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Category: New Releases

  • Doctor Sleep (2019)

    Doctor Sleep (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]In 1980, Stanley Kubrick’s psychological horror film The Shining, adapted from the 1977 Stephen King novel, was released. Despite receiving mixed reviews at the time, the film was a box office hit and eventually gained a critical reevaluation. However, King was never happy with the film version, essentially saying it was a good movie but a bad adaptation. Then again, King later made Maximum Overdrive to show how to “do Stephen King right”, though to less-than-stellar results. Years later, King hired director Mick Garris to readapt The Shining as a TV miniseries that’s more faithful than Kubrick’s. Unlike the Kubrick version, the miniseries was initially received positively and won some awards, but retrospective reviews were less favorable. In 2013, King wrote a sequel to the novel, and plans for a film adaptation soon followed through Warner Bros. Six years later, director Mike Flanagan brings us 2019’s Doctor Sleep.

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    Synopsis

    Years after the incident at the Overlook Hotel, an adult Danny Torrance (Ewan McGregor) has become an alcoholic. Ever since childhood, he’s occasionally been haunted by the ghosts of the Overlook, particularly a naked old woman. Meanwhile, there’s a group called the True Knot led by a strange woman called Rose the Hat (Rebecca Ferguson). They’re a group of semi-immortal people who feed off the souls of people with powers similar to Danny’s “Shining”. When they kidnap and kill a small child with similar abilities, they’re discovered by young psychic Abra (Kyliegh Curran). Recognizing that she has exceptional powers, Rose and her group works to hunt her down to feast on her soul. Abra ends up inadvertently communicating telepathically with Danny, and he decides to help her fight off the True Knot. It all leads to a final confrontation that leads to where it all started, the Overlook Hotel.

     

    Review

    Given the legacy of Kubrick’s The ShiningDoctor Sleep certainly has a lot to live up to. While not as groundbreaking as the 1980 film, this serves as a great companion piece with that film. First off, director Mike Flanagan (OculusHushOuija: Origin of Evil) once again shows just how talented he is. While some shots are emulating Kubrick’s work, Flanagan directs it in a way that it still stands on its own. Also, rather than going for cheap jump scares, Doctor Sleep relies more so on establishing mood and atmosphere. Ewan McGregor is excellent as a man who’s still haunted by his past that’s seeking redemption and confronting his demons. Rebecca Ferguson steals the show as a mysterious villain who, while evil, still has understandable motivations behind her actions. Also, for a first-time actress, young Kyliegh Curran shows tons of potential and gives a strong performance.

    One fear I had going into Doctor Sleep was how much they would rely on references to The Shining. Thankfully, much of that is reserved for the first few minutes and the third act when they revisit the hotel. That means we have two hours to get to know these characters and become attached to them first and foremost. Interestingly enough, rather than mostly using stock footage, they hired new actors to reprise the original’s main characters. While it is somewhat distracting for those familiar with the original, it’s still better than CGI recreations of those actors. Some audiences might be disappointed that this isn’t heavy on scares, but it works thanks to its story and characters. Of the Stephen King movies in 2019, including Pet Sematary and It Chapter Two, this is easily the best one. Overall, Doctor Sleep is a worthy successor to Kubrick’s classic film.

     

    Buy Doctor Sleep on Amazon: https://amzn.to/4hzipzC.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Doctor Sleep (2019)

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  • Terminator: Dark Fate (2019)

    Terminator: Dark Fate (2019)

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    In 1984, young up-and-coming filmmaker James Cameron wowed audiences and impressed critics with his sci-fi action film, The Terminator. On a budget of roughly $6 million, the film grossed over $78 million worldwide, propelling Cameron to superstardom. Seven years later, Cameron followed it up with the even bigger and revolutionary sequel, Terminator 2: Judgement Day. Not only was it considered superior to the original by critics, but the film grossed over $500 million worldwide. Unfortunately, due to rights issues, a new entry wouldn’t see a release until 2003’s Terminator 3: Rise of the Machines. Six years later, Terminator: Salvation was released with the intent of starting a new trilogy, but plans fell through. Another six years later, Terminator: Genisys was intended to reboot the franchise, but failed despite doing reasonably well financially. Cut to three years later, where Cameron has reacquired the rights, and we now have Terminator: Dark Fate.

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    Synopsis

    Several years after Terminator 2, a new, more advanced Terminator, the Rev-9 (Gabriel Luna), has been sent back in time. At the same time, an augmented human soldier named Grace (Mackenzie Davis) has also been sent back. Both have arrived at Mexico City looking for a young woman named Daniella “Dani” Ramos (Natalia Reyes). Grace has been sent back to protect her from the Rev-9 for reasons that are made clearer later on. While being pursued by the Rev-9, Grace and Dani are saved by the unexpected appearance of Sarah Connor (Linda Hamilton). Though reluctant at first, both Dani and Grace agree to let Sarah accompany them to fight off the Rev-9. Along the way, they meet up with a much older T-800 Terminator (Arnold Schwarzenegger), who’s taken on a new identity. With the seemingly indestructible Rev-9 in pursuit, the fate of the future rests on their shoulders.

     

    Review

    Unfortunately, that’s all I can say about the plot without going into spoilers, and there are plenty of those. When I first heard about Terminator: Dark Fate, I was naturally skeptical but still optimistic due to the people involved. To get into the positives first, the cast all does a great job, for the most part. Linda Hamilton is wonderful in her return as Sarah Connor, reminding us of how awesome she was and still is. Plus, it’s always great seeing Arnold Schwarzenegger back, especially since he’s given some of the best lines here. Newcomers Mackenzie Davis and Natalia Reyes, though playing largely one-note characters, still fit their roles well, Davis especially. While not as good as Robert Patrick’s T-1000 in Terminator 2, Gabriel Luna still captures that intensity as the Rev-9. Tim Miller of Deadpool fame does great work behind the camera and stages some awesome action sequences.

    However, what ultimately bogs down Terminator: Dark Fate is the story and some plot choices that are made here. Much like Terminator 3 and Terminator: Genisys, this film more or less borrows the same plot as Terminator 2. Like before, two people are sent to the future, one to protect someone, the other to kill that same person. Even though Terminator: Salvation didn’t work as a whole, it at least tried something different, and I can respect that. Like I said before, I can’t go into too much plot detail without spoilers, but suffice to say, it’s problematic. The choices that are made somewhat invalidate what the previous films established and seem to only justify this film’s existence. While it’s not a bad film, Terminator: Dark Fate will upset some longtime fans of the franchise. Overall, Terminator: Dark Fate is in some ways better and worse than previous entries.

     

    Buy Terminator: Dark Fate from Amazon: https://amzn.to/4nYGRg0.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Terminator: Dark Fate (2019)

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  • The Current War (2017)

    The Current War (2017)

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    Some of you may recall that the last new release I reviewed, Gemini Man, was in development hell for years. Well, seems October is the month of delayed movies as we have one that was already filmed before being released. Following the release of Me and Earl and the Dying Girl, director Alfonso Gomez-Rejon was offered a new historical drama. Entitled The Current War, the film premiered at the Toronto International Film Festival and was scheduled for a December release. However, it was owned by The Weinstein Company at the time and was subsequently shelved following the Harvey Weinstein allegations. The company’s assets were then purchased by Lantern Entertainment, and the film eventually got its release two years later. During that time, Gomez-Rejon was disappointed in the version shown at TIFF, so he reshot and re-edited the film. Now the “Director’s Cut”, 2019 sees the release of The Current War.

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    Synopsis

    The film revolves around the “war of the currents” between Thomas Edison (Benedict Cumberbatch) and George Westinghouse (Michael Shannon). Having harnessed the power of electricity, the two are vying to be the ones to power the entire country. Edison favors the costlier and less effective Direct Current (DC), while Westinghouse favors the inexpensive and powerful Alternating Current (AC). In the middle of the conflict is recently immigrated Nikola Tesla (Nicholas Hoult), who soon becomes an ally for Westinghouse. Things take a turn for the worse for Edison when his wife Mary (Tuppence Middleton) dies of a brain tumor. With so much at stake, Edison launches a smear campaign against Westinghouse, claiming that AC is too dangerous to use. Westinghouse stands firm despite the smear campaign, which eventually leads to the creation of the electric chair. It all culminates in the two battling over who will light the Chicago World’s Fair.

     

    Review

    I can remember seeing trailers for the film back when it was supposed to come out in 2017. After that, I heard next to nothing about the film until I saw that it was being released in 2019. Since I haven’t seen the version shown at TIFF, I can’t say whether the version released is better or worse. That said, it’s very clear watching this that there were some production problems given how somewhat disjointed the film is. To get into the positives, the cast does a fairly good job, particularly Cumberbatch, Shannon, and Hoult despite limited screentime. Other highlights include Tom Holland as Edison’s assistant, Samuel Insull, and Katherine Waterston as Westinghouse’s wife, Marguerite. Also, the story itself is fascinating, if only because it makes you think about how we take electricity for granted. Plus, Gomez-Rejon’s direction is solid, really capturing the look of the late 19th century.

    Despite its positives, there are also several negatives, though some can be forgiven considering the troubled production. With a runtime of one hour and 45 minutes, the film feels rushed, scenes going by too fast. For instance, Edison’s wife dies roughly 20 minutes in, giving us almost no time to get to know her. There are also several montages, which makes it feel like there’s footage missing, and there’s hardly any breathing room. For being rivals, Cumberbatch and Shannon don’t share any scenes until the very end, part of the many reshoots. Thankfully, the newly added scenes aren’t as obvious as Dark Phoenix, being saved for the end of the film. With this being billed as the “Director’s Cut”, I can understand and respect that this was what the director intended. Overall, The Current War, despite several pacing issues, is worth a watch for the cast, story, and direction.

     

    Buy The Current War from Amazon: https://amzn.to/47H55Xc.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch The Current War (2017)

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  • Gemini Man (2019)

    Gemini Man (2019)

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    Taiwanese director Ang Lee has had a very interesting career, having achieved both critical and commercial success over the years. He made his debut with 1991’s Pushing Hands, which started what’s been referred to as his “Father Knows Best” trilogy. This trilogy continued with 1993’s The Wedding Banquet and 1994’s Eat Drink Man Woman, and all three were considered hits. Lee made his debut in Hollywood with 1995’s Sense and Sensibility, which received seven Oscar nominations and won one. Unfortunately, his next follow-ups, 1997’s The Ice Storm and 1999’s Ride with the Devil, though critically praised, flopped financially. Things turned around with 2000’s Crouching Tiger, Hidden Dragon, 2003’s Hulk, 2005’s Brokeback Mountain, and 2012’s Life of Pi. Many of these achieved financial success, and some received critical acclaim, earning several Oscar nominations and winning two for directing. 2019 sees the release of Ang Lee’s newest film, Gemini Man.

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    Henry Brogan (Will Smith) is an aging government assassin who plans on retiring after several years of active service. While meeting up with an old friend, Jack (Douglas Hope), he’s informed that his latest target was an innocent man. Jack tells Henry where to find the informant, but is subsequently killed by their former agency, making Henry a target. Along the way, Henry befriends a fellow agent, Danny Zakarweski (Mary Elizabeth Winstead), and she’s now marked as a target. With some help from Henry’s friend Baron (Benedict Wong), they escape and travel to Budapest to meet the informant. Meanwhile, Clay Varris (Clive Owen), director of a black-ops unit called “Gemini”, sends out his top assassin to eliminate Henry. In a twist, Danny discovers that the assassin sent after Henry is a younger clone of him. It’s up to Henry and crew to stop Clay and take out Henry’s clone.

    When I first saw the trailer for Gemini Man, I was interested but couldn’t shake the feeling something wasn’t right. Turns out I was right as Gemini Man is one of the most forgettable and derivative movies I’ve seen lately. To get into the positives first, the cast is decent, all of whom do what they can be considering the material. The action sequences are decently staged, for the most part, particularly a motorcycle chase and a shootout later on. The CGI used to create the younger Will Smith looks passable, especially during scenes either in darkness or at night. Given Ang Lee’s talent as a filmmaker, the film looks good and there’s nothing awful on a technical level here. So, if you’re looking purely for action, you could do worse, at least compared to, say, Michael Bay’s Transformers films. Unfortunately, the film has too many shortcomings to recommend it.

    As I alluded to earlier, the film is very poorly written and the plot is derivative of much better films. The script was initially written in the late ’90s, and you can tell, especially given the basic setup. It’s a very basic story involving spies, government betrayals, clones, and people on the run, all done much better before. Going back to the writing, there is so much exposition that just drags on, and much of the dialogue is repeated. For instance, there are several instances where characters discuss how the younger assassin is a clone and how it works. It’s repeated so much that it feels like the writers assume the audience can’t grasp the concept of a clone. Honestly, the only things the movie has going for it are its cast and its above-average CGI and action scenes. Overall, Gemini Man is a poor imitation of better action films.

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  • Joker (2019)

    Joker (2019)

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    Throughout the history of comic books, one of the most enduring and iconic villains has been Batman’s arch-nemesis, The Joker. Dubbed the “clown prince of crime”, The Joker first appeared in Batman #1 in April 1940 as his ultimate foil. Since his initial appearance, The Joker has remained one of the most popular and iconic villains in comic book history. The character was first brought to life by Cesar Romero in the 60’s Batman television series and Batman: The Movie. More than 20 years later, Academy Award winner Jack Nicholson would dawn the makeup in Tim Burton’s 1989 film, Batman. In 2008, the late Heath Ledger won an Oscar for his career-defining portrayal of The Joker in The Dark Knight. While Jared Leto did the character wrong in 2016’s Suicide Squad, filmmaker Todd Philips pitched a dark Joker character study. Three years later, we have the 2019 dramatic thriller, Joker.

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    Synopsis

    In the crime-ridden city of Gotham, Arthur Fleck (Joaquin Phoenix) has been having a tough time getting by in life. He works as a sign twirling clown, where he gets regularly assaulted and mocked for his uncontrollable spouts of laughter. While caring for his mother Penny (Frances Conroy), he idolizes late-night talk show host Murray Franklin (Robert De Niro). Arthur dreams of becoming a stand-up comedian, but he struggles with his mental illnesses and his poor living situation. Unfortunately, he loses his job after a number of complaints made, which leads to him going over the edge. Before too long, others start rallying behind him, seeing him as a vigilante standing up for the less fortunate. Eventually, Arthur embraces the attention he’s gotten and manages to get a spot on Murray Franklin’s late-night show. Said show is where Arthur will reveal his new persona to the world, Joker.

     

    Review

    When it was announced that Todd Phillips, who previously directed the Hangover trilogy, was directing this, I had my doubts. However, Joker is not only a fantastic film deserving of its praise, but one of the best films of 2019. Even though there’s not much else that can be said about his performance, Joaquin Phoenix is the sole driving force. As controversial as it sounds, I personally feel that his performance might give Heath Ledger’s a run for its money. While both performances are radically different, Phoenix makes the Joker into an almost sympathetic and tragic figure, though not entirely. Even though you understand his situation, the movie never portrays any of Arthur/Joker’s violent actions in a positive light. The film is more a warning of what may happen if we don’t take mental health seriously and ignore it. It’s a powerful message that’s especially relevant today.

    Surprisingly, Phillips’ direction is very top-notch, having a style similar to a Martin Scorsese film from the 70s/80s. Story-wise, the movie does have references to the Batman universe, but it’s never distracting or detracts from the overall story. Aside from Phoenix, the rest of the cast is also excellent, particularly De Niro as the sleazy talk show host. Frances Conroy is certainly better here than in Catwoman, though Zazie Beetz, while good, doesn’t have much to do. Talking about the controversy, while I understand some people’s concerns, a Joker movie was probably going to be dark. Tim Burton’s Batman and Christopher Nolan’s The Dark Knight both featured the Joker and were dark, but no one complained. Still, if you’re put off by more realistic violence and/or fairly dark material, clearly you’re not the right audience. For everyone else, Joker is everything a movie about this character should be.

     

    Spoiler Review (For Patreon Supporters Only)

     

    Buy Joker from Amazon: https://amzn.to/4es1mgW.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • I Used to Be Normal: A Boyband Fangirl Story (2018)

    I Used to Be Normal: A Boyband Fangirl Story (2018)

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    For the past half century, music groups consisting of young males known as “boy bands” have become a worldwide phenomenon. Though the term didn’t exist until the 1980’s, many consider The Beatles from the 1960’s were the first boy band. Following groups like The Monkees, Jackson 5, and Osmonds, the first modern boy band was New Kids On The Block. This led to a major surge of boy bands in the 1990’s, including Take That, The Backstreet Boys, and NSYNC. Unfortunately, their popularity started to fade into the early 2000’s, but soon reemerged as is with most trends. Soon, boy bands like The Jonas Brothers and One Direction gained popularity, with more soon to come. Many of these groups had ravenous fans, mostly young girls, that’re often ridiculed and judged for their musical taste. However, I Used to Be Normal: A Boyband Fangirl Story presents an alternate and open outlook.

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    I Used to Be Normal: A Boyband Fangirl Story follows the lives of four women and their boyband obsessions. First, there’s Elif, a Turkish girl whose love of One Direction led to her being a viral hit on YouTube. Next, we follow Sadia, a Pakistani 20-something journalist who’s been obsessed with The Backstreet Boys since childhood and still today. We also meet Dara, an Australian woman fascinated by the band Take That, particularly with lead singer Gary Barlow. Finally, there’s the eldest of the four, Susan, a Melbourne-born TV producer with a life-long love of The Beatles. They each share stories of how these boybands have affected their lives, both the highs and the lows. In addition, they discuss how these boybands influenced major life-changing decisions, like Elif wanting to be a professional musician. Through everything in their lives, their love of boy bands is constant.

    Growing up as a young man, I was definitely one of those who would ridicule boybands and their fans. I remember my sister was obsessed with The Jonas Brothers, even putting up posters of them all over her room. Even to this day, she’s still a huge fan, but thankfully she’s not as obsessed as she used to be. Having seen I Used to Be Normal: A Boyband Fangirl Story, I now have a better understanding of the fandom. Even if you’re not into boy bands, this documentary can apply to any ravenous fanbase of any medium. It’s honestly fascinating seeing how these boybands had such an impact on these women, even into their adulthood. There’s one part where Dara explains what she calls the “Boyband Theory”, which perfectly breaks down what makes a boyband. It’s probably the most intelligent discussion someone’s ever had about boybands.

    While I Used to Be Normal: A Boyband Fangirl Story is endearing, there are some things I wish were covered. For one, the documentary doesn’t really touch on how many of these boybands are almost designed by committee. They somewhat hint at this with the “Boyband Theory”, but the film never goes any further than discussing similar traits. Also, the film glosses over many of the darker aspects of these boybands, whether it’s poor management, substance abuse, etc. Some of these issues are touched upon, like band break-ups and members being admitted to rehab, but not much else. Granted, the focus of this is more showing the impact these bands have had, and in that aspect, it works. At the end of the day, this is still an intimate, thoughtful, and non-judgmental look at boyband fandom. Overall, I Used to Be Normal: A Boyband Fangirl Story is a worthwhile watch.

    The film will be available to watch on September 17th on the following:

    • Amazon
    • inDemand
    • DirecTV
    • Hoopla
    • Vimeo on Demand
    • AT&T
    • FlixFing
    • Vudu
    • FANDANGO
    • Sling/Dish

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  • It Chapter Two (2019)

    It Chapter Two (2019)

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    When It was released in 2017, no one could have expected the film to be as successful as it was. On a budget of $35 million, the film grossed over $700 million worldwide, becoming the highest grossing horror film ever. In addition to its financial success, the film received positive reviews and was named one of 2017’s best films. Naturally, with that success, it was only inevitable that a sequel would arrive, though plans were already made in 2016. Given that the first film focused on the characters as children, the sequel would follow those characters as adults. Gary Dauberman, who co-wrote the first film, returned as sole writer, with Andy Muschietti also returning to the director’s chair. Jessica Chastain, James McAvoy, and Bill Hader among others would play the adult versions, and Bill Skarsgard returned as Pennywise. So, two years later, 2019 sees the release of It Chapter Two.

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    27 years have passed since the first film, and now the Losers Club have all grown up and moved on. However, after a recent string of disappearances and murders in Derry, Mike Hanlon (Isaiah Mustafa) reaches out to the others. Unfortunately, since moving on, the rest have lost all memory of their childhoods and are disturbed by the calls. Bill, Beverly, Ben, Richie, and Eddie meet up with Mike at a Chinese restaurant in Derry to rekindle their friendship. Unfortunately, they learn that Stanley Uris (Andy Bean) has taken his own life because the fear was too overwhelming. In order to stop Pennywise (Bill Skarsgard), they must reclaim their lost memories by retrieving artifacts from their childhood. While searching, their old bully Henry Bowers (Teach Grant) has escaped from an insane asylum to finish off the Losers. Will the Losers fail or finally stop the evil once and for all?

    Given how well-done the first film was, It Chapter Two certainly had a lot to live up to. Even with all the hype surrounding the film, It Chapter Two still works but doesn’t quite live up to it. The first thing to mention is how, much like the first film, the cast is fantastic and well-acted. While Skarsgard still delivers as the evil clown, Bill Hader is the real scene-stealer, balancing both comedy and drama. The rest of the cast does a great job and feels like adult versions of the kids from before. Though McAvoy and Chastain are given more screen time along with Hader, everyone else is given their moment to shine. The story is an interesting exploration of how much of an impact childhood trauma can affect people, even into adulthood. Even if it seems minor, overcoming one’s childhood traumas is easier said than done.

    Sadly, as is the case with many sequels, It Chapter Two doesn’t quite hold a candle to the first film. For one, with its almost three-hour runtime, there are times where the film feels padded with so much filler. Granted, the book itself is over 1,000 pages, so there’s plenty of material to cover, but some should’ve been cut. Also, while the first film was more unsettling than scary, this is overloaded with jump scares, which ruins the tension. The child actors from before return for flashback sequences that feel more like deleted scenes added to pad the runtime. Without going into spoilers, there are plot elements that aren’t well introduced or are dropped without any explanation. Even with those flaws, the film still retains the spirit of the original and works as a companion piece. Overall, It Chapter Two disappoints, but is still worth a watch.

    It Chapter Two is currently playing in theaters nationwide.

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  • It (2017)

    It (2017)

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    In 1986, the same year as his lone directorial effort Maximum Overdrive, Stephen King’s novel It was published. Despite some controversies, the book was a massive hit both commercially and critically, winning the British Fantasy Award in 1987. The book was first developed into a two-part miniseries in 1990 directed by Tommy Lee Wallace and starring Tim Curry. Much like the book, the miniseries was a hit, attracting 30 million viewers and even winning a Primetime Emmy Award. Flashforward to 2009, when Warner Bros decided to adapt the book for the big screen as an R-rated single feature. Cary Fukunaga, famous for directing Beasts of No Nation and working on True Detective, was initially hired as director. Unfortunately, Fukunaga dropped out due to creative differences, and Andrés Muschietti, who directed 2013’s Mama, was hired to replace him. After additional rewrites and recasting, 2017 finally saw the release of It.

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    Synopsis

    On a rainy day in 1988, Bill Denborough (Jaeden Lieberher) makes a paper boat for little Georgie (Jackson Robert Scott). Georgie goes out to play, but things take a dark turn when he’s dragged down a storm drain and killed. The following summer, Bill is still racked with guilt over Georgie’s death and rationalizes that he might still be alive. His friends Richie Tozier (Finn Wolfhard), Eddie Kaspbrak (Jack Dylan Grazer), and Stan Uris (Wyatt Oleff) get involved and help. They also befriend new kids Ben Hanscom (Jeremy Ray Taylor), Beverly Marsh (Sophia Lillis), and Mike Hanlon (Chosen Jacobs). Dubbing themselves “The Losers Club”, they determine that each of them has encountered something manifesting as their worst fears. After researching the town history of Derry, they determine that the being primarily takes the form of a clown. Known as Pennywise (Bill Skarsgård), the kids must stop his reign of terror.

     

    Review

    Of course, there’s a lot more that happens in It, but this review would run for way too long. In short, It is one of the best Stephen King adaptations, especially since it came out alongside The Dark Tower. What really makes this film work are the child actors, all of whom give stellar performances and have shining moments. Also, for the brief amount of screen time he has, Bill Skarsgård gives an incredible performance as the evil clown. It’s surprising considering how much he was used in the marketing, being showcased on every poster and in every trailer. While not necessarily scary, there are some really creepy and intense sequences that leave you feeling uneasy and on edge. It’s also refreshing to see a modern horror film where children are put in danger and even killed quite gruesomely. This movie has more than earned it’s R-rating.

    Honestly, the strongest scenes in the film are the scenes with the kids, ranging from summertime fun or personal drama. There are plenty of scenes with the kids bonding that really cements them as a strong group of friends. It’s also seeing the scenes with the individual kids confronting their unique fears, some even linked to personal tragedies. At slightly over two hours, the movie goes by at a fairly brisk pace and never really drags out. For this being only his second feature, Muschietti’s direction is top-notch, especially his use of shadow and eerie compositions. Admittedly, there is some CGI that sticks out like a sore thumb, but luckily it’s used more as an enhancer. Even if you’re not terrified of clowns, there’s plenty here that will leave you feeling uneasy and even creeped out. Overall, It is a well-done and effective adaptation that stands on its own.

     

    Buy It from Amazon: https://amzn.to/447MkK3.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

     

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    Where to watch It (2017)

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  • Ready or Not (2019)

    Ready or Not (2019)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]In 2007, filmmakers Chad Villella, Matt Bettinelli-Olpin and Rob Polonsky formed the filmmaking group Chad, Matt & Rob. They were mostly well known for their short films that mixed elements of comedy, horror, adventure, and science-fiction together. Their breakout hit was the short found footage film Alien Roommate Prank Goes Bad in 2008, garnering over 30,000,000 views. Later on, they produced a series of “Choose Your Own Adventure” shorts that were featured in the Wall Street Journal. Fellow filmmakers Justin Martinez and Tyler Gillett joined in 2010, but Polonsky left the group in 2011. Afterwards, they were renamed to Radio Silence, and they directed a segment of the 2012 horror anthology V/H/S. They followed that up with the found footage film Devil’s Due in 2014 and the anthology film SouthBound in 2016. Now, three years later, the group have returned to bring us Ready or Not.

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    Synopsis

    Grace (Samara Weaving) and Alex (Mark O’Brien) have recently gotten married at the home of Alex’s family, the Le Domas. There, she gets to meet his parents, Tony (Henry Czerny) and Becky (Andie MacDowell), and his Aunt Helene (Nicky Guadagni). Also joining are siblings Daniel (Adam Brody) and Charity (Elyse Levesque), plus spouses Emilie (Melanie Scrofano) and Fitch (Kristian Bruun). Before Grace and Alex can consummate their marriage that night, they must participate in a family tradition, a game night. As a new family member, Grace must take a card that randomly selects a game for the family to play. The game that’s selected is hide and seek, with Grace hiding and the family trying to find her before dawn. She goes off to hide, but she soon finds out that the family is actually hunting her down. While trying to survive the night, Grace soon learns the family’s secrets.

     

    Review

    Ready or Not is easily one of the most unique, subversive, and visceral films I’ve seen in quite some time. First off, the cast is terrific, with Samara Weaving easily being the biggest highlight and easily carrying the film. Not only is she charismatic and fun, but she can also hold her own and makes for a great lead. Adam Brody also stands out as the realist brother who realizes he and the family are terrible people deserving death. The rest of the family is entertaining in their own way, from Czerny’s over-the-top delivery to MacDowell’s dry sarcastic attitude. Elyse and Kristian are the only weak links, Elyse going slightly too over-the-top and Kristian doing a Josh Gad impression. Still, every cast member has their moment to shine, are entertaining, and know when to be funny and be intense. Ready or Not has a fantastic cast assembled for its insanity.

    Speaking of, this movie is insanely gruesome, with some ridiculously violent sequences all leading to a fun and explosive climax. By the end, Samara looks as battered and bloody as Bruce Willis by the end of Die Hard. Admittedly, while this movie is fairly unique, there are certain twists that happen that are fairly easy to spot. This doesn’t detract from the film’s quality, but it is something worth mentioning, and I’ve probably seen too many movies. Given the fairly recent Disney acquisition of Fox, it’s surprising to see such a darkly comedic and violent film released. While many thriller/horror comedies sway more towards one genre, Ready or Not perfectly balances the laughs and thrills. Also, this film has some biting satire about the rich and wealthy, and how they look look down on others. Overall, Ready or Not is quite a fun and gruesome way to end summer.

     

    Buy Ready or Not on Amazon: https://amzn.to/3UB2Fm5.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Ready or Not (2019)

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  • Scary Stories to Tell in the Dark (2019)

    Scary Stories to Tell in the Dark (2019)

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