Facebook

FilmNerd

Category: Action

  • Cobra (1986)

    Cobra (1986)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]After the massive success of Rocky, Sylvester Stallone’s career was on the rise and he soon became a superstar. In between the sequels to his career-defining film and other films, Stallone starred in another career-defining film, First Blood. Based on the David Morrell novel of the same name, the film revolved around Vietnam veteran John Rambo. After a run-in with the local sheriff, Rambo inadvertently starts an all-out war with the local police. The movie ended up being a surprise hit, and it eventually got a sequel, Rambo: First Blood Part II. While the first one was more of a character study mixed with an action film, the sequel was just action. Despite the different tone, the sequel ended up being a massive hit, alongside Stallone’s Rocky IV released the same year. With Stallone’s ego rising, he teamed up again with Rambo II director George P. Cosmastos for 1986’s Cobra.
    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#edf000″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    Synopsis

    Stallone stars as Marion Cobretti, aka Cobra, a hard-as-nails cop who plays by his own rules. After stopping a hostage situation, Cobra learns of a murderous cult led by the Night Slasher (Brian Thompson). One night, a young model named Ingrid (Brigitte Nielsen) witnesses the cult on one or their murder sprees. Soon, Cobra and his partner Gonzales (Reni Santoni) are assigned with protecting her and stopping the Night Slasher. All the while, Cobra is being chastised by the more by-the-books Detective Monte (Andrew Robinson). What follows is a series of car chases, motorcycle chases, and shootouts with the cult members. It all comes to a head when Cobra and the Night Slasher face off in a final confrontation. Will Cobra be able to take him down and save the girl, or will the Night Slasher’s murder spree continue?

     

    Review

    If the plot summary seems a bit light, that’s mostly cause this movie’s plot is pretty straightforward. There is a reason for this that I’ll get into later, but first I’ll list the positives. For one, Stallone definitely carries the film as the lead, playing Cobra as a tough and cool cop. In contrast, Brian Thompson makes for an intimidating figure with his imposing figure, booming voice, and intense look. Another great draw here is that it features Andrew Robinson and Reni Santoni, both of whom were in Dirty Harry. When it gets going, the action is pretty good, especially with all the car chases and shootouts. The soundtrack, while odd at times, has some pretty cool 80s tracks, especially “Angel of the City” by Robert Tepper. On top of all that, the movie is fairly short at about 87 minutes, so it’s a pretty quick sit.

    Unfortunately, for all the good things I can say about the movie, there’s also quite a few negatives. First off, not to be insulting, but Brigitte Nielsen’s acting is pretty mediocre, her line delivery being flat and stilted. Also, I mentioned how the plot is pretty straightforward and that it’s a fairly quick sit. This ties into the fact that this movie was heavily edited before its release, for content and for showings. Much of the violence had to be cut back to avoid an X-rating, so it comes off as fairly tame. Also, much of the story and character development was removed so that it would play theatrically more times per day. Because of this, there’s a lot that’s never explained and the villains have no motivation. It’s a shame because while it’s still fun, it could’ve been better. Overall, Cobra is a passable if somewhat disjointed action film.

     

    Buy Cobra from Amazon: https://amzn.to/3JGW4nE.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Where to watch Cobra (1986)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Cobra” data-year=”1986″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Venom (2018)

    Venom (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]

    In 1982, Marvel Comics asked fans to submit ideas for future stories, one such fan being Randy Schueller. His idea was for Spider-Man to have a new, more advanced all-black stealth suit. Schueller later received a letter from Marvel Editor-In-Chief Jim Shooter saying they liked the idea and paid $220 for it. His vision led to a plot point in Marvel Super Heroes Secret Wars #8, where Spider-Man obtains his black suit. It was revealed in The Amazing Spider-Man #252 to be a symbiote, an alien parasite that feeds off its host. Then, in The Amazing Spider-Man #300, the symbiote bonded to a new host, Eddie Brock, transforming him into Venom. The character became so popular that he’s now one of Marvel’s most iconic villains/anti-heroes still to this day. He’s appeared in TV, movies, and video games, and in 2018, we have his new solo film, Venom.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”55″ bar_bg_color=”#edf000″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After one of their space probes crash lands on Earth, a bioengineering corporation called the Life Foundation investigates. It turns out the probe was carrying four alien symbiotes, one of which escaped in transit. The company recovers the other three and brings them to their headquarters in San Francisco to begin testing. Meanwhile, journalist Eddie Brock (Tom Hardy) lives comfortably with his lawyer girlfriend Annie (Michelle Williams), who’s affiliated with the company. Through her, he gets an interview with Life CEO Carlton Drake (Riz Ahmed), who’s obsessed with the symbiotes. Things go south when Eddie confronts him with confidential information he stole from Annie, leading to him getting fired. Six months later, Dr. Dora Skirth (Jenny Slate) asks Eddie to investigate what Drake has developed. While studying, Eddie gets infected with a symbiote known as Venom, and now the company is after him.

     

    Review

    Before getting into my issues with the film (and there’s plenty), I’ll first get into what I liked about it. What worked for me was Tom Hardy’s performance and his relationship to Venom, which helped to carry the film. Hardy gives it his all here, and there’s an interesting dynamic between him and Venom, similar to Jekyll and Hyde. It’s fun seeing the two of them argue and trade insults back and forth, and there’s some great physical comedy. Once Venom does take over, it’s a lot of fun watching him tear through people and wreak havoc throughout. It’s certainly enjoyable as a fun B-movie with some good action and some fun spectacle. Plus, it feels like some excellent ideas here could’ve gone further had the writers ironed out the script. Unfortunately, that’s where my positives end as I go into what doesn’t work.

    While Hardy is doing his best and acting his heart out, the rest of the cast sadly falls flat. Riz Ahmed is largely unremarkable as the stereotypical corporate villain, and Michelle Williams doesn’t have any compelling character traits. Also, throughout the movie, it seemed like they wanted to be R-rated, but the studio had them cut back. It’s especially noticeable in scenes where Venom bites someone’s head off, only to cut away before getting gruesome quickly. That can primarily be due to roughly 30-40 minutes cut out of the movie, which you can tell. The third act, in particular, is just a mess of CGI blobs, choppy editing, and hard-to-tell action sequences. Hopefully, there will be a director’s cut released that will hopefully fix many of the problems. For now, though, Venom is a mess that, while enjoyable, is vastly more disappointing than terrible.

    Final note: a much better version of this film was Upgrade released earlier this year, definitely worth a watch.

     

    Buy Venom from Amazon: https://amzn.to/3oxilr7.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Venom (2018)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Venom” data-year=”2018″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Predator (2018)

    The Predator (2018)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.14″]

    In 1987, filmmaker John McTiernan made his first studio film with the action sci-fi classic, Predator. With an all-star cast including Arnold Schwarzenegger, Carl Weathers, and Jesse Ventura and Stan Winston’s effects, it was a hit. Three years later, Predator 2 was released, starring Danny Glover, Gary Busey, and Bill Paxton and directed by Stephen Hopkins. While not a critical or commercial hit, the film has since found a cult following. It wouldn’t be until 2010, 20 years after the last film, when the next installment Predators was released. Produced by Robert Rodriguez and a cast including Adrien Brody, Laurence Fishburne, and Topher Grace, the film sadly underperformed. Cut to 2018, where Shane Black (who starred in the original film) teamed up with former collaborator Fred Dekker. Together, the two have brought us the newest installment in the franchise, The Predator.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.14″ title=”Rating” number=”70″ bar_bg_color=”#edf000″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.15″]

    Rather than a remake or a reboot, this film is a sequel to the earlier films. During a hostage rescue mission, Army Ranger Quinn McKenna (Boyd Holbrook) gets attacked by the Predator. After incapacitating the Predator, McKenna steals some of its armor and mails it to his home for safe keeping. However, McKenna ends up captured by government agent Will Traeger (Sterling K. Brown), who also takes the Predator for research. Traeger recruits biologist Casey Bracket (Olivia Munn) to do further research while McKenna is sent off with several insane ex-soldiers. Things go south when the Predator escapes, so McKenna and the other soldiers take the bus and Bracket with them. McKenna and company make their way to his home and find that his autistic son has the Predator armor. Things are bad enough with the Predator after them, but they also have to contend with a new super Predator.

    Before I get into my issues with this film, I’ll first get into what worked for me. For one, the cast does a decent job, even though there are some dead spots. Boyd Holbrook is good in the lead, despite not having much character development. The actors playing the crazy ex-soldiers are all fun and have their own unique quirks. There’s Keegan-Michael Key as Coyle, who uses humor to deal with his PTSD. Also, there’s Thomas Jane’s Baxley, whose Tourette’s has him blurting out random curses, and has an interesting friendship with Coyle. Trevante Rhodes as Nebraska is probably the most normal one amongst the group, perfectly working alongside Holbrook. Sterling K. Brown is fun as the villainous Traeger and Brian A. Prince plays a good Predator. In addition to the cast, Shane Black’s direction is decent, and his and Fred Dekker’s writing has some good ideas.

    Unfortunately, while there are things here that work, there’s a whole lot that really doesn’t. For one, as mentioned before, some of the cast isn’t very strong, though none are necessarily awful. For one, Olivia Munn has her moments, but is generally fairly weak. Also, Jacob Tremblay, who plays McKenna’s autistic son, is decent, but seems to play it more like Hollywood autism. In addition to the weak cast, much like with Peppermint, there seems to be stuff cut out of the movie. From what I understand, the movie went through several reshoots after test audiences were confused by the third act. You can tell since the third act feels very cobbled together and doesn’t quite go along with what came before. Admittedly, the movie has some good ideas and it feels like the people involved really tried. While not a terrible movie, The Predator is still very disappointing.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Mandy (2018)

    Mandy (2018)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.14″]

    As I mentioned in my review of Con Air, Nicolas Cage’s career has been through some ups and downs. Sadly, the past decade or so has been more downs than ups due to some less-than-stellar projects. While he has appeared in some theatrical films, he’s mostly been relegated to direct-to-video flicks found at the local Redbox. Of course, the main reason why he seems to not turn down a role is because of his financial troubles. However, for every Left Behind and Arsenal, there are those hidden gems he manages to find. Films like Bad Lieutenant: Port of Call New Orleans and Joe are reminders of his talent as an actor. Now enter Italian-Canadian filmmaker Panos Cosmatos, son of George P. Cosmatos, director of Rambo: First Blood Part 2 and Tombstone. After his directorial debut with 2010’s Beyond the Black Rainbow, Panos returns eight years later to bring us Mandy.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.14″ title=”Rating” number=”95″ bar_bg_color=”#7cda24″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.14″]

    Set in 1983, Cage plays Red Miller, who lives with his girlfriend Mandy (Andrea Riseborough) in the Shadow Mountains. He works as a lumberjack while she works on her art and reads fantasy books at home. Then one day, she catches the eye of a religious cult, led by the deranged Jeremiah Sand (Linus Roache). Jeremiah is instantly enamored with her, and he conjures up some motorcycle-riding demons to capture her and Red. Jeremiah tries seducing Mandy into the cult, but when she laughs at his lack of manhood, he sets her ablaze. The cult leaves Red for dead and mourning over the ashes of his lost love, rendering him insane. After getting some help from an old friend named Caruthers (Bill Duke), Red sets out to take his revenge. From there, it becomes a wild ride of over-the-top violence, gore and bloodshed, and very psychedelic and almost dreamlike imagery.

    I’ll just come out and say that this is easily my favorite film of 2018 without a doubt. For one, the movie is incredible stylish, has very vivid colors, and creates an almost dreamlike quality to it. It almost feels like watching a cinematic fever dream, like you’re going further into the insanity of Nicolas Cage’s character. Speaking of which, Nicolas Cage completely owns the role and he delivers one of his best performances in years. Linus Roache is also fun to watch as the deranged religious cult leader whose almost as over-the-top as Cage. Plus, even though he only has one scene which is disappointing, it’s cool to see Bill Duke make an appearance. The first half, while slow at times, is still captivating to watch thanks to the dreamlike atmosphere and stylized imagery. The slower pace helps to effectively build up to the over-the-top second half.

    Once the second half starts and the action kicks in, it becomes an insanely fun ride of violence and bloodshed. Armed with a crossbow, a giant battle axe, and a chainsaw amongst others, he goes all out. While some may be put off by the over-the-top violence, I feel it goes along with the insanity on display. You really feel that this horrible event drove this innocent man insane. I’ll fully admit this is not a film for everyone, like you won’t see this in a multiplex. Also, some will complain that there’s not much more to this film other than a simple and straightforward revenge story. This is for those who not only appreciate stylish visuals and gripping performances, but can go along for the ride. Mandy is a film that I feel no other 2018 film will ever top, and that about sums it up.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Con Air (1997)

    Con Air (1997)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.12.2″]

    While considered a joke today, in the 90s, Nicolas Cage was one of the biggest actors at the time. He achieved box office success with The Rock and Face/Off, and even won an Oscar for Leaving Las Vegas. At the same time, there was also Jerry Bruckheimer, a major Hollywood producer who rose to fame in the 80s. Alongside fellow producer Don Simpson, the two brought us Flashdance, Beverly Hills CopTop Gun, and Bad Boys. However, things went awry when Simpson and Bruckheimer disagreed over the concept of their next film, and the two separated. Unfortunately, Simpson passed away shortly after producing The Rock, and his death had little effect on the next film. Many feel that after Simpson’s death, the subsequent productions of Bruckheimer lost the age they had beforehand. That said, some of that edge from their earlier productions was still visible in 1997’s Con Air.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.12.2″ title=”Rating” number=”80″ bar_bg_color=”#7cda24″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.13″]

    Coming back from the war, Army Ranger Cameron Poe (Nicolas Cage) returns home to his wife Tricia (Monica Potter). She works as a waitress at a bar where she gets hassled by some drunk guys. While defending her, Poe accidentally kills a guy and ends up getting put in prison for involuntary manslaughter. Cut to years later where Poe is granted parole and is free to return to his wife and new daughter. However, in order to get home, he has to board a plane full of convicts called the Jailbird. Things go well until the convicts, led by Cyrus Martinez (John Malcovich), take control of the plane. While FBI Agent Duncan Malloy (Colm Meany) wants to shoot them down, Agent Vince Larkin (John Cusack) thinks otherwise. With few options and little time left, it’s up to Poe to stop the convicts and return home.

    Now, I’m not going to lie, this movie is pretty ridiculous and definitely a product of its time. There are cheesy one-liners, big set-pieces, total disregard for collateral damage, and a silly melodramatic love song that plays throughout. That said, this is still a fun example of how entertaining 90s action films were. While not as over-the-top as usual, Nick Cage is still fun to watch between his flowing mullet and thick accent. John Malcovich is fun as the villain, acting like he’s constantly annoyed and on edge, and has some great one-liners. Another stand-out is Steve Buscemi, who is essentially doing a toned-down version of Anthony Hopkins from Silence of the Lambs. There are also some great appearances from character actors like Danny Trejo, Ving Rhames, and M.C. Gainey. The action sequences are well-shot and the score gets you in the right mood.

    Of course, this movie isn’t without its problems, but then again, no movie is perfect. For a major portion of the film, Monica Potter isn’t really given much to do. She just shows up at the beginning, appears here and there, and comes back at the end. Also, as fun as John Cusack is, there isn’t really much to his character except the rivalry with Colm Meany. Obviously, there’s no point in addressing the flaws with this film since it’s not trying to be high art. This is simply meant to be a big, dumb, fun summer blockbuster, and in that respect, it succeeds. Sure, it’s dated and feels like a product of its time, but it’s still a fun time. Con Air, while over-the-top and ridiculous, still has some fun action sequences and larger-than-life characters to keep you entertained.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Mission: Impossible – Fallout (2018)

    Mission: Impossible – Fallout (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Regardless of how you may feel about Tom Cruise, you can’t deny his star power. Having made it big with 80s hits Risky Business and Top Gun, Cruise has become one of the biggest actors today. Why else would 2017’s The Mummy be such a big hit in China? Regardless, he is still beloved for his charming personality, boundless energy, and willingness to do tons of crazy stunts. Since the mid-90s, Cruise has enjoyed a lot of success thanks to the Mission: Impossible franchise. In spite of the franchise’s fluctuating quality, it’s still a very popular and profitable franchise. Fast forward to 2018, 22 years since Brian De Palma (Sisters) crafted the original spy thriller. The sixth film in the franchise, Mission: Impossible – Fallout reunites much of the cast we’re used to, as well as some new ones, to bring us one of the most action-packed spectacles of the year.
    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Ethan Hunt (Cruise) is tasked with retrieving three plutonium cores before a terrorist group called The Apostles get them. This group plans on using them to create nuclear weapons to, as they put it, tear down the old world. Hunt brings in his regular teammates, Luther (Ving Rhames) and Benji (Simon Pegg), but he is also assigned a new team member, CIA agent Walker (Henry Cavill). He’s been assigned to keep an eye on Hunt and his team after a mission gone wrong. Along the way, they also run into former MI6 agent Ilsa Faust (Rebecca Ferguson), who may or may not be on Hunt’s side. In the midst of this is anarchist Solomon Lane (Sean Harris) who has a personal vendetta against Hunt. What follows are car chases, motorcycle chases, on-foot chases, and a helicopter fight as our heroes race against time to save the world once again.

     

    Review

    Compared to the many other action films this year, this one gives many of those a run for their money. Everything in this movie works so well. For one, Cruise is awesome as always and proves why he’s still a force to be reckoned with. Half of the fun of this movie is just seeing all the crazy stunts he performs. Plus, it’s great seeing him, Rhames, and Pegg working off each other and having a good time. You really get a sense of the camaraderie these guys have given their history together. Cavill is also memorable as a tall and broad-shouldered guy who can easily go toe-to-toe with Cruise. Ferguson is also great as a conflicted agent torn between her feelings for Hunt and her mission. Another stand-out is Vanessa Kirby as The White Widow, who has a very femme fatale quality, but also has great comedic timing.

    What can really make or break a movie like this are the action sequences, and this does not disappoint. The movie is filled with tons of intense action set-pieces that are well-filmed and well-choreographed. As mentioned earlier, many of the stunts on display here are real. For instance, Cruise really does pilot a helicopter, run for miles across rooftops, and drive a motorcycle through traffic. It’s just amazing to see how they top themselves between movies. But of course, the action sequences don’t really matter unless you like the characters or the story isn’t interesting. Like I said before, the acting is phenomenal across the board, and there is so much going on that you’re never bored. The plot will make you guess and question what’s happening, but not in a way that leaves you confused. If you’re smart and pay attention, you’ll be able to follow along just fine.

    Normally, this is where I’d get into the negatives I have with the movie. Thing is, unless something comes to me, I really can’t think of anything wrong with this movie. I guess maybe some of the villains aren’t very well-developed and maybe the plot is a bit convoluted. Honestly, many of those are nitpicks that absolutely do not take anything away from this movie. This is still a really fun, exciting, and intense action spy thriller. Even if you’ve never seen the previous films, Mission: Impossible – Fallout is still one of the best action movies in years, and it reminds us how to properly do big summer blockbusters.

     

    Buy Mission: Impossible – Fallout from Amazon: https://amzn.to/4oFFILe.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Mission: Impossible – Fallout (2018)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Mission: Impossible – Fallout” data-year=”2018″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • 8 Million Ways to Die (1986)

    8 Million Ways to Die (1986)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.10.1″]

    After the release of Bonnie & ClydeThe Graduate, and Easy Rider, there was a major shift in filmmaking called the New Hollywood Movement. Throughout the 70s, many prominent directors made films that challenged social norms and taboos. Among those directors, including Steven Spielberg, Martin Scorsese, and Francis Ford Coppola, was Hal Ashby. Ashby was an editor on The Russians Are Coming, The Russians Are Coming and In the Heat of the Night. He then transitioned to directing his first film The Landlord in 1970. He also made other notable films like Harold & MaudeShampoo, and Being There. While many directors went on to continued success in the 80s, others couldn’t reach the same heights as before. With Ashby, his later films either had a troubled production or were commercial/critical failures. This came to a head in what was his last film, 1986’s 8 Million Ways to Die.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.9″ title=”Rating” number=”80″ bar_bg_color=”#7cda24″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.10.1″]

    Based on the Lawrence Block book, the follows Matthew Scudder (Jeff Bridges), an ex-cop turned private detective who struggles with alcoholism, which gets him fired, divorced, and distanced from his daughter. After an A.A. meeting, he’s invited to a club run by Chance Walker (Randy Brooks). There he meets a call girl named Sunny (Alexandra Paul), who goes back to his place. Failing to seduce him, she confides in him her fear of Chance and asks Scudder to convince Chance to let her go. After Scudder is told that Chance treats the girls well, Sunny ends up kidnapped, murdered, and thrown off a bridge. Soon, Scudder is convinced that a local drug dealer/crime boss known as Angel Moldonado (Andy Garcia) is responsible. Digging even deeper into the investigation, Scudder uncovers a plot by Moldonado to deal drugs through Chance’s legitimate businesses.

    Getting into what really works, the cast in this movie is phenomenal. Jeff Bridges does a great job playing a former alcoholic struggling with his demons trying to redeem himself. Rosanna Arquette, on top of being gorgeous, is also great as a call-girl who overtime develops a relationship with Scudder. Andy Garcia absolutely steals the show as Angel, always bursting with manic energy and going toe-to-toe with Scudder. While she has a smaller role, Alexandra Paul is quite gorgeous and is what starts the conflict. Randy Brooks is also fun as Chance who, while he is a crime boss, does have a set of ethics. Also, be sure to look out for James Avery, aka Uncle Phil from Fresh Prince of Bel-Air, as a D.A. The score by James Newton Howard is great, who uses mostly synth music that gives it that gritty 80s vibe.

    Unfortunately, this movie was quite the problematic production. For one, the script, originally written by Oliver Stone, was heavily rewritten by R. Lance Hill. Hill was actually hired after Ashby wrote 50 pages of a potential script, which the producers actually liked. Ashby stopped upon finding out the studio hired Hill for rewrites, not helped by Hill only reporting to the producers. Then, Hill’s version of the script was heavily rewritten by Robert Towne, under the pseudonym David Lee Henry. Honestly, you can tell since there are some plot points that are dropped and some things don’t make sense. Also, the editing in the film is very choppy, feeling almost haphazard. There are scenes that just happen without much explanation, as if scenes leading up to them were cut out. A large part of this is due to Ashby being fired after principal photography ended and the studio took over.

    Sadly, the movie was a massive flop when it came out, making only $500,000 against an $18 million budget. While it was not liked by critics at the time, it has gone on to something of a cult following. There are people who love it and people who hate it, both sides of which I can understand. But in spite of the movie’s flaws, I still actually enjoyed it. While the movie could’ve been better had the producers not interfered, what is there is still a well-done crime thriller. The cast is great, the performances are memorable, the action sequences are fun, and it has a solid 80s vibe. Overall, 8 Million Ways to Die is a flawed but well-made and underrated crime thriller.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Skyscraper (2018)

    Skyscraper (2018)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.9″]

    Movies set in a high-rise building are not necessarily a new concept. There have been many films over the years set in a tall building, whether it’s silent films like Safety Last! and Metropolis, action classics like The Towering Inferno or Die Hard, and more recent favorites like Land of the Dead and Dredd. Hell, there have even been horror movies set in a high-rise, such as Poltergeist III and Gremlins 2: The New Batch. For whatever reason, Hollywood really likes to use high-rise buildings as a setting for just about any type of film. This year, we’ve got another one to add to the list, Skyscraper. Directed by Rawson Marshall Thurber, the director of Dodgeball: A True Underdog StoryWe’re The Millers, and Central Intelligence, this is a major departure since this is his first non-comedy movie. So, with this being his first straight-up action film, does this movie rise to the top of other high-rise movies, or does it come crashing down in smoldering ruins?

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.9″ title=”Rating” number=”75″ bar_bg_color=”#edf000″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.9″]

    The film opens at a snowy cabin where the police, SWAT teams, and FBI have surrounded the area after receiving a domestic disturbance call. A group of soldiers led by Will Sawyer, played by Dwayne “The Rock” Johnson, is sent in to deal with the situation, which results in the abusive father blowing himself up with a vest bomb. While the explosion left Will horribly scarred and without his left leg, it does lead to him meeting Sarah, played by Neve Campbell, a military nurse who ends up being his wife. Ten years later, Will has moved on to working as a security consultant and is hired by multi-billionaire Zhao Long Ji, played by Chin Han, to evaluate the security systems of his new skyscraper known as The Pearl, which is being touted as the tallest building in the world. Things seem to be going well until a group of terrorists invade the building and start a massive fire that engulfs the top half of the building. Will finds himself being framed for the attack, and he must find a way to clear his name, stop the terrorists, and save his family who are still trapped in the burning building.

    Obviously, when you look at the plot of this film, it doesn’t exactly read as something original or something that’s never really been done before. The movie borrows elements from a lot of much better action movies, mostly Die Hard and The Towering Inferno, with some taken from The Fugitive, namely how the hero is trying to clear his name while a police officer is trying to capture him. Of course, just because a movie takes elements from other films doesn’t necessarily mean it’s bad. What it comes down to is how the filmmakers handle the material and if they can make it work. For the most part, it does work here, largely due to the cast they’ve assembled and some of the action set pieces on display. Regardless of how you may feel about a lot of the movies he’s done, Dwayne Johnson is so likable and so charismatic that you can’t help but get behind him and want to see him win. In this, he is an insanely likable guy, who actually takes a few hits in the film and has some more human/vulnerable scenes throughout. Much like Die Hard, his character does go through the ringer and gets beaten and bruised quite a bit, and the fact that he has to do many of these scenes with a prosthetic leg makes him somewhat more relatable. Neve Campbell, known mostly for her role as Sidney Prescott from the Scream franchise, is also a stand-out here. She actually gets to kick some ass in the film and get really into some of the bigger action sequences, which is refreshing to see in such a big movie with a larger-than-life actor like Johnson. The child actors who play their kids, McKenna Roberts and Noah Cottrell, are not too bad here, not overly annoying like most child actors can be and are actually pretty competent throughout. The rest of the cast, while not necessarily amazing in their roles, still do a serviceable job here as well. The action scenes, while obviously done digitally for the most part, are a fun spectacle to watch, especially a scene where Dwayne Johnson makes a long jump off a multi-story crane into the building, as well as a scene where Neve Campbell and the kids run through a park in the building as it’s going up in flames.

    Now comes the part where I have to get into what doesn’t really work about the movie. With a movie like this, it might seem pointless to talk about the flaws and the things that don’t make sense here, but as someone who cares about film and like to examine movies beyond just what’s on screen, I feel that I should, or else I wouldn’t be doing my job very well. For one, Will’s son has asthma that really only acts up when the script calls for it. Also, the movie is full of action movie cliches, whether it’s the villain who just keeps talking and talking while one of the good characters is taking the time to get a shot off on them, the main character having a tragic backstory that makes them promise never to do something only to do that thing later on, or the main character having a best friend who ends up betraying them at some point. Of course, a lot of these are nothing new, but it is both funny/annoying when these cliches pop up. As I mentioned before, Dwayne Johnson is supposed to be more of an everyman who gets beaten, bruised, and takes several hits in the movie, much like John McClane in Die Hard. But what made it work in Die Hard was that Bruce Willis, unlike many other action heroes of the time, wasn’t built like a brick house with tons of muscle. He really just looked like a regular guy who was stuck in a horrible situation and just had to make the most of it. Here, because Dwayne Johnson is so shredded and incredibly buff, it makes it somewhat laughable that he’s supposed to be scared of doing some of the crazier stuff his character does. The movie also has a lot of conveniences throughout, where a seemingly impossible-to-solve situation is resolved by something so simple. I don’t want to spoil too much of the plot for anyone who goes to see it, but when you see it, you’ll know what I mean. Lastly, when you find out why the terrorists are doing what they’re doing, you stop and wonder how and why something like this would happen.

    Flaws aside, I still think this is an enjoyable if wildly predictable film. Largely thanks to a likable and talented cast and some pretty fun action sequences throughout, Skyscraper doesn’t reinvent the wheel when it comes to action movies and doesn’t rise to the top like similar films, but it is still a fun movie to watch when you need something to put on for 90 minutes that you don’t have to think about too much and just sit back and enjoy the ride.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Ant-Man and the Wasp (2018)

    Ant-Man and the Wasp (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Ant-Man, originally also known as Dr. Hank Pym, was created by legendary comic book writer Stan Lee, scripter Larry Lieber, and penciler Jack Kirby, and first appeared in Tales to Astonish #27 in 1962. Soon after, Lee and Kirby, alongside comic book writer/artist Ernie Hart created Ant-Man’s partner in crime-fighting known as The Wasp, originally Janet van Dyne, who debuted in Tales to Astonish #44 in 1963. Having been founding members of the original Avengers, the two had the unique ability to shrink down in size, giving them enhanced strength and speed. Pym was eventually replaced by ex-convict and electronics expert Scott Lang, who was created by David Michelinie and John Byrne, and he first became the new Ant-Man in Marvel Premiere #47 in 1979. He was soon followed by Hope Pym, aka Hope van Dyne, who was created by Tom DeFalco and Ron Frenz initially as the super-villain Red Queen debuting in A-Next #7 in 1999. Flash forward to many years later when, in 2015, Marvel Studios released Ant-Man as part of their Marvel Cinematic Universe. Starring Paul Rudd as the titular character, as well as featuring Evangeline Lilly as Hope van Dyne and Michael Douglas as Dr. Hank Pym, the film was an enjoyable superhero movie, if somewhat middle-of-the-road when compared to Iron ManCaptain American: The First Avenger, and The Winter Soldier, and The Avengers. Nonetheless, much like the other films in the MCU, Ant-Man was a hit with both critics and audiences and, in 2018, we’ve been given a sequel called Ant-Man and The Wasp.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    Synopsis

    Taking place two years after the events of Captain America: Civil War, we find Scott Lang (Paul Rudd) now under house arrest following his encounter with the Avengers and teaming up with Captain America. Because of this, ties between him, Hope (Evangeline Lilly) and Dr. Pym (Michael Douglas) have all but ceased. That all changes when Lang starts having visions of Hope’s mother Janet, played by Michelle Pfeiffer, who has been trapped in the Quantum Realm for years. Believing this to be a message of her still being alive, Hope kidnaps Lang and wants to use him to help her and Pym find and bring Janet back once the two have finished working on a tunnel that will allow them to safely travel to the Quantum Realm. At the same time, there’s a new villain in town known only as Ghost (Hannah John-Kamen) who has the ability to shift in and out of the Quantum Realm following an experiment gone horribly wrong. There’s also the black market dealer Sonny Burch (Walton Goggins) who’s after Hope after he learns of the tech that she and her father possesses. Along the way, Lang, Hope, and Pym also try to get help from Bill Foster (Laurence Fishburne) who was a former partner of Pym’s until he was fired for his own reasons. As Ant-Man and The Wasp, they must fight off Ghost and Burch who are after the technology that Hope and Pym have, while also working to try to find and rescue Janet before it’s too late.

     

    Review

    Once again directed by Peyton Reed and with much of the original cast returning, this movie has a lot of the same charm that made the first one enjoyable. As Ant-Man, Paul Rudd is still just as funny and charismatic as he’s ever been. Evangeline Lilly, who was more of a supporting character in the first film, really shines in this one, as she gets to fight alongside Rudd and really kick some ass as The Wasp. Michael Douglas, while again playing a supporting character in this, has a lot more to do and also has moments of intensity that remind you of how Douglas is an Oscar-winning actor. Also returning are the main comic relief characters, including Michael Peña as Luis, Tip ‘T.I.’ Harris as Dave, and David Dastmalchian as Kurt. They more or less have the same shtick as the first one, so whether or not you liked them before, you’ll feel the same way about them here. Talking about the newcomers to this franchise, Michelle Pfeiffer is terrific as Janet van Dyne, Laurence Fishburne kills it as he always does, and it’s fun to see Walton Goggins pop up in this. Plus, major kudos to Hannah John-Kamen as Ghost, who is kind of a villain, but is also weirdly sympathetic once you learn about her backstory. She’s probably one of the only villains in the MCU who actually turns good by the end of the movie, which is actually quite refreshing.

    Of course, with this being an action movie, this movie should have thrilling action sequences, and it definitely has those, and then some. Given how this movie, like the previous one, plays with the concept of changing size, they use it quite a bit here, including a fight scene where a salt shaker is enlarged and used as a blockade, as well as a chase scene where a giant PEZ dispenser stops a guy on a motorcycle. Also of note are the sequences in the Quantum Realm, which reminded me of some of the other fantastical locations in the MCU, such as Dormamu’s realm in Doctor Strange or some of the weirder worlds of Guardians of the Galaxy. It’s a spectacle to look at, even if a lot of it is obvious CGI and green screen. The movie also has a lot of heart to it, especially when it comes to the family dynamics, whether it’s Lang’s relationship with his daughter Cassie, or the relationship between Hope and Dr. Pym. While the movie is certainly a fun thrill ride, it also can hit you in the feels a little bit.

    Getting into the negatives with this one, while I thought the villain(s) was certainly more memorable than the villain of the previous film, Ghost, unfortunately, doesn’t hold a candle to Loki, Killmonger, Ultron, or even Thanos. Also, as much as the comedy in this one works, there are a few places where the comedy does fall flat. Plus, when it comes to characters like Foster or Ghost, we don’t really know a whole lot about them, and we’re only given vague exposition about their backstories. Even with that said, I still really enjoyed this movie and had a blast watching it.

    After how dark and dire the previous film, Avengers: Infinity War, was, people were hoping that the next film Marvel had to offer would be a nice palette cleanser before the next big movie. In that respect, this movie more than succeeds at being just that: a fun and entertaining superhero movie that leaves you in a good mood. Overall, Ant-Man and The Wasp, like the previous film, is another filler Marvel movie, but that doesn’t mean it isn’t a good time.

     

    Buy Ant-Man and The Wasp on Amazon: https://amzn.to/40qveWY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Where to watch Ant-Man and the Wasp (2018)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Ant-Man and the Wasp” data-year=”2018″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Hotel Artemis (2018)

    Hotel Artemis (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    During the summer blockbuster season, one can be pretty easily overwhelmed with all the sequels, reboots, prequels, etc. that we’re constantly bombarded with. While it’s fun and enjoyable to check out the latest big-budgeted superhero movies and space adventures, it can also be a breath of fresh air to see something that seems to come out of nowhere and is pretty original. Luckily, we have director Drew Pearce to thank for bringing us Hotel Artemis, which is being touted as a bold and original action film. While it certainly owes a lot to the works of John Carpenter and even has hints of modern movies such as the John Wick and Purge movies, Hotel Artemis has enough to stand on its own.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Set in Los Angeles in the not-too-distant future of 2028, the film initially centers around a pair of brothers, played by Sterling K. Brown and Brian Tyree Henry, who, after a botched bank robbery where one of them is shot by police, make their way to the titular Hotel Artemis. Run by a woman only known as The Nurse, played by Jodie Foster, the hotel is a hospital that treats criminals and allows them to stay until they make a full recovery. While The Nurse is the primary physician, she is assisted by her aide, the ginormous Everest, played by Dave Bautista. Also staying in the hotel is a beautiful but deadly assassin, played by Sofia Boutella, and a wormy and eccentric weapons dealer, played by Charlie Day. While all of this is going on, there are riots in the streets that threaten to break into the hotel in addition to causing general chaos in the streets. In the midst of all this, a cop, played by Jenny Slate, is picked up by The Nurse and Everest, and she claims to have known The Nurse in a previous life. Things really take a turn when a crime boss known as the Wolf King, played by Jeff Goldblum, comes in after being shot looking for help. Given he practically owns the city, he’s treated like royalty.

     

    Review

    In a word, this movie is fantastic! I mentioned before that this movie owes quite a bit to John Carpenter. Honestly, if you added Kurt Russell’s Snake Plissken character from Escape from New York in here, this would have made for a much better Escape from LA. The movie also has elements of Assault on Precinct 13, with the main characters being holed up in a secluded area while outside forces try to break in. What makes this film stand out is the cast, all of whom play their roles phenomenally. First off is Jodie Foster, who delivers a solid performance as the caretaker of the hotel, who has a whole arc about how she’s afraid of going outside the hotel and even getting some hints about her past and how it relates to the cop and the Wolf King. In addition, Sterling K. Brown is great as the brains to Tyree Henry’s brawn, who’s trying to maintain control of the situation as things go south. Bautista, as always, is a ton of fun to watch, between his back-and-fourths with Jodie Foster and his many fight sequences throughout. Boutella, on top of looking gorgeous, is also intimidating as an assassin with her own motives and a possible past relationship with Brown. Day, while he does have his shouting and manic moments that he usually does, also has a very sleazy and wormy quality about him. Honestly, I wouldn’t be surprised if he were a serial rapist. Goldblum, while having his moments, is definitely a force to be reckoned with, as he can be scary, intimidating, and very threatening.

    As the film goes on, and you become so attached to these characters, you really worry about who’s going to die and who’s going to make it out alive. Now, I’m not gonna reveal anything as I don’t want to spoil the film for anyone, but suffice it to say, there’s a few twists that will get you. Granted, at times, the movie is somewhat predictable, but that doesn’t make it any less fun. For a first-time director, Drew Pearce definitely shows some potential, and I am excited about whatever he’s got to offer next. The music is great too, mixing in a heart-pounding synth score with some fun 60s and 70s pop music via an mp3 player that Foster has with her. This is a film I cannot possibly recommend enough. If you’re looking for a fun action movie to watch that isn’t a superhero or franchise film, this is one to check out!

     

    Buy Hotel Artemis from Amazon: https://amzn.to/48ewHlk.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Hotel Artemis (2018)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Hotel Artemis” data-year=”2018″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]