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Category: Action

  • Novocaine (2025)

    Novocaine (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Growing up, Dan Berk and Robert Olsen were big fans of over-the-top action movies like Commando and Lethal Weapon. While horror movies like BodyStake Land 2, and Villains got them attention, they dreamed of making an action movie. That opportunity came when Berk and Olsen got a script from Lars Jacobson about a man who can’t feel pain. Specifically, the lead has Congenital insensitivity to pain (CIP), a rare condition where those affected can’t feel physical pain. Seeing potential, Berk and Olsen knew they had to make this a comedic action movie like the ones they loved. They hired Jack Quaid fresh off his role in The Boys due to his Tom Hanks-like charm and likeability. With a budget of $18 million, principal photography took place in South Africa in mid-2024. After an early premiere at Regal Theaters, Novocaine hit the silver screen in March 2025.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Mild-mannered Nathan Caine (Jack Quaid) is an assistant bank manager living with Congenital Insensitivity to Pain with Anhidrosis, or CIPA. Despite his introverted nature, he develops a romantic interest in coworker Sherry Margrave (Amber Midthunder) and hesitantly asks her out. The two fall in love, but things go awry when the bank gets robbed, and the thieves take Sherry hostage. Despite his instincts telling him not to, Nathan decides to go after the robbers and rescue Sherry. Meanwhile, officers Mincy Langston (Betty Gabriel) and Coltraine Duffy (Matt Walsh) believe Nathan is working with the robbers. Throughout his journey, Nathan gets stabbed, gets shot at, has his hand deep-fried, and gets knocked out numerous times. With help from his internet pal, Roscoe Dixon (Jacob Batalon), Nathan tracks down the leader, Simon Greenly (Ray Nicholson). But what Nathan soon discovers will change his life forever.

     

    Review

    Novocaine is one of the year’s biggest surprises, combining comedy and action with a surprisingly sweet love story. When I first saw the trailer, I was excited but worried it might not live up to its potential. Thankfully, the movie was every bit as entertaining and fast-paced as I hoped it would be. Like many great action movies of the 80s, this one perfectly organically combines action and comedy. The jokes never get in the way of the action, and the action isn’t gratuitous enough to derail the comedy. Given the premise, making the hero an indestructible bullet farm would be easy, but that’s not the case. While he can’t feel pain, that doesn’t mean he can’t get hurt, and we’re shown how vulnerable he is. A modern action movie rarely has a hero who’s beaten and bloody, and it’s greatly appreciated here.

    Jack Quaid is perfectly cast as the introverted but good-hearted Nathan Caine, bringing great charm and likability. His snarky wit and dry humor make him a fun lead you instantly root for. Amber Midthunder does a great job as the love interest, Sherry Margrave, and she’s got great chemistry with Quaid. It helps that the first third is spent developing their relationship so that when she’s kidnapped, it’s more impactful. Much like his father, Ray Nicholson makes for a great hateable villain with his broad smile and explosive energy. Betty Gabriel and Matt Walsh are fun in their scenes together as they try to make sense of what’s happening. Like in the Tom Holland Spider-Man movies, Jacob Batalon works as the comic relief, though he can get tiresome. All in all, the cast does a fine job with the material, which could’ve gone wrong in lesser hands.

    As undeniably enjoyable as the film is, that’s not to say it’s without flaws, though they aren’t especially egregious. For one, as inventive as having a pain-resistant lead in an action movie is, it’s not significantly groundbreaking. Plus, as wonderfully gratuitous as the violence is, it lacks the grit or over-the-top vibes of John Wick or Deadpool. I’ve seen people criticize that the hero could still die even if he can’t feel pain, which the movie addresses. Granted, if inconsistencies like that bother you, you already know whether or not you’ll enjoy this. Sure, the movie has problems, but if you can sit back and let the film go, it’s a fun ride. While some of the hour and 50-minute runtime could’ve been trimmed, the pacing is so fast that you won’t notice. Overall, Novocaine is an enjoyable thrill ride thanks to its likable lead, gratuitous violence, and gleeful attitude.

     

    Novocaine is currently in theaters.

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  • Captain America: Brave New World (2025)

    Captain America: Brave New World (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]On a $250 million budget, Captain America: Civil War grossed over $1 billion, becoming the highest-grossing film of 2016. Though Chris Evans returned for Avengers: Infinity War and Avengers: Endgame, this was the last standalone Captain America movie. In the latter, Steve Rogers hands his shield to Anthony Mackie’s Falcon, which led to him taking the mantle. This scene led to the events of The Falcon and The Winter Soldier, a limited series on Disney+. While there were discussions of a second season, Marvel intended for the show to lead into a future film. Series writers Malcolm Spellman and Dalan Musson signed on to write a fourth Captain America movie with Julius Onah directing. Principal photography occurred in Atlanta between March and June 2023, with reshoots the following year. After premiering at the TCL Chinese Theatre, Captain America: Brave New World opened wide in February 2025.
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    Synopsis

    Having assumed the role of Captain America, Sam Wilson (Anthony Mackie) struggles to live up to expectations. He’s paired with Joaquin Torres (Danny Ramirez), who’s become the new Falcon and is excited to work with Wilson. Adding to Wilson’s doubts is his old friend Isaiah Bradley (Carl Lumbly), who questions his ties to the government. Meanwhile, newly elected President Thaddeus Ross (Harrison Ford) struggles to maintain peace due to his past actions. The discovery of a Celestial emerging from the Earth starts an arms race where numerous nations are vying for control. Adding to the tension is an attack on the White House that leaves foreign powers questioning Ross’ abilities. Deciding to investigate further, Wilson and Ramirez discover an enormous conspiracy that could ignite a new world war. Who is pulling the strings, and will Wilson be able to prove himself as Captain America?

     

    Review

    While Deadpool & Wolverine was a step in the right direction, Captain America: Brave New World feels the opposite. Granted, it’s not the worst MCU movie in recent memory, but the fact that it’s more middle-of-the-road is disappointing. The film takes so many elements from earlier MCU entries that it fails to establish a unique identity. Considering this is the first to star Anthony Mackie as Captain America, he deserved better than a middle-of-the-road movie. Still, I hope Julius Onah continues working in Hollywood because I think he has potential as a filmmaker. If you remove all the drab CGI and messy choreography, you can tell Onah is a competent director. His previous outing, 2019’s Luce, received tons of critical acclaim and award nominations, so he has talent. Here’s hoping this movie is successful enough that he can move on to better projects.

    Anthony Mackie does a solid job as the new Captain America, bringing plenty of charisma to the role. A prominent theme of the movie is how Sam Wilson doubts his abilities and whether he can measure up. This feeling reflects the audience’s going in, and it’s appreciated that the filmmakers organically explore this. Surprisingly, the best performance comes from Harrison Ford, who cared more here than Indiana Jones and the Dial of Destiny. He brings a level of vulnerability and empathy you wouldn’t expect from Ford, and it’s greatly appreciated. It makes his transformation into Red Hulk more impactful, as it’s the culmination of his conflicted feelings made manifest. Unfortunately, despite the marketing playing up Cap’s fight with Red Hulk, it only amounts to 10 minutes of screen time. Sadly, actors like Giancarlo Esposito and Shira Haas feel wasted, though they have their moments.

    Like many recent MCU movies, the overused CGI comes off as drab and monotonous rather than exciting. Admittedly, the effects used to render Red Hulk are impressive, and the scenes of him destroying Washington, DC, are thrilling. It’s just unfortunate that the film has numerous scenes with noticeable green screen on par with Black Panther. Those scenes must have been part of the reshoots since they feel incomplete and added at the last minute. Numerous subplots and characters are complicated to keep track of and rely on easter eggs without going into spoilers. Despite my criticisms, you’ll find enough to enjoy if you take it as a simple superhero movie. But Anthony Mackie deserved a better debut for his Captain America than a slightly above-average affair. Overall, Captain America: Brave New World has plenty of fun action and decent performances but falls short of expectations.

     

    Buy Captain America: Brave New World from Amazon: https://amzn.to/4pk1Vi9.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Captain America: Brave New World (2025)

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  • Red One (2024)

    Red One (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”]While working on Jumanji: The Next Level, producer Hiram Garcia spoke with director Jake Kasdan about a potential idea. Garcia suggested a holiday movie that offered a more realistic take on Santa Claus and how the North Pole operates. Kasdan liked the idea so much that he agreed to direct, with Garcia producing and co-writing with Chris Morgan. Dwayne Johnson, who worked with Kasdan and Garcia in the past, would be starring for a staggering $50 million. Chris Evans, Lucy Liu, J. K. Simmons, Kiernan Shipka, Kristofer Hivju, Nick Kroll, and Bonnie Hunt joined in 2022. Filming started that October in Atlanta, but due to Johnson’s frequent tardiness and absences, filming didn’t wrap until February 2023. Due to the SAG-AFTRA strike, the studio pushed the film back from its original December 2023 date. With a total budget of $250 million, Red One opened in theaters worldwide in November 2024.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    While Santa Claus (J. K. Simmons) prepares for his annual holiday run, a black ops team infiltrates the North Pole. Despite the best efforts of Santa’s chief of security, Callum Drift (Dwayne Johnson), he gets taken prisoner. Drift informs Zoe Harlow (Lucy Liu), the head of the Mythological Oversight and Restoration Authority, about the kidnapping. They discover a mercenary tracker named Jack O’Malley (Chris Evans) was responsible for compromising the North Pole’s secret location. They bring Jack in for questioning, but he says he had no idea what he was doing and that an anonymous buyer paid him. Though skeptical, Drift agrees to accompany O’Malley in finding the buyer to figure out who kidnapped Santa. Through the broker, Ted (Nick Kroll), they learn the kidnapper was the winter witch, Grýla (Kiernan Shipka). It’s up to Drift and O’Malley to stop Grýla and get Santa back to save Christmas.

     

    Review

    Since its release, Red One has been getting negative reviews, and many predict it will fail at the box office. I’m here to say that while I wouldn’t call it outstanding, Red One isn’t as bad as some critics say. If you’ve seen either of the modern Jumanji movies, you should know what to expect with this. Red One isn’t the kind of movie that will offer some life-changing perspective or essential message. It’s a silly Christmas action movie with some big stars and a ridiculous premise that doesn’t take itself seriously. Sure, it may come off as bland or cliche-ridden, but a movie doesn’t have to be original to be entertaining. Granted, much better Christmas action movies like Die Hard and Lethal Weapon are readily available. However, those movies are R-rated, which limits the accessibility for younger audiences, whereas this is PG-13, so bring the kids.

    Despite the production issues he may have caused, Dwayne Johnson still shows why he’s such a bankable lead. He takes the role seriously enough that audiences can buy it, which pairs well with Chris Evans’ sarcastic attitude. Kiernan Shipka is an entertaining villain with her devilish grin and confident presence, and she never veers into camp. Kristofer Hivju is the scene stealer as Krampus, his boisterous attitude and larger-than-life personality making him a stand-out. It helps that the creature effects used to bring him and his guests to life are excellent. Unfortunately, Lucy Liu and Bonnie Hunt aren’t given much to do except occasionally exchange exposition dialogue. Similarly, J. K. Simmons has some great moments with Johnson, but after his kidnapping, he just sits around doing nothing. The rest of the cast comprises unmemorable extras or CGI creations that litter the background.

    Even though this movie isn’t meant to be taken seriously, there are some legitimate problems. For one, at slightly over two hours, it is much too long, and much could’ve been trimmed. A movie like this should’ve lasted 90 minutes, maybe an hour and 45 minutes at max. Also, while the film has some fun, well-shot action sequences, many involve people fighting CGI monsters. Plus, the movie tries adding some emotional depth with a subplot involving Evans’ estranged family that goes nowhere. Depending on your perspective, I had the pleasure or displeasure of seeing this in IMAX, which ultimately adds nothing. If you’re curious, I’d say see it at a matinee showing or wait to rent it digitally. Please don’t go into it expecting anything more than what it is: a fun but silly popcorn movie. Overall, Red One isn’t great, but you could always do worse.

     

    Red One is currently in theaters.

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  • Venom: The Last Dance (2024)

    Venom: The Last Dance (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]Despite mixed reviews, Venom: Let There Be Carnage grossed over $500 million worldwide, becoming the seventh-highest-grossing film of the year. At CinemaCon 2022, Sony announced a third film was in production, with Kelly Marcel returning to write the screenplay. Though Andy Serkis expressed interest in returning, scheduling conflicts prevented this, so Marcel stepped up, making this her directorial debut. In addition to co-writing the film with Marcel, Tom Hardy returned to star alongside newcomers Juno Temple and Chiwetel Ejiofor. With a $120 million budget, filming started in June 2023 in Spain but stalled due to the SAG-AFTRA strike. Filming resumed in November and concluded in February 2024, with the title revealed in March. Due to the delays, Sony pushed the release date to November 2024 before moving it forward to October. Venom: The Last Dance premiered in New York on October 21, 2024, before hitting US theaters four days later.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Eddie Brock (Tom Hardy) and Venom are on the run after being accused of murdering Patrick Mulligan (Stephen Graham). Little do they know that Knull (Andy Serkis), the creator of the Symbiotes, is after them. He’s sent a creature called a Xenophage to find them because they hold the key to free him from imprisonment. These events catch the attention of Commander Rex Strickland (Chiwetel Ejiofor), overseeing Imperium, an organization studying the Symbiotes. Though Dr. Teddy Payne (Juno Temple) wants to research the Symbiotes, Strickland wants to eradicate them. While running from the Xenophage and Imperium, Eddie hitches a ride with Martin (Rhys Ifans) and his family to Vegas. Unfortunately, Imperium captures Eddie, separates him from Venom, and locks him in Area 51 when the Xenophage attacks. With the world’s fate at stake again, Eddie and Venom must make the ultimate sacrifice to stop Knull.

     

    Review

    If you’ve seen the first two movies and loved them, Venom: The Last Dance will undoubtedly entertain you. It has the same look and feel as the odd comic book movies made in the mid-2000s. Granted, thanks to Deadpool & Wolverine, this era of superhero movies is somewhat nostalgic, but not so here. This movie reminds us why that era was problematic, though it has issues similar to recent ones. There’s a weird mix of goofy antics and serious military/conspiracy drama, and neither element gels well together. It feels like co-writer/director Kelly Marcel and co-writer/actor Tom Hardy had plenty of ideas but no clear direction. Like the first two movies, this is a confused mess of ideas and plot points that only exist for convenience. Things happen that only make sense in that they advance the story, no matter how ridiculous.

    One of this trilogy’s few strengths is Tom Hardy’s portrayal of Eddie Brock and his relationship with Venom. This film expands that relationship further and makes it essentially a road movie, ala Planes, Trains, and Automobiles. Seeing the two bicker and argue is where most of the movie’s humor comes from, and it works great. Adding to that is Rhys Ifans as a hippie dad who’s obsessed with visiting Area 51 with his family. However, as entertaining as they were initially, the movie keeps bringing them back when they’re not needed. Speaking of Ifans, there are a lot of actors who feel underutilized here, including Juno Temple and Chiwetel Ejiofor. Ejiofor’s character, in particular, feels like anyone could’ve played him, and it wouldn’t have changed anything. Say what you will about the second movie, but at least Woody Harrelson was a welcome addition.

    Like many modern superhero movies, the last act is just one big battle with CGI overload. While seeing all these symbiotes fighting giant aliens is somewhat fun, it’s nothing we haven’t seen before. The third act feels reminiscent of the 2023 Spider-Man 2 video game but without a riveting story and interesting characters. That said, Kelly Marcel’s direction isn’t terrible, and I hope she gets better projects to work on. Plus, the movie is only an hour and 49 minutes long, a bit long but not too long. As I mentioned at the start of this review, you already know whether you will see this. If you adore the first two, you’ll love this, but if not, this won’t convert you. Overall, Venom: The Last Dance is a mediocre finale to a trilogy that had potential but squandered it. But, at least it’s better than Morbius.

     

    Buy Venom: The Last Dance from Amazon: https://amzn.to/3M3UywE.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Venom: The Last Dance (2024)

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  • Deadpool & Wolverine (2024)

    Deadpool & Wolverine (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”]On a $110 million budget, Deadpool 2 grossed over $785 million worldwide and was the ninth highest-grossing film of 2018. Additionally, the film earned tons of critical acclaim, with some saying it was better than the original. Well before the original’s release, Fox planned on making a third film, but Disney’s 2019 acquisition put plans on hold. Disney CEO Bob Iger and Marvel Studios President Kevin Feige confirmed that an R-rated third installment was in the works. David Leitch couldn’t return due to prior commitments, so Shawn Levy, with whom Reynolds worked on Free Guy, directed instead. Reynolds, Levy, series writers Rhett Reese and Paul Wernick, and The Marvels writer Zeb Wells contributed to the script. In 2022, Hugh Jackman agreed to star alongside Reynolds as Wolverine, despite retiring after 2017’s Logan. After years of setbacks and delays, Deadpool & Wolverine hit theaters in July 2024.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Six years after the last film, Wade Wilson (Ryan Reynolds) retired from being Deadpool and became a used car salesman. Things are going ok when the TVA abducts Wade and takes him to meet Mr. Paradox (Matthew Macfadyen). Paradox offers Wade the chance to join The Avengers universe but mentions his universe is on the verge of collapse. In response, Wade, in full Deadpool mode, steals Paradox’s TemPad and travels the multiverse to find someone to help him. Deadpool recruits a variant of Wolverine (Hugh Jackman) to restore his timeline, hopefully, but they get sent to The Void. Now trapped in The Void, Deadpool & Wolverine must put aside their differences and find a way out. Along the way, they’ll meet old friends and enemies as they traverse The Void, looking for an escape. It’s up to Canada’s two most infamous anti-heroes to prevent the multiverse from collapsing into oblivion.

     

    Review

    So, is Deadpool & Wolverine the shot in the arm that the Marvel Cinematic Universe desperately needed? While it’s undoubtedly the best MCU movie in years, I’m not sure if this means things will get better. One thing this film gets right that so many other superhero movies seem to have forgotten is to be fun. The others had some humor, but they took themselves too seriously or didn’t know how to balance the tone. Like the first two movies, this one is funny and dramatic without veering too far in either direction. While some jokes don’t quite land, they more often than not stick the landing and deliver some belly laughs. The more serious, dramatic moments feel earned rather than pandering and are never interrupted by a joke. There’s much more heart than expected from a movie that opens with a bloody action sequence set to N’Sync.

    Ultimately, the fans want to see Deadpool and Wolverine team up, and that’s just what we get. Ryan Reynolds and Hugh Jackman are in top form, delivering outstanding performances and working well together. Reynolds’ irreverent, crass humor perfectly contrasts with Jackman’s stern, rugged tone, and seeing them go at it is a treat. One of the best scenes involves Deadpool and Wolverine tearing each other to shreds in a minivan. The scene keeps going and going, and there’s so much blood that it’s easily one of the film’s biggest highlights. There are also some great cameos littered throughout, but they don’t feel like they’re there for the sake of it. It feels like a love letter to the early-to-mid 2000s era superhero movies, which were more experimental and risk-taking. The film also takes a few shots at the MCU, which is surprising but greatly appreciated.

    Shawn Levy was a great choice to direct this movie, as he stages some great action sequences with fluidity and grace. He managed to tap into what made Tim Miller and David Leitch’s direction work while making it his own. Unfortunately, most of the returning cast don’t have much, if anything, to do and are just background characters. Also, the plot is the usual “hero must stop the villain from destroying the world/universe/multiverse” we’ve seen already. That said, the villain used is better and more interesting than the ones we’ve seen in previous MCU installments. If nothing else, I must credit Disney for allowing the people involved to go full hard R. It’s hard to say if future MCU movies will improve, but this delivers all the fun you could expect. Overall, Deadpool & Wolverine is violent, crude, heartfelt, hilarious, earnest, and, most importantly, fun.

     

    Buy Deadpool & Wolverine from Amazon: https://amzn.to/3YPynOM.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Furiosa: A Mad Max Saga (2024)

    Furiosa: A Mad Max Saga (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]Against a $150 million budget, Mad Max: Fury Road grossed $380 million worldwide, becoming the 21st highest-grossing film that year. The movie also earned widespread acclaim, winning six Academy Awards and being nominated for Best Director and Best Picture. Director George Miller and co-writer Nico Lathouris planned to film a back-to-back prequel but chose to wait. Despite the 2015 film’s critical and commercial success, production on the prequel got delayed over a lawsuit with Warner Bros. Thankfully, Miller and Warner settled the lawsuit in 2020, and casting began after 2022’s Three Thousand Years of Longing wrapped. Rather than bringing back Charlize Theron and using de-aging technology, Miller cast Anya Taylor-Joy in the lead alongside Chris Hemsworth. With a $168 million budget, filming started in June 2022 around New South Wales and wrapped that October. After premiering at Cannes, Furiosa: A Mad Max Saga hit theaters in May 2024.

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    Synopsis

    A young Furiosa (Alyla Browne) gets kidnapped by a marauder group and brought to their leader, Dementus (Chris Hemsworth). Dementus adopts Furiosa as his daughter and raises her as he leads his Biker Horde across the wasteland. He leads an assault on The Citadel but is swiftly forced into retreat by Immortan Joe (Lachy Hulme). In retaliation, Dementus takes over Gastown, an oil refinery connected to The Citadel, and forces his way into Joe’s circle. Years pass, and Furiosa (Anya Taylor-Joy) makes her way to copiloting The War Rig alongside Praetorian Jack (Tom Burke). Meanwhile, Dementus has made himself an enemy of Immortan Joe for running Gastown into the ground and plans a counteroffensive. While gathering supplies, Furiosa and Jack get ambushed by Dementus’ horde, resulting in Jack’s death and Furiosa losing an arm. After a shave and an arm replacement, Furiosa readies herself for revenge.

     

    Review

    I was conflicted when it was announced that the next Mad Max movie would be a prequel focused on Furiosa. While I loved the Furiosa character and wanted to see more of her, I’d prefer a sequel over a prequel. That said, Furiosa: A Mad Max Saga is fantastic, but I found it somewhat underwhelming compared to Fury Road. For one, despite being listed first in the credits, Anya Taylor-Joy doesn’t show up until an hour in. The first hour centers on Alyla Browne as the young Furiosa, who’s good in the role, but it feels odd. The sequence should’ve been shortened to no more than 30 minutes, but that also ties into my issue with the runtime. While the other installments were between 90 minutes and two hours, this one is nearly two and a half hours. Half an hour could’ve been cut, and it wouldn’t have hurt things.

    To get into the positives, Anya Taylor-Joy does a great job as Furiosa, though she lacks Charlize Theron’s commanding presence. She brings a quiet intensity to the role, where she’s strong and confident but vulnerable at the same time. As other reviewers have pointed out, Chris Hemsworth steals the show as Dementus, chewing up the scenery and having fun. His performance channels a mix of Hugh Keays-Byrne’s Toecutter and Tina Turner’s Aunty Entity while having some intense moments. There’s a particularly noteworthy scene where Furiosa confronts Dementus in the desert towards the end that perfectly encapsulates their conflict. Tom Burke also stands out as Praetorian Jack, who mentors Furiosa and fights alongside her until the end. Also, Lachy Hulme is a great stand-in for the late Hugh Keays-Byrne as Immortan Joe and fits the role nicely. Plus, it’s nice seeing some of the cast from Fury Road returning.

    Like any good Mad Max movie, this one delivers on the action sequences, some of which stand out. The scenes of Furiosa trying to escape from Dementus and the battle at The Bullet Farm are easily the highlights. Of course, you get the usual car chases and crashes, but they lack the impact of the ones from before. I might’ve set my expectations for this film too high since it would never live up to them. While it’s a solidly entertaining and well-made standalone action film, it falls flat as a follow-up to the 2015 film. I feel conflicted about this movie because I wanted to love it, but part of me found it underwhelming. Trust me, I want more Mad Max movies and wouldn’t mind Furiosa returning, but I’d rather we get another sequel. Overall, Furiosa: A Mad Max Saga feels lacking despite its many good qualities.

     

    Buy Furiosa: A Mad Max Saga from Amazon: https://amzn.to/4htPywG.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Furiosa: A Mad Max Saga (2024)

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  • Mad Max: Fury Road (2015)

    Mad Max: Fury Road (2015)

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    Despite receiving generally favorable reviews, Mad Max Beyond Thunderdome only made $36 million against a $10 million budget. While George Miller had an idea for a fourth installment as early as 1987, the series went on indefinite hiatus. Over the following decades, Miller made family films such as the Babe movies and Happy Feet 1 & 2. During this time, production on Mad Max 4 went through development hell, switching between Fox and Warner Bros. While Mel Gibson expressed interest, he acknowledged his age was a factor, so Miller hired Tom Hardy to star. After several delays, principal photography started in 2012 in and around Namibia and Cape Town, wrapping that December. Due to the numerous practical effects and pick-up shots, the budget ballooned to around $154.6–185.2 million. After 30 years of delays and setbacks, Mad Max Fury Road roared into theaters in May 2015.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”95″ bar_bg_color=”#7CDA24″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    After being attacked by marauders, Max Rockatansky (Tom Hardy) is taken prisoner to a stronghold called The Citadel. The Citadel is ruled by the ruthless Immortan Joe (Hugh Keays-Byrne), who rules the wasteland with his ever-faithful War Boys. Max becomes a blood bag for a War Boy named Nux (Nicholas Hoult), who aspires to ride alongside Joe. Joe sends out his lieutenant, Imperator Furiosa (Charlize Theron), to drive The War Rig and make a supply run. Little does Immortan know that Furiosa secretly has his five wives hidden inside The War Rig’s tanker. Enraged, Immortan sends his army to give chase, and Max and Nux inadvertently team up with Furiosa. Throughout the journey, Max battles with the madness lingering within while stepping up to help Furiosa and the wives escape. Will our heroes escape and find sanctuary, or are they gonna die historic on the fury road?

     

    Review

    Sequels that come out years after the previous installment, or legacy sequels as I call them, are rarely good. For every Doctor Sleep and Top Gun: Maverick, there’s also Son of the Mask and Space Jam: A New Legacy. Thankfully, Mad Max: Fury Road falls into the former category and arguably trumps Mad Max 2 as the series’ best. In my Mad Max Beyond Thunderdome review, I mentioned that the bigger budget was a significant hindrance. As much as the sets, costumes, and stunts were more polished, the filmmakers lost the grit of the earlier installments. Thankfully, George Miller managed to create a gigantic, bombastic action film that retained its predecessors’ rough and rugged nature. Sure, it may not have the low-budget grittiness of the original, but the essence of that 1979 movie remains. Essentially, this film is the first sequel turned way up past 11.

    While Mel Gibson is missed as the character that made him famous, Tom Hardy is a welcome replacement. He brings the same solemn, broken quality to the character Gibson gave while adding a hint of rage underneath. You get the sense that this man is so broken and far gone that he could snap at any moment. Charlize Theron is excellent as the warrior woman Furiosa, giving the character a commanding presence while showing some vulnerability. Unlike characters like Rey or Captain Marvel, Furiosa is a strong female character who isn’t 100% invincible. It helps that she and Hardy are given equal amounts of screen time and play off each other well. Also, while his casting is a nice callback to the original, Hugh Keays-Byrne is fantastic as the ruthless Immortan Joe. Even the secondary characters, from Nicholas Hoult’s Nux to the five wives, are memorable.

    In a time where almost every action movie overuses CGI, Miller and company manage to stage some elaborate sequences practically. Everything from the vehicles and stunts to the pyrotechnics and even the Doof Warrior’s guitar is authentic and fully functional. Sure, there’s some CGI here and there, but it’s used to enhance the practical effects rather than be a crutch. From a technical level, everything is perfect, from the sound design and score to the production and vehicle designs. Also, while the film is one big chase, the story is surprisingly rich, and the world feels fleshed out. Plus, the film clocks in at only two hours, which is quite a shock for a modern blockbuster. Some of the action and editing can get overwhelming, but that’s more of a nitpick than a legitimate complaint. Overall, Mad Max: Fury Road is what other action movies should aspire to be.

     

    Buy Mad Max: Fury Road from Amazon: https://amzn.to/4e92pCX.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Mad Max: Fury Road (2015)

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  • Mad Max Beyond Thunderdome (1985)

    Mad Max Beyond Thunderdome (1985)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]On a budget of A$4.5 million, Mad Max 2 grossed $36 million worldwide and received widespread critical acclaim. The film’s success kickstarted a wave of similarly themed post-apocalyptic movies, especially in Italy and The Philippines. It also led to George Miller working alongside John Landis, Steven Spielberg, and Joe Dante on Twilight Zone: The Movie. Sadly, around the same time, Miller’s producing partner Byron Kennedy died in a helicopter crash at age 33. While Miller wanted another Mad Max movie, he still grieved and hired George Ogilvie to help direct the film. Mel Gibson returned, and they cast Tina Turner, whose 1984 platinum-certified album Private Dancer won a Grammy, as the villain. With a $10 million budget, filming occurred around Coober Pedy, Homebush Bay, and the Australian Blue Mountains. Warner Bros, who owned the franchise rights at this point, released Mad Max Beyond Thunderdome in the summer of 1985.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    After losing his caravan to a pilot (Bruce Spence) and his son (Adam Cockburn), Max Rockatansky (Mel Gibson) gives chase. He follows them to a trading post called Bartertown and gains an audience with its leader, Aunty Entity (Tina Turner). She explains that Bartertown’s power is run by a dwarf, Master (Angelo Rossitto), and his brute sidekick Blaster (Paul Larsson). Aunty makes Max an offer: if he can defeat Blaster and help her usurp power from Master, she’ll resupply him. Through some circumstances, Max challenges Blaster to combat in Thunderdome, where there’s one rule: two men enter, one man leaves. While Max defeats Blaster, he refuses to kill him, so Aunty kills him and banishes Max to wander the desert. Though left for dead, Max gets rescued by a clan of children who believe he’s their hero despite his objections. Now, Max must go Beyond Thunderdome and save the children.

     

    Review

    To say that Mad Max Beyond Thunderdome is a divisive entry in the series is a vast understatement. While not a terrible movie on its own, this is easily the weakest film in the franchise. Before going into what doesn’t work in this movie, there are some positive qualities to highlight. First, Mel Gibson still does a solid job as Max, now playing him more burned out and disheveled. Like before, he’s more of a reluctant hero who isn’t a bad guy but finds himself inadvertently helping others. Also, while it may have been stunt casting, Tina Turner steals the show as the villainous Aunty Entity. She chews up all the scenery around her while staying intimidating and spouts some great, instantly quotable lines. While he doesn’t have as big of a role as the last film, seeing Bruce Spence is always fantastic.

    Like the last film, this one does have a big climactic chase sequence, and it’s entertaining in its own right. However, compared to the oil rig chase from Mad Max 2, the train truck chase feels like a last-minute edition. It makes sense, considering Miller initially planned a post-apocalyptic Lord of the Flies movie but added Max as a suggestion. This leads to the film’s biggest issue: the first and third acts are solid, but the middle is the weakest. Once the movie introduces the kids, the story grinds to a halt, the pacing drags, and the film loses focus. It feels like Max suddenly becomes a secondary character in his own movie, and the kids become the stars. I’m not saying this kind of story could never work, but how it’s done here falls flat. It helps that none of the kids are particularly annoying.

    I feel bad critiquing this film, given that George Miller was grieving while making it, which couldn’t have been easy. That and the fact that he hired a codirector would explain why this lacks the gritty quality as the first two. Some fans have said this was more of the Hollywood version, and it has that quality. This one had a much bigger budget than its predecessors and shows in the production design, costuming, and action sequences. However, the original and even the first sequel showed that you don’t need big budgets to make a good movie. As I said before, while I think this is the weakest entry, I don’t think it’s an inherently terrible movie. Plus, at an hour and 47 minutes, the film goes by fairly quickly. Overall, Mad Max Beyond Thunderdome is a far cry from its predecessors but not without its merits.

     

    Buy Mad Max Beyond Thunderdome from Amazon: https://amzn.to/3UB3J9z.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Mad Max Beyond Thunderdome (1985)

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  • Mad Max 2 (1981)

    Mad Max 2 (1981)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]Despite numerous production hurdles, Mad Max was a commercial success, grossing over $100 million worldwide versus its A$400,000 budget. With this success, George Miller got numerous offers from Hollywood, including directing the Sylvester Stallone vehicle First Blood. Instead, he teamed up with Terry Hayes, who wrote the first film’s novelization, for a rock and roll picture. Ultimately, that project fell through, and Miller became interested in resisting the world he created years earlier. Miller recruited Hayes and fellow writer Brian Hannant to craft a post-apocalyptic tale based on the need for oil. With a larger budget of A$4.5 million, principal photography lasted twelve weeks near Broken Hill in the winter of 1981. American International Pictures released the original stateside and was changing hands, so Warner Bros picked up the sequel’s distribution rights. For its late 1981 release, the studio retitled Mad Max 2 to The Road Warrior.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    The world has plunged into chaos after a global war erupted over oil shortages and the destruction of Earth’s environment. Amidst all this, former officer Max Rockatansky (Mel Gibson) roams the desert in his Pursuit Special with his canine companion. During his travels, Max comes across a gyrocopter pilot (Bruce Spence) who shows him a nearby compound refining gasoline. The compound is besieged by a marauder gang led by Lord Humungus (Kjell Nilsson) and his lieutenant Wez (Vernon Wells). Max arranges a deal with the compound’s leader, Pappagallo (Mike Preston), to deliver a big rig in exchange for gas. Though damaged, Max provides the rig to help the settlers move their gasoline to a safe space. Despite the settlers’ pleas, Max leaves with his gas only to get attacked by Humungus’ men and his car destroyed. Returning broken and damaged, Max steps up and helps the settlers escape the wasteland.

     

    Review

    Much like The Empire Strikes BackMad Max 2 takes what worked in the original and makes it better. The film doubles down on the action, the stuntwork, and the intensity that propelled the first one to success. Usually, a higher budget would result in a worse movie, but in this case, Miller uses the bigger budget wisely. He manages to craft a larger world and more elaborate action sequences without losing the visceral quality of the original. Like its predecessor, Miller employs the same low-angle camerawork and quick-cut editing to intensify the action. The highlight of the action is the climactic chase where Max drives the big rig of gas across the wasteland. It’s a well-crafted, well-staged, and well-filmed sequence that never lets up and keeps you on the edge of your seat. Of course, action sequences are only as good as their characters, which this film succeeds with.

    Like the last film, Mel Gibson is excellent as Max Rockatansky, once again giving a very stoic yet intense performance. His body language and little dialogue tell you he’s a broken man, far from who he used to be. Max is more of a reluctant hero, not wanting to get involved but finding himself stuck in these situations. He’s just trying to survive in this harsh wasteland however he can but still maintains a code of honor. Conversely, Bruce Spence provides comedic relief as The Gyro Captain to help offset the overall dreariness. Kjell Nilsson shines as the villainous Lord Humungus, though Vernon Wells steals the show as his lapdog, Wez. Another standout is Emil Minty as The Feral Kid, who, despite mainly speaking in grunts, plays a pivotal part. It’s also interesting seeing Mike Preston in a heroic role since he’d play the villain in Metalstorm years later.

    While the previous film was about a society on the brink of collapse, this one fully showcases a post-apocalyptic world. George Miller expertly used the locations and production design to craft a chaotic, action-packed world that’s also bleak and desolate. Admittedly, there’s little characterization and a lack of a deep, thoughtful story, which some might see as a negative. To that point, as strong as the cast is, some characters aren’t given much to do or feel like extras. For instance, Virginia Hey’s Warrior Woman is an interesting character, but we don’t know much about her. Also, The Gyro Captain finds a love interest, but the romance doesn’t seem to go anywhere, so it feels pointless. Minor gripes aside, this is still an impressive feat of filmmaking that deserves all the acclaim it gets. Overall, Mad Max 2 is one of the best sequels and action films ever.

     

    Buy Mad Max 2 from Amazon: https://amzn.to/48Aadv0.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Mad Max 2 (1981)

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  • Mad Max (1979)

    Mad Max (1979)

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    Though he studied to become a doctor, Australian-born George Miller always dreamed of making movies. The early 1970s saw numerous Australian-made exploitation films being released, such as Stone and The Man from Hong Kong. After witnessing numerous car crash injuries as a doctor, Miller used this as inspiration for a car-centric action movie. With co-writer James McCausland, Miller drafted a story about car crashes in a dystopian future. Miller initially sought Irish-born James Healey for the titular hero, but he ultimately hired a 21-year-old Mel Gibson. The rest of the cast comprised relative unknowns and bikers from local gangs, and the shooting began in late 1977. With a relatively low budget and a first-time director, the crew used new and innovative techniques to bring it to life. After a grueling shoot, Mad Max hit Australian cinemas in 1979, followed by an American release in 1980 through AIP.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Society is on the brink of collapse in the not-too-distant future as crime runs rampant and the authorities are dwindling. The Main Force Police, or MFP, is among the last remaining groups enforcing the law and needs help. Thankfully, they’ve got Max Rockatansky (Mel Gibson), a good cop who can get the job done, though not for long. With the rise in violence, apathy of the locals, and his family at risk, Max is considering leaving the force. Meanwhile, Toecutter (Hugh Keays-Byrne), the leader of a biker gang, wants revenge for the death of his second-in-command. They go after Max’s partner, Jim “Goose” Rains (Steve Bisley), which convinces Max to leave the force for his family. Unfortunately, things turn tragically when Max’s wife Jessie (Joanna Samuel) and son Sprog (Brendan Heath) are killed by Toecutter’s gang. Now driven mad, Max hops into his Pursuit Special to get revenge on Toecutter.

     

    Review

    Modern audiences who’ve only seen Mad Max: Fury Road might dislike the slower tone of this movie. However, if you love what George Miller has made now, you can see how 1979’s Mad Max laid the groundwork. For a first-time director, Miller showed excellent potential in working with a limited budget and making it look bigger. The low-angle camerawork and the undercranking of the camera make the car scenes more dynamic and intense. Also, the stuntwork is excellent, though I worry that many of these stunt actors suffered traumatic head injuries. Regardless, the raw, visceral energy of the action sequences is something you could only get from late 70s indie movies. It helps that the action sequences serve the story rather than being there for the sake of being there. You genuinely care about what’s happening instead of waiting for the film to end.

    Regardless of how you feel about him, there’s no denying that Mel Gibson is solid here as the titular hero. He plays the character with quiet stoicism, but you see early on that he’s a relatively normal guy. As the film goes on and more bad things happen to Max, you see him transform into a ruthless anti-hero. It’s an excellent character arc that leaves you wondering if his actions toward the end are justified. Also, Hugh Keys-Bearne shines as the villainous Toecutter, chewing up every bit of scenery around him while still being intimidating. Steve Bisley is also fun as Max’s good friend Jimmy the Goose, and what happens to him is tragic. Joanne Samuel also shines as Max’s wife, and Roger Ward has some fun moments as Fred “Fifi” Macaffee. All around, the cast is excellent, though some of them are better than others.

    It’s interesting reading contemporary reviews condemn the film for its violence and “ugliness” when it’s not that gruesome. Sure, the movie is vicious, but you don’t see the violence, only the aftermath, which is somehow more disturbing. Also, composer Brian May’s score is excellent, adding to the intensity and brutality of the film with some softer touches. My only real complaints are nitpicks that can easily be explained by the limited budget, but they’re worth addressing. Some of the audio is a bit off, the editing can get erratic sometimes, and there’s little characterization. Complaints aside, this is still a landmark of Australian cinema and worldwide cinema that launched many careers. Plus, at only 93 minutes, the movie blazes by without feeling like it’s rushing to the end. Overall, Mad Max is a classic that still holds up 45 years after its release.

     

    Buy Mad Max from Amazon: https://amzn.to/3wC366S.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Mad Max (1979)

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