Facebook

FilmNerd

Category: New Releases

  • The Slashening (2015)

    The Slashening (2015)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”]

    After the release of Fear Town, USA, in 2014, aspiring filmmaker Brandon Bassham wanted to try and top himself. Bassham wanted to make a horror-comedy that poked fun at slasher movie tropes like his last film. However, for this film, he wanted to amp up the humor and the violence to further extremes. Since he had such a good working relationship with Troma, Bassham’s second feature would be distributed by them. He brought back many of the cast and crew members he had worked with and some new faces. Bassham launched an IndieGoGo campaign for the film, which raised $3,000 of the final $6,000 budget they’d be using. The movie was shot over three weeks in August 2014 in Bassham’s parent’s house in Long Island, New York. After a limited theatrical release in 2015, The Slashening debuted on Troma NOW in 2019.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Lucy (Anna Callegari) is still reeling from her boyfriend breaking up, so her friends have an idea. Eva (Lily Du) has the house to herself while her parents are away, so she throws a sleepover. She invites Lucy and her best friend Margot (Samantha Reece Schecter), along with Beth (Dana Clinkman) and Ashley (Elyse Brandau). Ashley’s boyfriend Billy (Billy Bob Thompson) and his friend Pat (Patrick Foy) show up for some action during the party. Little do they know that a deranged killer in a burlap sack is waiting to break in and slaughter them. As numerous pizza delivery drivers are slashed, the partygoers learn more about each other than they ever expected. Soon enough, the killer makes their way inside and starts picking off our horny youngsters one by one. Friendships will be tested as our would-be victims try to survive The Slashening!

     

    Review

    Slasher parodies have existed for many years, from cult classics like The Slumber Party Massacre to blockbusters like Scream. In that regard, The Slashening doesn’t redefine the slasher parody, but it doesn’t have to. The film works as a standalone horror comedy thanks to some decent gore effects and surprisingly endearing performances. Each of the five girls fits a slasher archetype, and they play their parts well without coming off as obnoxious. Elyse Brandau is having fun playing the stereotypical slut, and Dana Clinkman is hilarious as a foul-mouthed coke addict. Anna Callegari and Samantha Reece Schecter have great chemistry and feel like genuine friends, which makes the revelations much funnier. Lily Du doesn’t have much to her character, but she has one of the funniest death scenes in the film. Also, Billy Bob Thompson and Patrick Foy fit their roles of cocky douche and timid nice guy, respectively.

    While there isn’t any gore or nudity, the writing helps elevate it beyond being a tame slasher film. That’s not to say there isn’t any blood, as some decent kills are sprinkled throughout. One of the best sequences involves the girls trying to order pizza, only for every delivery driver to get slashed. The scene goes on for so long that it just gets funnier and funnier because of how absurd it is. Absurd is the best way to describe this film, as it’s utterly ridiculous to the point where logic is gone. Admittedly, the killer is pretty generic, a guy wearing a jumpsuit and a burlap sack over his head. Thankfully, the twist makes up for it, and the finale needs to be seen to be believed. Overall, The Slashening may be nothing new, but it works in its simplicity and makes for a decent watch.

     

    Buy The Slashening from Amazon: https://amzn.to/3ZptVoj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • M3GAN (2023)

    M3GAN (2023)

    [et_pb_section fb_built=”1″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”]In 2014, Australian filmmaker James Wan founded the production company Atomic Monster Productions, which specializes in budget films. While brainstorming some ideas, Wan devised one involving a killer doll that satirized people’s dependence on technology. Wan would produce alongside Jason Blum of Blumhouse Pictures and share a writing credit with Akela Cooper. For the director, Wan chose relative newcomer Gerard Johnstone, whose 2014 film Housebound won several festival awards. With a $12 million budget, principal photography started in 2021 around Los Angeles and New Zealand. Morot FX Studio created numerous radio-controlled animatronic puppets, while child actress Amie Donald performed the more physically demanding roles. While filming wrapped in August, the studio decided to do reshoots so the film would get a PG-13 rating. Boosted by a viral clip on TikTok, M3GAN opened on January 6 to tons of hype.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Gemma (Allison Williams) adopts her niece Cady (Violet McGraw) after her parents die in a car crash. She works for a toy company and is developing an advanced humanoid robot with AI to be the ultimate companion. Unfortunately, they have a strained relationship as Gemma spends more time on her work than with Cady. Gemma pairs the robot, M3GAN (Model 3 Generative Android), with Cady, now with her boss David (Ronny Chieng) on board. Initially, things seem to be going well as Cady is happier than ever, but things soon go awry. Soon, M3GAN becomes self-aware and starts attacking anyone she deems a threat to Cady, including a dog and a bully. Knowing the truth, Gemma and her coworkers Tess (Jen Van Epps) and Cole (Brian Jordan Alvarez) try shutting her down. Unfortunately, M3GAN breaks free and goes on a rampage, determined to be Cady’s only companion.

     

    Review

    Going into M3GAN, the film has several strikes against it: a January release and a re-edit to be PG-13. Despite these setbacks, the movie is way better than one would expect, but that doesn’t mean it’s flawless. While the film has some kills and moments of genuine horror, most are shown in the trailer. The movie we get is more of a drama about a woman trying to be her niece’s surrogate mother. Those expecting an all-out gorefest featuring a creepy puppet killing people will be disappointed. Still, the kills we get are more graphic than you’d expect from a PG-13 horror film. The doll looks incredible, combining impressive animatronics and Amie Donald’s almost perfect movements to make something natural yet artificial. It’s no surprise considering the effects artists recently got an Oscar nomination for their work on The Whale. Hopefully, an extended cut can improve the lack of bloodshed.

    Allison Williams is instantly likable as the well-meaning Gemma who wants to succeed while caring for Cady. You can tell she’s overwhelmed by this new responsibility, and she goes through a great character arc. Violet McGraw is also impressive as the emotionally distraught Cady, trying to make sense of the horrible things she’s experienced. Jen Van Epps and Brian Jordan Alvarez aren’t given much to do, but they each have moments to shine. Ronny Chieng can come off as a stereotypical CEO solely motivated by money, but that feels intentional, given the tone. Considering this is his second feature, Gerard Johnstone does an excellent directing job, and I’m curious about his future works. At slightly over 90 minutes, some parts do drag, but they’re never enough to pull you out of the movie. Overall, M3GAN may not be groundbreaking, but it’s still an engaging, flawed sci-fi horror film.

     

    Buy M3GAN from Amazon: https://amzn.to/3VXGNBA.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • B.C. Butcher (2016)

    B.C. Butcher (2016)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”]

    From a very young age, Kansas Bowling was interested in films and wanted to make movies more than anything. While her dad introduced her to plenty of 90s movies, she became interested in films from the 60s and 70s. Kansas and her friend were big John Waters fans, and she discovered Troma around age 12 with Cannibal! The Musical. When she was 13, Kansas got a Super 8 camera as a gift and made short films with her sister. She was also a fan of Barbara Bach, who starred in the 1981 comedy Caveman, which gave Kansas an idea. For her feature film debut, Kansas would make a silly slasher film set in prehistoric times. At only 17, Kansas wrote, produced, and directed her first film, and Troma distributed it when she was 19. In January 2016, B.C. Butcher finally hit the scene and made history.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    When tribe leader Neandra (Leilani Fideler) learns that Dina (Miranda Robin) is sleeping with her man, she executes her. Afterward, Neandra has her fellow cavewomen dump the body, where it’s discovered by The Butcher (Dwayne Marion Johnson). The Butcher falls in love with Dina, and her spirit commands him to avenge her death by killing the tribeswomen. While Neandra thinks her man Rex (Kato Kaelin) is pure, he’s cheating with another cavewoman named Poppy (Molly Elizabeth Ring). The blind Bamba (Devyn Kawata) warns the others of The Butcher, but none believe her premonitions until it’s too late. Soon, The Butcher arrives and starts killing everyone in the tribe one by one, beginning with Rex and Poppy. Neandra and her friend Anaconda (Natasha Halevi) try to survive, but it’s only a matter before The Butcher gets them. They’re ancient history in this stone age slasher!

     

    Review

    Given that the director was still a minor then, it’s surprising how good B.C. Butcher turned out. Sure, the film has its problems, but it’s impressive for something made by a 17-year-old. First, given the low budget, the prehistoric setting helps set it apart from other slashers and is a cost-saving measure. Also, while most modern filmmakers would’ve shot digitally, Kansas decided to shoot on 16mm film, which looks incredible. The film helps bring out many colors and makes the visuals pop more than digital can. She even got help from Daniel Pearl, Tobe Hooper’s cinematographer on The Texas Chain Saw Massacre and Invaders from Mars. Also, you can tell there’s a John Waters influence, with the intentionally silly gore juxtaposed with 50s doo-wop music. Just get used to hearing “Alley Oop” by The Hollywood Argyles because it’s played quite a lot throughout.

    The acting is intentionally hokey but never in a way where the cast is in on the joke. Leilani Fideler is funny as the overconfident yet incompetent tribe leader who is unintentionally responsible for her people’s deaths. Though he has no dialogue, Dwayne Marion Johnson makes for an excellent prehistoric monster, using body language to convey emotion. Kato Kaelin is a particular stand-out as he chews up every bit of scenery he can on screen. Admittedly, the kills are lame, there’s not a lot of gore, and it’s relatively tame for a Troma movie. Plus, at slightly over 50 minutes, this barely qualifies as a feature film, though it’s better than adding needless padding. Even with its flaws, it’s still impressive that a 17-year-old could get an entire movie made and released. Overall, B.C. Butcher is a silly horror comedy that shows potential for a future filmmaker.

     

    Buy B.C. Butcher from Amazon: https://amzn.to/3jgOL9h.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Fear Town, USA (2014)

    Fear Town, USA (2014)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]

    In 1999, comedians Matt Besser, Amy Poehler, Ian Roberts, and Matt Walsh founded the Upright Citizens Brigade (UCB) theater. The comedy troupe helped launch the careers of Aubrey Plaza, Andrew Daly, Nick Kroll, Ben Schwartz, and Donald Glover. In 2006, aspiring filmmaker Brandon Bassham joined UCB and directed several comedy shorts for them and College Humor. With a cast and crew consisting of UCB players, Bassham shot his horror spoof around New York. Around 2013, Bassham launched an IndieGogo campaign to fund his first full-length feature film and managed to raise $6,000. Through an actor friend, Amber Nelson, Bassham met with Troma founder/president Lloyd Kaufman and struck a deal. Troma provided extra funds for the film, about $4,000 for a total of $10,000, in exchange for distribution rights. In 2014, Troma released Brandon Bassham’s directorial debut, Fear Town, USA.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    It’s St. Blevin’s Day, and everyone who’s anybody will be partying it up, getting drunk, and crushing pussy. Everyone except for friends Mark (Mark Vigeant), Dan (Dan Kenkel), Myles (Jon Bershad), and Andrew (James McCarthy). While the guys play some D&D, bullies Brad (Dan Black) and Todd (Matt B. Mayer) boast about attending the party. Determined to lose their virginity, the boys set out to get to the party only to get lost. Meanwhile, friends Jen (Anna Callegari), Kelly (Cody Lindquist), and Rachel (Amber Nelson) also attend the party looking for fun. While 17-year-old Dana (Dana Clinkman) is looking for her online boyfriend, a group of uninvited guests decides to camp out. Little do our partygoers know that an escaped mental patient is killing anyone he comes in contact with. This St. Blevin’s Day will be remembered as our happy-go-lucky partiers try to survive Fear Town, USA.

     

    Review

    That synopsis only covers so much of Fear Town, USA, as so much more happens here. This movie feels like Brandon Bassham threw everything at the wall and saw what stuck to mixed results. There are vengeful spirits, demonic cults, nosy psychics, absent-minded cops, contemplative stoners, and even The Devil. With the many central characters, each plotline feels like its story could be a separate movie. Unfortunately, this approach makes it difficult to have a character to follow since there are so many to remember. In addition, not a single scene goes by without at least one or two gags or jokes happening. Plenty of these jokes land, and some don’t, but there are so many that it’s overwhelming. The movie also occasionally runs into the issue of dragging a joke out so long that it’s no longer funny. Thankfully, it’s not to Adult Swim levels of anti-humor.

    The acting is mostly decent, though plenty of the actors play their roles like they’re in a comedy. Thankfully, it’s not to the same degree as Llamageddon, where most of the acting was intentionally bad. Plus, unlike that movie, some jokes work, such as one with the killer having trouble with a bow and arrow. There’s plenty of crude humor involving bodily fluids, sexual references, and using slurs that refer to one’s orientation. While there aren’t many, some kills, including a knife going through a guy’s groin into a woman’s head, are gruesome. Also, so many odd moments, especially the ending, will leave you baffled and wondering what you’re watching. Still, even at 90 minutes, the movie feels padded to reach that length, and 20 minutes could’ve been trimmed. Overall, Fear Town, USA, is a bit disjointed, but it has some decent humor that you won’t soon forget.

     

    Buy Fear Town, USA, from Amazon: https://amzn.to/3ZptVoj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • X (2022)

    X (2022)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Originally from Delaware, Ti West is a horror director who rose to prominence in the mid to late 2000s. His feature film debut was 2005’s The Roost, followed by 2007’s Trigger Man and 2009’s House of the Devil. Between 2011-2013, he directed The Innkeepers and The Sacrament and segments for V/H/S and The ABCs of Death. Midway into the decade, he directed episodes of TV shows like Scream: The TV Series, Wayward Pines, and The Exorcist. In late 2020, A24 announced they would be producing Ti West’s latest horror film, his first in nine years. Principal photography took place from February to March 2021, primarily on New Zealand’s North Island at a farm in Fordell. For the main cast, they hired Mia Goth, Jenna Ortega, Brittany Snow, Scott Mescudi, Martin Henderson, and Owen Campbell. After premiering at South by Southwest, X hit theaters in March 2022.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Set in 1979, aspiring porn actress Maxine (Mia Goth) goes on a road trip with her boyfriend/producer Wayne (Martin Henderson). Along with Maxine and Wayne, there’s Bobby-Lynne (Brittany Snow), Jackson Hole (Scott Mescudi), RJ (Owen Campbell), and Lorraine (Jenna Ortega). He managed to secure a deal with local farmer Howard (Stephen Ure) to use his guest house as production space. Howard demands they don’t engage with his wife Pearl (Mia Goth), who sneaks around to spy on them. It turns out Pearl is jealous of how the cast & crew are youthful while she’s old and frail. As night approaches, Pearl starts killing off the cast & crew one by one, her husband being complicit. As the body count rises, the unsuspecting victims are put through the wringer as they struggle to survive. Who will manage to escape, and who will be the next victim?

     

    Review

    Ever since I first saw the trailer for X, I immediately knew it would be great, and it was. Ti West perfectly captures the look of a low-budget genre film from the 1970s like The Texas Chain Saw Massacre. While it doesn’t have the raw documentary style of Tobe Hooper’s classic, it retains a similar down-and-dirty feel. In a time when most modern horror films have gotten soft, X goes for the jugular to shock the audience. The film has plenty of blood, guts, and T&A, similar to what you’d see in a vintage exploitation picture. Rather than being excessive, the violence is effectively used to complement the more tension-filled scenes. Even before the horrors start, there’s an ever-present sense of dread, where you feel like something’s going to happen. It all builds to an unnervingly gruesome climax where it seems like anything can happen.

    Everyone in the cast is excellent, with Mia Goth standing out for playing the dual roles of Maxine and Pearl. As Maxine, she’s spunky, ambitious, and somewhat self-absorbed, but as Pearl, she’s terrifying and grotesque yet rather tragic. Brittany Snow is also entertaining as the narcissistic Bobby-Lynne, who thinks she’s better than everyone else. On top of delivering a now-iconic screaming face, the young Jenna Ortega shines as the naive but ambitious Lorraine Day. While providing plenty of shocks, the film also talks about aging and how young people can waste their youth. As horrifying as she is, you can’t help but sympathize with how Pearl resents the wastefulness of the younger folk. The film has some slow spots at an hour and 46 minutes, but they’re not enough to ruin the experience. Overall, X earns its place as one of the best horror films of 2022.

     

    Buy X from Amazon: https://amzn.to/3rcBiiM.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Whale (2022)

    The Whale (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]

    After reading a review in The New York Times, filmmaker Darren Aronofsky saw a play by Samuel D. Hunter. Titled The Whale, Aronofsky was so moved by the show that he met with Hunter, and the two started collaborating. Aronofsky wanted to adapt Hunter’s play to the big screen, but it would take ten years for that to happen. The biggest challenge was casting the lead role of Charlie, a morbidly obese English teacher living alone. One day, Aronofsky watched the trailer for 2006’s Journey to the End of the Night on YouTube, starring Brendan Fraser. Sadly, Fraser’s career had gone downhill after calling out the then-head of the Hollywood Foreign Press Association for sexual assault. Alongside Fraser, Sadie Sink, Hong Chau, Ty Simpkins, and Samantha Morton were cast in one of Aronofsky’s most challenging films. After earning critical acclaim at the Venice Film Festival, The Whale opened in December.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Charlie (Brendan Fraser) is an overweight English teacher teaching online courses with the webcam turned off for fear of embarrassment. Since leaving his wife Mary (Samantha Morton) for another man, Charlie has become a recluse with hardly any outside contact. He’s cared for by Liz (Hong Chaung), a nurse who continually urges him to go to a hospital. Knowing he doesn’t have much time left, Charlie tries reconnecting with his estranged daughter Ellie (Sadie Sink). She wants nothing to do with him but changes her mind when Charlie agrees to write her essays. Charlie also gets visits from Thomas (Ty Simpkins), a missionary for the New Life Church that tries to evangelize Charlie. Soon enough, Liz brings Mary to discover that Ellie was seeing Charlie, leading him to plead with his ex-wife tearfully. Will Charlie succeed in his endeavors, or will he die not having made amends?

     

    Review

    I had been anticipating The Whale for months since hearing the buzz it generated at the Venice International Film Festival. Now that it’s finally out, I can safely say that the movie lived up to my expectations and then some. First, Brendan Fraser deserves all the acclaim he’s been getting for giving the best performance of his career. After a while, you forget that he’s wearing a fat suit and believe he gained that much weight. While it’s easy to sympathize with his struggles, Fraser almost challenges you to accept how grotesque he is. He constantly asks people to acknowledge him for his identity rather than sugarcoat and dance around the subject. Fraser knows how much of a failure he is and wants to feel like he’s done at least something right. He deserves an Oscar for his performance, and I hope this reignites his career.

    Of course, that’s not to say the rest of the cast lacks, as everyone, including Fraser, performs well. Sadie Sink is excellent as the broken, spiteful daughter who reluctantly agrees to spend time with her dad. Hong Chau is another standout as Charlie’s only true friend who still cares for him despite his stubbornness. Ty Simpkins is also great as a missionary who wants to help Charlie despite his flaws and past actions. Darren Aronofsky continues to impress as a director, choosing to film the movie in a 4:3 aspect ratio. This helps to make the film feel more claustrophobic and isolated like you’re right there with Charlie. Like many of Aronofsky’s works, this will divide some people, especially with its depiction of fat people. Overall, The Whale is an excellent film about grief, shame, and remorse, punctuated by a career-defining performance from Brendan Fraser.

    [/et_pb_text][et_pb_code _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]Buy Your Tickets on Sale to watch “The Whale” playing in theaters starting December 9th[/et_pb_code][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The 12 Slays of Christmas (2022)

    The 12 Slays of Christmas (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]For decades, Charles Band bought numerous properties for his studios to produce some of the strangest movies imaginable. During the Empire Pictures days, he purchased the old Dino De Laurentiis studio outside Rome for filming space. Then, in the early days of Full Moon Features, Band started Castel Film Studios in Romania with Vlad Paunescu. There was even a period in the early 2010s where Full Moon shot some movies in China. In June 2021, Charles Band opened a new studio in the most unlikely of places – Cleaveland, Ohio. As the Akron Beacon Journal reported, Charles Band purchased a Fairmount Avenue home in Cleaveland Heights for filming purposes. Some films made there included Baby Oopsie, The Resonator: Miskatonic U, and Sorority Babes in the Slimebal Bowl-O-Rama 2. Just in time for the holidays, Full Moon put together The 12 Slays of Christmas in the Full Moon Manor.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#E09900″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Friends Britany (Cody Renee Cameron), Mandy (Dare Taylor), and Christine (Lauren Nicole Smith) get stuck while driving through a snowstorm. They take refuge in a nearby manor filled with Christmas gifts, decorations, and a bountiful feast that’s fully prepared. The girls make themselves home when they meet the manor’s lone occupant and caretaker, Ignatius (Tom Fitzpatrick). Delighted to have guests over, he lets them open whatever gifts they want and dine on his feast. One of the girls finds an old book called The 12 Slays of Christmas, which Ignatius happily reads to them. The book contains twelve poems, each about a specific character from Full Moon’s back catalog. Each present the girls open is a miniature figure based on whatever character is being read about. But will the girls’ tow truck arrive on time, and what else does Ignatius have planned for them?

     

    Review

    Honestly, I’m not sure if I can call this a movie since it’s short and primarily a clip show. Out of its 45-minute runtime, I’d say about 30 minutes is original footage, and the rest is stock footage. Admittedly, the wraparound segments are well-made and have excellent production value, adding a Christmas-like feel to the experience. The film has a cozy feel with the Christmas tree, colorful lights, and other assorted decorations. As far as the cast goes, the four players do a decent job, though Tom Fitzpatrick is the standout. With a look inspired by Riff Raff from The Rocky Horror Picture Show, he’s having fun with the role. The three central actresses are easy on the eyes and have some fun banter with each other. As a whole, the main story is at least well put together and decently acted.

    As for the rest of the movie, there’s not much more to say since it’s mostly stock footage. We get footage from the Puppet Master series, the Demonic Toys movies, the Subspecies franchise, and many more. Admittedly, seeing all this footage made me want to watch those movies instead, but that might’ve been intentional. This feels like a celebration/advertisement of Full Moon’s properties while promoting a new line of merch. The miniature figures the girls unbox seem like figurines that Full Moon could be selling online soon. I should probably be more upset that this is a glorified clip show/advertisement, but I can’t be mad. At 45 minutes, it didn’t take too much of my time, it didn’t look cheap, and the acting was fine. Overall, The 12 Slays of Christmas isn’t terrible, but if you want a Full Moon movie for Christmas, watch Trancers.

     

    Watch The 12 Slays of Christmas on Amazon: https://amzn.to/4dbKKKx.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Avatar: The Way of Water (2022)

    Avatar: The Way of Water (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]

    In 2006, James Cameron announced that he’d want to make sequels to Avatar if it was a hit. Fortunately, the movie grossed over $2 billion worldwide, breaking the record for the highest-grossing film set by Cameron’s Titanic. The film earned nine Oscar nominations and won three for Best Art Direction, Best Cinematography, and Best Visual Effects. With this overwhelming success, Cameron confirmed a sequel was in the works in 2010 with a 2014 release in mind. However, like the original, the first of many sequels would take longer than expected, with filming starting in 2017. With a budget of $350–460 million, the film is one of the most expensive ever made, surpassing Avengers: Infinity War. After three years of filming, the movie was scheduled for a late 2020 release, only to be delayed eight times. Years after the original, Avatar: The Way of Water hit theaters in December 2022.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Years have gone by, and human-turned-Na’vi Jake Sully (Sam Worthington) is raising a family with Neytiri (Zoe Saldana). Their children include Neteyam (James Flatters), Lo’ak (Britain Dalton), Tuk (Trinity Jo-Li Bliss), and Kiri (Sigourney Weaver). Unfortunately, their peace is interrupted when the RDA returns full force to mine Pandora for its resources. Among them are a group of avatars with memories of dead marines led by Colonel Miles Quaritch (Stephen Lang). After Quaritch captures a human boy named Spider (Jack Champion), who befriended the Na’vi, Jake and his family flee. They move to the eastern seaboard to take shelter with the Metkayina clan led by Chief Tonowari (Cliff Curtis). Despite objections from the other tribespeople and his wife, Ronal (Kate Winslet), Tonowari welcomes Sully’s family with open arms. As Jake’s family learns to adapt to their new home, Quaritch and his team are on the hunt.

     

    Review

    After more than a decade of waiting, how does the long-awaited sequel to the initial blockbuster stand up? If you enjoyed Avatar, you’d enjoy Avatar: The Way of Water since it’s the same movie, for better or worse. Like its predecessor, the film is visually stunning and impressive on a technical level, only to stumble narratively. This film’s most significant innovation was being able to film motion capture underwater, which had never been done before. Despite the difficulties this presented for the crew, it’s undoubtedly impressive, and Cameron deserves credit for his ambition. Still, all these innovations mean very little if the story and characters aren’t exciting, which is the case here. This one hits similar beats as the original: humans invade Pandora, Quaritch leads the invasion, and Sully defends the people. Granted, there are some slight changes, but it’s more or less the same movie.

    While Jake Sully and Neytiri were at the forefront of the first film, the sequel focuses on their kids. Aside from having 73-year-old Sigourney Weaver playing one of the kids, they all do a fine job. I found Lo’ak, played by Britain Dalton, to be the most interesting with his subplot of feeling like an outcast. Like the last film, Stephen Lang is the biggest highlight, though he doesn’t have the same impact since he’s CGI. Part of what makes it so hard to feel for the characters since they’re almost all digital creations. Say what you will about the original, but that at least had a good mix of human and digital characters. With an over three-hour runtime, it culminates in a final battle that’s not as exciting and has obvious sequel-baiting. Overall, Avatar: The Way of Water is all style but no substance, more so than its predecessor.

    [/et_pb_text][et_pb_code _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Buy Your Tickets on Sale to watch “Avatar: The Way of Water” playing in theaters starting December 16th![/et_pb_code][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Sorority Babes in the Slimeball Bowl-O-Rama 2 (2022)

    Sorority Babes in the Slimeball Bowl-O-Rama 2 (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]Since its release in 1988, Sorority Babes in the Slimeball Bowl-O-Rama has become a huge cult favorite. Director David DeCoteau continued working with Charles Band into the Full Moon era, directing almost 30 movies for the studio. Some of the more notable films DeCoteau made included Puppet Master III: Toulon’s Revenge, Beach Babes From Beyond, and Shrieker. After directing Puppet Master: Axis of Evil, Decoteau made the 1313 series and family films like A Talking Cat!?! In 2019, Charles Band announced The Deadly 10, a series of 10 movies linked to the studio’s past. Chief among them was a sequel to the 1988 cult classic with DeCoteau returning to the director’s chair. Unfortunately, plans were put on hold due to the pandemic, but the project resumed in 2022. With Brinke Stevens directing, Sorority Babes in the Slimeball Bowl-O-Rama 2 premiered on Full Moon’s streaming service in December 2022.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    At the Pi-Epsilon sorority, sisters Sarah (Jessie Gill) and Tiffany (Katie O’Neill) are desperate to recruit new pledges. Luckily for them, Ginger (Audrey Neal) and Devon (Hannah Tullett) are looking to join alongside the rebellious Bitsy (Glory Rodriguez). Their housemother, Auntie Snake (Kelli Maroney), warns them about the initiation ritual, given what happened in 1988. However, Sarah wants to maintain tradition, so she sends Ginger, Devon, and Bitsy to the ill-fated bowling alley. Along with Bart (Luka Parente), Turkey (Nathan Blair), and Dinger (Justin Lupo), the girls have to steal a trophy. While throwing a little bowling party, Bitsy and Turkey stumble across the trophy, only for Turkey to accidentally break it. This brings out The Imp (Derek Jeremiah Reid), who grants their wishes but with disastrous consequences. It’s happening all over again as this new batch of would-be victims contends with the mischievous imp.

     

    Review

    The original Sorority Babes in the Slimeball Bowl-O-Rama isn’t what I’d call a good movie, but it was enjoyably trashy. Sure, the story was nonsensical, the acting was mediocre, and the effects were shoddy, but it had charm. On the other hand, the sequel has none of the low-budget charms that made the original enjoyable to watch. Before going into my criticisms, there are some nice things I can say about this unfortunate sequel. For starters, Kelli Maroney is easily the movie’s high point, giving an entertainingly snarky and cynical performance. Also, while Michael Sonye is missed, Derek Jeremiah Reid does a decent job doing a similar voice as The Imp. He offers the same corny jokes and off-color remarks you’d expect from the character and does it reasonably well. Also, Brinke Stevens and Michelle Bauer have fun cameos as ghosts watching the film play out.

    Unfortunately, that’s where any of the positives end because the movie, as a whole, really does not work. For one, it’s more or less a remake of the original, with almost nothing new added aside from different characters. Also, it says a lot when the puppet from the 1988 original looks better than the puppet here. With this, everything feels flat and generic, with no dynamic look, no interesting camerawork, and shoddy CGI. Say what you will about David DeCoteau’s directing, but he at least gave the first film some style. While the cast looks like they’re having fun, none of the characters are likable or stand out. Plus, the fact that this is barely over an hour while the original was 80 minutes exemplifies its disappointing nature. Despite its best intentions, Sorority Babes in the Slimeball Bowl-O-Rama 2 is a huge letdown from the first film.

     

    Buy Sorority Babes in the Slimeball Bowl-O-Rama 2 from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Violent Night (2022)

    Violent Night (2022)

    [et_pb_section fb_built=”1″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]In 2020, Universal bought the rights to a script by Pat Casey and Josh Miller of Sonic the Hedgehog fame. The genesis of this script came from a decades-long debate: is Die Hard a Christmas movie? With this in mind, they wrote an action movie like the Bruce Willis classic that was undeniably a Christmas movie. In the director’s chair was Tommy Wirkola, most famous for his Dead Snow movies and Hansel & Gretel: Witch Hunters. For the role of the violent Santa, David Harbour of Stranger Things fame was hired, though he was initially reluctant. What drew him to the script was that amidst the bloody violence was a message about the spirit of Christmas. With the rest of the cast in place, filming lasted from January to March 2022 in Winnipeg. After premiering at New York Comic Con in October, Violent Night hit theaters nationwide in December.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Santa Claus (David Harbour) contemplates quitting at an Irish pub on Christmas Eve, given how rotten the kids have become. Elsewhere, Jason Lightstone (Alex Hassell), his estranged wife Linda (Alexis Louder), and their daughter Trudy (Leah Brady) visit his family. Gathered at the mansion of his foul-mouthed mother, Gertrude (Beverly D’Angelo), are Jason’s sister Alva (Edi Patterson), and her family. Santa eventually arrives at the mansion, only to see the staff executed by mercenaries led by “Mr. Scrooge” (John Leguizamo). Scrooge and his cohorts are there to steal the $300 million that Gertrude stole from her own company. Using a walkie-talkie, Trudy tells Santa what’s going on, so he reluctantly attacks the mercenaries, killing them off one-by-one. As Santa’s rampage continues, Scrooge wonders if he’s the real deal as he tries to eliminate the jolly would-be hero. These bad guys better watch out because Santa Claus is comin’ to town!

     

    Review

    Since the trailer was first dropped, Violent Night has gotten much attention based solely on the ridiculous premise. Well, I’m here to let you know that this movie is exactly what you think it is, and it’s fantastic. First, David Harbour gives one of his best performances as a disgruntled Santa, questioning whether or not he should continue. Not only does he deliver when it comes to the action, but he adds tons of humanity to the role. Also noteworthy is Leah Brady as Trudy, the young girl who still believes in Santa even when things are bad. The relationship she and Harbour build gives the film much more heart than expected from such a bloody movie. As the villain Scrooge, John Leguizamo chews through the scenery and has a blast playing this larger-than-life character. The scenes between him and Harbour are easily the film’s best parts.

    As the marketing would lead you to believe, this is one violent and bloody Christmas film. This isn’t surprising, considering that David Leitch, who directed Deadpool 2 and Bullet Train, produced the movie. Like those movies, the action is very fluid, well-shot, and well-choreographed, making them a spectacle to behold. The action sequences complement the story, especially when we learn little tidbits about Santa’s history as a Viking warrior. If I had any complaints, I’d say that most other characters feel more like caricatures than actual people. Aside from Trudy’s parents, none of the other characters are likable, though that may have been the intent. Also, despite the film clocking in at under two hours, a good 5-10 minutes could’ve been trimmed without ruining anything. Overall, Violent Night is a bloody, violent, and surprisingly heartfelt Christmas movie that will get you in the holiday spirit.

     

    Buy Violent Night from Amazon: https://amzn.to/3AlPDBZ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Violent Night (2022)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Violent Night” data-year=”2022″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]