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Category: Horror

  • Happy Death Day 2U (2019)

    Happy Death Day 2U (2019)

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    When the first Happy Death Day came out in 2017, I was intrigued, but put off by the PG-13 rating. Once I started seeing people whose opinions I trust saying positive things about the film, I got curious. While I did not see it in theaters, I eventually rented it and was pleasantly surprised. On the surface, the movie seemed like nothing more than a horror movie version of Groundhog Day. What I wasn’t expecting was a great lead performance from Jessica Rothe, some pretty emotional moments, and some fun scares. Admittedly, the PG-13 rating did hinder the film for me, but not enough to where I wouldn’t have recommended it. Given that this was a Blumhouse production, it seemed natural that a sequel was bound to happen. So, two years later, we get Happy Death Day 2U, with most of the returning cast and crew from before.

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    Taking place immediately after the first film, Ryan (Phi Vu) has been working on a new quantum reactor at school. Unfortunately for him and his friends, Samar (Suraj Sharma) and Dre (Sarah Yarkin), their project gets shut down. Suddenly, Ryan gets murdered, only to wake up reliving the same day again, much like what happened before. After Tree (Jessica Rothe) brings him and Carter (Israel Broussard) up to speed, they agree to help Ryan. They manage to stop the killer, but through a series of events, the reactor is triggered and everyone’s knocked out. Tree ends up waking up back in Carter’s bed reliving the events of the last movie, only things are different. Turns out Ryan’s reactor somehow got Tree stuck in an alternate dimension, and she needs to get back. With the help of Ryan and his friends, Tree must return to her dimension while avoiding the killer.

    Without getting into spoilers, I’ll first address the fact that this movie is more science-fiction than horror. While there is a killer on the loose and there are some intense moments, there’s very little horror here. That said, the first one combined horror, comedy, and drama, so it doesn’t seem that out of place. For the most part, this movie has more sci-fi and comedy elements, mostly in the form of slapstick. Some of it does fall flat, but most of it works thanks largely to the talented cast. Much like the last film, Jessica Rothe is easily the highlight here, thanks to her energy and charisma. Also like before, she really sells both the funnier moments and the more dramatic moments she has. The rest of the cast also does their job well, though they’re not quite as strong as Rothe.

    Returning director Christopher Landon also takes over writing duties, and he takes the story in some interesting directions. It seems like he wanted to make more of a Back to the Future type film than straight horror. Thankfully, the film is written in a way to where it respects the continuity of the first film. This really does feel like a sequel that the people involved wanted to make rather than just a cash-in. While I wasn’t too put off by the lack of horror elements, I can see some people being disappointed. That said, this is a much smarter and more inventive follow-up than you would usually get. Plus, I can respect their decision to go in a whole new direction rather than just retreading the same ground. Overall, while not as fresh or frightening as the previous film, Happy Death Day 2U is still a good time.

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  • Near Dark (1987)

    Near Dark (1987)

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    For centuries, vampires have remained some of the most popular and iconic monsters, both in folklore and literature. While many stories have been written about vampires, probably the most famous vampire story ever written was Bram Stoker’s Dracula. Written in 1897 and loosely inspired by Vlad the Impaler, Dracula helped lay the groundwork for traditional vampire lore. With the introduction of film in the early 1900s, soon enough there would be movies based on vampires. The oldest surviving vampire film is Nosferatu from 1922, itself a loose adaptation of the book. More adaptations soon followed, the most famous being the Universal Dracula from 1931 with Bela Lugosi. Over the next few decades, vampire movies came and went, and it started to die out. That is, until the mid to late 80s, when fresh new takes on the vampire mythology were introduced. One of those was the vampire western, Near Dark.

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    Synopsis

    Caleb (Adrian Pasdar) is a simple country boy out with friends when he spots a girl named Mae (Jenny Wright). The two seem to hit it off pretty well, that is until she accidentally bites him on the neck. As Caleb returns home, he starts to get weak and burn as the sun rises, smoke coming off his coat. Suddenly, he’s picked up in an RV where he meets Mae and her “family” of sorts. He’s introduced to Jesse Hooker (Lance Henriksen), Diamondback (Jenette Goldstein), Severen (Bill Paxton), and Homer (Joshua John Miller). Turns out they’re all vampires, and Caleb has just been made one, so now he’s strung along for the ride. Meanwhile, his father Loy (Tim Thomerson) and sister Sarah (Marcie Leeds) are traveling cross country to find him. Now a creature of the night, Caleb has to learn to kill lest he wither away and die.

     

    Review

    That is a very basic summary of what happens here, but oftentimes, the simplest plots are the best. This film works incredibly well as a horror film, a western, and a sort of dark romance. Despite coming off somewhat misogynist at first, Caleb is a very likable guy who you really feel for. Adrian Pasdar really helps give the character some humanity, and he has great chemistry with Jenny Wright. But of course, the real stars of the show are Henriksen, Goldstein, and especially Paxton, easily the most memorable actors. As the leader, Henriksen is insanely charismatic and just plain cool to watch and listen to. Goldstein is just as fierce and fiesty as she was in Aliens, and she and Henriksen make a good pair. However, Bill Paxton truly steals the show, playing such an unpredictably energetic lunatic who is having a blast playing Severen.

    Given that this was Kathryn Bigelow’s first solo directing job, the film looks fantastic despite its low budget. Many of the shots look like they’re straight out of a western, even with tumbleweeds rolling in the distance. The score from Tangerine Dream really helps to give it that dreamlike quality, and it’s easily some of their best. However, the one thing that holds this movie back is a plotpoint that happens towards the last half hour. Without giving too much away, a blood transfusion cures vampirism, which really feels like a cheap cop out. Traditionally, once you’re bit, you pretty much remain a vampire for eternity, so this “cure” they introduce is really weak. Despite that, it’s a really underrated film that shows how to do vampire romance the right way. Overall, Near Dark is a near perfect film with a great cast, great visuals, and a pretty awesome finale.

     

    Buy Near Dark on Amazon: https://amzn.to/476eKof.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Near Dark (1987)

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  • Overlord (2018)

    Overlord (2018)

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    Love him or hate him, JJ Abrams has become one of the biggest names in Hollywood working today. Abrams first gained traction with his successful TV shows like FelicityAlias, and especially with Lost. He gained further traction producing and directing films like CloverfieldSuper 8Star Trek, and Star Wars: The Force Awakens. While having a hand in some of the biggest franchises, he’s also helped give up-and-coming filmmakers a shot. In 2016, he produced 10 Cloverfield Lane, directed by Dan Trachtenberg after directing the short fan film Portal: No Escape. After that film’s success, Abrams brings us another up-and-coming director, this time Australian-born Julius Avery. Having first gotten attention from his short films, his first feature film was 2014’s Son of a Gun. The film was nominated for Best Film at the London Film Festival, which got Abrams’ attention. Now in 2018, Avery and Abrams bring us Overlord.

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    Synopsis

    It’s June 1944, the day before D-Day, and a paratrooper squad is being sent to destroy a German radio tower. Things immediately go south when their plane is shot down over enemy lines and only some of the paratroopers survive. The survivors include Private Boyce (Jovan Adepo), Corporal Ford (Wyatt Russell), Tibbet (John Magaro), and Chase (Iain De Caestecker). As the troops make their way through enemy lines, they stumble across a young French woman named Chloe (Mathilde Ollivier). She leads them to her village, where the radio tower is located, as well as something more sinister going on. After having to take SS Hauptsturmführer Wafner (Pilou Asbæk) hostage, the soldiers soon learn what the Nazis are up to. Turns out the Nazis have discovered a strange liquid under the village and are using it to perform experiments. Will the soldiers stop their plans, or will the Nazis succeed?

     

    Review

    Going into this, I knew almost nothing about the movie other than the WWII setting and the action/horror tone. With that in mind, I think that is the best way to go into this. First thing I should note is that, despite what the trailers show, this isn’t exactly a Nazi zombie movie. In fact, the horror aspects of the film don’t really come into play until about halfway into the movie. That might disappoint some, but I actually like that they took the first half to develop and humanize the characters. Jovan Adepo is instantly relatable as a regular guy thrust into a dangerous situation trying to do the right thing. Wyatt Russell seems to be taking a page from his father Kurt Russell, since his performance almost echoes Snake Plissken. Pilou Asbæk also makes for a great villain, being very intense and intimidating all throughout.

    The rest of the cast all get their moment to shine, with Mathilde Ollivier as Chloe being the biggest standout. The practical effects used here are pretty top-notch, especially in the design of the creatures and monsters seen later. Admittedly, there is some CGI that really sticks out amongst the practical effects, but it’s not as distracting as others. Once the action kicks in during the second half, it becomes a full on extravaganza of B-movie goodness. But like I said, because they took time out to develop the characters, you actually care about what’s happening. Sure, this probably won’t win any awards come Oscar season, but this is still an enjoyably fun movie. Granted, this is definitely not for everyone, but it’s great for those who enjoy B-movies that mix different genres. Overall, Overlord is bound to be one of the most underrated movies of 2018.

     

    Buy Overlord from Amazon: https://amzn.to/3Xw9XbD.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Overlord (2018)

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  • Maximum Overdrive (1986)

    Maximum Overdrive (1986)

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    Stephen King is probably one of the most prolific and celebrated horror novelists of the past half century. Since the late ’60s, King has captivated and terrorized readers with his many short stories and novels. He is probably best known for novels such as CarrieItThe ShiningChristineCujo, and The Dead Zone. Many of his works have been adapted either for television or film, many of them ranging in quality. Directors like Brian De Palma, Stanley Kubrick, David Cronenberg, and John Carpenter have made adaptations that’re generally well-regarded. However, for all the Carrie‘s and Christine‘s, there were also adaptations like Children of the Corn and Firestarter as well. Then in 1986, King, who was still a cocaine addict, decided to direct his own movie adaptation of his work. Thus, he adapted his short story Trucks into the infamous coke-fueled and yet fascinating film, Maximum Overdrive.

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    After a comet passes by Earth, all machines start becoming sentient and killing people off one by one. The main action takes place at a truck stop called the Dixie Boy, where things soon start going wrong. A worker gets diesel sprayed in his eyes, blinding him, and a waitress gets cut by an electric knife. Meanwhile, a Little League game goes wrong when a vending machine starts shooting soda cans at the coach and players. One kid named Dene (Holter Graham) manages to escape and soon finds himself at the truck stop. Newlyweds Curtis (John Short) and Connie (Yeardley Smith) soon make their way after getting attacked by a truck. Also joining the truck stop survivors are Bible salesman Camp Loman (Christopher Murney) and hitchhiker Brett Graham (Laura Harrington). Soon, it’s up to truck stop worker and ex-convict William “Bill” Robinson (Emilio Estevez) to help everyone survive.

    Now I’m not going to lie to you when I say that this movie is utterly ridiculous and nonsensical. The movie does have some interesting ideas, going off the theme of machines we depend upon going against us. However, whatever ideas the movie has are wasted on an utterly brainless schlockfest of car crashes, explosions, and endless carnage. Also, the story makes no sense when you think about it, especially when it comes to which machines are affected. While most electronics and cars are affected, some aren’t for some reason and the movie seems to contradict itself. The acting is questionable throughout, some being ok, some being average, and others so wildly over-the-top that it’s ridiculous. It doesn’t help that there isn’t much in terms of character development. Admittedly, there are some effectively creepy moments here and there, but there are also plenty of unintentionally hilarious moments too.

    All my bashing aside, I can’t say that this is a completely worthless film and is definitely worth a watch. In the movie’s trailer, King says he directed this to show us the “right” way to do a King adaptation. Granted, he was high on cocaine at the time, but I think there is some truth to that. There’s a part of me that feels like this movie was never meant to be taken seriously or even frightening. I mean, the main threat is a big rig with the face of the Green Goblin on the front. And later on, Emilio Estevez blows it up with a rocket launcher while saying, “Adios, mother f***er!”, action hero style. Now, I’m not saying this is a misunderstood gem, but that this is a movie you can have fun with. As utterly ridiculous and nonsensical as it is, Maximum Overdrive is still worthwhile.

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  • Halloween (1978)

    Halloween (1978)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Of the many subgenres in horror cinema, one of the most popular and longest lasting is the slasher film. Essentially, a slasher film involves a single killer going after a group of people one-by-one in an isolated area. There’s been debate as to what the first true slasher film was, some pointing to Psycho and Peeping Tom. Some even argue that Italian giallos from directors Mario Bava and Dario Argento laid the foundation for the slasher genre. Of course, most agree that the original Texas Chainsaw Massacre and Black Christmas are two definite examples of early slashers. Granted, while these films certainly were popular, there weren’t exactly tons of slashers that followed immediately afterwards. That is until 1978, when John Carpenter introduced the world to The Shape, aka Michael Myers. Originally titled The Babysitter Murders, the film that ultimately popularized the slasher genre was Halloween.
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    Synopsis

    On Halloween night 1963, young Michael Myers stabs his older sister Judith to death for seemingly no reason. 15 years later, Michael is now interred at Smith’s Grove Sanitarium and is awaiting trial for his sister’s murder. The day before Halloween, Dr. Sam Loomis (Donald Pleasence) and nurse Marion Chambers (Nancy Stephens) come to escort Michael. Upon arrival, they find that the patients have been let loose and Michael ends up escaping using Loomis’ car. Michael targets high schoolers Laurie Strode (Jamie Lee Curtis), Annie Bracket (Nancy Kyes), and Lynda Van der Klok (PJ Soles). At the same time, Dr. Loomis teams up with Sheriff Leigh Bracket (Charles Cyphers) to track down and stop Michael. Loomis explains that Michael is not a person to be reasoned with and is the personification of pure evil. Will Dr. Loomis be able to stop Michael, and who will survive Michael’s rampage?

     

    Review

    As I mentioned in the intro, there were plenty of slasher films that predate this one. But while movies like The Texas Chainsaw Massacre and Black Christmas came first, Halloween was the more popular film. That being said, it’s very easy to see why as, while those two are fantastic, this one is phenomenal. What makes this film work so well, amongst other things, is just how simple of a story it is. At its core, it’s about an escaped madman stalking teenage babysitters while his doctor tries to bring him down. In addition, we’re never given much of a reason why Michael is killing these girls, which makes it more terrifying. It also helps that the characters are likable, the cast is great, and the soundtrack is amazing. While many other horror films focused on cheap jump scares and thrills, this film effectively builds suspense and tension throughout.

    If there are any issues with the film, it’s hard to find them and many are simply just nitpicks. For one, it’s set in Illinois, but is clearly shot in California, especially with the palm trees and license plates. Considering this was made on a budget of around $300,000, I think that can be excused as it’s very minor. Also, like many films at the time, it can be a bit slow at parts and some scenes drag slightly. And while the film certainly has blood and nudity, don’t expect the copious amounts you’d see in 80s slashers. But minor issues aside, this is still an incredible film that absolutely deserves all the acclaim it gets. Not only was it a game changer, but it also launched Jamie Lee Curtis’ and John Carpenter’s careers. With great cinematography, a great cast, and an iconic score, Halloween is essential for horror fans.

     

    Buy Halloween from Amazon: https://amzn.to/4ef9vV2.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Halloween (2018)

    Halloween (2018)

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    In 1978, a small film simply called Halloween directed by John Carpenter starring a then-unknown Jamie Lee Curtis was released. While not the first slasher film, this was the one that became the trendsetter as it became a massive success. Following its success, the film became a full-on franchise even after Carpenter and Curtis left for other projects. Over the years, the franchise went through its ups and downs, but like many others, things started going downhill. After many disappointing sequels, Rob Zombie remade the original film in 2007 to commercial success despite mixed reviews. He followed that up with the 2009 sequel which made money but was universally panned by critics and fans alike. While there were plans for a third film, nothing came of it and the franchise was put to rest. Cut to 2018, 40 years after the original, and Halloween has returned for a new audience.

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    Review

    40 years after his initial reign of terror on Halloween night, Michael Myers is still held captive at Smith’s Grove. The lone survivor, Laurie Strode (Jamie Lee Curtis) has since become a paranoid recluse isolated from the outside world. Ever since her friends were killed, she has been training and preparing herself for his return, fearing for the worst. Unfortunately, because of this, she’s had several failed marriages, and her now adult daughter Karen (Judy Greer) doesn’t acknowledge her. One night, as he’s being transferred to another facility via bus, Michael kills the driver and escapes. After retrieving his familiar suit and mask, Michael is now free to roam the streets of Haddonfield once more. Laurie’s granddaughter Allyson (Andi Matichak) gets caught in the middle as Michael continues his rampage. Now, she, her mother, and Laurie must stick together to survive the night and hopefully take down Michael for good.

     

    Synopsis

    Given the legacy of this franchise and especially of the original film, there’s a lot of hype going into this. For years, fans have gotten nothing but lousy sequels and even worse remakes, so things can only go uphill now. And, for the most part, this film definitely succeeds at recapturing what made the original film work in the first place. For one, Jamie Lee Curtis is easily the highlight of this film, showing what her character has gone through. She’s effectively channeling Linda Hamilton from Terminator 2: Judgement Day, going from a frightened victim to a strong-willed character. At the same time, you see how her PTSD and paranoia has affected her and made her so distant. In addition, David Gordon Green’s direction is on-point, clearly having studied Carpenter’s style while adding his own voice to it. There’s some genuine suspense and tension built up throughout the movie.

    While there are some characters that are somewhat annoying, they don’t overstay their welcome or are quickly disposed of. Newcomer Andi Matichak does a good job, and Judy Greer is sympathetic and really shines in the third act. The score, once again composed by John Carpenter, is just as effective as it was years ago. This movie is also filled with homages not just to the original, but also to other films in the franchise. This definitely feels like a film that was made by Halloween fans for Halloween fans. Whereas the Rob Zombie movies tried to make Michael more human, this one makes him more a force of nature. This film reminds us what made The Shape so scary to begin with, just killing without reason or remorse. Overall, the newest Halloween, while not quite as good as the original, is still the best we’ve seen in years.

     

    Buy Halloween (2018) from Amazon: https://amzn.to/43wCJwe.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Halloween (2018)

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  • Santa Sangre (1989)

    Santa Sangre (1989)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Alejandro Jodorowsky is one of the most provocative and creative filmmakers of the last century. While he hasn’t directed many films, his films have been captivating audiences since the early 70s. Jodorwosky first entered filmmaking in 1957 with the short film Les têtes interverties (The Severed Heads). His follow-up film, 1968’s Fando y Lis, was so controversial that it started a riot when it premiered. In spite of this, Jodorowky went on to create what became the first midnight movie, 1970’s El Topo. While somewhat controversial, it did receive critical appraisal and even John Lennon was a huge defender of the film. It was this attention that led to the Beatles’ manager to produce his next film, 1973’s The Holy Mountain. After failing to make an adaptation of Dune and divorcing his wife, it wasn’t until 1989 that Jodoworksky returned. That was when he made his comeback with Santa Sangre.
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    Synopsis

    The film tells the story of a young man named Fenix, who at the start is in a mental hospital. We are then taken back to his childhood, where we see what eventually led to him being locked up. As a child, he was a circus magician working with his father Orgo (Guy Stockwell) and mother Concha (Blanca Guerra). Between his father flirting with a tattooed woman and his mother leading a religious cult, his childhood was fractured. After his mother burns his father, gets her arms chopped off, and his father kills himself, Fenix is taken away. Cut to years later where Fenix escapes the mental hospital to be reunited with his now armless mother. His mother soon takes control of Fenix’s arms as they kill women who Concha sees as a threat. As Fenix’s mind continues to break, we start to wonder what’s real and what’s imaginary.

     

    Review

    Unfortunately, there’s not much else I can say about the movie without getting into spoilers. In addition, there’s so much going on here that it’d take me longer to talk about. That said, this is a visually arresting film where you’ll never know what will happen next. While it certainly has horror tropes (violence, nudity, blood), it’s unlike any horror film made before or since. Jodorowsky’s sons Axel and Adan both play the older and younger versions of Fenix respectively, and both are phenomenal here. Blanca Guerra is also outstanding as Concha, who at times is both sympathetic and yet sinister. The film is a very interesting take on Psycho, especially in the mother-son dynamic and the psychological effects. Also, Guy Stockwell is engaging to watch as Orgo, who acts as a biting comment on Americanism and masculinity. It’s especially apparent when he tattoos a giant eagle across Fenix’s chest.

    Visually, the movie is very stylish, especially in the look of the circus and the streets of Mexico at night. There’s also some great camerawork and well-constructed shots throughout, particularly during the last act. Also noteworthy is how part of the film is also a sweet love story between Fenix and a mute girl. We seem them as kids at the circus, and she eventually reenters his life when they’re older. Between her compassionate love and his mother’s manipulation, it’s interesting to see how these two different women affect his well-being. It works not only as a mother-son dynamic and a love story, but also as a coming-of-age story. While many of these themes are certainly obvious to spot, the film is nonetheless a treat to watch and dissect. With a great visual style, great performances, and a well-crafted story, Santa Sangre is a film that shouldn’t be missed.

     

    Buy Santa Sangre from Amazon: https://amzn.to/4hZV7n5.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Santa Sangre (1989)

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  • Puppet Master (1989)

    Puppet Master (1989)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/1uzynqgprAI?si=3YxJqqk8GFI0u1uK” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ global_colors_info=”{}”]After the fall of Empire Pictures, Charles Band relocated to the US to form what would become Full Moon Productions. Prior to this, he had produced the 1987 Stuart Gordon-directed Dolls. Band was fascinated by the concept of killer dolls, so he decided to create a new film with that idea. While coming up with a title, he was reminded of another movie he made at Empire called The Dungeonmaster. He remembered people really liking that title, so he decided to use the word “master” to create Puppet Master. He tasked David Schmoeller, who we worked with on Tourist TrapCrawlspace, and Catacombs, with directing. Originally intended for a theatrical release, Band decided to release it direct-to-video believing that it would be more successful. Turns out he was right as this one film managed to spawn 10 sequels, a crossover, and a reboot. So how did this franchise get started?

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    Synopsis

    We open on the Bodega Bay Hotel in 1939, where puppeteer Andre Toulon (William Hickey) is working on his puppets. However, two Nazi spies are after him because they want the secret to his puppets. Turns out Toulon has found a way to bring life to the puppets, and the Nazis want this knowledge. Before the Nazis break in, Toulon packs up the puppets, hides them in a wall panel, and kills himself. Cut to several years later where college professor Alex Whitaker (Paul Le Mat) has been having strange visions. Alex is summoned to the Bodega Bay Hotel, along with Dana (Irene Miracle), Frank (Matt Roe), and Carissa (Kathryn O’Reilly). Turns out a former associate of theirs, Neil Gallagher (Jimmie F. Skaggs), has died and has brought them together. As they try to figure out what’s happening, Toulon’s puppets come alive and start killing them off one by one.

     

    Review

    For a low-budget direct-to-video horror film, this film is much better than one would expect. While the story is fairly basic, it’s still engaging and moves at a pretty good pace. Luckily, this movie is only 83 minutes long, so it never overstays its welcome. As for the acting, it’s not really anything special, but everyone still does a decent job. The characters aren’t given much in terms of personality, but you’re never annoyed or bored by them. In terms of stand-outs, Irene Miracle is pretty fun with her sarcastic quips and sassy attitude. Paul Le Mat is alright, but it does somewhat feel like he’s just going through the motions. David Schmoeller’s direction is pretty solid, especially when it comes to the POV shots of the puppets. Plus, the movie has plenty of violence, nudity, and blood to keep you entertained.

    Of course, the real highlights of the movie and the real reason to see it are the puppets. While their screen time is limited to around 10-15 minutes, they’re still the best part. Not only are the puppets well-designed, and each has a unique look, but the stop-motion animation is top-notch. The stop-motion was done by animator David Allen, who had worked with Band before and would continue until his death. Given that Allen was nominated for an Oscar for Young Sherlock Holmes, it’s not a surprise the animation is superb. Allen really helps bring the puppets to life, giving their movements a very uneasy feel and look. While it would have been preferable to have them here more, they still end up stealing the show. Overall, in spite of the puppets’ limited screen-time and a fairly basic story, Puppet Master is still worth a watch.

     

    Buy Puppet Master from

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Puppet Master (1989)

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  • Happy Death Day (2017)

    Happy Death Day (2017)

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    Have you ever experienced deja vu? You know, that feeling where you feel like you’ve been there before or already experienced something. There are times where we feel like we’re reliving the same events over and over again in an endless loop. Of course, there have been movies about reliving past events multiple times. Probably the most famous is 1993’s Groundhog Day starring Bill Murray. That film dealt with a stubborn and curmudgeonly news reporter who relives the same day over and over again. A similar concept was used over 20 years later for the 2014 sci-fi action film Edge of Tomorrow with Tom Cruise and Emily Blunt. While they were different genres, both movies told a similar tale of someone having to change their ways. Since we had a comedy and sci-fi action film, naturally we would soon get a horror film. In 2017, we got Happy Death Day.

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    After getting drunk last night, college student Theresa “Tree” Gelbman (Jessica Rothe) awakens in a classmate’s dorm. She soon storms out, and we get a glimpse of her world. She ignores her dad’s calls, tosses a cupcake her roommate made, and has an affair with her teacher. That night, Tree ends up getting killed by a masked killer on her way to a party. However, instead of dying, she wakes up as if nothing happened, and soon finds she’s reliving the previous day. While she finds it odd, Tree goes about her day like before, all the while wondering what’s going on. That night, instead of going down the tunnel, she goes to the party, but the killer from before finds her. She wakes up once again reliving the same day, realizing that she’s in a time loop. Now, she has to solve her own murder and prevent further death.

    Without giving too much away, the reveal of the killer’s identity will throw you for a loop. Despite its somewhat unoriginality, the strength of this movie lies in its main cast, especially the lead. Jessica Rothe does a great job playing a character who you still want to follow even before her transformation. The rest of the cast also play their parts well, particularly Israel Broussard, Ruby Modine, and especially Rob Mello. Also, for the kind of movie this is, it’s very well shot with some nice camerawork and tilted angles. Especially in the third act, the camerawork makes this a very visually interesting watch. Admittedly, the biggest fault of the movie is the fact that it’s fairly tame at a PG-13 rating. Not saying that this should’ve been extremely graphic and violent, but the rating makes it feel like an edited-for-TV movie.

    As I mentioned before, many have said that this is the horror version of Groundhog Day. Beyond just the concept of someone stuck in a time loop, both movies also feature characters who start out despicable. As the movie goes on, both characters do learn the error of their ways and work to improve themselves. However, in Groundhog Day, learning a lesson was at the forefront, whereas it’s almost secondary in Happy Death Day. The whole point of this movie is Tree figuring out who her killer is and how to stop them. This movie works as an interesting murder mystery, with Tree listing off possible suspects and trying to evade death. Also, when she starts changing herself, you’re rooting for her, especially how well Jessica Rothe delivers the more emotional scenes. Overall, while hampered by its tame rating and somewhat unoriginality, Happy Death Day is still an enjoyable watch.

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  • The Changeling (1980)

    The Changeling (1980)

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    In the late 60s, playwright Russell Hunter was living in an old mansion located in Chessman Park, Denver, Colorado. The mansion was owned by Henry Treat Rodgers, a wealthy Denver attorney, during the late 1800s. Supposedly, Russell experienced strange phenomena in the house, including faucets turning on by themselves, walls violently shaking, and doors opening themselves. He also claimed he found an old journal detailing the life of a disabled child isolated by his parents. In short, when the boy was gravely ill, the parents secretly buried him once he died. Afterwards, they adopted a boy from an orphanage and essentially trained him to take on the deceased child’s identity. While these claims have largely been debunked, Russell still thought about that story and decided to turn it into a script. That script would eventually be turned into the 1980 haunted house film, The Changeling.

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    Following the deaths of his wife and daughter, composer John Russell (George C. Scott) moves from New York to Seattle. He rents an old victorian home thanks to an agent from the local historical society, Claire Norman (Trish Van Devere). Not long after moving in, Russell starts experiencing strange things in the house. One day, he finds the water taps turned on and hallucinates seeing a young boy’s corpse in a bathtub. Investigating further, he finds a hidden room containing a child’s wheelchair, and he works with Claire to uncover the truth. They soon discover that the child in question is Joseph Carmichael, a crippled child who was killed by his father. As he digs deeper and deeper, Russell uncovers a conspiracy where Carmichael’s father was after his son’s inheritance. It’s all a matter of Russell trying to uncover the mystery and trying to help Joseph’s spirit lay to rest.

    Without a doubt, this is one of the most suspenseful and tense haunted house movies ever made. This movie has a great foreboding atmosphere and a sense of dread all throughout, even before the hauntings start. George C. Scott delivers one of the best performances of his career, which include classics like Dr. Strangelove and Patton. He perfectly captures the feeling of loneliness and comes across as a former shell of a man. When Scott starts his investigation, you get caught up in the mystery and wonder how it all ties in. While many of today’s paranormal movies overuse cheap jump scares, this one relies on building up tension and suspense. Just when things start to slow down, the movie throws some sort of disturbing imagery that will haunt you. Given that this was released the same year as The Shining, 1980 was a great year for haunted house movies.

    The movie has developed a major cult following over the years, and many have singed their praises of this film. In fact, Oscar-winning director Martin Scorsese called this one of the scariest movies ever made. Filmmaker Guillermo Del Toro is also a fan, calling the movie ‘a masterpiece’. With those glowing endorsements, how can you say no? This is a movie full of sadness and dread, but it’s also a film about redemption and finding closure. While not as well-known as other haunted house movies, The Changeling is still a masterful work of horror cinema.

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