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Category: Thriller

  • Oppenheimer (2023)

    Oppenheimer (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]While working on Tenet, Robert Pattinson gifted director Christopher Nolan a book containing speeches from theoretical physicist J. Robert Oppenheimer. This sparked Nolan’s interest in Oppenheimer’s history, the creation of the atomic bomb, and the consequences of those actions. After announcing the project’s development in 2021, Nolan read the 2005 biography American Prometheus and based his screenplay on that. Around this time, he cut ties with Warner Bros. after they decided to release movies theatrically and on streaming simultaneously. A bidding war over the script ensued, with Universal coming out the winner and agreeing to Nolan’s stipulations. With a $100 million budget, the movie was shot between February and May 2022, mostly in and around New Mexico. The film featured an all-star cast including Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr, and Florence Pugh. After an extensive post-production period, Oppenheimer premiered at Le Grand Rex in July 2023.

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    Synopsis

    After earning his Ph.D. in physics from the University of Göttingen, J. Robert Oppenheimer (Cillian Murphy) returns to the US. He teaches quantum physics at the University of California, Berkeley, and Caltech and eventually marries Katherine “Kitty” Puening (Emily Blunt). While teaching, Oppenheimer is visited by General Leslie Groves (Matt Damon), who wants him to develop an atomic bomb. Fueled by his hatred of Nazis and their Antisemitism, plus his Jewish background, Oppenheimer agrees and starts assembling a team. With some government funding, a small town is built in Los Alamos, New Mexico, and work on the bomb commences. Their work culminates in the bombing of Hiroshima and Nagasaki, which leads to Oppenheimer speaking against developing nuclear weapons. This makes the once-renowned physicist a suspect as the government questions his loyalty to the US, given his communist ties. Will Oppenheimer be remembered as an innovator or a traitor?

     

    Review

    Writing a review of Oppenheimer will be difficult because there is so much more that works here than not. First, Cillian Murphy delivers the best performance of his career as the man behind the atomic bomb. He’s very logical and calculating but never comes off as stiff and robotic, showing plenty of emotion throughout his struggles. Whether he’s delivering a monologue or not saying a word, you can feel the emotion in Murphy’s eyes. The rest of the cast does a phenomenal job, with Robert Downey Jr., Emily Blunt, and Florence Pugh standing out. Whether or not you’re a Christopher Nolan fan, you can’t deny that his films look fantastic; this is no exception. The fact that hardly any CGI was used makes the movie feel more natural and adds a more significant impact. The level of detail in the Los Alamos set alone is a testament to Nolan’s commitment.

    One thing going into this movie I didn’t expect was its non-linear storytelling, but it worked for me. The switch between color and black-and-white helps separate which scenes are happening when, but I can understand people getting confused. Also, the movie isn’t just telling the story of how the bomb was built, but also the before and after. It’s a biopic that’s also a character study that turns into a courtroom drama, but it’s handled well. When the film gets to the bomb, it’s quiet mainly, making it all the more impactful. The movie does delve into the politics surrounding the bomb and Oppenheimer, but it never bogs the material. While the three-hour runtime will put off most audiences, it’s an incredible three hours you should experience. Overall, Oppenheimer is Christopher Nolan’s best movie and one of the best movies of 2023 so far.

     

    Buy Oppenheimer from Amazon: https://amzn.to/3Cbld5W.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Sound of Freedom (2023)

    Sound of Freedom (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]Mexican filmmaker Alejandro Monteverde made a considerable splash with his 2006 directorial debut Bella, which earned top honors at TIFF. Monteverde followed this up with the 2015 WWII drama Little Boy, which received negative reviews and underperformed financially. Around this time, he and co-writer Rod Barr started writing a script about anti-human trafficking activist Tim Ballard. The screenplay was a biopic about his life, specifically how he went from Homeland Security officer to human rights activist. Ballard requested Jim Caviziel to portray him after enjoying his role in 2002’s The Count of Monte Cristo. The movie was shot in 2018 with 20th Century Fox distributing, only to be shelved once Disney acquired Fox. After the producers repurchased the rights, they searched for a distributor for the next five years before finding Angel Studios. After numerous delays, Sound of Freedom finally hit theaters on July 4th, 2023.

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    Synopsis

    Homeland Security agent Tim Ballard (Jim Caviezel) is tasked with tracking down pedophiles and anyone distributing child pornography. While he can put several offenders behind bars, he’s upset that he hasn’t saved a single child. Ballard decides to trick Ernst Ohinsky (Kris Avedisian) into meeting child trafficker Earl Buchanan (Gary Basaraba), arresting them both. Through Buchanan’s arrest, Ballard saves Miguel (Lucás Ávila), a Honduran child kidnapped with his sister Rocío (Cristal Aparicio). Ballard promises Miguel and his father Roberto (José Zúñiga) to find Rocío and flies to Cartagena to pursue a lead. After meeting with former cartel member Vampiro (Bill Camp), Ballard establishes a fake club for a sting operation. Despite his boss Frost (Kurt Fuller) telling him to pull the plug, Ballard is determined to bring Rocío home. He’ll go beyond the call of duty, so Rocío and thousands of children will sing the Sound of Freedom.

     

    Review

    Sound of Freedom is a movie I had never heard before until it exploded out of nowhere on the internet. I hadn’t seen a single trailer for this, but I got curious once I saw several YouTube videos discussing it. Having seen it, I can see why it’s getting so much attention, and there are good qualities to be found. Alejandro Monteverde does a competent job behind the camera and remains reserved with the material. It would’ve been easy to slip into exploitation territory, but he gives us just enough to infer what’s happening. Also, Jim Caviezel gives what’s easily one of the best performances of his career, and he cares about the material. His biggest strength is conveying a wide range of emotions at once through his eyes without saying a word. Granted, most of his dialogue sounds like lines explicitly made for the trailer.

    Another highlight is Bill Camp, playing a former cartel boss dedicated to saving children from captivity. He provides some levity while remembering when to pull back the comedy and get serious. I also have to commend Cristal Aparicio and Lucás Ávila for what had to be a challenging role. The rest of the supporting cast is good, though Mira Sorvino and Kurt Fuller don’t contribute much. Like many “based on a true story” movies, this one embellishes plenty of details, which hurts the central message. As many have pointed out, this movie doesn’t accurately portray the reality of child trafficking, instead reinforcing Hollywood stereotypes. While I commend the filmmakers for spotlighting this issue, I urge you to research before saying you know better. Overall, Sound of Freedom is a decent thriller, but it doesn’t fully address the reality of the situation.

     

    Buy Sound of Freedom from Amazon: https://amzn.to/3CcyE5w.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Deadly Daphne’s Revenge (1987)

    Deadly Daphne’s Revenge (1987)

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    In its nearly 50-year history, Troma has become infamous for many things, including mismarketing some of its films. For instance, they tried selling Combat Shock as an all-out action film when it’s more of a character study. There was also The Dead Come Home, which they sold as a horror-comedy called Dead Dudes in the House. Other times, they’ll retitle a film, such as You Better Watch Out being retitled as Christmas Evil. Thankfully, Troma never recuts or reedits the films, but the mismarketing can lead to confusion. Such is the case with The Hunting Season, a rape-revenge film from Orange County by writer/director/star Richard Gardner. While the movie was initially released around 1979-1981, Troma acquired the rights and released it on VHS in 1987. Since then, the film has been rereleased on DVD and Blu-ray with the title Deadly Daphne’s Revenge.

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    Synopsis

    Charlie Johnson (Anthony Holt) and his friends Steve (Richard Gardner), Bruce, and Bobo are taking a weekend RV trip. Along the way, they pick up seventeen-year-old hitchhiker Cindy (Laurie Tait Partridge), who’s immediately put off by Charlie’s bigotry. She confides in Steve and even makes love to him, but Charlie and Bobo rape her after he leaves. Steve confronts Charlie the following day while Cindy runs off to try and press charges against Charlie. While her lawyer Starke can help her, Cindy is reluctant because he insists they prosecute all four men, including Steve. Charlie and Bobo get arrested, and while they’re eventually let out, the story spreads like wildfire across town. Steve loses his high school coaching job, Bruce kills himself over the guilt, and Cindy is second-guessing her decision. Little do they know that a woman from Charlie’s past named Daphne is seeking her deadly revenge!

     

    Review

    Mismarketing aside, Deadly Daphne’s Revenge is one of the weirdest rape-revenge movies I’ve ever seen. Rather than going the I Spit on Your Grave route of the attackers getting killed, this becomes a legal drama. While it’s unique, you wouldn’t expect a sleazy exploitation movie to turn into The Accused years before that came out. It’s interesting to see this obscure exploitation film tackle issues of double standards and victim blaming in a nuanced way. Unfortunately, whatever points the filmmakers tried to make are outdone by the acting, which ranges from mediocre to ridiculously over-the-top. Anthony Holt, in particular, is so stereotypically hateful that it comes off as one-note, which clashes with the serious tone. Laurie Tait Partridge is decent, and it’s easy to root for her, but she doesn’t leave much of an impression. Also, the titular Daphne gets her revenge but doesn’t appear until the last 10 minutes.

    The rest of the cast is largely forgettable, although a pre-Fresh Prince of Bel-Air James Avery has a minor role. Aside from that, I’ve touched on just about everything there is to say about this movie. While the rape scene is appropriately disturbing, the revenge aspect is very unsatisfying and lacks the punch of similar films. There’s nothing on par with a crossbow-wielding Linda Blair in Savage Streets or architect-turned-vigilante Charles Bronson in Death Wish. Sure, the filmmakers handled the subject matter more objectively, which is commendable, but it could’ve been better. I can only imagine Troma fans’ disappointment when they popped this in the VCRs back in the day. It doesn’t help that they were probably confused about why the lead woman wasn’t named Daphne like the title. Overall, Deadly Daphne’s Revenge is a film whose title is more interesting than the actual movie.

     

    Buy Deadly Daphne’s Revenge from Amazon: https://amzn.to/3IC39lV.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Honky Holocaust (2014)

    Honky Holocaust (2014)

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    In 2010, Melrose locals Greg LaVoie, Paul McAlarney, and Nick Viau created a comedic web series called Super-Townie. While working on the series, cinematographer Nick Norrman introduced McAlarney to the controversial 1971 mockumentary Goodbye Uncle Tom. This gave McAlarney the idea to make a feature film that addressed racial issues mixed with a 70s exploitation style. Rather than sugarcoating the message, McAlarney and Norrman decided to showcase the message where it couldn’t be ignored. About a month later, McAlarney formed Blood Hammer Films, wrote a script, and assembled his cast and crew. Filming took place mainly around Boston in 2014, with some additional funds through Kickstarter totaling over $1700. After filming was completed, the film went on the festival circuit in 2015 until it caught the attention of Troma. Troma picked up the distribution rights and released Honky Holocaust in 2016.

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    Synopsis

    In 1969, notorious cult leader Charles Manson (Thomas Delcarpio) and his followers went underground to await a prophecized race war. When Manson died, he assigned his second-in-command Dan Masucci (Lucas Fleming), to take over and raise his daughter Kendra. After years of living underground, Masucci leads the Manson family outside to see what the world has become. Much to their shock, the world is not what they expected: whites are the minority while blacks are in charge. While Masucci retreats after several of his men are killed, the now-adult Kendra (Maria Natapov) wanders the streets. She’s mocked, drugged, assaulted, and possibly raped because of her skin color until she’s taken in by Lucius (Constantine Taylor). Having seen what African Americans have experienced, she decides to stand against bigotry and hunt down her surrogate father. Alongside the newly reformed Fiona (Krisoula Varoudakis), Kendra must stop Dan from assassinating the mayor.

     

    Review

    Honky Holocaust is a movie I have conflicted feelings about: it has a strong message, but its tone is off. Having the tables turned and showing how it would feel to be treated as a minority is still relevant today. Then again, this film features people getting shot through the anus, strangled with intestines, or shot and urinated on. It’s as if McAlarney couldn’t decide if he wanted to make a message movie or a sleazy exploitation flick. While it’s admirable that he tried to do both, the result is all over the place with its tone. While the message isn’t delivered with any hint of subtlety, it feels intentional, like the filmmakers demand you face it. Also, while out of place, the exploitation elements provide what gorehounds expect, especially with the Troma branding. There are copious amounts of fake gore, nudity, and politically-incorrect humor to entertain Troma fans.

    Given its meager budget, McAlarney and his crew manage to put together a decent-looking film. Sure, the effects aren’t the greatest, and the sets look cheap, but these add to the film’s charm. On top of that, the performances are surprisingly good, mainly because almost everyone plays their roles seriously. Maria Natapov does a great job, and seeing her transform from scared and defenseless to a gun-toting badass is incredible. Lucas Fleming is a great villain, acting just over the top enough while still being intimidating. Constantine Taylor is another stand-out as the sympathetic Lucius, who takes Kendra under her wing when no one else will. This film will offend plenty of people and has problems, but I think curious onlookers should give it a watch. Overall, Honky Holocaust is a bit disjointed, but the performances and message help the film stand out from similar schlock.

     

    Buy Honky Holocaust from Amazon: https://amzn.to/3Yyt5oh.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Beast (2022)

    Beast (2022)

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    Since 1992, Icelandic filmmaker Baltasar Kormákur has worked in the industry as an actor, writer, producer, and director. After making his debut with 1996’s Go LazyTown, Kormákur gained much attention for his 2000 feature 101 Reykjavík. The film won numerous awards at the Toronto International Film Festival, Thessaloniki Film Festival, and Pula Film Festival, among others. He made his American directorial debut with 2005’s A Little Trip to Heaven, starring Forest Whitaker and Julia Stiles. Kormákur’s 2012 film, The Deep, was selected as the Icelandic entry for the Best Foreign Language Film Oscar. He followed this up with 2013’s 2 Guns, 2015’s Everest, and 2018’s Adrift, all of which made decent money. In 2020, actor Idris Elba announced he’d star in a new movie directed by Kormákur and written by Ryan Engle. After ten weeks of filming in South Africa, Baltasar Kormákur’s Beast hit theater screens in August 2022.

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    Synopsis

    Dr. Nate Samuels (Idris Elba) takes his daughters Norah (Leah Jeffries) and Meredith (Iyana Halley) to Africa to reconnect. Since their mother died, he and his daughters have drifted apart, and he’s trying to mend their relationship. With his old friend Martin Battles (Sharlto Copley), Nate takes his daughters on a safari to see the wildlife. Unfortunately, things go downhill when they come across a nearby village where everyone is dead. It turns out a rogue lion is on the loose and killing any humans it comes across due to poachers. Martin gets attacked by the lion while Nate and his daughters are trapped in their jeep after it crashes. Nate, Norah, and Meredith must stick together if they want to survive against a prowling lion. Will they put aside their differences and work together, or will this fractured family become the lion’s next meal?

     

    Review

    On the surface, Beast is a movie we’ve seen done numerous times before and in much better films. There’s nothing wrong with using a familiar formula so long as the final film is entertaining and well-done. For the most part, the filmmakers managed to take a tried and true formula and make it work. Idris Elba makes for a great leading man that you can root for, which he always does. He’s one of those actors who always delivers a solid performance no matter the movie’s overall quality. While his screen time is somewhat limited, Sharlto Copley does an excellent job as Nate’s longtime friend. Leah Jeffries and Iyana Halley have their moments, but they come off as slightly annoying and incredibly inept. Every time Nate tells them to do something, they do the exact opposite, which is very frustrating. They move the story forward, but they could’ve done better.

    One aspect I can commend the movie for is the cinematography, which Oscar-winning cinematographer Philippe Rousselot handled. There are several moments where the action is filmed as if it’s done in one take, and it’s incredible. These shots put you in the middle of the action and make you feel like you’re there. Unfortunately, there is an occasional shaky cam shot when the action gets too intense, which hurts the experience. Most likely, this was done to hide the imperfections of the CGI lion, which looks decent if somewhat hyperrealistic. Also, the plot is very predictable, with an ending that you’ll see coming from a mile away. Thankfully, the movie clocks in at a breezy 93 minutes, so it won’t take up too much of your time. Overall, Beast is an average survival film with some decent camerawork and a good lead that’s ideal for matinee prices.

     

    Buy tickets to Beast from Fandango: https://fandan.co/3AoOs1L.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Evolution (2015)

    Evolution (2015)

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    Lucile Emina Hadžihalilović is a French writer and director who’s worked in the industry since the late 1980s. After graduating from La Femis, she worked with noted French filmmaker Gaspar Noé on Carne and I Stand Alone. Noé was also the cinematographer on Lucile’s first film after graduation, La Bouche de Jean-Pierre, in 1996. She gained a lot of attention for 2004’s Innocence starring Marion Cotillard and Hélène de Fougerolles. The film won numerous awards at the Amsterdam Fantastic Film Festival, Istanbul International Film Festival, and Stockholm Film Festival. Ten years after her big break, she followed that up with an 18-minute short film called Nectar in 2014. For her next feature film, she drew on the real-life experience of having her appendix removed as a child. The result was the 2015 body horror film Evolution, premiering at the Portland International Film Festival in 2016.

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    Synopsis

    In a remote village, a young boy named Nicolas (Max Brebant) finds a dead body while swimming in the ocean. He tells his mother (Julie-Marie Parmentier), and she dives down to see it but only finds a red starfish. After getting into a fight with some boys, Nicolas’ mother takes him to a hospital for treatment. The doctors give him an injection above the stomach and room him with other boys who’ve had similar injections. Once released, Nicolas starts wondering if his mother and the other women in the village have been lying to him. He sneaks out at night and sees the women performing some bizarre ritual in the nude. Later, Nicolas notices that his mother has odd growths on her back that look like cephalopod suckers. However, what he’s about to discover about the injections will be more horrifying than he could’ve ever imagined.

     

    Review

    Going into Evolution, I had no idea what to expect other than a typical French film: slow and artsy. While it’s slower-paced and more about visuals, this is possibly one of the strangest movies I’ve seen lately. There are plenty of long, static shots that create a feeling of isolation, and the slow pace makes you feel uneasy. There’s very little dialogue, as the filmmakers rely more on the visuals than on having characters explain things. Much like The Human Centipede, I feel like the concept is more disgusting than what the movie presents us with. Thankfully, this film is much better than Tom Six’s notorious shocker, and I’m curious to see Lucile Hadžihalilović’s other work. Regardless of whatever issues I had, I have to commend her work, as this movie has an eerie presence. Above all else, this is undoubtedly a treat to the eyes.

    The acting is the stereotypical brooding, melancholy performance you would expect from a French arthouse film. Everyone delivers their lines so joylessly that it almost sucks the happiness out of you and put you to sleep. For his part, Max Brebant makes for a decent protagonist, being just as confused about what’s happening as we are. Plenty of people can relate to being a kid who doubts authority figures and questions everything they’re told. Julie-Marie Parmentier works as the mother figure who seems calm and peaceful, but has a dark side to her. There are some genuinely bizarre visuals sprinkled throughout, though they’ll confuse you more than scare you. Even at slightly over 80 minutes, the film feels padded and ends so abruptly that you’re unsure what you saw. Overall, Evolution certainly isn’t a bad movie, but it’s not one I see myself revisiting anytime soon.

     

    Buy Evolution from Amazon: https://amzn.to/3PbXqEK.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Nightmare Alley (2021)

    Nightmare Alley (2021)

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    In 1946, William Lindsay Graham published Nightmare Alley, a novel that explores the darker side of carnivals and their inhabitants. Graham based much of the book on conversations with a former carny while serving in the Spanish Civil War. In 1947, 20th Century Fox bought the rights to adapt the novel into a feature film with director Edmund Goulding. The film received mixed reviews from critics and was a financial disappointment when it was released. Over time, the film has been reappraised and is now considered a classic of the film noir genre. In 2017, Searchlight Pictures announced a new film adaptation of the novel directed by Guillermo Del Toro was in development. Production started in January 2020 but was halted due to COVID-19, though they managed to finish filming in December. After nearly two and a half years of production, Del Toro’s Nightmare Alley hit theaters in December 2021.

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    Synopsis

    After burning down his childhood home, Stanton “Stan” Carlisle (Bradley Cooper) gets a job working for a local carnival. He works with clairvoyant “Madame Zeena” (Toni Collette) and her husband, Pete (David Strathairn), who teaches him some tricks. Pete shows Stan how they use a coded language system to make it seem like they have psychic powers. While at the carnival, Stan falls in love with fellow carny Molly (Rooney Mara), who performs an electrifying act. Despite warnings from her father figure Bruno (Ron Perlman), Molly decides to run off with Stan for a better life. Two years later, Stan has become famous for his psychic act with Molly as his assistant using Pete’s methods. During one show, psychologist Dr. Lilith Ritter (Cate Blanchett) challenges Stan’s abilities, but they later develop an odd relationship. They plan to extort money from Judge Kimball (Richard Jenkins), which soon spirals out of control.

     

    Review

    Guillermo Del Toro is one of those filmmakers who consistently put out high-quality entertainment, and Nightmare Alley is no exception. Admittedly, it’s not as strong as films like Pan’s Labyrinth or The Shape of Water, but it’s still impressive. The production design and cinematography are exquisite and capture the film noir aesthetic found in old pulp novels. Even in the daytime scenes, there’s a sense of gloom and dread throughout that leave you feeling uncomfortable. The score by composer Nathan Johnson (Knives Out) further adds tension and has a hauntingly beautiful quality. Bradley Cooper makes for an excellent lead, playing his part with plenty of charisma despite his shady dealings. As a femme fatale type, Cate Blanchett is perfect casting, and she has fantastic chemistry with Cooper. Also, Rooney Mara is wonderfully empathetic as a naive woman caught in the middle of this odd
    ménage à trois.

    The rest of the supporting cast, including Willem Dafoe, Ron Perlman, Toni Collette, Richard Jenkins, and Mary Steenburgen, are fantastic. Even with their limited screen time, each gets a shining moment, and they’ll stick with you well after they’re gone. Granted, I have not seen the original 1947 movie, so I can’t say how this film compares to that version. Also, I will admit that the film is pushing it with its two-and-a-half-hour runtime, and plenty could’ve been trimmed. This slow burner doesn’t necessarily have a structured plot, which might put off some audiences. It doesn’t get going until 40 minutes in, but if you’re willing to go for the ride, it’s worth it. This movie may not be one of Del Toro’s best, but that doesn’t take away from how incredible it is. Overall, Nightmare Alley is a well-crafted psychological thriller that’ll stay with you well after watching it.

     

    Buy tickets to Nightmare Alley from Fandango: https://fandan.co/3sMJoRk.

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  • The Island (1980)

    The Island (1980)

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    After the success of Jaws, author Peter Benchley’s work was in high demand, and studios wanted to adapt his work. In 1976, Columbia Pictures and producer Peter Guber bought the film rights to Benchley’s novel The Deep before publication. Benchley wrote the initial screenplay, which Tracy Keenan Wynn and Tom Mankiewicz later rewrote. Off the success of 1968’s Bullit, the studio hired Peter Yates to direct with a $9 million budget. The Deep was released in July 1977 and was a commercial success, grossing over $100 million worldwide. With two back-to-back hits, producers Richard Zanuck and David Brown purchased Benchley’s novel The Island for $2.15 million. Universal hired Michael Ritchie, known for the 1976 comedy The Bad News Bears, to direct on a $22 million budget. After a somewhat rough production period, The Island hit the big screen in June 1980.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Blair Maynard (Michael Caine) learns about boats mysteriously disappearing into the Bermuda Triangle and wants to investigate despite some objections. He takes his estranged son Justin (Jeffrey Frank) to Florida, promising a trip to Disney World, and they go fishing. Unfortunately, a group of people invades their boat, getting kidnapped and brought to an unknown island. It turns a group of French pirates has been living on the island isolated from society for centuries. Their leader is the villainous John David Nau (David Warner), who decides to take Justin under his wing. Meanwhile, they force Blair to impregnate Beth (Angela Punch McGregor) since the pirates believe he’s a descendant of Robert Maynard. As time goes on, Justin starts accepting Nau’s indoctrination while Blair becomes increasingly desperate to find a way of escaping. Will Nau succeed in turning Justin to his side, or will Blair rise and save the day?

     

    Review

    Around this time, Michael Caine was in films solely for money, including The SwarmDressed to Kill, and The Hand. Even still, Caine refuses to talk about The Island, and it’s easy to see why given the final product. On paper, The Island is a movie that sounds like it would be an entertaining, somewhat hard-edged, swashbuckling adventure. Instead, what we get is a two-hour-long slog where nothing happens for a vast majority of its runtime. For one, Caine lacks any on-screen charisma, only showing one facial expression of contempt that never changes. While most of the pirates look appropriately dirty and ragged, David Warner is surprisingly normal-looking and feels out of place. You can tell that these two highly-respected actors try to make the most of the weak material. Unfortunately, even they can’t salvage this mess of a movie, though it does have its positives.

    For one, the production design is certainly unique, with all the various huts made from sticks and other assorted junk. Plus, Michael Ritchie’s direction does help showcase how lived-in and grimy this community of pirates is. There are some fun moments, particularly towards the end where Caine mows down several pirates with a machine gun. However, one of the film’s most significant flaws is the tone, where it can’t decide between being dark or fun. For instance, there’s a scene where the pirates kill the crew of a coastguard ship, and the music feels off. Composed by the legendary Ennio Morricone, the score makes it feel like we should be cheering instead of being scared. It’s a shame the film turned out like this because it could’ve been some long-lost gem worth rediscovering. Overall, The Island is a wasted opportunity that’s best recommended for curious onlookers.

     

    Buy The Island from Amazon: https://amzn.to/4ppuxqz.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch The Island (1980)

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  • Reminiscence (2021)

    Reminiscence (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]After graduating from Stanford University, Lisa Joy started working for McKinsey & Company before earning a law degree from Harvard. She submitted a spec script to ABC between her studies, which became the cult TV series Pushing Daisies. Joy also worked as a staff writer and eventually became a co-producer on the long-running series Burn Notice. In 2016, she and her husband Jonathan Nolan created the TV series Westworld based on the 1973 film. The show was a massive hit and received several Primetime Emmy Award nominations, including “Outstanding Drama Series.” Thanks to the show’s success, Lisa was able to work on directing her first feature film starting in 2019. While initially supposed to be released in April 2021, Warner Bros. pushed the release date to favor Mortal Kombat. Now titled Reminiscence, the film saw a worldwide release on August 20, 2021.

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    Synopsis

    In the not-too-distant future, the world has become flooded due to climate change, and people only come out at night. Using technology initially meant for interrogations, people can relive their happiest memories to escape the harsh reality around them. In Miami, Nick Bannister (Hugh Jackman) and his friend/partner Emily “Watts” Sanders (Thandiwe Newton) offer people such opportunities. One day, a mysterious woman named Mae (Rebecca Ferguson) visits them, and Nick almost immediately falls in love. The two start a relationship, but after a few months, Mae mysteriously disappears, and Nick starts looking for her. Despite Watts’ objections, he explores his memories, looking for clues about her whereabouts, going deeper down the rabbit hole. The trail leads to him confronting the corrupt cop Cyrus Boothe (Cliff Curtis), who asserts Mae has some dark secrets. Just who is Mae, and where will this trail lead Nick?

     

    Review

    Given what Lisa Joy is most famous for, it should come as no surprise that Reminiscence borrows from other movies. It has a film noir style similar to Blade Runner, though not nearly as futuristic and more grounded in reality. Also, the plot element of worldwide floods and humanity adapting to it is very much like in Waterworld. Of course, there’s nothing wrong with movies borrowing elements from other movies so long as the final result is worthwhile. Unfortunately, this is a case where you’re thinking of better films that you could be watching besides this. The story is incredibly convoluted, with tons of twists that come out of nowhere and in rapid succession. Also, they hint at things taking place before the events of the film that sound far more interesting.

    There’s also plenty about this film that elevates it to be at least passable despite its flaws. For one, the cast all do a solid job, with Hugh Jackman always making for a strong and likable hero. The lovely Rebecca Ferguson fits the femme fatale role, and she has some great chemistry with Jackman. Thandiwe Newton has some good back-and-forths with Jackman, acting as his voice of reason despite mostly speaking in exposition. Also, Cliff Curtis makes for a decent antagonist, even if he doesn’t show up until roughly halfway through the movie. Another aspect of the film that stands out is the cinematography, adding a dreamlike quality to the film noir vibe. At almost two hours, you could certainly do worse, but this is one I could only recommend at matinee prices. Overall, Reminiscence is an at-best average sci-fi mystery whose acting and visuals compensate for its weak story.

     

    Buy Reminiscence from Amazon: https://amzn.to/4ecEzon.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Reminiscence (2021)

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  • Old (2021)

    Old (2021)

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    In 2010, the graphic novel Sandcastle, written by Pierre Oscar Lévy and illustrated by Frederik Peeters, was published. The book told the story of a group of people going to a seemingly idyllic beach with a dark secret. Director M. Night Shyamalan received a copy of the book as a Father’s Day gift from his daughter. After reading the book, he loved it and optioned the right to adapt it into a feature film. Due to The VisitSplit, and Glass, Shyamalan was able to convince Universal to greenlight the project. The film was shot in the Dominican Republic between September through November 2020, the first time Shyamalan worked outside Philadelphia. While initially scheduled for a February 26, 2021 release, the film saw delays due to the COVID-19 Pandemic. Now under the title Old, Shyamalan’s latest film was released on July 23, 2021.

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    Synopsis

    Guy (Gael García Bernal), his wife Prisca (Vicky Krieps), and kids Trent (Nolan River) and Maddox (Alexa Swinton) are vacationing. They’re staying at a tropical resort when the manager (Gustaf Hammarsten) tells them about a nearby beach one day. Said beach is isolated from the hotel and is only accessible through a secret tunnel off the beaten path. Surgeon Charles (Rufus Sewell), his trophy wife Chrystal (Abbey Lee), and their daughter Kara (Kyle Bailey) arrive shortly after that. Another couple, Jarin (Ken Leung) and Patricia (Nikki Amuka-Bird), also arrive at the beach as things seem peaceful at first. Unfortunately, there’s trouble in paradise when a dead body turns up, and the group finds themselves stuck at the beach. Things get worse when Trent (Alex Wolff), Maddox (Thomasin McKenzie), and Kara (Eliza Scanlen) have aged several years very quickly. Time is quickly running out as they try to survive this nightmare.

     

    Review

    In terms of quality, Shyamalan’s movies have had their peaks and valleys, going from incredibly phenomenal to hilariously awful. Old sits somewhere in the middle, not being quite as good as Unbreakable but not as bad as The Happening. While the concept of rapid aging is nothing new, this film tackles it uniquely. It takes ordinary parts of growing up, namely how our bodies age, and twists them in some horrific ways. One minute, a 6-year-old girl is playing in the sand, and the next, she’s ten years older and giving birth. The film uses low-tech ways to show the passage of time, namely sweeping camera movements and enhanced sound design. Unfortunately, the writing isn’t the greatest, as much of the dialogue comes off sounding stilted and unnatural at times. It comes across as more unintentionally hilarious than how people talk.

    Even if the dialogue isn’t the greatest, the cast all deliver stellar performances and make up for the material. Gael García Bernal and Vicky Krieps work off each other well as a couple struggling with their marriage. The child actors are surprisingly good, primarily because they act like actual children instead of miniature adults. Their aged-up counterparts are also great; Wolff and McKenzie especially shine as aged-up siblings trying to make sense of this. At slightly under two hours, the film does drag in spots, but the slow moments help to build up tension. The trademark Shyamalan twist somewhat derails the movie without getting into spoilers as it overexplains what’s been going on. This film is a case of the journey being better than the destination, though the ending might ruin it for others. Overall, Old has plenty going for it, but it’s a mixed bag.

     

    Old is currently in theaters: https://fandan.co/3rmC7F2.

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