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Category: Cult Films

  • Zone Troopers (1985)

    Zone Troopers (1985)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In the mid-1980s, Charles Band scored a deal for his Empire Pictures by acquiring the old Dino De Laurentius studio. Based in Rome, this was where films like Barbarella and Danger: Diabolik were filmed, but it fell on hard times. After acquiring the studio, Band decided to relocate all of his productions to Rome, which continued until the company’s closing. Fresh off of making Trancers, the duo of Danny Bilson and Paul De Meo wanted to make a WWII picture. Specifically, they wanted to make an homage to the WWII-era B-movies made during and after the war. As part of their deal with Empire Pictures, Bilson was allowed to direct one film, so he chose this. Reuniting with some of the same cast as Trancers, they made what became Empire’s first Italian production. The result was the 1985 WWII sci-fi film, The Lost Patrol, which later changed to Zone Troopers.

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    Synopsis

    Somewhere in Italy, in 1944, a group of American soldiers led by Sgt. Stone (Tim Thomerson) is behind enemy lines. Unfortunately, they get ambushed by German soldiers, Sarge, Joey (Timothy Van Patten), Mittens (Art LaFleur), and Dolan (Biff Manard) surviving. While exploring the German countryside, the group gets separated as Mittens and Dolan find a German encampment. Meanwhile, Sarge and Joey discover a crashed alien spacecraft with a dead pilot, the co-pilot captured by the Germans. Mittens and Dolan end up getting captured by the Germans, who believe they have some connection to the alien. Sarge and Joey manage to bust Mittens and Dolan out and escape along with the alien after it saves them. They meet up with the alien’s companions, but they don’t prove to be much help, even when the Germans attack. Sarge and his fellow troops must make a last stand if they’re to survive.

     

    Review

    Zone Troopers has a very unique concept that makes it stand out from other Empire Pictures films of the time. While combining WWII with some supernatural element is nothing new, the idea of adding aliens to the mix was solid. For a first-time director, Danny Bilson does a good job, staging some excellent action sequences and capturing some great angles. As always, Tim Thomerson is excellent playing a gruff, no-nonsense character who lets his gun do the talking. Art LaFleur and Biff Manard make for solid comic relief, having plenty of funny moments without throwing off the tone. Timothy Van Patten, in stark contrast to his character in Class of 1984, works as the plucky, wide-eyed young soldier. His New York accent greatly adds to his cocky attitude, though he can come off as a bit stubborn. Nonetheless, the four men have great chemistry together and feel like fellow soldiers.

    The main creature, designed by the late John Carl Buechler, has an impressive design, even without having many expressions. The way it’s designed, the creature looks like something out of the Mos Eisley cantina in Star Wars. There are some more humanoid aliens that show up later on, and though their design is basic, it fits here. Plenty of sci-fi B-movies of the time had human-looking aliens cause of low budgets, and that’s what they went for. The music, composed by long-time composer Richard Band, mixes the standard sci-fi synth score with bombastic 40s era jazz. Admittedly, the mixing of the two genres sometimes doesn’t mix together, often leaning more towards WWII action than science fiction. Those expecting a non-stop barrage of aliens vs nazis will be disappointed, but there’s plenty of entertaining action. Overall, Zone Troopers is a uniquely original offering from the Empire Pictures catalog that’s worth discovering.

     

    Buy Zone Troopers on Amazon: https://amzn.to/4hxFcvJ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Surf Nazis Must Die (1987)

    Surf Nazis Must Die (1987)

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    Aspiring filmmaker Peter George was living near the beaches of coastal California when he spotted some graffiti stating “surf nazis”. Often used to refer to surfers who took it seriously, George decided to flesh it out and take it literally. Alongside writer Jon Ayre, George developed a concept where an old lady defends her retirement home against an inner-city gang. At some point, George and Ayre combined their original concept with the surf nazis, creating an oddball revenge film. Filming mostly took place around Huntington Beach and Long Beach, California, and the surfing scenes were filmed near Hawaii. With a relatively low budget, George, editor Craig A. Colton, and producer Robert Tinnell formed The Institute for production. The cast comprised of unknowns who appeared in mostly lesser-known films, though many would go on to have long-running careers. Finally, in July 1987, Troma released Surf Nazis Must Die.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After an earthquake devastates the California coastline, the beaches are taken over by various gangs during the chaos. One of these gangs is the Surf Nazis, led by Adolf (Barry Brenner), the self-proclaimed “Führer of the new beach”. His gang includes girlfriend Eva (Dawn Wildsmith), Mengele (Michael Sonye), Hook (Joel Hile), Brutus (Gene Mitchell), and Smeg (Tom Shell). Adolf tries recruiting the other gangs to their cause, but they refuse, saying Adolf can’t handle the power. Meanwhile, Eleanor “Mama” Washington’s (Gail Neely) is put in assisted by her son Leroy (Robert Harden) after her house’s destroyed. Unfortunately, Leroy is attacked and killed by the Surf Nazis on the beach, leaving Mama in a state of shock. She decides to buy a gun and some grenades, planning on exacting revenge for the death of her son. Now that Leroy’s Mama is on the prowl, the Surf Nazis Must Die!

     

    Review

    Surf Nazis Must Die promises a lot from its title and concept, and it mostly delivers, though not without flaws. Its biggest problem is that, despite a runtime of under 90 minutes, the film is very slow and very padded. There are tons of scenes that are shots of the beach, shots of people driving, and extended surfing sequences. Also, there are subplots introduced that are either dropped completely or resolved almost as soon as they’re introduced. For instance, there’s a subplot about Smeg and his relationship with his mother that goes nowhere and amounts to nothing. Additionally, the subplot about the Surf Nazis taking out the other gangs is resolved fairly quickly. Though it’s built up early on, the revenge plot doesn’t really start until the last twenty minutes of the film. Whole stretches of the movie will go by before Mama Washington shows up again.

    That being said, there are some moments where the film goes above and beyond the material and has some flair. There are a few scenes shot in a way similar to an arthouse film with plenty of earned drama. The best example is how they handle Leroy’s murder, cutting back-and-forth between his murder and Mama going to the morgue. It’s very similar to how Mary Lambert handled Gage’s death in Pet Sematary, which came out two years after this. In terms of delivering on its promises, this film has plenty of fun over-the-top performances, particularly from Brenner and Sonye. Gail Neely makes for a great unlikely hero, delivering compelling drama one minute, and spouting off one-liners in the next. The final twenty minutes are definitely the highlight as Mama gets her revenge, even though the film is somewhat uneven. Overall, Surf Nazis Must Die is entertaining despite an uneven pace.

     

    Buy Surf Nazis Must Die from Amazon: https://amzn.to/3nfzi5H.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Surf Nazis Must Die (1987)

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  • Puppet Master 4 (1993)

    Puppet Master 4 (1993)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]Following the release of Puppet Master III: Toulon’s Revenge, Charles Band had something ambitious planned for the series. The next installment would be a theatrical release called Puppet Master: The Movie that served as a sequel/reboot. However, Band decided against this and instead divided the script in half to make two movies as opposed to one. In the director’s chair was Jeff Burr, who previously directed From a Whisper to a Scream and The Stepfather II. Burr previously knew Band from Empire Pictures as they were working on a film called The Vault that never happened. Charles offered Burr the job of directing both Puppet Master movies back-to-back, as well as working on other projects. Burr accepted the job, meaning he had to get both movies cast and shot back-to-back relatively quickly. In 1993, the first of these two films, Puppet Master 4, was released.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    At the Bodega Bay Hotel, supergenius Rick Myers (Gordon Currie) is working on developing robots with artificial intelligence. While there, he soon discovers the puppets of Andre Toulon (Guy Rolfe) and the serum that gives them life. Unfortunately, he’s made the target of Sutek (Jake McKinnon), an ancient demon whose life-giving powers were used for the serum. Sutek sends his totem minions to hunt down Rick and his colleagues, killing them and absorbing their life-force. Soon, Rick’s girlfriend Susie (Chandra West), his friend Cameron (Ash Adams), and his girlfriend Lauren (Teresa Hill) visit the hotel. They help him bring the puppets Blade, Pinhead, Tunneler, Six-Shooter, and Jester back to life to help fight the totems. Toulon tells Rick that the only way to destroy the totems is to revive his unfinished puppet Decapitron. Will they succeed, or will the forces of Sutek claim their next victims?

     

    Review

    Puppet Master 4 is a solidly entertaining film, even if it’s not as good as the previous installment. One nice thing about the film is how it further expands upon the lore, namely the introduction of Sutek. The character itself has a pretty cool design and has an imposing voice, though he mostly just stands around. While he has very limited screentime, Guy Rolfe once again does a good job as Andre Toulon. The rest of the acting, while fine, doesn’t really stand out and is pretty forgettable, though they’re not the focus. The focus is on the puppets, who are given plenty of time to shine and have some fun fight scenes. You get more of a feel for their personalities and how they interact and work with one another. Unfortunately, despite appearing on the cover, Torch does not appear in the movie at all.

    Gordon Currie works as the lead, coming off as likable and charming, though he does come off a bit bland. Ash Adams fills the role of the snarky jerk you love to hate, and he gets a fairly satisfying death. Directing-wise, Jeff Burr does a solid job of establishing mood through the use of shadow and harsh lights. As with the other movies, the puppets are brought to life through rod puppetry and David Allen’s stop-motion. It still looks good, though there’s some blue screen work that sticks out pretty badly, along with some visible strings. Some fans might be disappointed that not all of the puppets are featured, but we still get the best puppets. Given that this is one whole movie split in two, it does still feel like a complete film in itself. Overall, Puppet Master 4 is another entertaining installment in the long-running franchise.

     

    Buy Puppet Master 4 from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Puppet Master 4 (1993)

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  • A Clockwork Orange (1971)

    A Clockwork Orange (1971)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review was requested by Discord user Vault_Stray. If you’d like to join the server, click the button below.” text_orientation=”center” button_one_text=”Visit Discord” button_one_url=”https://discord.gg/sKBSX7u” background_overlay_color=”#8300E9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]On a budget of $10.5-12 million, 2001: A Space Odyssey made $146 million worldwide, though it received some mixed reviews. Over time, the film received tons of critical praise and is now considered a landmark in cinematic history. For his next project, Kubrick decided he’d try his hand at directing something for a relatively low budget. While working on Dr. Strangelove, Kubrick was given a copy of Anthony Burgess’ A Clockwork Orange by co-writer Terry Southern. Though initially rejecting it because he didn’t understand the book’s slang called “nadsat”, Kubrick decided to adapt it to film. With the rising New Hollywood movement in the late 60s, films dealing with sexuality and rebellion were being made. What Kubrick didn’t realize was that he’d gone on to make one of the most controversial films of all time. Between 1971 and 1972, Stanley Kubrick’s A Clockwork Orange was released to theaters worldwide.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”100″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In a not-so-distant future Britain, Alex DeLarge (Malcolm McDowell), and his “droogs” go out for a night of “ultra-violence”. They beat up an old drunkard, fight a rival gang, and break into a couple’s home to rape and pillage. However, Alex’s droogs start expressing doubts about the small scores and want to go after something bigger than petty crime. Alex shows his dominance by beating up his droogs, who agree to go break into a cat lady’s home. In the process, Alex accidentally murders the cat lady and his abandoned by his droogs before the police arrive. He’s sentenced to 14 years, but Alex soon learns of an experimental treatment that might get him released early. Known as the “Ludovico Treatment”, it essentially forces someone to do good by being repulsed from doing evil. Alex is released from prison, only to suffer the consequences for his past.

     

    Review

    Though certainly debatable, A Clockwork Orange might just be Stanley Kubrick’s best film, if not one of his best. As usual, Kubrick’s direction is phenomenal, creating some of the most iconic imagery of his career using color and shadow. The editing also helps accentuate certain scenes, whether it’s the fast motion threesome scene or the slow-motion fight scenes. They also make great use of the real on-set locations, most notably the dilapidated apartment building and the city streets. These locations give the environments a gritty, grimy, and lived-in quality you don’t see in many films today. It’s interesting seeing the contradiction between these and the more sterile look of the couple’s home and Alex’s apartment. While there are plenty of static shots and more slow-moving scenes, the pacing never drags or grinds to a halt. Every scene, no matter what, has something to grab your attention.

    At the heart of it all is the lead performance from Malcolm McDowell as the sinister yet charming Alex. With his boyish charm, quick wit, and sharp dialogue, you honestly start rooting for him despite his actions. He’s always having fun committing such horrific acts, like performing “Singin’ in the Rain” during a rape scene. After he goes through the treatment and suffers the consequences of his actions, you actually start sympathizing with him. In anyone else’s hands, this would’ve failed, but with Kubrick’s directing and McDowell’s acting, it works incredibly well. Of course, that’s not to say the rest of the acting is bad, but it gets overshadowed by McDowell’s performance. Some of the other noteworthy actors include Patrick Magee, Philip Stone, Steven Berkoff, Miriam Karlin, and even David Prowse. These and the rest of the cast all have their moments to shine, even if eclipsed by McDowell.

    Compared to the book, the film version of A Clockwork Orange does stay faithful to the source material. However, there are scenes from the book not in the movie, particularly the last chapter of the book is omitted. Even still, this film touches on themes of free will, right and wrong, and how people can be manipulated. Alex manipulates his droogs to do his bidding, the government manipulates Alex into being a mindless drone, and so on. It’s a very challenging film, which can put off many viewers who may not understand or accept the message. Though tame by today’s standards, A Clockwork Orange was accused of inciting masses of young people to commit crimes. While that issue goes much deeper than that, it shows how powerful of a film this was and still is. Overall, A Clockwork Orange is an entertainingly shocking film that’s a must-watch for cinephiles.

     

    Buy A Clockwork Orange from Amazon: https://amzn.to/40wwLut.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Class of Nuke ‘Em High (1986)

    Class of Nuke ‘Em High (1986)

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    On a budget of $500,000, The Toxic Avenger was a hit upon release, grossing $800,000 and receiving mostly favorable reviews. The film was also a hit on home video, which helped to put Troma on the map as an independent. Following the success, co-founder and president Lloyd Kaufman decided that this is the direction that Troma should take moving forward. For their next project, they hired Richard W. Haines, who recently wrote and directed the horror-comedy Splatter University. He and Kaufman would team up to tell another story surrounding nuclear waste, but this time set in high school. Perhaps taking inspiration from Mark L. Lester’s Class of 1984, they decided to inject some blood, boobs, and crude humor. Hell, they even added “Class of” to the title to trick people into thinking they were seeing Lester’s film. In any case, 1986 saw the release of Class of Nuke ‘Em High.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    In the city of Tromaville, the local nuclear power plant springs a leak that seeps into the nearby high school. The radiation starts affecting the students, turning the preppy honor roll into a gang of vile and malicious Cretins. Lovebirds Warren (Gil Brenton) and Chrissy (Janelle Brady) are the only ones who suspect something, but no one seems concerned. Warren’s friend Eddie (James Nugent Vernon) scores some weed from the Cretins, who promise him it’ll provide an “atomic high”. At an indoor bikini party, Eddie gets Warren and Chrissy to smoke it, which leads to them making love. They end up having vivid hallucinations, Warren starts killing the Cretins, and Chrissy vomits a small creature into a toilet. As Spike (Robert Prichard), the Cretins leader, plans his attack on the school, something is lurking and on the prowl. Just what’s going on at Nuke ‘Em High?

     

    Review

    If The Toxic Avenger put Troma on the map, Class of Nuke ‘Em High solidified their image in independent cinema. Much like their previous film, this one revels in the blood, boobs, and gross-out humor to near excessive levels. Also, similar to Toxie, this has that same slapdash, rebellious nature to it, which makes it feel even more independent. For as low as the budget is, many of the effects are well-done, especially the melting and creature effects. There are some optical effects thrown in, especially during the hallucination scenes, though these are few and far between. Admittedly, parts of the movie feel isolated from each other, like they’re random scenes stitched together without any connective tissue. Like Toxie, some scenes are pure Troma chaos, but there are tons of filler scenes in between that drag. Honestly, the quote on quote plot doesn’t really pick up until 20 minutes in.

    The acting is about on par with The Toxic Avenger: intentionally silly and exaggerated performances with actors making ridiculous faces. The Cretins, in particular, are the most over-the-top and are having fun playing such colorful villains with unique designs. Brenton and Brady fit the role of the archetypal high school couple, and Vernon works as the comedic relief. It’s interesting seeing Prichard and Gary Schneider playing reverse roles from the characters they played in The Toxic Avenger. Going back to the film’s slapdash nature, one negative aspect is that the editing sometimes comes off as choppy. Troma films are known for being chaotic, but the slightly disjointed editing can make it difficult to know what’s happening. On a final note, the soundtrack is great, filled with some really catchy rock songs including the title song. Overall, Class of Nuke ‘Em High is another enjoyable entry in Troma’s cinematic library.

     

    Buy Class of Nuke ‘Em High from Amazon: https://amzn.to/4rcckgL.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Class of Nuke ‘Em High (1986)

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  • Parasite 3D (1982)

    Parasite 3D (1982)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In the late 1970s, Alan J. Adler, inspired by Star Wars, moved out to Hollywood to pursue a screenwriting career. He was soon introduced to writers Michael Shoob and Frank Levering, and they started working on a low-budget monster movie. Adler managed to work out a deal with Charles Band, who got funding through Embassy Pictures and producer Irwin Yablans. Having worked together on Tourist Trap, Yablans agreed to a $1 million budget for the film and Band directing. At some point, a decision was made to shoot the film in 3D, which hadn’t been done in 20 years. Special effects artist Stan Winston, who previously worked with Band on Mansion of the Doomed, designed the creature effects. Working with a small cast and crew, they made what became the first major American 3D movie in decades. Finally, in March of 1982, Parasite 3D was released to theaters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In 1992, an organization called The Merchants controls the US government following a nuclear disaster that’s wiped out almost everything. Dr. Paul Dean (Robert Glaudini) was hired by The Merchants to create a parasite to help control the overpopulation. He manages to destroy almost all the parasites once he learns what The Merchants are up to, but gets infected. Dean is now on the run, trying to find a cure for the parasite growing inside him before he dies. Meanwhile, Merchant agent Mr. Wolf (James Davidson) is hunting after Dean because he stole one of the last parasites. While on the run, Dean gets hassled by some punks, led by Ricus (Luca Bercovici), who accidentally release the parasite. Dean soon meets lemon grower Patricia Welles (Demi Moore), who helps him find the cure while the parasite runs amock. Will they succeed, or will they be the parasite’s next victims?

     

    Review

    Parasite 3D is an enjoyable bit of sci-fi shlock that doesn’t pretend to be anything more than it is. Given that this was his second directorial effort, Charles Band does a good job, photographing the parasite in excellent ways. There’s an odd amount of slow-motion that pops up every so often, but it thankfully isn’t all that distracting. Performance-wise, everyone does an admirable job, even if some of the line readings are a little stilted and lack emotion. Robert Glaudini does a convincing job looking like someone who’s infected with a parasite, always sweating and holding his stomach. This being her first film role, Demi Moore is ok, but her acting isn’t anything to write home about. Luca Bercovici (Ghoulies) makes for a solid gang leader/anti-hero, and James Davidson is effective as the Merchant agent. Also, classic actress Vivian Blaine has a memorable part as the local hotel owner.

    Even with the film’s low budget, the creature and gore effects are surprisingly impressive, though that’s expected with Stan Winston. While the titular parasite is clearly a puppet, it’s a convincing-looking puppet that has a simple yet effective design. Many of the gore effects used are top-notch, and the effects used for victims of the parasite look good. Though the main story is very simplistic, there’s an interesting world surrounding it that would be worth exploring by itself. Richard Band’s score is also effective, adding a creepy sense of dread while also punching up the more action-heavy scenes. Admittedly, there are plenty of filler scenes that drag, but the scenes of the parasite attacking make up for that. Even in 2D, some of the 3D shots still add to the film’s overall charm as a low budget B-movie. Overall, Parasite 3D is a slow but enjoyable watch for B-movie fans.

     

    Buy Parasite 3D from Amazon: https://amzn.to/3YpDqny.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Nightbeast (1982)

    Nightbeast (1982)

    [et_pb_section fb_built=”1″ theme_builder_area=”post_content” _builder_version=”4.27.4″ _module_preset=”default”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” theme_builder_area=”post_content”][et_pb_column _builder_version=”4.27.4″ _module_preset=”default” type=”4_4″ theme_builder_area=”post_content”][et_pb_video _builder_version=”4.27.4″ _module_preset=”default” theme_builder_area=”post_content” src=”https://youtu.be/r6rsB9JNKYw” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]Troma is known not only for producing but also for distributing, often picking up films, retitling them, and re-releasing them. Though they had no direct involvement in the production, many notable people got more notoriety through being connected to Troma. For instance, Troma released Buddy Giovinazzo’s debut feature Combat Shock, which was one of the more unique films they released. Enter Baltimore-based filmmaker Don Dohler, who made his directorial debut The Alien Factor in 1972 but wasn’t released until 1978. Following the film’s release, Dohler decided to work on a film similar to The Alien Factor but hired another director. Unfortunately, he was having trouble with the new director, so plans were scrapped and Dohler filmed the 1980 slasher Fiend. After filming Fiend, Dohler decided to revisit the previous concept and start over, working with his usual cast and crew. In 1982, the horror sci-fi film Nightbeast was released.
    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    An alien spacecraft gets hit by an asteroid, which causes it to crashland on Earth in a small town. The alien pilot emerges from the ship before it explodes and is spotted by some hunters who alert the sheriff. County Sheriff Cinder (Tom Griffith), Deputy Sheriff Lisa Kent (Karin Kardian), and some men go out to investigate the monster. Meanwhile, the alien goes out on a rampage, blasting people with its disintegrator ray and ripping people’s guts out. The sheriff tries convincing Mayor Bert Wicker (Richard Dyszel) to evacuate the town, but he refuses because of a party. As the alien creature continues its rampage, local delinquent Drago (Don Leifert) is on the run after killing his girlfriend. Cinder and Lisa begin to fall in love, but it’s soon interrupted as the alien’s body count continues to rise. Will the creature be stopped, or will its rampage continue?

     

    Review

    Nightbeast is exactly the kind of movie you’d want it to be: a trashy, low budget sci-fi alien attack romp. For a film that supposedly had a $14,000 budget, it’s surprisingly well made and has some solid effects. The gore effects are pretty top-notch, and the design of the alien, while goofy, is unique and memorable. The score, partially done by a relatively unknown J. J. Abrams, also makes the film feel very creepy and ominous. Much of the nighttime scenes make extensive use of fog, which helps add to its atmosphere, even in daytime scenes. What also helps is that the film gets right into the action from the beginning with the alien attacking people. Watching the actors jump around, hit the ground, and start shooting while laser fly around them is entertaining. This is prime material that’s sure to satisfy anyone looking for cheap B-movie thrills.

    However, the film’s biggest problems are that the acting is fairly bland and there are tons of filler scenes. After the first 20 minutes, the action grinds to a halt as the actors run around looking for the alien. It doesn’t help either that most of the acting isn’t that great, though the cheesy acting adds to its charm. There is some nudity thrown in, but it seems shoehorned in and it’s not as sexy as it could be. Even at 80 minutes, the film feels slightly padded, especially with its subplots that don’t amount to much of anything. However, its flaws add to its overall homegrown charm, making it feel like a real small-town, homemade production. Much like The Toxic Avenger, this shows that even a low budget film can get attention and notoriety decades later. Overall, Nightbeast is trashy fun best enjoyed with friends and drinks.

     

    Buy Nightbeast from Amazon: https://amzn.to/3NTrKVs.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.
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  • Bloodlust: Subspecies III (1994)

    Bloodlust: Subspecies III (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]As stated before, Subspecies proved to be popular enough to spawn a new franchise alongside Puppet Master and Trancers. While there were some difficulties in filming the first installment, Ted Nicolaou and company were more than willing to return. Thankfully, Bloodstone: Subspecies II was a much easier and more enjoyable shoot, turning out to be a stronger entry. Though there were some cast and crew changes, actress Denice Duff proved to be a welcome replacement for Laura Tate. Both parts two and three were shot back-to-back and released one year apart from each other between 1993 and 1994. Things were going well for Full Moon Features thanks to their deal with Paramount and starting their kids’ label, Moonbeam. The next Subspecies film was planned to be the last in a trilogy unless fans requested that more be made. In 1994, Bloodlust: Subspecies III was released.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Following the last entry, the witch Mummy (Pamela Gordon) performs a blood ritual to resurrect the vampiric Radu (Anders Hove). Mummy believes that Radu’s fledgling Michelle (Denice Duff) has been corrupting him and must be killed at once. However, Radu keeps her around, stating that he is his own master and teaches Michelle how to be a vampire. Radu starts falling more and more in love with Michelle, while she begs for death and expresses her disgust. Meanwhile, Michelle’s sister Rebecca (Melanie Shatner) tries convincing ambassador Mel (Kevin Blair) and Lt. Marin (Ion Haiduc) of the vampires. While Mel agrees to help, Marin is skeptical but changes his mind after noticing villagers have gone missing. Mel recruits his friend, CIA officer Bob (Michael Della Femina), to infiltrate Castle Vladislav, rescue Michelle, and kill Radu. Will they be able to save her, or will Michelle be entranced into Radu’s grip?

     

    Review

    Much like the first two films, Bloodlust: Subspecies III is another fun, well-made, and atmospheric gothic vampire film. As with before, Anders Hove completely steals the show as the sinister yet charismatic Radu, clearly relishing in the role. Denice Duff is also wonderful, fully expanding her character and giving some real emotional depth to her scenes. Pamela Gordon works well as the villainous witch Mummy, and the makeup effects for her and Radu are impressive. While much is devoted to Radu and Michelle’s relationship, a major portion involves Melanie Shatner and Kevin Blair’s characters. They play off each other well, even though Blair can be a bit on the bland side at times. Ion Haiduc does a good job as the disgruntled police lieutenant and Michael Della Femina is a welcome addition. Sadly, Bob the CIA officer doesn’t get much screentime, so he comes off somewhat pointless.

    Once again, Nicolaou’s direction is on point, taking advantage of the Romanian landscape and using tons of fog and shadow. The makeup effects from effects artist Wayne Toth are impressive, given the low budget they were working with. Some fans might be disappointed that the titular characters, the subspecies, only appear during the last five minutes. Honestly, I’m ok with this since the focus of the story is the vampires, with the subspecies just being there. It’s interesting seeing the power struggle between Radu and Mummy, with Michelle being caught in the middle of it all. There’s also more of an emphasis on action, which is a nice change of pace, though some may disagree. While it’s not perfect, this film and its predecessors stand tall as some of Full Moon’s finest offerings. Overall, Bloodlust: Subspecies III continues what made the other films work, even with some of its shortcomings.

     

    Buy Bloodlust: Subspecies III from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Bloodlust: Subspecies III (1994)

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  • The Toxic Avenger (1984)

    The Toxic Avenger (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https://youtu.be/0boBtRksh1A?si=2wM7z6RW3M2Vb8K0″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In its early years, Troma was known for making sex comedies like Squeeze Play and The First Turn-On. However, while working as a production supervisor on Rocky in 1975, Troma president Lloyd Kaufman had an idea brewing. After reading an article about how horror films were dead, he decided to make one set in a health club. Originally titled Health Club Horror, the concept was constantly being revised and reworked as new ideas started popping up. There was talk about the dangers of nuclear and atomic waste, so they decided to turn it into something positive. With a budget of around $500,000 – $800,000 and a cast of relatively unknown actors, they began filming in New Jersey. Little did they know that what they were making would set the standard for Troma films to this day. Finally, 1984 saw the release of the first superhero from New Jersey, The Toxic Avenger!

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Our story takes place in Tromaville, NJ, where Melvin Funko (Mark Torgl) works as the janitor at the health club. A 98-pound weakling, Melvin is constantly teased and bullied, especially by local bullies Bozo (Gary Schneider) and Slug (Robert Prichard). Bozo’s girlfriend Julie (Cindy Manion) decides to prank Melvin, but things go wrong when Melvin falls into some nuclear waste. That night, Melvin starts mutating and transforms from a weakling into a hideously deformed creature of superhuman size and strength. With his new abilities, Melvin goes around cleaning up crime, ripping all manner of mugger, rapist, pimp, and corrupt politician. Along the way, he finds love in blind girl Sarah (Andree Maranda), and the locals are singing their praises. However, Mayor Peter Belgoody (Pat Ryan Jr.) wants Melvin, now dubbed the “Monster Hero”, taken out for ruining his operations. Will Toxie stop the corrupt mayor, or will corruption win?

     

    Review

    The Toxic Avenger is proof that you don’t need millions of dollars to make a fun and entertaining movie. Even with its low budget and inexperienced cast and crew, you can tell plenty of love put into the film. All the Troma staples are here: copious amounts of nudity, plenty of blood and guts, and ridiculously over-the-top humor. As silly as the acting is, it’s intentionally silly and cartoonishly exaggerated, especially from Mark Torgl and Gary Schneider. Some might be annoyed by the camera mugging and exaggerated delivery, but it’s done with love instead of being obnoxious. The special effects, though crude, are impressive given the small budget, and the design of Toxie is instantly memorable. The death scenes are unique and delightfully cartoonish, whether it’s deep-frying someone’s hands or stuffing someone in an oven. There’s even a scene of a kid getting his head crushed done with a watermelon!

    With a 90-minute runtime, the film moves at a very fast pace, but it never feels like it’s rushing. What also helps is that, at its core, it’s a simple story of good vs evil with some revenge elements. It also presents an interesting duality where Toxie is saving the day but through violent means, almost becoming a villain. At the same time, it presents some pretty humorous moments of people calling Toxie a hero despite his brutal methods. It’s hard to classify what type of movie The Toxic Avenger is since it mixes comedy, horror, and superhero tropes. Still, that’s what makes the film so unique and stands out from its contemporaries, further solidifying its cult status. If you’re a first-timer to the world of Troma and are interested, this would be a great way to start. Overall, The Toxic Avenger is a prime piece of trashy entertainment.

     

    Buy The Toxic Avenger from Amazon: https://amzn.to/4qJbPva.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch The Toxic Avenger (1984)

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  • Tourist Trap (1979)

    Tourist Trap (1979)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]After earning a Master’s degree from the University of Texas, David Schmoeller got an internship working on 1978’s Capricorn One. Following his internship, Schmoeller was developing a screenplay off of his thesis film The Spider Will Kill You. He wrote the screenplay alongside J. Larry Carroll, and they tried pitching it to Sam Arkoff and Bruce Cohn Curtis. Eventually, they pitched their screenplay to Charles Band, who liked it and agreed to produce, with Schmoeller serving as director. He was given a $300,000 budget, $50,000 of which would go towards a name actor, that actor being Chuck Connors. The rest of the cast consisted of relatively unknown actors, though they helped Schmoeller learn working with actors. The crew included production designer Robert Burns from The Texas Chain Saw Massacre and Pino Donaggio as the composer. Finally, March of 1979 saw the release of Schmoeller’s directorial debut, Tourist Trap.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Friends Molly (Jocelyn Jones), Jerry (Jon Van Ness), Eileen (Robin Sherwood), and Becky (Tanya Roberts) are traveling through the desert. Unfortunately, their car breaks down, but fortunately, they get help from Mr. Slausen (Chuck Connors), a tourist trap owner. The four follow him to said tourist trap, a museum full of lifelike wax mannequins, some having mechanical movements. Slausen tells the girls to stay in the museum while he and Jerry go off to fix the truck. Eileen, however, ignores his warning and goes to check out a nearby house, where she runs into a masked killer. When they don’t hear back from them, Becky and Molly decide to go find them, only to find something horrifying. Turns out Slausen’s brother, who built the mannequins, has been in hiding and killing any tourists who come by. But not all is as it seems at the local tourist trap!

     

    Review

    Tourist Trap is a very underrated chiller that could be considered a slasher film, releasing one year after Halloween. Admittedly, its plot is nothing special: young people stranded in a deserted area being stalked by a killer. Not only that, but the film borrows elements from other films, including Psycho, Carrie, and The Texas Chain Saw Massacre. That being said, this film has plenty to help it stand apart, such as its mood and emphasis on atmosphere. Chuck Connors delivers a phenomenal performance as Mr. Slausen, who seems innocent and charming, but you know there’s something off. The other actors do a serviceable job, Jocelyn Jones, in particular, standing out as our main heroine and final girl. For a first-time director, Schmoeller shows quite a lot of potential here, creating an effectively creepy and unnerving mood throughout. It’s easy to see how he went on to later direct Puppet Master.

    For a PG-rated film, Tourist Trap is surprisingly disturbing, even with the lack of excessive blood and gore. For instance, there’s a death scene where a woman suffocates from having plaster applied to her face without breathing holes. Also, if you’re freaked out by mannequins, this film will haunt you with all the shots of their blank faces. There are some supernatural elements added in which, while not a detractor from the film, feel somewhat out of place. On the flip side, Donaggio’s score is very unique, at times playful and innocent, and other times haunting and creepy. Even with a 90-minute runtime, the film can be slow at times, but it does work to build up tension. Even with its flaws, it’s a shame this movie is so overlooked as it’s an effectively creepy film deserving recognition. Overall, Tourist Trap is an effective chiller worthy of its cult status.

     

    Buy Tourist Trap from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.​

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