Facebook

FilmNerd

Category: Action

  • No Time to Die (2021)

    No Time to Die (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.11.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.11.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.11.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.11.2″ _module_preset=”default” global_colors_info=”{}”]

    Since debuting in 1962, James Bond has remained one of the most iconic and popular characters in cinematic history. The character has been brought to life by Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, and Pierce Brosnan. Following Brosnan’s departure after Die Another Day, relative newcomer Daniel Craig was announced as his replacement in 2005. Daniel Craig’s debut in 2006’s Casino Royale was a massive critical and commercial success despite some initial controversy. Over the next few years, Craig continued rising to superstardom thanks to the follow-ups Quantum of SolaceSkyfall, and Spectre. After the release of Spectre, rumors were floating around that Craig would not be returning to play Bond anymore. Thankfully, that changed when Craig confirmed he’d be returning for an installment scheduled for a 2020 release. Due to the COVID-19 Pandemic, Craig’s final outing as Bond, No Time to Die, wouldn’t be released until October 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.11.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.11.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.11.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.11.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.11.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After the events of Spectre, James Bond (Daniel Craig) is living in retirement with his love Madeleine Swann (Léa Seydoux). Unfortunately, some Spectre assassins try to kill Bond and Swann, and while they escape, Bond suspects Swann betrayed him. Years later, Bond lives in Jamaica when his CIA contact Felix Leiter (Jeffrey Wright) offers him a job. He asks Bond to help him rescue Valdo Obruchev (David Dencik), a scientist who a mysterious group kidnaped. Bond is initially disinterested until he learns that Obruchev was working on a secret MI6 bioweapon called “Project Heracles.” Bond manages to capture Obruchev thanks to Agent Paloma (Ana de Armas), only for Obruchev to slip his grasp. It turns out the mysterious group’s leader is Lyutsifer Safin (Rami Malek), who plans on using the bioweapon for revenge. Now teaming up with his old flame Madeleine, Bond must save the world one last time.

     

    Review

    Daniel Craig has established himself as the James Bond of a new generation, whether you love him or hate him. He’s been able to give this long-established character so much humanity and vulnerability that it’s made him more identifiable. Of course, he still has the quips and the charm we’ve come to expect, but it feels more natural. Craig gives it 110% and delivers another excellent performance, with No Time to Die being his swan song. Rami Malek does an excellent job as the Bond villain, even though he’s not given much material. He lacks the intensity and nuance of Mads Mikkelsen from Casino Royale and Javier Bardem from Skyfall. Christoph Waltz returns to play Blofeld from Spectre, and his scene is excellent, but his screen time is limited. Also, Ana de Armas has a very memorable action scene, but she disappears soon after.

    Admittedly, David Dencik started to drag the movie down as the comic relief, basically playing the Yakov Smirnoff role. While he’s only in the film sporadically, he’ll ruin otherwise heavy scenes with a dumb one-liner. There’s been some talk about Lashana Lynch playing the new 007, but thankfully, it doesn’t feel like she’s replacing Craig. Instead, it feels more like they’re working together, even if they compete with one another early on. As is tradition with Bond movies, the action sequences are impressive, from the opening chase to a jungle assault. The filmmakers also incorporate some one-take shots that amp up the tension and make it more thrilling. The film’s nearly three-hour runtime might put viewers off, but thankfully, there’s never a dull moment in this action-packed spectacular. Overall, No Time to Die might not be the best Bond movie, but it’s a fitting end to Craig’s run.

     

    See No Time to Die in theaters now: https://fandan.co/3iIc9ZD.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Venom: Let There Be Carnage (2021)

    Venom: Let There Be Carnage (2021)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    On a budget of $100 million, Venom grossed over $200 million domestically and over $850 million worldwide. Though financially successful, the movie mostly received mixed to negative reviews, with many criticizing its inconsistent tone and poor narrative. Despite this, Sony had a bonafide hit on their hands, and pre-production on a sequel started in 2019. Unfortunately, Ruben Fleischer couldn’t direct the sequel since he was busy working on Zombieland: Double Tap. While considering Travis Knight, Rupert Wyatt, and Rupert Sanders, Sony hired Andy Serkis due to his experience with motion-capture technology. Most of the original cast returned, with Tom Hardy co-producing and co-writing the story with writer Kelly Marcel. Principal photography wrapped in early 2020, but the film saw numerous delays due to the COVID-19 Pandemic. Following the success of Shang-Chi, the studio decided to release Venom: Let There Be Carnage in October 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    The police have contacted Eddie Brock (Tom Hardy) to interview notorious serial killer Cletus Kasady (Woody Harrelson). For whatever reason, Kasady chooses to only speak with Brock, much to the chagrin of officer Patrick Mulligan (Stephen Graham). However, during one visit, the alien parasite living within Eddie, Venom, attacks Kasady, but Kasady accidentally ingests some of Venom. At his execution, the parasite within Kasady transforms him into the red symbiote Carnage, and he escapes from prison. Now free, Casady frees his lover Frances Barrison (Naomie Harris), held captive due to her mighty sonic shriek. Meanwhile, Venom has chosen to leave Eddie due to feeling confined to listening to what Eddie told him to do. Also, due to his connection with Kasady, Mulligan believes Eddie might’ve assisted in his escape. Soon, Anne Weying (Michelle Williams), Eddie’s ex, gets involved, so he and Venom must settle their differences and stop Carnage.

     

    Review

    While Venom: Let There Be Carnage is an improvement over the original, it has some of the same issues. For one, the filmmakers use the same quick-cut editing to ensure the film gets a PG-13 rating. It’s somewhat frustrating how the comics are far more violent and R-rated than either of the movies. Also, while the Eddie and Venom bickering scenes were fun in the first, they’re drawn out here. It sometimes gets to the point where the movie will go for long stretches without an action sequence. As much as Michelle Williams was just there in the original, she had some stake in the plot. Yet here, she’s just thrown in so that Eddie and Venom have the motivation to get back together. That said, this still improves over many of the original’s flaws, making this the superior film by comparison.

    Whereas the original took itself way too seriously, this one embraces its silliness and swings for the fences. Like the first one, Tom Hardy gives an outstanding performance, and his back-and-forths with Venom are entertaining at times. Woody Harrelson makes for a much better villain than the previous film, though Harrelson always delivers in every role. He and Naomie Harris have solid chemistry with each other, and they both embrace the craziness of their characters. Even Michelle Williams seems to be having more fun here, even if she’s just there for convenience sake. Another way this improves over the original is the climax, where Venom and Carnage go one-on-one in a church. At barely over 90 minutes, the film gets in and out, and you’ll leave the theater primarily satisfied. Overall, Venom: Let There Be Carnage is a flawed but vastly superior film to its predecessor for what it’s worth.

     

    Buy Venom: Let There Be Carnage from Amazon: https://amzn.to/4oMMHlR.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Venom: Let There Be Carnage (2021)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Venom: Let There Be Carnage” data-year=”2021″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Shang-Chi and the Legend of the Ten Rings (2021)

    Shang-Chi and the Legend of the Ten Rings (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.10.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.10.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.10.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.10.6″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    In late 1972, Marvel Comics tried acquiring the rights to the TV series Kung Fu for a comic book adaptation. Unfortunately, they couldn’t get the rights since Warner Communications owned the show, so they created the kung-fu master Shang-Chi. The character made his debut in Special Marvel Edition #15 in 1973 by writer Steve Englehart and artist Jim Starlin. Stephen Norrington, fresh off the success of Blade, was signed on to direct a live-action adaptation in 2001. Unfortunately, those plans fell through until Avi Arad announced that the newly formed Marvel Studios would be developing the property. In 2019, Marvel hired Destin Daniel Cretton to direct since the studio wanted to explore Asian themes and cultures. Shooting commenced in February 2020 but was delayed due to the COVID-19 Pandemic and finally wrapped in October. After some delays, Shang-Chi and the Legend of the Ten Rings hit theaters in September 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.10.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.10.6″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.10.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.10.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.10.6″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Xu “Shaun” Shang-Chi (Simu Liu) works as a hotel valet driver with his childhood friend Katy (Awkwafina). He leads a relatively everyday life, but things change when he and Katy are attacked on their bus to work. A gang called The Ten Rings attacks them and ends up stealing a jade pendant Shaun wears. Shaun tries to recruit his sister Xialing (Meng’er Zhang) to help, which she does despite her resentment towards him. Unfortunately, they’re captured and brought to Xu Wenwu (Tony Leung), who insists their mother, Ying Li (Fala Chen), is alive. It turns out Xu Wenwu is their father and the leader of The Ten Rings, named after his ancient weapons. He believes that their mother is being held captive in the old village of Ta Lo behind a large gate. However, upon arrival, our heroes learn that something more sinister lies in wait behind the gate.

     

    Review

    Going into Shang-Chi and the Legend of the Ten Rings, I knew nothing of the property nor what to expect. That might be the optimal way to go into this, as I was pleasantly surprised at how good this was. While this film reuses some story tropes from other MCU movies, it adds plenty of twists to stand apart. For one, our hero has a dark past they’ve tried running away from, only to have to go back. Admittedly, Iron Man used a similar trope, but Tony was more oblivious of what happened than trying to escape it. Also, without going into spoilers, Xu Wenwu isn’t necessarily evil but more so misguided in his intentions. Like many other MCU movies, the climax involves a giant battle with otherworldly creatures, but that’s par for the course. Thankfully, you’re so invested by then that it doesn’t affect the overall quality.

    Simu Liu makes a likable lead for a relatively unknown actor, riding that balance between humorous and serious. Given Liu’s background as a stuntman, it’s no surprise that his fight scenes are excellently choreographed and well-staged. Much like in Crazy Rich Asians, Awkwafina is the comic relief, but thankfully she knows when to play it straight. She and Liu have great chemistry together, and it’s refreshing that she isn’t thrown in as some generic love interest. Meng’er Zhang is excellent in her debut role as the younger sister trying to prove herself as a skilled warrior. Tony Leung is both intense yet oddly tragic as the former warlord who’ll go to any extreme for his beloved. The film goes by relatively quickly at just slightly over two hours despite some exposition-heavy scenes dragging it behind. Overall, Shang-Chi and the Legend of the Ten Rings breathes new life into the MCU.

     

    Buy tickets to Shang-Chi and the Legend of the Ten Rings in theaters: https://fandan.co/2WxHAy6.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Suicide Squad (2021)

    The Suicide Squad (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/afiZvP9fYzE” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    Upon its release back in 2016, Suicide Squad received generally mixed to negative reviews from critics and audiences. Regardless, the film grossed nearly $750 million versus a $175 million budget and was the 10th highest-grossing film of 2016. Warner Bros. wanted to fast-track a sequel with David Ayer set to return to direct given its financial success. However, Ayer left to work on a Gotham City Sirens spin-off, so the studio searched for a new director. Mel Gibson, Jaume Collet-Serra, and Gavin O’Connor were set to direct but left for one reason or another. Around this time, Marvel/Disney had fired James Gunn following some old tweets uncovered by conservative trolls. Seizing the opportunity, Warner Bros. hired Gunn initially for a Superman movie, but he chose a Suicide Squad movie instead. They agreed, and The Suicide Squad hit both theaters and HBO Max in August 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Intelligence officer Amanda Waller (Viola Davis) assembles a new team to infiltrate the South American nation of Corto Maltese. There’s Bloodsport (Idris Elba), Peacemaker (John Cena), King Shark (Sylvester Stallone), Polka-Dot Man (David Dastmalchian), and Ratcatcher 2 (Daniela Melchior). Accompanied by returning members Harley Quinn (Margot Robbie) and Rick Flag (Joel Kinnaman), the team must destroy something extraterrestrial. Their mission is to kidnap The Thinker (Peter Capaldi), a scientist working on “Project Starfish,” which involves the extraterrestrial creature. Unfortunately, the mission goes south when most team members get killed, and Flag and Harley get kidnapped. Thankfully, Flag hooked up with some freedom fighters looking to take down the corrupt government and agree to help him. While heroes make their way to Jötunheim, where the government keeps the creature stored, they get more than expected. Will they save the world, and who in this suicide squad will survive?

     

    Review

    Unlike the 2016 film, which had potential but was a massive letdown, this one rights all the wrongs. It makes sense James Gunn directed this, given they were trying to emulate Guardians of the Galaxy in the original. Like he did with that film, he manages to take several D-list characters and make them fully three-dimensional. Who would’ve thought a character called “Polkadot Man” would be as memorable as he was? On that note, the entire cast does a phenomenal job, each one getting their moment to shine. Idris Elba is a solid replacement for Will Smith, and his back-and-forths with John Cena are hilarious. Daniela Melchior is surprisingly sweet as Ratcatcher 2 and has some cute moments with the loveable King Shark. Also, this is probably the best Margot Robbie has ever done as Harley Quinn, showing real humanity in her performance. Even Joel Kinnaman is better in this!

    Like before, Viola Davis continues to be the best part of the movie, giving a solid and commanding performance. Even the way the film handles its cannon fodder is better than the original, but that’s getting into spoilers. The action is stylish and frenetic, and the editing feels fluid and dynamic rather than the choppy mess from before. If I had any complaints about the film, I’d say the biggest is its villain, The Thinker. Granted, Peter Capaldi does a good job, but he’s not given much to do or is all that interesting. He’s not quite as bland as Ronan the Accuser, but it’s still a blemish on an otherwise fantastic movie. The film goes by quickly at just over two hours but slows down just enough to flesh out the characters. Overall, The Suicide Squad is a massive improvement over its predecessor and works as its own thing.

     

    Buy The Suicide Squad from Amazon: https://amzn.to/3tbjRkV.

    FTC Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch The Suicide Squad (2021)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”The Suicide Squad” data-year=”2021″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Walking the Edge (1985)

    Walking the Edge (1985)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.10″ _module_preset=”default”]

    While producing their own genre films, Empire Pictures also distributed various films that weren’t in-house or within their wheelhouse. The thought process was that of all the films they’d pick up for distribution, hopefully, one would be a hit. Enter Norbert Meisel, a character actor who starred in TV shows like Combat!, The Rat Patrol, and Mission: Impossible. In the ’70s, Meisel transitioned to directing adult films including The Adulteress, Mafia Girls, and Dreams of Desire. In 1976, Meisel married Asian actress Nancy Kwan, who was one of the most iconic Asian actresses in the ’60s. The two collaborated on 1981’s Dreams of Desire before moving onto an action-thriller with Kwan in a starring role. While the film was produced in 1982, it wasn’t released until it was sold to Empire Pictures in 1985. On January 11, 1985, Walking the Edge was finally released to theaters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.10″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.10″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.10″ _module_preset=”default”][et_pb_text _builder_version=”4.9.10″ _module_preset=”default”]

    Synopsis

    After her family is killed by crime boss Brusstar (Joe Spinell), Christine Holloway (Nancy Kwan) manages to escape. Meanwhile, things aren’t going well for Jason Walk (Robert Forster), a taxi driver and numbers runner, who’s been screwed over. His so-called friends belittle him, he gets cheated out of his money, and he catches his girlfriend cheating on him. While on the job, Jason picks up Christine, who uses him to find the gang responsible for killing her family. After surviving a gunfight with Brusstar and his gang, Jason ends up getting roped into Christine’s revenge quest. Jason decides to have Christine stay at his place as he sets out to finish the job. Having been pushed around and stepped on, Jason finally has the opportunity to strike back and rise to the occasion. It’s a fight for survival as our hero is walking the edge!

     

    Review

    Walking the Edge is an oddity compared to many other films from Empire Pictures like Re-AnimatorTerrorVision, and Troll. While their usual output had some fantastical elements, this one is more of a gritty, realistic revenge thriller. Much like The Caller, this is another film from the Empire library that deserves more attention than it gets. Though it’s set in Los Angeles, it has the grit and grime of New York sleaze flicks like The Exterminator. Robert Forster makes for a solid lead, perfectly playing an unlikely hero with many flaws that he has to overcome. He feels like a precursor to Bruce Willis in Die Hard, only a little more broken in some ways. With his disheveled hair, sweat pants, and frumpy build, Forster’s transformation in the second half feels all the more satisfying. He also has one of the film’s best and most quotable lines.

    Nancy Kwan does a great job as the housewife turned vigilante, and she has solid chemistry with Forster. As always, Joe Spinell makes for a menacing villain, having a very cool demeanor while having some outbursting moments. The score by Jay Chattaway (Star Trek: The Next Generation) is instantly catchy with that ’80s synth style. Admittedly, one problem with the film is how it starts as a female Death Wish before Forster takes over. The way it starts, you think the focus is going to be on Nancy Kwan, but that’s not quite true. About halfway through, Forster takes the reigns and it becomes his movie, Kwan being absent for much of the runtime. Even if its plot is somewhat disjointed, this is still an underrated revenge thriller that more people should check out. Overall, Walking the Edge is a solidly entertaining hidden gem in the Empire Pictures library.

     

    Buy Walking the Edge from Amazon: https://amzn.to/3jeNPxQ

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Black Widow (2021)

    Black Widow (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.10.7″ _module_preset=”default”][et_pb_column _builder_version=”4.10.7″ _module_preset=”default” type=”4_4″][et_pb_video _builder_version=”4.10.7″ _module_preset=”default” src=”https://youtu.be/wqpYYosGVKA” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.10.7″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Natasha Romanova, aka Black Widow, first appeared in Marvel Comics’ Tales of Suspense #52 in 1964. Stan Lee, Don Rico, and Don Heck were the brainchild, and she was initially an Iron Man villain before becoming an Avenger. In 2004, Lionsgate announced plans for a live-action movie written and directed by David Hayter, but the project fell through. Marvel Studios reacquired the rights in 2006, and the character made her big-screen debut in 2010’s Iron Man 2. Played by Scarlett Johansson, the character has become one of the most popular Marvel Cinematic Universe. Around 2017, work on a Black Widow solo film had started, with Cate Shortland attached to direct. The film had an initial May 2020 release planned but saw delays due to the COVID-19 Pandemic. After several delays, Black Widow finally hit theaters and Disney+ in July of 2021.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.10.7″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Following the events of Captain America: Civil War, Natasha “Black Widow” Romanoff (Scarlett Johansson) is on the run. While trying to stay in hiding, she’s attacked by a mysterious assassin called Taskmaster, though she manages to escape. Wanting to learn more about her assailant, Natasha goes to Budapest and reunites with her sister Yelena Belova (Florence Pugh). It turns out that Dreykov (Ray Winstone), the man who kidnapped them and turned them into trained killers, sent Taskmaster. These killers are known as “Black Widows,” One found a way to reverse the chemical mind control used. Dreykov operates out of the “Red Room,” so Natasha and Yelena find their surrogate parents for help. Said parents are former Russian operative Alexei Shostakov (David Harbour) and elder Black Widow Melina Vostokoff (Rachel Weisz). It’s up to our heroes to save the victims of Dreykov’s influence.

     

    Review

    Ever since her debut back in 2010, audiences had been clamoring for a Black Widow solo film. While it’s great that we finally got it, especially after the pandemic, it might’ve been a little too late. There’s no real sense that Natasha is in any real danger considering the events of the later films. It would’ve felt more timely and appropriate had this film come out in maybe late 2016/early 2017. That said, this is still a reasonably entertaining spy thriller with some pretty impressive action sequences. Scarlett Johansson still delivers a solid performance in the title role if this is her swan song. Florence Pugh is a welcome addition as her more sarcastic, wise-cracking personality compliments Johansson’s more stoic and severe delivery. David Harbour practically steals the show as the larger-than-life Red Guardian, and he has good chemistry with Rachel Weisz.

    Even though his screen-time is limited, Ray Winstone is effectively creepy, even if playing the stereotypical evil businessman. Unfortunately, Taskmaster doesn’t get that much to do aside from fighting people for all the build-up. We’re told backstory on the character, but they have no lines, and we don’t get any personality. The MCU is known for its humor, and while there are some funny moments, it often clashes with the tone. There’ll usually be a theatrical, serious scene that reels you in only for a joke to be shoehorned in. Admittedly, there are some heartfelt moments with some humor injected in, but it’s more inconsistent than balanced. This film will provide a decently entertaining experience at slightly over two hours, but I don’t see this leaving an impact. Overall, Black Widow is a reasonably entertaining spy thriller, but it could’ve been much better.

     

    Black Widow is currently playing in theaters and on Disney+. Click the link for more: https://bit.ly/36quTpS.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Father’s Day (2011)

    Father’s Day (2011)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_text _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    In 2007, Canadian filmmakers Adam Brooks and Jeremy Gillespie formed the production company Astron-6, named after 1980s video labels. The group later included Matt Kennedy, Conor Sweeney, and Steven Kostanski, each having a unique set of expertise. They shot a series of short films in 2007 before moving on to starting the feature film Manborg in 2008. A send-up of ’80s genre films, the film wasn’t released until 2011 due to the extensive post-production work. Manborg premiered at Fantastic Fest 2011, where it made the Official Selection and was a huge hit with audiences. While Steven Kostanski was finishing up Manborg, the others were making more short films and prepping their next feature film. Their next feature would be an action-horror comedy evocative of old grindhouse films and was distributed by Troma. In October 2011, Astron-6’s Father’s Day premiered at the Toronto After Dark Film Festival.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.7″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.6″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_text _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    As a child, Ahab (Adam Brooks) witnessed his father get killed by Chris Fuchman (Mackenzie Murdock), a serial rapist/killer. He’s raised by Father O’Flynn (Kevin Anderson), who trains him to eventually hunt down and exact his revenge on Fuchman. Years later, Ahab kills what he thinks is Fuchman, but it’s actually one of his victims, and he’s arrested. Meanwhile, male prostitute Andrew (Conor Sweeney), aka Twink, sees his father get set on fire by Fuchman. Father John Sullivan (Matthew Kennedy) tries to comfort him, but Twink shoots him down, so he asks O’Flynn for advice. O’Flynn tells John to seek out Ahab, as he’s the only one who can kill Fuchman, but Ahab is reluctant. However, after Ahab’s sister Chelsea (Amy Groening) is kidnapped, Ahab joins John and Twink to hunt down the Fuchman. Will our heroes succeed, and what does Fuchman have planned for Chelsea?

     

    Review

    Father’s Day is a testament to the power of drive and perseverance found in the best of low-budget films. Given the budget was roughly $10,000, it’s impressive the film got made, let alone looking as good as it does. Joe Dante once said that there are two types of movies: color movies and movies that happen to have color. This is definitely a color movie, given the use of colored lighting, which enhances the film’s style and looks fantastic. Combined with the film scratches and subtle shaky cam, the filmmakers went above and beyond to recreate the grindhouse look. The fully synthesized score is evocative of John Carpenter’s best film scores, especially Escape from New York. There are also some intentionally silly effects used, including choppy stop-motion and obvious green screen compositing. Some might be put off by this, but to me, they enhance its charm.

    The cast all do a fantastic job, with Brooks, Sweeney, and Kennedy making for a solid trio of oddball heroes. They’re able to skirt the fine line of taking themselves seriously enough while also acknowledging how absurd the story is. On top of being stunning, Groening shines as Ahab’s estranged sister, as she has some fun back-and-forths with the guys. Though mostly speechless, Murdock makes for a truly revolting and hideous rapist/killer, the perfect hateable and terrifying villain. The practical effects are really good, especially given the small budget, and the filmmakers revel in the gross-out factor. While there are some genuinely disturbing moments, the over-the-top scenes balance things out without clashing with the more serious scenes. Admittedly, it goes maybe too over-the-top in the last third, but given everything else that happens, but what’d you expect? Overall, hardcore genre fans will love Father’s Day, but fathers probably won’t.

     

    Buy Father’s Day from Amazon: https://amzn.to/3vqblw6

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Wrath of Man (2021)

    Wrath of Man (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    Much like Martin Scorsese with Robert De Niro, filmmaker Guy Ritchie was known for frequently working with actor Jason Statham. The two worked together on Long, Stock, and Two Smoking BarrelsSnatch, and Revolver only to go their separate ways. Statham went onto star in The Expendables franchise while Ritchie directed the two Sherlock Holmes movies with Robert Downey Jr. Following the live-action Aladdin and The Gentlemen, it was announced that Ritchie would be remaking the French film Cash Truck. Released in 2004, the film was about a money transport company suffering from numerous robberies where their guards are killed. Ritchie’s remake was supposed to be released in January of 2021 but was pushed back due to COVID-19. It was released in numerous foreign territories in April, but the US wouldn’t see a release until May. Ritchie’s remake of the 2004 film would be retitled Wrath of Man.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Patrick Hill (Jason Statham) gets a job with Fortico Security, an armored truck company, as a truck driver. During a training run, Hill manages to rescue his superior Bullet (Holt McCallany) from some thugs by killing them. Though he’s commended for his actions, many of the other employees, particularly Boy Sweat Dave (Josh Hartnett), are suspicious. Turns out Hill is actually Heargraves, a crime boss whose son Dougie (Eli Brown) was killed during a truck heist. Said heist was orchestrated by former soldiers led by Jackson (Jeffrey Donovan), and Dougie’s killer was associate Jan (Scott Eastwood). Jackson and his group are now planning a major heist at Fortico Security during Black Friday for approximately $150 million. Soon, Heargraves/Hill learns that one of the truck drivers is an informant for Jackson’s group and who killed Dougie. It all culminates in a major shootout with Fortico Security as the battleground.

     

    Review

    Wrath of Man is a much darker and more serious film than what you’d normally expect from a Statham flick. While Guy Ritchie is known for making crime films, most of them have a somewhat lighthearted tone to them. Here, they try to mix in some of those quips and quick-witted dialogue with a much darker tone and story. The Gentlemen felt more in line with old-school Guy Ritchie, while this feels like a bitter and cynical Guy Ritchie. However, like many of Ritchie’s other films, this is told in a non-linear fashion, jumping backward and forward in time. This style of storytelling makes it a unique experience having to fit everything together, but it can get somewhat confusing. Even at roughly two hours, the non-linear storytelling can make the film feel longer than it actually is. Granted, it’s still paced well and is an enjoyable watch.

    Like many films where he’s the lead, Jason Statham delivers the same cool and commanding performance we’ve come to expect. Admittedly, he does come off somewhat stoic and emotionless, but then again, Statham isn’t known for playing richly complex characters. Jeffrey Donovan, though not as commanding as Statham, is still great as the leader struggling to keep his team together. Given how we spend more time with Donovan than with Statham, some might become more attached to Donovan. Then again, both aren’t exactly good people, so it’s difficult to really side with either, but that’s probably the point. In terms of action, this film delivers it in spades, though there’s a good chunk where not much action occurs. That being said, the slower scenes are still enjoyable to watch thanks to the solid acting and captivating story. Overall, Wrath of Man is a dark and intense action-thriller worth watching.

     

    Buy Wrath of Man from Amazon: https://amzn.to/4tsHUsl.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Where to watch Wrath of Man (2021)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Wrath of Man” data-year=”2021″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Ghost Rider (2007)

    Ghost Rider (2007)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.5.6″ _module_preset=”default” custom_margin=”||||false|false”][et_pb_fullwidth_header title=”Special Review” subhead=”This review was requested by Discord user Mekanikal. If you’d like to join the server, click the button below.” text_orientation=”center” button_one_text=”Visit Discord” button_one_url=”https://discord.gg/sKBSX7u” background_overlay_color=”#8300E9″ _builder_version=”4.9.4″ _module_preset=”default” title_level=”h2″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]

    The character of Ghost Rider first appeared in Marvel Spotlight #5, which was published in August 1972. Originally running until 1983, the character was brought back for a limited series in the early 1990s. Around this time, Marvel was looking to produce a film and started talking to various studios about selling the rights. Demonic Toys writer David S. Goyer developed a script, and production was set to start in early 2001. Johnny Depp and Eric Bana were approached to star before Nicolas Cage, a fan of the comics, signed on. Originally to be produced by Dimension, Columbia acquired the rights through turnaround after the success of Sam Raimi’s Spider-Man. Shane Salerno was brought on for rewrites, only for Daredevil director Mark Steven Johnson to further rewrite after being hired. After being in production for several years, Ghost Rider was finally released in February 2007.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Johnny Blaze (Nicolas Cage) is a professional stunt motorcycle rider known for surviving all sorts of ludicrous stunts. Turns out when he was younger, he sold his soul to Mephistopheles (Peter Fonda) to save his dying father. Now, his son Blackheart (Wes Bentley) is on Earth searching for a contract containing 1,000 corrupted souls. In response, Mephistopheles has Johnny go after Blackheart and his crew by turning him into the Ghost Rider. At night, his skin burns off to reveal a flaming skeleton with extraordinary powers that can burn corrupted souls. Along the way, he meets The Caretaker (Sam Elliot), who tells him all about the Rider, Blackheart, and the contract. Johnny also meets up with his old girlfriend Roxanne (Eva Mendes), who Blackheart kidnaps to try and get to him. With his new powers, Johnny must face Blackheart and his elemental demon friends to prevent the end of days.

     

    Review

    With a few exceptions, the 2000s were filled with average-to-mediocre superhero movies, which Ghost Rider fits into. While not as good as Spider-Man 2 or X2: X-Men United, it’s still better than Catwoman or Fantastic Four. In terms of direction, Mark Steven Johnson does a competent job, though he makes good use of shadows and fog. Given how much he was a fan of the comics, Nick Cage clearly is trying to give the character depth. Unfortunately, for the most part, he’s either very morose and broody, or he’s going full-on Nick Cage crazy. As much as I love crazy Nick Cage, the way he shifts between over-the-top and subdued is inconsistent and jarring. While she’s basically the typical damsel in distress, Eva Mendes is ok and has some decent chemistry with Cage. Granted, they worked together much better in Bad Lieutenant: Port of Call New Orleans.

    Peter Fonda and Sam Elliot make the film worth watching, but you know they’re waiting for the check to clear. Sadly, Wes Bentley makes for a pretty lackluster villain, looking more like the rebellious teen who frequents Hot Topic. Also, his three demon pals, who represent earth, wind, and water, are just as lame given how quickly they’re defeated. Their abilities could’ve made the fights with Ghost Rider more exciting, but they’re over and done within mere seconds. Admittedly, Ghost Rider’s design is pretty cool, and seeing him whip his chain around to fight bad guys is fun. However, at slightly under two hours, the movie has really bad pacing and just drags its way to the end. This movie is enjoyable for maybe 15-20 minutes, but the rest of it is slow, boring, and not worth watching. Overall, Ghost Rider is just mediocre at best and boring at worst.

     

    Buy Ghost Rider from Amazon: https://amzn.to/3aYLrrN

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Scott Pilgrim vs. the World (2010)

    Scott Pilgrim vs. the World (2010)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review was requested by Patreon support JacksJD. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.16″ _module_preset=”default” background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In August 2004, Portland-based publisher Oni Press published Scott Pilgrim, a series of graphic novels by Bryan Lee O’Malley. Upon its publication, the series was widely praised, earning several awards and being put on various lists of best comics. Following the publication of the first volume, Oni Press reached out to producer Marc Platt about adapting it to film. Through Platt, Universal picked up the rights and hired Edgar Wright, who just finished Shaun of the Dead, to direct. Wright and writer Michael Bacall had O’Malley on standby working on the script to make sure they stayed faithful. At the same time, Wright was working on the screenplay for what became Ant-Man, but he put it on hold. Filming took place from March to August 2009 before getting a wide theatrical release in August 2010. So, with that backstory out of the way, let’s discuss Scott Pilgrim vs. The World.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Scott Pilgrim (Michael Cera) is a 22-year-old slacker from Toronto who plays bass for an indie band called Sex Bob-Omb. He has a 17-year-old Chinese girlfriend named Knives Chau (Ellen Wong) much to the chagrin of his bandmates and friends. One night at a party, Scott meets Ramona Flowers (Mary Elizabeth Winstead), an American girl working as an Amazon deliverer. Scott instantly falls in love with her and they start dating, but dating her comes at a price. For them to continue dating, Scott must defeat her seven evil exes in a fight to the death. These include movie star Lucas Lee (Chris Evans), superpowered vegan Todd Ingram (Brandon Routh), and leader Gideon Graves (Jason Schwartzman). Despite the odds being stacked against him, Scott decides to take on the challenge to prove his love for Ramona. But will love be enough to complete this task?

     

    Review

    Scott Pilgrim vs. The World is one of the most uniquely imaginative and entertaining films of the past decade. Much like Edgar Wright’s other films, the quick cuts and breakneck pacing keeps thing moving so you’re never bored. Each of the action sequences is well choreographed and filmed in such a way that you can follow along. Much like the comics, the fights are stylized after classic beat ’em up games like Street Fighter and Double Dragon. The cast is great, too, each of them feeling like they were taken straight out of the comics. Cera, who was known for playing this type of character at the time, works as the likable loser Scott Pilgrim. While he sometimes comes off somewhat self-centered and snarky, you get a sense that there’s some deep-seated depression. Like many of us in our early 20s, he has a lot more to learn.

    Mary Elizabeth Winstead, on top of being the punk rock chick archetype come alive, works as our female lead. On top of having great chemistry with Cera, she proves to be more than a damsel in distress. In fact, some of the best action sequences in the film involve her showing off her impressive fight moves. Each of the Seven Evil Exes is memorable in its own way, clearly having fun playing such over-the-top villains. There’s also Mark Webber, Alison Pill, and Johnny Simmons, who are also fun as Scott’s bandmates and friends. Even the minor supporting characters have their moments to shine, including Kieran Culkin, Anna Kendrick, Aubrey Plaza, and Brie Larson. The soundtrack perfectly complements the video game/punk rock aesthetic, the visuals are spectacular, and it’s a moving story. Overall, Scott Pilgrim vs. The World is almost the definition of a modern-day cult film.

     

    Buy Scott Pilgrim vs. The World from Amazon: https://amzn.to/3AsmwNk.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Scott Pilgrim vs. the World (2010)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Scott Pilgrim vs. the World” data-year=”2010″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]