope, and Pym also try to get help from Bill Foster (Laurence Fishburne) who was a former partner of Pym’s until he was fired for his own reasons. As Ant-Man and The Wasp, they must fight off Ghost and Burch who are after the technology that Hope and Pym have, while also working to try to find and rescue Janet before it’s too late.

     

    Review

    Once again directed by Peyton Reed and with much of the original cast returning, this movie has a lot of the same charm that made the first one enjoyable. As Ant-Man, Paul Rudd is still just as funny and charismatic as he’s ever been. Evangeline Lilly, who was more of a supporting character in the first film, really shines in this one, as she gets to fight alongside Rudd and really kick some ass as The Wasp. Michael Douglas, while again playing a supporting character in this, has a lot more to do and also has moments of intensity that remind you of how Douglas is an Oscar-winning actor. Also returning are the main comic relief characters, including Michael Peña as Luis, Tip ‘T.I.’ Harris as Dave, and David Dastmalchian as Kurt. They more or less have the same shtick as the first one, so whether or not you liked them before, you’ll feel the same way about them here. Talking about the newcomers to this franchise, Michelle Pfeiffer is terrific as Janet van Dyne, Laurence Fishburne kills it as he always does, and it’s fun to see Walton Goggins pop up in this. Plus, major kudos to Hannah John-Kamen as Ghost, who is kind of a villain, but is also weirdly sympathetic once you learn about her backstory. She’s probably one of the only villains in the MCU who actually turns good by the end of the movie, which is actually quite refreshing.

    Of course, with this being an action movie, this movie should have thrilling action sequences, and it definitely has those, and then some. Given how this movie, like the previous one, plays with the concept of changing size, they use it quite a bit here, including a fight scene where a salt shaker is enlarged and used as a blockade, as well as a chase scene where a giant PEZ dispenser stops a guy on a motorcycle. Also of note are the sequences in the Quantum Realm, which reminded me of some of the other fantastical locations in the MCU, such as Dormamu’s realm in Doctor Strange or some of the weirder worlds of Guardians of the Galaxy. It’s a spectacle to look at, even if a lot of it is obvious CGI and green screen. The movie also has a lot of heart to it, especially when it comes to the family dynamics, whether it’s Lang’s relationship with his daughter Cassie, or the relationship between Hope and Dr. Pym. While the movie is certainly a fun thrill ride, it also can hit you in the feels a little bit.

    Getting into the negatives with this one, while I thought the villain(s) was certainly more memorable than the villain of the previous film, Ghost, unfortunately, doesn’t hold a candle to Loki, Killmonger, Ultron, or even Thanos. Also, as much as the comedy in this one works, there are a few places where the comedy does fall flat. Plus, when it comes to characters like Foster or Ghost, we don’t really know a whole lot about them, and we’re only given vague exposition about their backstories. Even with that said, I still really enjoyed this movie and had a blast watching it.

    After how dark and dire the previous film, Avengers: Infinity War, was, people were hoping that the next film Marvel had to offer would be a nice palette cleanser before the next big movie. In that respect, this movie more than succeeds at being just that: a fun and entertaining superhero movie that leaves you in a good mood. Overall, Ant-Man and The Wasp, like the previous film, is another filler Marvel movie, but that doesn’t mean it isn’t a good time.

     

    Buy Ant-Man and The Wasp on Amazon: https://amzn.to/40qveWY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Ant-Man and the Wasp (2018)

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  • The First Purge (2018)

    The First Purge (2018)

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    In 2013, Blumhouse and Platinum Dunes released The Purge. Taking place in a future USA where all crime, including murder, is made legal for twelve hours one night a year, the film had an interesting concept, but used said concept to create a standard home invasion movie. Nevertheless, the movie was a major hit, making over $89 million against a $3 million budget, so inevitably a sequel was made. So, in 2014, The Purge: Anarchy was released, and it was surprisingly better than the first, using its concept to tell a story that showed what happened on Purge Night across different parts of Los Angeles. Being an even bigger hit than the previous film ($111 million on a $9 million budget), another sequel was released soon after. The Purge: Election Year was released two years later, and while not as a good as the previous film, it still used a very similar premise and was just as insane, if not more so, than the previous film. Once again, the film was a hit, making over $118 million on a $10 million budget, so while we were going to get another film, this time we get a prequel to the previous three films. All that said, how does The First Purge compare to what came before?

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    Taking place several years before the events of The Purge, the film showcases a version of the USA where unemployment and poverty are on the rise, there are rioters on the streets, and the government is in total political turmoil. Then, a new political party known as The New Founding Fathers of America have emerged to replace the Democratic and Republican parties with the promise of a brighter future. Part of their plan is a new social experiment they’re proposing called The Purge, where for twelve hours, citizens are allowed to commit whatever crimes they want to in order to release their anger and frustration guilt-free. The brainchild of Dr. Updale, played by Marisa Tomei, the party decides to stage the first Purge on Staten Island, and they have incentivized the citizens by promising them $5,000 to stay in their homes, as well as some extra money if they participate. At the same time, we are also introduced to Nya, played by Lex Scott Davis, who is leading protestors against the Purge, as well as her brother Isaiah, played by Joivan Wade, and drug dealer/gang leader Dmitri, played by Y’lan Noel. As night rolls around and the first Purge is underway, how are the people of Staten Island going to survive and will they succumb to their primal instincts are start killing each other like the NFFA wants?

    As I alluded to, I was not a huge fan of the first film. While the idea ludicrous and would never fly in the real world, it’s still an interesting concept that you could do a lot with. Unfortunately, they chose to use that concept as the backdrop for a very bland home invasion film, and I hated it. That said, when the second film came out, I was surprised by how much I enjoyed it and then again with the third one. So, with the new one that just came out at the time of writing this, I was interested to see it, especially with it being a prequel since I was genuinely curious just how such a ridiculous idea could get off the ground. Getting into what I liked about the movie, I thought the main characters were mostly likable and easy to get behind. While Isaiah does get involved in some bad stuff, like trying to deal drugs and even wanting to participate in the Purge, you do get a sense that this is just a kid who wants to prove that he’s tough and that he can take of himself but can’t. Nya is a strong female lead, between rallying people against the Purge and trying to protect as many of them as possible. Dmitri, while not as awesome as Frank Grillo was in the previous two films, is still probably the most interesting character, especially when it gets into the third act and he steps up to be the hero. Also, when the action and violence start ramping up in the second half, it does get more entertaining as it goes along.

    Unfortunately, that’s really where many of the positives I have for this movie end, as this movie really isn’t very good. First off, this movie is a narrative mess. While the last two had different stories going on, they were at least handled well and were able to converge and come together. In this, it feels like a new plot-line starts up every 20 minutes or so. One minute, there’s a rave party going on where people are partying it up, doing drugs, and probably contracting more than a few STDs. The next, the government starts sending out mercenaries disguised as people participating in the Purge to kill people to make it seem like more people are purging then there actually are. Then, there’s a gang rivalry going where gang members are betraying one another and trying to take control from the other guy. Sure, these plots do intersect and converge with each other eventually, but it’s so scatterbrained and all over the place that it can be hard to keep track of everything. In addition, the movie is not that well-made, as there are clearly times where they use tons of CGI blood and obvious green screen, the latter also being a good indication that they only had some of the cast members available for a few days. And while the other movies certainly weren’t very subtle in their political commentary, this one practically hits you over the head with a brick with its symbolism. Hell, the final shot of the movie is a pan-up shot of an American flag. I realize that asking for subtlety in a Purge movie is asking a bit much, but the last two were more subtle in their commentary than this was.

    When I saw this movie, I obviously wasn’t expecting high-art or something that would change the landscape of cinema, but I was at least expecting something entertaining. And while it has its moments and has hints of what made the last two movies a lot of fun, The First Purge is so sloppily put together and full of itself that it’s honestly more infuriating than anything and just makes you wish you were watching the previous two movies. Hell, just watch The Purge instead!

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  • Thoroughbreds (2018)

    Thoroughbreds (2018)

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    Every now and then, a movie will come around that seems to come out of nowhere. You don’t hear much about it, you don’t see any trailers for it, but somehow you find out about it and you get curious. Such is the case with 2017’s Thoroughbreds, a movie made by first-time writer/director Cory Finley that was originally written as a stage play before being turned into a movie. Apparently, this movie was originally made in 2016, played the festival circuit, and was finally released theatrically in 2018, so it spent at least two years in limbo before being released. I do know one reason why it may have been delayed, but I’ll get into that later. I can’t quite remember how I first heard about this movie, but I went into this movie knowing little to nothing about it. I did see a trailer for it and I was intrigued, so I gave it a watch, and what I saw was probably one of the most original and unique movies I’ve seen this year so far.

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    Set in the suburbs of Connecticut, the film revolves around two upper-class high school girls, the popular and more academic Lily, played by Anya Taylor-Joy, and the more distant and unfeeling Amanda, played by Olivia Cooke. The opening sets the film in motion as we see Amanda killing her crippled horse with a knife. This leads to her meeting up with Lily, who was an old friend of hers until they split when Lily’s dad died. She goes under the pretense of hanging out with Lily and having her be her tutor until she discovers that her mother essentially paid Lily to be her friend. While Lily denies this, Amanda is completely unfazed by this due to her not being able to feel any emotions, and the two become friends again. After the death of her father, Lily’s mom has remarried to a guy named Mark, played by Paul Sparks, who is vain and cruel but acts no differently than any other parent. Lily is upset when she finds out Mark has enrolled her into boarding school because she was expelled and, after seeing him berate her mother, decides to talk with Amanda about possibly killing him. Initially, Lily wants Amanda to do it since she’d be free of guilt, but Amanda says she would immediately be suspect because of her pending animal cruelty charge. So instead, they enlist the help of ambitious but pathetic drug dealer Tim, played by the late Anton Yelchin, to stage the murder like an accident. What follows is a story about the loss of innocence, people doing what they can to get ahead in life, and how seemingly good-natured people can turn twisted.

    I mentioned before how I believe I know why this movie was delayed the way it was. Well, my reasoning is Anton Yelchin, who sadly passed away on June 19, 2016, just two weeks after filming was completed. Granted, I don’t 100% know if his death delayed the film’s release, but watching the film, it really does make you miss him since his acting is so good in this. Not saying the rest of the actors in this are bad, but Yelchin absolutely steals the scenes he has in this. As for the two leads, Anya Taylor-Joy and Olivia Cooke are fantastic and they work off each other really well. While admittedly Cooke’s character doesn’t change much, it is fitting since her character is supposed to be unfeeling. However, it is interesting to see the character arc that Taylor-Joy goes through, going from a somewhat uppity but prim-and-proper young lady into someone who’s almost as unfeeling as Cooke but is determined to get her way no matter the cost. Paul Sparks is also great as the step-dad Mark, in that he plays his character as so angry and hateful that you understand why Lily hates his guts, but you can also understand his perspective of a guy trying to raise this girl but struggling because she comes across to him as being self-centered and not appreciate of what he and her mother do for her. Going back to how this was originally meant for the stage, you can really feel that with how this movie is filmed and staged. Granted, that’s not a bad thing in this movie’s case since the performers are so strong and the story is engaging.

    If there are any problems I have here, one is the film’s pace. At times, it can be pretty slow and a little dull, as if nothing is happening. That said, at 92 minutes, the movie does go by fairly quickly, but it can feel like the plot doesn’t really come into play until the second half. Also, adding to the film feeling slow, there are quite a few static shots in the movie or shots where the camera doesn’t move, which can make scenes feel longer than they actually are. Even still, some of those shots are very effective, especially one towards the end where the camera stays on one shot and does a deliberately slow zoom. The movie is billed as a dark comedy, some referring to it as a mix between Heathers and American Psycho. I can see the connection, but I don’t think this movie has the same gleeful humor of Heathers nor the biting wit or graphic violence of American Psycho. Not that I think either would’ve made this movie necessarily better, but I can understand some people not being into this movie for its slow pace and seemingly endless scenes of just dialogue. However, if you stick with it and really focus on what’s going on, Thoroughbreds is definitely one of the hidden gems of 2018 that’s worth taking a look at.

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  • Jurassic World: Fallen Kingdom (2018)

    Jurassic World: Fallen Kingdom (2018)

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    Despite receiving mostly mixed reviews from critics, Jurassic World was a massive success. On a budget of $150 million, the movie grossed over $1 billion worldwide and set numerous box office records. It became the first film in cinematic history to gross over $500 million in a single weekend and was the third-highest-grossing film of all time in the US and Canada. It was the second-highest-grossing film of 2015, right behind Star Wars: Episode VII – The Force Awakens, and it’s gone on to be the highest-grossing film in the Jurassic Park franchise. Naturally, with this insane box office success, Universal was going to move forward with a sequel. This time, however, Colin Trevorrow would not be returning as director but would serve as a producer and co-writer alongside Derek Connolly. Instead, the director’s chair was handed over to J.A. Bayona, who previously directed The OrphanageThe Impossible, and A Monster Calls. Returning from the previous film are Chris Pratt, Bryce Dallas Howard, and BD Wong. Some notable actors who were brought in included Toby Jones, Ted Levine, and James Cromwell, and Jeff Goldblum was brought back for a small role as Ian Malcolm. So, with all this talent coming together, how does Jurassic World: Fallen Kingdom compare to the last film and the other films in the franchise?

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    Taking place three years after the previous film, the island of Isla Nublar has long since been abandoned, with all the remaining dinosaurs living in peace. At the beginning of the film, we see a group of mercenaries go to the island to retrieve a DNA sample of the Indominus Rex from the last film. Despite being attacked by a T-Rex and the Mosasaurus from the previous movie, the mercenaries manage to make off with the DNA sample. Meanwhile, the US government is debating whether or not to preserve the lives of the dinosaurs on Isla Nublar once it’s discovered that a previously inactive volcano has become active and is threatening to kill them off. Dr. Ian Malcolm (Jeff Goldblum) even voices his opinion, saying the dinosaurs should be killed off to correct the mistakes that John Hammond unintentionally started. At the same time, Claire Dearing (Bryce Dallas Howard), who was the park manager from before, has started a charity organization dedicated to preserving the lives of the dinosaurs. With hoping seeming lost, she’s invited to meet with Benjamin Lockwood, played by James Cromwell, who worked alongside John Hammond back in the day. With his assistant Eli Mills, played by Rafe Spall, Lockwood plans to move the dinosaurs from Isla Nublar to another island that will serve as a sanctuary, where they’ll be left alone and kept safe and sound. While they’re confident they’ll be able to find all the dinosaurs, Mills is concerned about finding Blue, the last surviving velociraptor from the last film, so Claire decides to recruit Owen Grady (Chris Pratt) to help her rescue the dinosaurs. Also along for the ride are Franklin Webb, played by Justice Smith, who works with Claire as a systems analyst and hacker, and Dr. Zia Rodriguez, played by Daniella Pineda, who also works for Claire as a dinosaur veterinarian. Once they make it to the island, it becomes a race to save as many dinosaurs as possible and find Blue before the volcano explodes and they’re engulfed in lava.

    Anyway, that’s all I can really say about the plot without spoiling things. However, I will say that the trailers really only tell you about the first half of the movie. Without giving too much away, let’s just say that the second half goes in a direction that you wouldn’t see coming. Just to get this out of the way, while I found the movie enjoyable and entertaining enough, it is easily one of the weaker films in the franchise. It’s not a completely worthless film as there are plenty of good things about it. For one, the film is very well-made. Having not really since any of J.A. Bayona’s previous work as of the writing of this review, I was impressed with his skills as a director, and I am now curious to see how his other movies compare. Also, much like the last film, while I am still a bit upset about them using mostly CGI for the dinosaurs, I will say that the dinosaurs do still look impressive and are cool to look at. Plus, there is some fun spectacle to be had, especially in the scenes on the island and some of the stuff that happens in the second half. What also helps is that the actors do elevate the material, as Chris Pratt is still likable and fun and makes the movie worth watching, while Bryce Dallas Howard owns her role and does a lot more than she did before. I’d also like to shoutout Justice Smith, who starts off a little annoying with his screaming and constantly acting afraid of everything but does improve as the movie goes along, and Daniella Pineda, who is a very fun character and has her moments to shine. Plus, I was impressed with newcomer Isabella Sermon as Maisie Lockwood, whose honestly not that bad for a child actress and actually does have her moments.

    Now to get into the stuff I didn’t like, and there’s quite a bit. For one, this movie is insanely dumb. Don’t get me wrong, there are plenty of dumb movies that I love, but there’s a difference between the kind of dumb that you can enjoy and the kind of dumb where it feels like the filmmakers think the audience is dumb and doesn’t know any better. Ordinarily, I don’t complain too much when characters do stupid things since a lot of times the stuff they do is something I can see at least somebody doing. But here, the characters keep making stupid decision after stupid decision to where you just get mad at the characters for not realizing how stupid this is. Also, one thing I don’t understand is that a lot of people, including myself, found the whole weaponizing the dinosaurs subplot from the previous film to be one of the weaker elements of that movie, and yet here, they bring that back and put it in the forefront, especially when the movie gets into the second half. The villains are so cartoonishly evil that it’s ridiculous, especially with how this movie tries to play itself so seriously. These guys, especially Mills, Mr. Eversoll (Toby Jones), and Wheatley (Ted Levine), might as well be twirling mustaches and gloating about how rich they’re going to be. Going back to taking elements from the last film, they repeat the whole create-a-dinosaur-with-genetic-splicing bit from before, and it honestly seems like a lot of this is just a repeat of the previous film.

    I’ll fully admit that I went into this movie wanting to sing its praises up and down the streets. Like I said earlier, there were some entertaining moments and some of the cast made the movie slightly enjoyable, but overall, this just feels like a movie that was simply made because the previous one was a hit and honestly seems to double-down on what didn’t work in the previous film. For fans of the previous films in the franchise, I’d just stick with any of those (mostly the first one), because Jurassic World: Fallen Kingdom is a highly-flawed yet slightly enjoyable film that’s probably best as a rental.

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