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Category: New Releases

  • Star Wars: Episode IX – The Rise of Skywalker (2019)

    Star Wars: Episode IX – The Rise of Skywalker (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]With The Force AwakensRogue One, and The Last Jedi making over $1 billion, things seemed to be looking up. On top of that, all three received generally positive reviews from critics, but things weren’t so with fans and audiences. While fans and audiences were satisfied with the first two, The Last Jedi was especially divisive for what it changed. Between this and the poor box office returns of Solo, it seemed any goodwill Disney had been tainted. For the next installment, Colin Trevorrow (Jurassic World) was originally hired to direct but was let go in 2017. While Trevorrow and frequent collaborator Derek Connolly received story credits, J. J. Abrams would return to co-write and direct. Much of the original cast returned, while unused footage of Carrie Fisher was incorporated since she passed away in 2016. On December 20, 2019, Star Wars: Episode IX – The Rise of Skywalker was released.

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    Synopsis

    Emperor Palpatine (Ian McDiarmid) has returned following his downfall in Return of the Jedi and has spread a galaxy-wide broadcast. Supreme Leader Kylo Ren (Adam Driver) seeks a Sith Wayfinder, a device that will reveal Palpatine’s location, the planet Exegol. Palpatine and his followers have built a new fleet of Star Destroyers with firepower similar to the Death Star. Meanwhile, Rey (Daisy Ridley) is continuing her Jedi training with General Leia Organa (Carrie Fisher) acting as her mentor. Rey joins Finn (John Boyega), Poe (Oscar Isaac), Chewbacca (Joonas Suotamo), C-3PO (Anthony Daniels), and BB-8 in stopping Kylo Ren. Along the way, they meet up with Lando Calrissian (Billy Dee Williams), who agrees to fight alongside the Resistance. During the adventure, Rey discovers her true origins, Ren confronts his past, and the Emperor’s plans are set in motion. Will Palpatine be stopped, or will the Final Order reign supreme?

     

    Review

    While I know tons of people hated The Last Jedi, I enjoyed it wanted to see where things went. Unfortunately, though it has some good qualities, Star Wars: Episode IX – The Rise of Skywalker is a disappointment. To get into those good qualities, I’ll say first off that all of the acting here is great. Ridley, Boyega, Isaac, and Driver especially continue delivering great performances, while Williams and McDiarmid return to their characters enthusiastically. Also, given the unfortunate death of Carrie Fisher, the way they handled her scenes was done very respectfully. Also, as to be expected with any Star Wars film, the action set pieces and visuals are all done beautifully. Granted, there’s plenty of shots recreated from scenes in previous films, but this whole sequel trilogy has already done that. As a pure sci-fi spectacle, this film more than exceeds at providing blockbuster entertainment.

    However, great performances, action scenes, and visuals can’t make up for a poor story that ends on a resounding thud. Much of this can’t be discussed without spoilers, but suffice it to say the story is a complete mess. Not only does this fail as a finale to this new trilogy of films, but the entire nine-film saga. While Avengers: Endgame felt like a worthy conclusion to those films, this feels more like an average Star Wars film. The biggest problem is that in trying to appease those who disliked The Last Jedi, they ended up disappointing everyone. Even the added fan service doesn’t help, as it just feels like manipulation to try and win over audiences. That being said, if you’re just looking for a fun spectacle and exciting Star Wars action, you’ll have a good time. Overall, though, Star Wars: Episode IX – The Rise of Skywalker is a letdown.

     

    Buy Star Wars: Episode IX – The Rise of Skywalker on Amazon: https://amzn.to/3AszGdd.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Star Wars: Episode IX – The Rise of Skywalker (2019)

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  • Solo: A Star Wars Story (2018)

    Solo: A Star Wars Story (2018)

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    As I mentioned in my Rogue One review, a TV series, Star Wars: Underworld, was being developed before Disney’s acquisition. In 2012, the same year he sold Lucasfilm to Disney, George Lucas started work on a Han Solo origin film. He brought veteran screenwriter Lawrence Kasdan (Empire Strikes BackReturn of the Jedi) in to write the screenplay. After Disney’s acquisition, Kasdan was hired to finish the script for The Force Awakens, leaving his son Jonathan to continue. Phil Lord and Christopher Miller (The LEGO Movie) were originally hired to direct before being fired in 2017. Ron Howard, who ironically turned down directing The Phantom Menace, was hired to finish filming and work on reshoots. With an estimated budget of around $275 million, this would become one of the most expensive movies ever made. Finally, in May 2018, Solo: A Star Wars Story was released.

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    Synopsis

    On the planet Corellia, Han (Alden Ehrenreich) and Qi’ra (Emilia Clarke) bribe an Imperial officer to allow them passage. Unfortunately, Qi’ra gets separated from Han, and he decides to sign up for the Imperial academy to be a pilot. He ends up becoming an infantryman, and soon meets rogueish criminal Tobias Beckett (Woody Harrelson) who is planning a heist. After meeting the Wookie Chewbacca (Joonas Suotamo), they go on a heist for coaxium (hyperspace fuel), but it goes south. Because of this, they meet with Beckett’s client, Dryden Vos (Paul Bettany), who Qi’ra happens to be working for. They work out a deal to steal some unrefined coaxium from Kessel, with Qi’ra accompanying them as a liaison. She takes them to rogue smuggler Lando Calrissian (Donald Glover), who agrees to help using his ship, the Millenium Falcon. With the crew in place, it’s time to make the Kessel Run.

     

    Review

    Admittedly, I am somewhat conflicted when it comes to my overall feelings towards Solo: A Star Wars Story. On the one hand, it’s got some decent performances, some fun action scenes, and some interesting visuals, for sure. On the other hand, part of me is thinking, “Is this a story that we needed to know about?” To get into the positives first, I give Ehrenreich tons of credit given the enormous weight on his shoulders. While nothing can ever top Harrison Ford’s iconic performance, Ehrenreich does a fairly decent job matching his charisma and wit. Clarke does have pretty good chemistry with him, Harrelson is fun as always, and Suotamo plays a good Wookie. Oddly enough, Glover completely steals the show, even if he is just doing a Billy Dee Williams impression. Sadly, Bettany and Thandie Newton are wasted here, but at least we have a Clint Howard cameo.

    While Ron Howard didn’t do a terrible job, one wonders what Lord and Miller’s original version would’ve been like. Regardless of who directed it though, this project was doomed from the getgo simply because of the premise. If you’ve seen the original trilogy, you already know where this film is going, which makes it extremely predictable. For instance, while it’s cool to see the Kessel Run, it doesn’t add anything new to these already established characters. If anything, this movie proves that sometimes we don’t need to see a character’s backstory to enjoy them. While I had my issues with Rogue One, that at least had more a reason to exist than this. Still, if all you want is a fun sci-fi adventure film with decent performances and action, this will satisfy you. Overall, Solo: A Star Wars Story isn’t terrible, but it feels unnecessary.

     

    Buy Solo: A Star Wars Story from Amazon: https://amzn.to/378eXHn.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Solo: A Star Wars Story (2018)

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  • Star Wars: Episode VIII – The Last Jedi (2017)

    Star Wars: Episode VIII – The Last Jedi (2017)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]By 2015, Star Wars had lost its relevancy with the general public, given the last film was 10 years ago. Between the disappointing prequels, the despised special editions, and skepticism about Disney’s acquisition, any hope of good films seemed lost. That all changed when The Force Awakens not only was a critical hit, but it practically dominated the box office. The film grossed over $2 billion worldwide, broke several records, and remains the all-time highest-grossing film in the US. Between the success of this and Rogue One, it was clear that audiences were reembracing and returning to Star Wars. For the next installment, Rian Johnson would be tasked with both writing and directing following the surprise success of Looper. Much of the original cast and crew would return, though there was some conflict going on behind the scenes. Finally in 2017, Star Wars: Episode VIII – The Last Jedi was released.

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    Synopsis

    As the Resistance is evacuating from their base, they’re intercepted by the First Order, who begin attacking their fleet. Poe Dameron (Oscar Isaac) goes against orders and leads a bombing run against a dreadnought, which results in numerous casualties. The remaining Resistance escapes into hyperspace, only to be tracked by the First Order, who continue their attack. During the attack, Princess Leia (Carrie Fisher) is knocked unconscious, leaving Vice Admiral Holdo (Laura Dern) in command. Meanwhile, Rey (Daisy Ridley) asks Luke Skywalker (Mark Hamill) to help, but he refuses, preferring to live in self-imposed exile. Thankfully, R2-D2 convinces Luke to train Rey, who suddenly starts communicating via the Force with Kylo Ren (Adam Driver). Elsewhere, Finn (John Boyega) and Rose (Kelly Marie Tran) travel to the casino planet Canto Bight to find a codebreaker. Will the Resistance survive, will the First Order prevail, and what will become of our heroes?

     

    Review

    Of all the Star Wars movies I’ve done for this retrospective, this is one I was the most nervous about. Star Wars: Episode VIII – The Last Jedi is probably one of the most divisive films in recent memory. Many people love it, many people hate it, so where do I stand on this much-contested entry in the franchise? Well, let’s first get into the positives, starting with the excellent cast, all of whom continue to deliver solid performances. Ridley and Driver continue to bring tons of humanity to their characters, while Boyega and Isaac do what they can. While he may have had his disagreements with the characterization, Mark Hamill still shines and he’s committed to the material. Kelly Marie Tran, Laura Dern, and Benecio Del Toro are nice additions to the cast, though they are slightly underdeveloped. Lastly, Carrie Fisher further adds gravitas to the role.

    Regardless of your thoughts on the overall quality, Rian Johnson should be commended for going against the status quo. He took many of the elements introduced by Abrams and was able to expand upon them while adding his mark. Admittedly, I can understand some more hardcore fans being upset that elements introduced weren’t paid off the way they wanted. In my opinion, many of these subversions and misdirections help make this film more than just recycling old material. However, I don’t think all of it works, and the pacing could’ve been improved by excising the casino planet sequences. Also, while this isn’t necessarily a beat-for-beat redo of Empire Strikes Back, it does have many similar plot elements. All that being said, while I can understand why many people hated this, I still think it deserves more credit. Overall, Star Wars: Episode VIII – The Last Jedi is good if somewhat flawed.

     

    Buy Star Wars: Episode VIII – The Last Jedi on Amazon: https://amzn.to/4hpw2S9.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Star Wars: Episode VIII – The Last Jedi (2017)

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  • Rogue One: A Star Wars Story (2016)

    Rogue One: A Star Wars Story (2016)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]In 2005, ten years before The Force Awakens, a live-action TV series bridging the prequel and original trilogies was announced. The series went into development around 2009, and its working title, Star Wars: Underworld, was revealed in 2012. Unfortunately, due to budgetary issues, the show never came to be, but the ideas were still being talked about. Around 2014, visual effects supervisor John Knoll pitched his idea to Disney, who greenlit the project to be a film. Both he and Gary Whitta would develop the story, and Chris Weitz and Tony Gilroy would pen the script. Coming off the success of 2014’s Godzilla, Gareth Edwards was hired to direct what would essentially be a war film. Around mid-2016, months before its release, the film underwent several reshoots as executives felt it was tonally off. Finally, December 2016 saw the release of Rogue One: A Star Wars Story.

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    Synopsis

    As a child, Jyn Erso (Felicity Jones) watched her family be torn apart by the Empire and has been hiding. While being taken to an Imperial labor camp, she’s rescued by a Rebel squad led by Cassian Andor (Diego Luna). She’s brought to Rebel leader Mon Mothma (Genevieve O’Reilly), who asks her to rescue her father Galen Erso (Mads Mikkelsen). Turns out he’s been recruited by Director Krennic (Ben Mendelsohn) to finish construction on a dangerous superweapon, the Death Star. Jyn agrees and goes with Cassian and former Imperial droid K-2SO (Alan Tudyk) to meet with Saw Gerrera (Forest Whitaker). Gerrera shows Jyn a hologram Galen left behind, which details an intentional weakness he designed in the Death Star. She recruits warrior Chirrut Îmwe (Donnie Yen), mercenary Baze Malbus (Jiang Wen), and former Imperial pilot Bodhi Rook (Riz Ahmed). Together, they plan to steal the plans to the Death Star.

     

    Review

    Back when I saw this movie when it hit theaters, I remember enjoying it but also feeling somewhat indifferent. Having rewatched it again, my feelings towards Rogue One: A Star Wars Story remain the same, though more positive. Much like Gareth Edwards’ Godzilla, this film has plenty of fun action sequences but is lacking in terms of characterization. My biggest issue with Rogue One: A Star Wars Story is the side characters are more interesting than the leads. Alan Tudyk is hilarious as the dry-witted Imperial droid, and the dynamic between Donnie Yen and Jiang Wen is cool. While Felicity Jones and Diego Luna aren’t terrible, the material they’re given isn’t very compelling and is pretty uninteresting. Ben Mendelsohn makes for a good villain, though it’s a very archetypal villain that doesn’t have anything unique to offer. Also, Mads Mikkelsen and Forest Whitaker are kind of wasted in this.

    One thing I can give this movie credit for is its originality and some interesting ideas they introduce. Unlike the other films where the Rebels and Imperials were black and white, this shows there are some grey areas. This shows that good people are working for the Empire and that the Rebels have done some questionable things. When it gets into the action in the third act, it feels like something out of a war film. In terms of effects, there’s plenty more CGI than practical effects, but they aren’t terrible, though some are distracting. The biggest ones are the CGI recreations of Peter Cushing and young Carrie Fisher, both technically impressive but also unsettling. For all the issues I had with this film, this is easily the best Star Wars prequel to date. Overall, Rogue One: A Star Wars Story has good ambitions but isn’t very compelling.

     

    Buy Rogue One: A Star Wars Story on Amazon: https://amzn.to/48zzV2L.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Rogue One: A Star Wars Story (2016)

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  • Star Wars: Episode VII – The Force Awakens (2015)

    Star Wars: Episode VII – The Force Awakens (2015)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Way back when Star Wars: A New Hope was being made, Lucas had originally envisioned a prequel and sequel trilogy. However, as time passed, he decided to focus instead on making six films and halted any plans for future films. Around 2011, Lucas was invited to meet with Bob Iger of Disney to discuss possibly selling Lucasfilm to Disney. A year later, Lucas announced his retirement, sold his company to Disney and appointed Kathleen Kennedy as the new head. Michael Arndt wrote the initial first drafts before veteran writer Lawrence Kasdan was brought in alongside co-writer/director JJ Abrams. Along with returning cast members Mark Hamill, Harrison Ford, and Carrie Fisher, a whole new cast would be introduced. Many of the crew who worked on the previous films came back, including long-time composer John Williams. Ten years after the previous film, Star Wars: Episode VII – The Force Awakens was released.

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    Synopsis

    Thirty years have passed, and out of the ashes of the Galactic Empire comes its successor, the First Order. Led by the Sith Lord Kylo Ren (Adam Driver), they’re seeking a map leading to the location of Luke Skywalker. Part of the map is hidden in a small droid, BB-8, and its master Poe Dameron (Oscar Isaac) is kidnapped. The droid ends up with local scavenger Rey (Daisy Ridley), while Poe is rescued by former Stormtrooper Finn (John Boyega). Through a series of events, Finn and Rey end up escaping the First Order in the Millenium Falcon. They meet Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew), who both agree to help get the droid to safety. While meeting Maz Kanata (Lupita Nyong’o), the First Order attacks and kidnap Rey, who turns out to be force sensitive. Will the First Order find Skywalker, and will Rey discover her true abilities?

     

    Review

    After being disappointed by the prequel trilogy, Star Wars: Episode VII – The Force Awakens is a welcome return to form. While those films suffered from poor writing, lackluster performances, and CGI overload, this is an improvement on all fronts. Writing-wise, the film does borrow several elements from the original trilogy, but it’s understandable given this continues the story. Also, them reusing the original trilogy was probably done as a way to reintroduce audiences to the Star Wars universe. There are some unique elements, including a character being a former Stormtrooper, the lead being female, and a reckless villain. Acting-wise, every actor old and new gives a terrific performance, particularly Daisy Ridley, John Boyega, Adam Driver, and Harrison Ford. Other Star Wars veterans such as Carrie Fisher, Anthony Daniels, and Peter Mayhew also do a good job here. Mark Hamill is here, but he only has one scene at the end.

    Going back to the acting, Daisy Ridley does a great job playing a strong but vulnerable female lead. John Boyega is terrific playing a character coming from a bad place who wants to do the right thing. Unlike Darth Vader’s cold and stoic nature, Adam Driver’s Kylo Ren is unique in that he’s emotional and has outbursts. To me, that makes for an interesting villain since he’s so unpredictable given how he’ll fly off the handle randomly. Other acting highlights include Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, and Andy Serkis, all of whom have their shining moments. Effects-wise, while the prequels almost fetishized CGI, this film perfectly incorporates CGI with really impressive practical effects. Though the recycling of material may seem cynical, there’s enough new material to complement the familiar tropes and plot beats. Overall, Star Wars: Episode VII – The Force Awakens is a perfect blending of old and new.

     

    Buy Star Wars: Episode VII – The Force Awakens on Amazon: https://amzn.to/4fsmuE0.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Star Wars: Episode VII – The Force Awakens (2015)

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  • Jumanji: The Next Level (2019)

    Jumanji: The Next Level (2019)

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    In 1981, writer/illustrator Chris Van Allsburg released the children’s book Jumanji about a jungle-themed board game that comes alive. The book was adapted into a 1995 film starring Robin Williams and directed by Joe Johnston that was financially successful. Seven years later, the similarly themed Zathura: A Space Adventure, also based on a Chris Van Allsburg book, was released. Though not a direct sequel, the film was still considered to be within the same universe as Jumanji. Unfortunately, the film underperformed at the box office despite positive reviews, so the franchise was put on hold. Then, 2017 saw the release of Jumanji: Welcome to the Jungle, initially a remake, but changed to be a sequel. The film was a surprise hit with critics and audiences, making over $400 million domestically and over $900 million worldwide. Following its success, 2019 saw the release of a sequel, Jumanji: The Next Level.

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    Synopsis

    One year after the previous film, Spencer (Alex Wolff), Fridge (Ser’Darius Blain), Martha (Morgan Turner), and Bethany (Madison Iseman) split. While Fridge, Martha, and Bethany plan to meet up in Brantford, Spener is reluctant and decides to return to Jumanji. The others go to his house to find him, realize he’s in the game, and decide to go after him. While Martha returns to play Ruby Roundhouse (Karen Gillian), Fridge ends up as Professor Sheldon Oberon (Jack Black). Bethany gets left behind, and Spencer’s grandpa Eddie (Danny DeVito) and estranged friend Milo Walker (Danny Glover) get sucked in. Eddie is playing as Smolder Bravestone (Dwayne Johnson) and Milo is Franklin Finbar (Kevin Hart), much to the others’ dismay. They eventually find Spencer playing as Ming Fleetfoot (Awkwafina) and try to work together to beat the game, again. It’s a race against time to beat Jumanji and make it back home.

     

    Review

    While I did enjoy the first Jumanji as a kid, I will admit that it hasn’t aged very well. So, when I first heard about Jumanji: Welcome to the Jungle, I was initially skeptical and had little expectations. When I eventually saw the film, I was pleasantly surprised at how fun, exciting, and heartwarming the film was. Naturally, I was excited about the sequel, though I was concerned about how it would compare to the previous film. I’m happy to report that, while it isn’t as fresh, Jumanji: The Next Level is still an enjoyably fun ride. Like the last film, one thing that makes this film work so well is its strong cast. Not only are the in-game avatars as fun as ever, but the main characters also add tons of heart. Franchise newcomers Danny DeVito and Danny Glover are also a welcome addition.

    Speaking of them, some of the biggest laughs come from Dwayne Johnson and Kevin Hart’s impersonations of their human counterparts. Johnson perfectly mirrors DeVito’s raspy and nasally voice while Hart captures Glover’s intentionally slow line delivery effortlessly. Along those same lines, it’s fun seeing Jack Black replicate Blain’s performance, also earning some of the biggest laughs here. As with the previous film, the action sequences offer the right amount of thrills to go along with the comedy. One issue I had with this film was how they recycled some of the same jokes from the last film. Admittedly, some of the callbacks were pretty funny, and many of those moments are few and far between. This film isn’t going to be a big game-changer, but it’s still a fun watch, and that’s perfectly fine. Overall, Jumanji: The Next Level is an entertaining thrill ride that does its job well enough.

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  • Knives Out (2019)

    Knives Out (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]In 2005, up-and-coming filmmaker Rian Johnson released his debut feature Brick, which received critical praise and has a cult following. While working on that film, Johnson was also developing the concept of an Agatha Christie-style whodunit murder mystery. However, his follow-up film was the comedic drama The Brothers Bloom in 2008, an idea he had before making Brick. His big break came with the release of his 2012 sci-fi thriller Looper, which was a surprise box office hit. This led to him getting the job to work on one of the biggest sci-fi franchises ever made, Star Wars. Released in 2017, Star Wars: The Last Jedi became the year’s highest-grossing film, though it received polarizing reviews. Even still, the success of Star Wars enabled Johnson to finally make his long-in-development whodunit murder mystery. So, in 2019, Rian Johnson and his long-time producing partner Ram Bergman brought us Knives Out.

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    Synopsis

    Harlan Thrombey (Christopher Plummer), a successful murder mystery writer, has been found dead following his 85th birthday the previous day. At first, his death is ruled as a suicide, but Detectives Elliot (Lakeith Stanfield) and Wagner (Noah Segan) investigate further. They gather up several family members, including eldest daughter Linda (Jamie Lee Curtis) and youngest son Walter (Michael Shannon). Alongside them are son-in-law Richard (Don Johnson), daughter-in-law Joni (Toni Collette), and grandchildren Megan (Katherine Langford) and Jacob (Jaeden Martell). A private investigator named Benoit Blanc (Daniel Craig) has also been hired by an anonymous source to investigate the death. At the heart of it all is Marta Cabrera (Ana de Armas), Harlan’s caretaker who was close to Harlan. Finally, there’s Linda and Richard’s son Hugh aka Ransom (Chris Evans), a spoiled rich kid who depends on everyone else. With the suspects lined up, a murder mystery is about to unfold.

     

    Review

    In a time where we are inundated with various sequels, remakes, and adaptations, it’s refreshing to see an original release. Knives Out is a very clever, well thought out, and entertaining murder mystery that keeps you guessing the entire time. Without giving much away, there’s a point where you think you’ve solved it, but then you’re hit by a curveball. Admittedly, there’s a point where it seems like there are far too many twists thrown out, which can be confusing. However, Knives Out is well-written and well-acted enough that everything starts to make sense after a while. Speaking of the acting, everyone in the cast does a terrific job and they all have their shining moments. Ana de Armas, as our protagonist, is very likable and works as the straight man to everything going on. However, Daniel Craig easily steals the show as the eccentric investigator with a southern droll.

    Altogether, this is one of the best ensemble casts ever assembled, each one giving their performance 100%. Knives Out often jumps back and forth between the present and the events leading up to Harlan’s death. Luckily, the flashbacks are never intrusive or out of place and serve to give further character insight and development. Plus, like many good murder mysteries, Knives Out gives you just enough information without outright spoiling itself. Also, even with all the twists and turns the movie takes, it’s never difficult to follow or hard to understand. Say what you will about Rian Johnson, but he’s a talented filmmaker who’s in high demand for a reason. Even if you’re not a fan of Star Wars: The Last Jedi, this is easily one of his best films. Overall, Knives Out is an enjoyable thriller with plenty of humor and suspense to make it one of 2019’s best.

     

    Buy Knives Out on Amazon: https://amzn.to/4fyDtVj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Knives Out (2019)

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  • Ford v Ferrari (2019)

    Ford v Ferrari (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Since the mid-1980s, James Mangold has had quite a successful career as a writer, producer, and director. His first film, the independent drama Heavy, was a hit at the Sundance Film Festival and Cannes in 1995. He followed that up with 1997’s Cop Land, which also helped revitalize Sylvester Stallone’s career which was slumping. Mangold also directed 1999’s Girl, Interrupted, which won a Best Supporting Actress Oscar for Angelina Jolie. After Kate & Leopold in 2001 and Identity in 2003, Mangold’s next major film was 2005’s Walk the Line. A biopic about Johnny Cash, the film was both a commercial and critical success, earning five Oscar nominations. 2007 marked the first time Mangold would work with actor Christian Bale on the Western remake 3:10 to Yuma. Cut to twelve years later, where Mangold has teamed up again with Bale for a new biopic, Ford v Ferrari.

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    Synopsis

    Carroll Shelby (Matt Damon) was a professional racer who won the 24 Hours of Le Mans but had to retire. Sometime later, he gets an offer from Lee Iacocca (Jon Bernthal), the VP of Ford Motors, for a major project. After a botched deal with Ferrari, Ford wants to build a car to compete against them at Le Mans. With that, Shelby decides to enlist British racer/mechanic Ken Miles (Christian Bale) to help build the car. However, Miles has doubts that such a task can be met considering the quality of cars Ferrari makes. At the same time, Leo Beebe (Josh Lucas), a senior executive VP at Ford, has his doubts about Miles. Despite this, Shelby and Miles push forward to get their car made and ready to race at Le Mans. Will they succeed and outdo Ferrari, or will they be left in the dust?

     

    Review

    Going into Ford v Ferrari, I didn’t have much to go on other than the cast and director involved. I did know that this was based on a true story, but I was unfamiliar with said story. That being said, Ford v Ferrari is a thoroughly enjoyable film with some incredible performances and stellar directions. Damon and Bale, both great actors on their own, are phenomenal together, having great back and forths with each other. Even when they fight and have their disagreements, you can tell that there’s a real friendship between them. As per usual, Josh Lucas does a good job playing a complete sleazeball who’s fun to hate. Bernthal is also good, and special mention should go to Caitriona Balfe and Noah Jupe as Bale’s wife and son. Both of them help add human drama, are fun and memorable characters, and have great scenes with Bale.

    Despite the title, the focus isn’t necessarily on Ford or Ferrari, but more so on two guys against two corporations. Throughout Ford v Ferrari, you follow these two guys as they work together despite having Ford breathing down their necks. Even if you’re not into cars, it’s fascinating seeing these guys trying to build this perfect race car. It all leads up to the big race at Le Mans, which is a pretty tense and thrilling sequence. If I had any issues, I’d say that there may be some scenes that went on a bit too long. Also, despite him being what sets things in motion, Bernthal sort of disappears at about the halfway point. Even with that said, this is yet another fantastic film from a fantastic director of other fantastic films. Overall, Ford v Ferrari is an enjoyable film about the creative spirit and overcoming the odds.

     

    Buy Ford v Ferrari on Amazon: https://amzn.to/3NUso57.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Ford v Ferrari (2019)

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  • Dolemite Is My Name (2019)

    Dolemite Is My Name (2019)

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    During the 1970s, black comedians such as Redd Foxx and Richard Pryor started becoming popular thanks to their crude humor. Around the same time, comedian Rudy Ray Moore, aka the Harlem Hillbilly, was starting to emerge onto the scene. Wanting to be an entertainer since childhood, Moore struggled to find his niche until eventually finding success in comedy. After recording and releasing three comedy albums in the early 70s, Moore decided the next step would be the movies. Released in 1975, Dolemite received mixed to negative reviews but was a massive commercial hit grossing close to $12 million. He followed that up with The Human TornadoPetey Wheatstraw, and Disco Godfather, but his career tanked in the 80s. Sadly, Moore died in 2008, though his legacy is still celebrated by rappers like Snoop Dogg and Busta Rhymes. Eleven years following his death, the biopic Dolemite Is My Name is released.

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    Rudy Ray Moore (Eddie Murphy) is a struggling artist working at a record store in 1970s Los Angeles. He also works as an MC at a local club for his friend Ben Taylor (Craig Robinson) and his band. One day, a homeless man named Ricco (Ron Cephas Jones) comes in and starts telling stories that captivate the patrons. That night, Moore finds Ricco amongst other homeless people, paying them in cash and booze to tell stories and jokes. Moore then modifies the material, creates a new character, and performs the act at the club, becoming an instant hit. Seeing the potential, Moore decides to record a comedy album, which becomes so successful, he’s offered a recording contract. After finding success with his albums and tours, Moore sets his sights on Hollywood with a Dolemite movie. With a dedicated but inexperienced cast and crew, Moore is determined to be a star.

    In terms of Netflix original movies, Dolemite Is My Name is by far the best one released so far. The film was written by Scott Alexander and Larry Karaszewski, famous for Tim Burton’s Ed Wood, and you can tell. Much like what that film did for Ed Wood, this both pokes fun at and pays loving homage to Moore. Craig Brewer’s direction is phenomenal, as he perfectly captures the look and feel of 1970s Los Angeles. Performance-wise, everyone is on point, with Eddie Murphy giving one of his best performances in a long time. After years of being in drek like Pluto NashDaddy DaycareNorbit, and Meet Dave, this is a major comeback. Not only is he giving it his all, but he perfectly captures Rudy Ray Moore’s mannerisms and body language. Murphy did his homework when it came to mimicking Rudy Ray Moore and making it his own.

    Going back to the performances, Wesley Snipes is hilarious as actor/director D’Urville Martin, who doesn’t care about anything. He perfectly plays a character who thinks he’s all high and mighty but isn’t as big as he thinks. Craig Robinson and Mike Epps are fun as Moore’s friends, and Keegan Michael-Key has some great dry humor. Also, special mention has to go to Da’Vine Joy Randolph as Lady Reed, who gives an amazing performance here. There are some fun cameos from Snoop Dogg, Chris Rock, and Luenell that make Dolemite Is My Name extra fun. Also, going back to comparing this to Ed Wood, this film has an inspiring message behind about overcoming the odds. Much like the real-life story of Rudy Ray Moore, this film shows how drive and perseverance can pay off. Overall, Dolemite Is My Name, much like its source material, is bold, brash, and wildly entertaining.

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  • Jojo Rabbit (2019)

    Jojo Rabbit (2019)

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    After WWI ended in 1918, Germany was declining, between losing the war, the terms of surrender, and economic woes. One year later, a recently discharged soldier saw the potential to rise in power through propaganda and strongarming political leaders. That man was Adolf Hitler, who rose to power from 1921 until 1933 when he was declared chancellor of Germany. He would go down in history as one of the most tyrannical and genocidal dictators to ever live. Over the years, there have been various films made about Hitler, ranging from serious dramas to hilarious satires. Some examples of satire include Charlie Chaplin’s The Great Dictator in 1940 and Mel Brooks’ The Producers in 1967. Flashforward to 2019, where New Zealand filmmaker Taika Waititi (Thor: Ragnarok) has brought us his form of Nazi mockery. Based on the book Caging Skies by Christine Leunens, we have the comedy-drama Jojo Rabbit.

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    Synopsis

    In 1940s Germany, a young boy named Johannes “Jojo” Betzler (Roman Griffin Davis) dreams of being Hitler’s right-hand man. So much so that he even has an imaginary friend who happens to be Hitler (Taika Waititi) offering sagelike advice. He attends a Hitler Youth camp run by Captain Klenzendorf (Sam Rockwell), where an accidental grenade blast leaves him scarred. Thanks to his mother Rosie (Scarlett Johansson), Jojo manages to get work from Klenzendorf, mostly small tasks like spreading propaganda. One day at home, Jojo discovers a Jewish girl named Elsa (Thomasin McKenzie), who’s been hiding out in the attic. Though initially frightened because of his teachings, Jojo reluctantly starts spending time with her, mostly learning about the “Jewish secrets”. He starts having feelings for her, which goes against what he believes as a Nazi and starts frustrating imaginary Hitler. Will he hold onto his beliefs, or will he be changed?

     

    Review

    Jojo Rabbit is the perfect film to come out now, especially given much of the hatred that’s been spreading. It’s a very sweet and touching film that shows how love and compassion can conquer fear and hate. Roman Griffin Davis, for such a young actor, delivers a fantastic performance as a boy trying to prove himself. Thomasin McKenzie is also great, being both really funny and even showing her more dramatic side in some scenes. As per usual, Sam Rockwell steals just about every scene he’s in, easily one of the film’s highlights. Scarlett Johansson is both charming and sweet as a single mother trying to raise her son by encouraging love. Both behind and in front of the camera, Taika Waititi shows just how talented he is as a filmmaker/actor. As an imaginary Hitler, he can be really funny and simultaneously really intimidating, especially near the end.

    In terms of problems, Jojo Rabbit has a few that hinder it slightly, but not enough to ruin the film. Perhaps the biggest problem is that this film has very odd tonal shifts throughout, bouncing wildly between satire and drama. One minute, you’re laughing at some of the goofier moments between Jojo and either Elsa, imaginary Hitler, or his mother. But then, almost out of nowhere, there will be some dark and heavy scenes that seem out of place. Given the subject matter, it’s fair to expect that there would some darker elements in Jojo Rabbit. But the way it’s handled feels like tonal whiplash as if trying to remind you of the horrors going on. Granted, that might’ve been the intent, but it could put some audiences off, especially if they’re going in blind. Overall, while somewhat flawed, Jojo Rabbit is still worth your time.

     

    Buy Jojo Rabbit on Amazon: https://amzn.to/4dI9wSe.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Jojo Rabbit (2019)

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