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Category: New Releases

  • Beast (2022)

    Beast (2022)

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    Since 1992, Icelandic filmmaker Baltasar Kormákur has worked in the industry as an actor, writer, producer, and director. After making his debut with 1996’s Go LazyTown, Kormákur gained much attention for his 2000 feature 101 Reykjavík. The film won numerous awards at the Toronto International Film Festival, Thessaloniki Film Festival, and Pula Film Festival, among others. He made his American directorial debut with 2005’s A Little Trip to Heaven, starring Forest Whitaker and Julia Stiles. Kormákur’s 2012 film, The Deep, was selected as the Icelandic entry for the Best Foreign Language Film Oscar. He followed this up with 2013’s 2 Guns, 2015’s Everest, and 2018’s Adrift, all of which made decent money. In 2020, actor Idris Elba announced he’d star in a new movie directed by Kormákur and written by Ryan Engle. After ten weeks of filming in South Africa, Baltasar Kormákur’s Beast hit theater screens in August 2022.

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    Synopsis

    Dr. Nate Samuels (Idris Elba) takes his daughters Norah (Leah Jeffries) and Meredith (Iyana Halley) to Africa to reconnect. Since their mother died, he and his daughters have drifted apart, and he’s trying to mend their relationship. With his old friend Martin Battles (Sharlto Copley), Nate takes his daughters on a safari to see the wildlife. Unfortunately, things go downhill when they come across a nearby village where everyone is dead. It turns out a rogue lion is on the loose and killing any humans it comes across due to poachers. Martin gets attacked by the lion while Nate and his daughters are trapped in their jeep after it crashes. Nate, Norah, and Meredith must stick together if they want to survive against a prowling lion. Will they put aside their differences and work together, or will this fractured family become the lion’s next meal?

     

    Review

    On the surface, Beast is a movie we’ve seen done numerous times before and in much better films. There’s nothing wrong with using a familiar formula so long as the final film is entertaining and well-done. For the most part, the filmmakers managed to take a tried and true formula and make it work. Idris Elba makes for a great leading man that you can root for, which he always does. He’s one of those actors who always delivers a solid performance no matter the movie’s overall quality. While his screen time is somewhat limited, Sharlto Copley does an excellent job as Nate’s longtime friend. Leah Jeffries and Iyana Halley have their moments, but they come off as slightly annoying and incredibly inept. Every time Nate tells them to do something, they do the exact opposite, which is very frustrating. They move the story forward, but they could’ve done better.

    One aspect I can commend the movie for is the cinematography, which Oscar-winning cinematographer Philippe Rousselot handled. There are several moments where the action is filmed as if it’s done in one take, and it’s incredible. These shots put you in the middle of the action and make you feel like you’re there. Unfortunately, there is an occasional shaky cam shot when the action gets too intense, which hurts the experience. Most likely, this was done to hide the imperfections of the CGI lion, which looks decent if somewhat hyperrealistic. Also, the plot is very predictable, with an ending that you’ll see coming from a mile away. Thankfully, the movie clocks in at a breezy 93 minutes, so it won’t take up too much of your time. Overall, Beast is an average survival film with some decent camerawork and a good lead that’s ideal for matinee prices.

     

    Buy tickets to Beast from Fandango: https://fandan.co/3AoOs1L.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Mutant Blast (2019)

    Mutant Blast (2019)

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    Fernando Alle is a Portuguese filmmaker who started his career making short films in the late 2000s. His first three short films were 2007’s Lucky Prime, 2008’s O Rim, and 2009’s Papá Wrestling. In 2011, he directed the short film Banana Motherfucker, which won Best Short at the Buried Alive Film Festival. The short caught the attention of Troma’s Lloyd Kaufman, who released the short on DVD and on his streaming service. Kaufman was so impressed that he hired Alle for the special effects on Return to Nuke ‘Em High Volume 1. After working on Return to Return to Nuke ‘Em High Aka Vol. 2, Alle wanted to make a feature. With the support of Lloyd Kaufman and Michael Herz, Fernando Alle directed his first full-length feature film. While the workprint premiered in 2018 at MOTELX in Lisbon, Mutant Blast had its US premiere in 2019.

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    Synopsis

    Undercover super soldier Maria (Maria Leite) helps free TS-347 (Joaquim Guerreiro), a genetically-modified superhuman created by the government. As they escape, a horde of zombies breaks out of the compound and swarm the surrounding area. Meanwhile, Pedro (Pedro Barão Dias) wakes up from a drunken birthday party to find his friends and family dead. He runs into Maria and accidentally gets TS-347 killed, which throws a wrench in her plans. Still, she continues after her contact informs her that a boat will be waiting for her the next day. Pedro tags along, and they encounter rapists, mutants, a giant lobster, and katana-wielding dolphin, and another super soldier. Elsewhere, some government officials launch several nukes to clean up the incident, which causes Pedro and Maria to mutate. As our heroes fight their way through zombies and mutants, they soon learn to come together as friends.

     

    Review

    Going into Mutant Blast, I had no idea what to expect, and I have to say that I was impressed. Given the low budget they most likely had to work with, the production values are remarkably well-made. While there are a few CGI blood spurts, the movie uses primarily practical effects that all look impressive. From the zombie make-up and puppets to the gore and mutant designs, there’s something for everyone. The action sequences are well choreographed, and the filmmakers shoot them in a way so you can see what’s happening. The movie makes excellent use of color as they use various filters to help accentuate the scenes. Also, the synth score by Antoni Maiovvi adds to the film’s style, which evokes elements of John Carpenter. It reminds me of a cross between early Sam Raimi/Peter Jackson and Astron-6 movies like Father’s Day.

    As over-the-top as the movie is, what makes it work is that the actors treat the material seriously. Pedro Barão Dias and Maria Leite deliver their lines as if they were in a straight science-fiction movie. Granted, they crack a joke every now and then, but the humor never feels forced or overly self-aware. Everything here feels genuine, which is a refreshing change of pace from most modern B-movies that are purposely bad. Also, Maria Leite fits her role perfectly as a badass soldier who can more than take care of herself. Conversely, Pedro Barão Dias works as the lovable idiot sidekick who means well but fumbles about. While this movie won’t appeal to everyone, fans of low-budget B-movies will get a kick out of this. Overall, Mutant Blast is a fun, exciting, blood-soaked, ridiculous romp whose insanity is only matched by the filmmakers’ passion.

     

    Buy Mutant Blast from Amazon: https://amzn.to/3SAY2FU.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Northman (2022)

    The Northman (2022)

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    Having been born in Sweden, actor Alexander Skarsgård was fascinated by Viking history and wanted to make a Viking-themed movie. Warner Bros attached him to a 2011 film called The Vanguard, which unfortunately never came to fruition. Fast forward to 2016, when filmmaker Robert Eggers went on vacation to Iceland with his wife, Alexandra Shaker. During the trip, Eggers met singer/songwriter Björk, who introduced him to writer/collaborator Sjón, who Eggers would reach out to later. In 2017, Eggers met Skarsgård to discuss future projects when the idea of a Viking-themed movie came up. Eggers announced the film in 2019, with Skarsgård, Anya Taylor-Joy, Nicole Kidman, and Willem Dafoe in the cast. Filming was supposed to start in March 2020 but got delayed to August due to COVID-19. After lengthy post-production, The Northman premiered at the Rigoletto Cinema in March 2022 before a wide release that April.

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    Synopsis

    In AD 895, Prince Amleth (Oscar Novak) witnesses his uncle Fjölnir (Claes Bang) kill his father, King Aurvandill (Ethan Hawke). In a state of panic, Amleth grabs a boat and rows away, swearing vengeance on his uncle. Years later, an adult Amleth (Alexander Skarsgård) is part of a band of Vikings, pillaging and ravaging local towns. During a raid, Amleth encounters a Seeress (Björk), who tells Amleth that he’ll find vengeance and where to find Fjölnir. Amleth, posing as a slave, is taken to Fjölnir’s farm, where he sees his mother Gudrún (Nicole Kidman) married him. He also meets Olga (Anya Taylor-Joy), a Slavic witch who becomes his lover and works with him to escape. Over time, they slowly pick off Fjölnir’s men and create paranoia around the farm, while Amleth gains favor with Fjölnir. Soon enough, he learns who Amleth is, and the final battle commences.

     

    Review

    People expecting something like Robert Eggers’ other work, The Witch or The Lighthouse, might be somewhat disappointed. Sure, The Northman doesn’t have the horror elements of those two movies, but it’s nonetheless a remarkable film. With a budget of around $70-$90 million, this is easily Eggers’ largest and most ambitious movie to date. Thankfully, the bigger budget doesn’t mean the qualities that made Eggers famous are diluted or dialed back. Like his two previous films, this one has an extraordinary, almost dreamlike quality that makes it feel other-worldly. Some people have compared this movie to Conan The Barbarian, but it’s not quite as bombastic as the 1982 epic. Sure, there’s plenty of action and brutal violence, but the film has a much slower pace and takes its time. This movie isn’t a straight-up action/adventure film but a methodical, suspenseful epic emphasizing story and character.

    Like his previous efforts, Eggers’ direction is top-notch, and he makes excellent use of the Irish filming locations. Alexander Skarsgård is an absolute powerhouse playing Prince Amleth, bringing a quiet intensity to the role. While he doesn’t have much dialogue, his physique and glowering stare tell you he means business. Anya Taylor-Joy is captivating as a forest witch who seems inexplicably drawn to Amleth but is nonetheless loyal to him. Claes Bang works as the central antagonist, though there are moments of humanity where you almost sympathize with him. Perhaps the biggest stand-out is Nicole Kidman, who plays her part very deviously like she’s ready to betray her husband. While the story is a fairly simple revenge story, the acting, pacing, style, and action make it compelling. Overall, The Northman is another great film from Robert Eggers and easily one of the best movies of 2022.

     

    Buy The Northman from Amazon: https://amzn.to/3RCowX5.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Thor: Love and Thunder (2022)

    Thor: Love and Thunder (2022)

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    On a $180 million budget, Thor: Ragnarok grossed over $850 million worldwide, becoming the 9th highest-grossing film of 2017. On top of that, the film earned the series’ highest ratings, earning a 93% approval rating on Rotten Tomatoes. Given the overwhelming success, the executives at Marvel approached filmmaker Taika Waititi to direct the next installment. Though his contract stated he would retire after Avengers: Endgame, Chris Hemsworth stayed on so long as Waititi stuck around. At San Diego Comic-Con 2019, Marvel president Kevin Feige announced the fourth film planned for a release in November 2021. Along with Hemsworth and Tessa Thompson, Natalie Portman agreed to return after leaving the series following Thor: The Dark World. They planned to start filming in late 2020 but pushed it back to early 2021 due to the COVID-19 Pandemic. After premiering in June 2022, Thor: Love and Thunder hit theaters nationwide that July.

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    Synopsis

    After palling around with the Guardians of the Galaxy for a while, Thor (Chris Hemsworth) feels empty and alone. However, he learns that someone called Gorr the God Butcher (Christian Bale) has been killing various gods. His old friend Sif (Jamie Alexander) warns Thor that Gorr’s next target will be New Asgard, so he flies off. Upon his arrival, he and Valkyrie (Tessa Thompson) battle with shadow monsters summoned by Gorr’s Necrosword. During the fight, Thor sees his old hammer, Mjolnir, being wielded by his ex-girlfriend Dr. Jane Foster (Natalie Portman). After Gorr kidnaps several Asgardian children, Thor and co travel to Omnipotence City to recruit other gods for help. Unfortunately, Zeus (Russell Crowe) rejects their plea, so our heroes steal his thunderbolt and head out to save the children. Will they successfully defeat Gorr and rescue the children, or will they be the God Butcher’s next victims?

     

    Review

    Unfortunately, Thor: Love and Thunder is a step down in quality compared to the last movie though not without merits. For one, Chris Hemsworth offers the same level of charm and charisma we’ve come to expect as Thor. Also, Christian Bale makes for one of the better MCU villains, playing Gorr as a tragic yet terrifying figure. Surprisingly, Natalie Portman seems to be enjoying her time here, at least compared to Thor: The Dark World. While she appeared to be waiting for the check to clear in that movie, she seems much more lively here. Portman has excellent chemistry with Hemsworth, and she manages to be both all-powerful and vulnerable as a character. Like any great Marvel movie, this one has plenty of fun action sequences that get more exciting. The soundtrack is a solid blend of synth and 80s rock, particularly some of Guns N’ Roses’ best hits.

    Sadly, just like most MCU movies in recent years, this one doubles down on the humor to its detriment. Thor: Ragnarok had plenty of jokes, but Taika Waititi balanced the comedy with the more dramatic scenes. But here, it feels like five minutes of screentime can’t go by without some gag or quip sprinkled in. Admittedly, some jokes stick the landing, but even the best jokes get dragged to the ground after a while. The worst is when the heroes go to Omnipotence City, where they try cramming as many sight gags as possible. It’s another instance of tonal inconsistency plaguing many MCU movies, and I hope it gets resolved soon. While the Marvel Cinematic Universe is known for its humor, I hope they get better at balancing the tone. Overall, Thor: Love and Thunder is enjoyable enough, but it feels like a step in the wrong direction.

    [/et_pb_text][et_pb_code _builder_version=”4.17.6″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Buy your tickets now to watch “Thor: Love & Thunder” playing in theaters starting July 8th![/et_pb_code][et_pb_text _builder_version=”4.17.6″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Elvis (2022)

    Elvis (2022)

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    Elvis Aaron Presley was not only one of the greatest musicians in history but also a worldwide pop culture icon. Often nicknamed “The King of Rock and Roll,” Elvis sold over 500 million copies worldwide and won three Grammy awards. Sadly, prescription drug abuse and poor eating habits led to his untimely death in 1977 at 42. Two years after Elvis’ death, John Carpenter directed a made-for-TV movie about his life with Kurt Russell in the lead. In April 2014, Warner Bros announced that they had entered negotiations with filmmaker Baz Luhrmann for a new biopic. In 2019, the studio cast Tom Hanks to play Colonel Tom Parker, and Austin Butler got the lead role. Filming began in January 2020 in Australia but stalled when Hanks and his wife Rita Wilson tested positive for COVID-19. Despite some other delays, Elvis finally hit the big screen in June 2022.

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    Synopsis

    While on his deathbed in 1997, Colonel Tom Parker (Tom Hanks) recounts how he discovered Elvis Presley (Austin Butler). In his early years, Parker was a huckster who worked at carnivals managing country singer Hank Snow (David Wenham). One day, he heard Elvis on the radio and was so impressed that he convinced Elvis to hire him. At first, things are going great for the budding rock star, but his music catches the ire of conservatives. Many parents and politicians see his music as a tool of Satan, corrupting the youth and promoting integration. Parker convinces the government to enlist Elvis into the army to try and clean up his act. While overseas, Elvis falls in love with Priscilla Beaulieu (Olivia DeJonge) and marries her once he returns home. But as Elvis’ career keeps growing, signs point to Parker having more control over him than once thought.

     

    Review

    Even if you’re not a massive fan of his music, you can’t deny Elvis Presley’s impact on pop culture. With this new movie, Baz Luhrmann deconstructs the myth and shows more of the human side of this rock star. Much like Rocketman, you see Elvis at his best and worst moments, and it’s just as raw and hard-hitting. Austin Butler does a fantastic job portraying the legendary rock star, bringing a lot of humanity to the role. After a while, you forget that it’s an actor and believe Elvis himself is in the movie. Tom Hanks also does a great job as Colonel Parker, coming off as manipulative and two-faced while also seeming innocent. Given his unique theatrical style, Luhrmann was the perfect choice to tell Elvis’ story and match his elegance. He captures the period’s look nearly perfectly without going too overboard.

    Admittedly, how they tell the story can be scattered and disorganized as it switches between Parker and Presley. The point is to show the events from two different perspectives, but it can sometimes be confusing to follow along. While Olive DeJonge is good as Elvis’ wife, she’s introduced roughly halfway into the film and doesn’t do much. The same applies to many of the other side characters, who just come and go at a moment’s notice. Also, at two hours and thirty-nine minutes in length, parts of the movie seem to drag out longer than they should. Then again, the film has a fast-enough pace that you’re never bored and there’s always something happening. Even if the movie’s slightly disjointed, it’s still an excellent deconstruction of an icon that deals with manipulation and greed. Overall, Elvis is a stylish film with great performances that fans and non-fans can enjoy.

     

    Buy Elvis from Amazon: https://amzn.to/4r3obyc.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Elvis (2022)

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  • Lightyear (2022)

    Lightyear (2022)

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    One of the most popular characters from Toy Story was space ranger Buzz Lightyear, initially voiced by Tim Allen. In 2000, the spin-off series Buzz Lightyear of Star Command premiered on ABC, running for one season with 65 episodes. One of the show’s animators was Angus MacLane, who got his start working on several Pixar feature films and shorts. MacLane co-directed 2016’s Finding Dory with Andrew Stanton, which grossed over $1 billion worldwide, becoming the third-highest-grossing film of 2016. Following this success, he pitched a Buzz Lightyear movie after becoming interested in the character through his love of science-fiction. While Tim Allen expressed interest in returning to voice the character, Chris Evans was cast as the space ranger. Given MacLane’s love of the genre, the animators took inspiration from Star Wars for the overall look of the film. Finally, Lightyear premiered at the El Capitan Theater in June 2022.

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    Synopsis

    While piloting a ship housing thousands of personnel, Buzz Lightyear (Chris Evans) gets a signal to investigate a nearby planet. Accompanied by fellow space ranger and best friend Alisha Hawthorne (Uzo Aduba), he scans the terrain for intelligent life. Unfortunately, the ship gets badly damaged, forcing Buzz, Alisha, and the thousands of passengers to colonize the planet. After a year, the colony becomes a base, and Buzz volunteers to test new hyperspace fuel to return to Earth. Sadly, the test fails, and four years have passed, but Buzz insists on continuing until he gets it right. After years of failure, his robotic cat Sox (Peter Sohn) develops a formula for hyperspace fuel that works. Buzz successfully manages to travel to hyperspace, but when he returns, 22 years have passed, and robots have invaded. With help from Alisha’s granddaughter Izzy (Keke Palmer), it’s up to Buzz to stop the mechanical menace.

     

    Review

    Going into Lightyear, I had doubts about whether this spin-off could work, let alone be a good movie. Admittedly, the story is relatively basic, essentially an origin story that follows the standard beats you’d expect. You’ve got the protagonist who goes through an arc of working alone before realizing he needs help. There’s also the ragtag group of ambitious yet untrained rookies that step up to the challenge and ultimately succeed. However, while it has flaws, I’m happy to say that this is an entertaining and heartfelt sci-fi adventure worth watching. While the story isn’t revolutionary, it helps that the film has many characters you’ll come to love. Of course, there’s Buzz Lightyear, the heroic yet headstrong hero driven to prove himself and atone for his mistakes. Then there’s Sox, who I feared would be an annoying comic relief but ended up becoming endearing.

    Even though she’s not introduced until halfway into the film, Izzy Hawthorne makes for a good sidekick alongside Buzz. Izzy’s teammates Mo Morrison (Taika Waititi) and Darby Steel (Dale Soules) have quirks that make them memorable. The animation is stunning, as with many Pixar movies, and the character design has a vintage 90s feel. Alisha helps add to the film’s heart, motivating Buzz to keep going despite getting older and eventually dying. Despite being a bit light on action, the action sequences we get are exciting and thrilling to watch. Though I mentioned how basic the story is, some genuine twists and turns here and there add to the drama. Before I forget, there is a same-sex kiss, but it’s incredibly brief and doesn’t amount to much. Overall, Lightyear may not be one of Pixar’s best movies, but it’s still a fun time worth checking out.

     

    Buy Lightyear from Amazon: https://amzn.to/3JX8sQx.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Lightyear (2022)

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  • Top Gun: Maverick (2022)

    Top Gun: Maverick (2022)

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    On a budget of $15 million, Top Gun grossed over $350 million worldwide and was the highest-grossing film of 1986. Critics were mixed, with Roger Ebert saying, “the good parts are so good, and the bad parts are so relentless.” Regardless, the film became a cultural icon that’s influenced numerous other movies and TV shows. In 2010, 24 years after the original, Paramount offered producer Jerry Bruckheimer and director Tony Scott a sequel. Tom Cruise and Val Kilmer were interested in reprising their roles, but unfortunately, plans stopped after Scott’s death in 2012. In 2017, Tom Cruise announced that Joseph Kosinski, who he worked with on 2013’s Oblivion, would be directing the sequel. The film was initially scheduled for release in 2019 but saw numerous delays for additional filming and the COVID-19 pandemic. Finally, 36 years after the original, Top Gun: Maverick soared into theaters in May 2022.

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    Synopsis

    Following the first film’s events, Captain Pete “Maverick” Mitchell (Tom Cruise) now works as a test pilot. He gets assigned by Rear Admiral Chester “Hammer” Cain (Ed Harris) to NAS North Island as a TOPGUN instructor. Once there, he meets with Vice Admiral Beau “Cyclone” Simpson (Jon Hamm) and Rear Admiral Solomon “Warlock” Bates (Charles Parnell). They tell Maverick that he’s there to train some of their best pilots for an upcoming mission. Lieutenant Bradley “Rooster” Bradshaw (Miles Teller) is among these pilots, and he blames Maverick for his father’s tragic death. At the same time, Rooster has to deal with the overly arrogant Lieutenant Jake “Hangman” Seresin (Glen Powell). As training continues, Maverick meets up with his ex-girlfriend Penelope “Penny” Benjamin (Jennifer Connelly). With pressures rising and time running out, Maverick has to pull it together to ensure the mission’s success.

     

    Review

    As beloved as the first film is, most people can agree that it’s a product of its time. So when Paramount announced a sequel made decades later, only the hardcore fans seemed interested. More often than not, sequels made years after the fact tend to never live up to the original. Thankfully, not only does Top Gun: Maverick live up to its predecessor, but it exceeds the original in many ways. The movie uses nostalgia to draw you in, but thankfully, it’s not shoved down your throat like other legacy sequels. Even though watching the original would help, you could go into this without seeing the first one without being confused. Also, this film has much higher stakes than the first film, where the only stake was making top rank. You care here because the characters are trying to prevent a nuclear explosion that could ignite another world war.

    Like always, Tom Cruise is just as energetic and charismatic as ever, but he also has moments of humanity. It’s interesting seeing Maverick racked with guilt over his friend’s death and how it puts him at odds with Rooster. Speaking of, Miles Teller is great as Rooster, who not only looks almost precisely like Goose but acts like him. The scenes between him and Cruise are some of the best, and you can feel the tension between them. Jennifer Connelly does a good job, but her romance with Cruise falls flat like in the original. Val Kilmer also gets a scene with Cruise, and while it’s his only on-screen appearance, it’s a touching moment. The aerial scenes are even more exciting, and Joseph Kosinski does Tony Scott proud with his top-notch cinematography. Overall, Top Gun: Maverick is a rare instance where the sequel outshines the original in every way.

    [/et_pb_text][et_pb_code _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]Buy your tickets now to watch “Top Gun: Maverick” playing in theaters starting May 27th![/et_pb_code][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Evolution (2015)

    Evolution (2015)

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    Lucile Emina Hadžihalilović is a French writer and director who’s worked in the industry since the late 1980s. After graduating from La Femis, she worked with noted French filmmaker Gaspar Noé on Carne and I Stand Alone. Noé was also the cinematographer on Lucile’s first film after graduation, La Bouche de Jean-Pierre, in 1996. She gained a lot of attention for 2004’s Innocence starring Marion Cotillard and Hélène de Fougerolles. The film won numerous awards at the Amsterdam Fantastic Film Festival, Istanbul International Film Festival, and Stockholm Film Festival. Ten years after her big break, she followed that up with an 18-minute short film called Nectar in 2014. For her next feature film, she drew on the real-life experience of having her appendix removed as a child. The result was the 2015 body horror film Evolution, premiering at the Portland International Film Festival in 2016.

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    Synopsis

    In a remote village, a young boy named Nicolas (Max Brebant) finds a dead body while swimming in the ocean. He tells his mother (Julie-Marie Parmentier), and she dives down to see it but only finds a red starfish. After getting into a fight with some boys, Nicolas’ mother takes him to a hospital for treatment. The doctors give him an injection above the stomach and room him with other boys who’ve had similar injections. Once released, Nicolas starts wondering if his mother and the other women in the village have been lying to him. He sneaks out at night and sees the women performing some bizarre ritual in the nude. Later, Nicolas notices that his mother has odd growths on her back that look like cephalopod suckers. However, what he’s about to discover about the injections will be more horrifying than he could’ve ever imagined.

     

    Review

    Going into Evolution, I had no idea what to expect other than a typical French film: slow and artsy. While it’s slower-paced and more about visuals, this is possibly one of the strangest movies I’ve seen lately. There are plenty of long, static shots that create a feeling of isolation, and the slow pace makes you feel uneasy. There’s very little dialogue, as the filmmakers rely more on the visuals than on having characters explain things. Much like The Human Centipede, I feel like the concept is more disgusting than what the movie presents us with. Thankfully, this film is much better than Tom Six’s notorious shocker, and I’m curious to see Lucile Hadžihalilović’s other work. Regardless of whatever issues I had, I have to commend her work, as this movie has an eerie presence. Above all else, this is undoubtedly a treat to the eyes.

    The acting is the stereotypical brooding, melancholy performance you would expect from a French arthouse film. Everyone delivers their lines so joylessly that it almost sucks the happiness out of you and put you to sleep. For his part, Max Brebant makes for a decent protagonist, being just as confused about what’s happening as we are. Plenty of people can relate to being a kid who doubts authority figures and questions everything they’re told. Julie-Marie Parmentier works as the mother figure who seems calm and peaceful, but has a dark side to her. There are some genuinely bizarre visuals sprinkled throughout, though they’ll confuse you more than scare you. Even at slightly over 80 minutes, the film feels padded and ends so abruptly that you’re unsure what you saw. Overall, Evolution certainly isn’t a bad movie, but it’s not one I see myself revisiting anytime soon.

     

    Buy Evolution from Amazon: https://amzn.to/3PbXqEK.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Doctor Strange in the Multiverse of Madness (2022)

    Doctor Strange in the Multiverse of Madness (2022)

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    On an estimated budget of $165 million, Doctor Strange grossed over $232 million domestically and $677 million worldwide. The film also earned critical appraisal and an Oscar nomination for Best Visual Effects but lost to The Jungle Book. In 2017, Scott Derrickson announced that he would be returning to helm a sequel and finalized the deal in 2018. Unfortunately, Marvel and Derrickson announced in 2020 that he would be leaving the project over creative differences. Despite his reluctance due to how Spider-Man 3 turned out, Sam Raimi agreed to take on the project. Michael Waldron, who previously wrote Rick & Morty and Loki, was brought to rewrite the script with Raimi. Principal photography began in November 2020, and much of the cast was excited to be working with Raimi. After numerous delays due to COVID and rescheduling, Doctor Strange and the Multiverse of Madness hit theaters in May 2022.

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    Synopsis

    A young woman named America Chavez (Xochitl Gomez), who can travel between dimensions, ends up in our world. A giant, one-eyed creature is chasing after her, which Dr. Strange (Benedict Cumberbatch) sees and goes to fight. After he rescues her, America explains her situation to Strange and Wong (Benedict Wong) and asks for their help. Strange decides to visit Wanda Maximoff (Elizabeth Olsen) for assistance, only to learn she sent the monster after Chavez. It turns out Wanda wants America’s powers to travel to an alternate dimension where she can be with her sons. Strange refuses, so Wanda attacks Kamar-Taj, and America accidentally teleports herself and Strange to another world. Since Wanda’s power comes from a book called The Darkhold, Strange needs to find its antithesis, the Book of Vishanti. With the fate of the multiverse at stake, will our heroes succeed, and what will happen to America?

     

    Review

    Doctor Strange in the Multiverse of Madness is probably one of the most bizarre and insane Marvel movies. On the one hand, its out-there nature helps it stand out from the glut of superhero movies. On the other hand, its bizarre tone and convoluted plot may not attract more casual viewers. Without going into spoilers, there is so much going on in the story that it can be overwhelming. With Sam Raimi at the helm, this movie has the pulp superhero style as his Spider-Man trilogy and Darkman. Raimi also manages to work in some horror movie elements, one particular moment reminding me of Evil Dead II. For a PG-13 Marvel movie, there’s a surprising amount of carnage, with characters dying in horrifically brutal ways. They manage to go just far enough with the gore that the movie teeters the line between PG-13 and R.

    Benedict Cumberbatch is solid as the titular character, delivering plenty of charisma and wit mixed in with pathos. Relative newcomer Xochitl Gomez works well off of Cumberbatch, though she can come off as an annoying sidekick. The stand-out performance is from Elizabeth Olsen, who manages to be both terrifying and sympathetic as the Scarlet Witch. She’s one of those villains who does horrific things, but you can understand her motivation to have an everyday life. While Rachael McAdams has more to do this time around, Chiwetel Ejiofor has a much smaller role. As with any Marvel movie, the action sequences are larger than life and exciting, especially with Raimi at the helm. What helps is the score by Danny Elfman, which is probably one of the more memorable scores in the MCU. Overall, Doctor Strange in the Multiverse of Madness may be a mess, but it’s an enjoyable mess.

    [/et_pb_text][et_pb_code _builder_version=”4.17.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Buy your tickets now to watch “Doctor Strange in the Multiverse of Madness” playing in theaters starting May 6th![/et_pb_code][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Slutty the Clown (2022)

    Slutty the Clown (2022)

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    Claire Bacon is a model and photographer from the UK who has worked on various shoots. She specialized in finding rundown, abandoned, and neglected urban areas and staging elaborate photoshoots with her husband Richard. In addition, she’s dabbled in cosplay, designing her costumes and creating unique characters, one of which was a psychopathic clown. At some point, she met aspiring filmmaker Joe Cash, who I talked about in my Carnal Monsters review. With his help, Claire expanded her character, Slutty the Clown, and the two discussed ideas for potential movies. Cash cast her for the short film She Dogs of the SS, which was part of the anthology Grindsploitation 9. After that, they gathered a budget of £500 and shot their dream project featuring Claire’s character. Following a brief filming period, Slutty the Clown finally premiered on the streaming service Troma NOW in 2022.

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    Synopsis

    Slutty the Clown (Claire Bacon) is a crazed, sex-obsessed psychopath who wanders the English countryside looking for victims. Two urban explorers, Cheryl Williams (Lauren Annetts) and Mia Rosemary (Eve Bamfield), check out some ruins near where Slutty resides. They stumble across Slutty’s residence during their exploration and proceed to deface it, not knowing who lives there. Naturally, Slutty is none too happy about strangers messing with her things, so she sets her eyes on the girls. After running into her, the girls watch a video from Professor Fellatio (Lloyd Kaufman), explaining who or what Slutty is. They even get a warning from survivalist Sean Voorhees (Ari Lehman) about what Slutty is capable of. Unfortunately, the girls don’t listen to the alarm, and they get captured and tortured by Slutty. Will the girls be able to escape, or will they be the latest victims of Slutty the Clown?

     

    Review

    Once again, I’d like to thank Joe Cash from Screaming Screening for reaching out to me to review his movies. Unfortunately, many of the problems I had with his previous film are here. Like Cash’s last effort, this barely qualifies as a movie since there’s hardly a plot or characters. Sure, things happen, and people are in it, but aside from Slutty, none of the leads even have names. I know I mentioned the other female leads by name, but they never refer to each other as such. Even the synopsis I provided is a series of random events rather than a cohesive plot. I understand that low-budget filmmaking is challenging, but that’s no excuse for whatever dreck this is. Admittedly, I don’t go into a movie called Slutty the Clown expecting Citizen Kane, but I at least expect competency.

    For her part, Claire Bacon seems to be having fun playing the titular character, skipping around with psychotic glee. She seems to be the only one since the two other leads look disinterested and don’t want to be there. Lloyd Kaufman seems confused in his cameo, and Ari Lehman is giving a performance that’s almost too good for this. To call the filmmaking shoddy would be an understatement, as there are times when it’s hard to tell what’s happening. Not only that but there are at least six or seven times where a “Missing Reel” title card pops up. I’m not sure what happened behind the scenes, but they should’ve either reshot the missing scenes or scrapped the footage. The movie is only an hour long, but there are far better ways to kill an hour than watching this. Overall, Slutty the Clown is a waste of time.

     

    Follow Screaming Screening on all of their socials: https://linktr.ee/screamingscreening.

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