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Category: Comedy

  • Bugonia (2025)

    Bugonia (2025)

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    In 2003, South Korean filmmaker Jang Joon-hwan released the absurdist dark comedy Save the Green Planet! The film received widespread critical acclaim and won several industry awards at numerous film festivals. In 2020, CJ Entertainment announced its collaboration with Ari Aster’s Square Peg production company to produce an English-language remake. Will Tracy, best known for writing Succession and The Menu, would be adapting the script, with Jang returning to direct. However, in early 2024, reports confirmed that Yorgos Lanthimos would be replacing Jang as director with Element Pictures. On a $45- $55 million budget, principal photography began in England in July and wrapped in Atlanta in October. After some additional filming in Greece in May 2025, the film premiered at the Venice International Film Festival in August. Focus Features acquired worldwide distribution rights to the film, now titled Bugonia, and released it in October 2025.

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    Synopsis

    Local conspiracy theorist Teddy Gatz (Jesse Plemons) lives alone with his neurodivergent cousin, Don (Aidan Delbis). Teddy believes that a race of aliens called “Andromedans” has taken over Earth, and he’s convinced Don that they’re real. Believing her to be one, they kidnap Michelle Fuller (Emma Stone), the CEO of a massive pharmaceutical company. They shave her head and coat her in an antihistamine cream to supposedly prevent her from contacting her mothership. Michelle tries to reason with them to let her go, but they’re so stubborn that they keep her locked up. Soon, the police launch a massive investigation into her disappearance, leading local sheriff Casey (Stavros Halkias) to investigate. As Teddy tries to maintain control of the situation, Don begins to express doubts, especially after they torture Michelle. Will Teddy succeed in uncovering a grand conspiracy, or will Michelle escape and prove that she’s not an alien?

     

    Review

    If you’ve seen any of Yorgos Lanthimos’ previous movies, you should have an idea of what to expect here. You’ve got an absurd premise, actors at the top of their game, and a deconstruction of the world around us. While I haven’t seen Save the Green Planet, I’d like to know how this film compares to it. From what I can tell, the Korean cult movie is livelier, more colorful, and wackier than its premise. Bugonia, on the other hand, is very subdued, has a muted color scheme, and a cynical edge. Even compared to Lanthimos’ other works, this doesn’t have the visual flair and whimsy of Poor Things or The Favourite. That said, you can see his touches in the dialogue, the absurdism, the social commentary, and the shock scenes. Without spoiling it, Lanthimos’ style really kicks in during the climax, which needs to be seen to be believed.

    Like in her other collaborations with Lanthimos, Emma Stone gives an outstanding performance as boss girl Michelle Fuller. Even after getting kidnapped and having her head shaved, she does her best to maintain control of the situation. Seeing her and Jesse Plemons wrestle for dominance is worth the price of admission alone, especially in their dialogue. While Stone is in command even in the face of danger, Jesse Plemons gradually crumbles as the situation gets worse. As stellar as Stone and Plemons are, the real highlight is newcomer Aidan Delbis as the well-meaning but vulnerable Don. Having a real autistic person in the role adds authenticity, and Delbis shows a genuine innocence in his performance. Despite his mental impairments, you can tell that he knows he’s being manipulated and can’t do anything about it. He shows a lot of promise here, and I’m excited to see what he does next.

    Oscar-nominated cinematographer Robbie Ryan, another frequent Lanthimos collaborator, does an exceptional job here, adding dread to the real world. His use of VistaVision gives the film a sense of scale that makes everything seem bigger than it is. Adding to this is composer Jerskin Fendrix’s score, which adds a level of gravitas you’d expect in a major blockbuster. The music and cinematography take these small moments that seem insignificant and make them into the most important things possible. Despite its comedy label, the film is more dour and cynical than funny, though it does feature some dark humor. Also, without getting into spoilers, the ending might feel like a cop-out, but it’s typical in a Lanthimos film. At just slightly under two hours, the film is a slow burn that hooks you in until the explosive climax. Overall, Bugonia is an outstanding movie that you won’t soon forget.

     

    Buy Bugonia from Amazon: https://amzn.to/3LquWKr.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Bugonia (2025)

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  • Good Fortune (2025)

    Good Fortune (2025)

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    In early 2022, comedian Aziz Ansari began work on what would’ve been his directorial debut, Being Mortal. Unfortunately, production was suspended indefinitely following an investigation into a complaint filed against co-star Bill Murray. Though he had been doing more dramatic work recently, Ansari wanted to show that comedy was still a popular genre. He chose to, as he described, “write about things that everyone is dealing with that no one is talking about.” Namely, he wanted to tell a story about people struggling with day-to-day life due to the failing job market. For the case, he brought his Being Mortal co-star Seth Rogen, as well as Keanu Reeves as an angel. After some delays, filming began in early 2024, though concerns arose after photos surfaced of Reeves in crutches. Despite these setbacks, Aziz Ansari’s directorial debut, Good Fortune, hit theaters in October 2025.

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    Synopsis

    Arj (Aziz Ansari), a struggling documentarian, is working various odd jobs and struggling to make ends meet. His luck changes when he meets tech billionaire Jeff (Seth Rogen), who agrees to hire him as his assistant. Things improve for Arj until Jeff fires him for using his company credit card for an expensive dinner date. Having hit rock bottom, Arj gets a visit from his guardian angel, Gabriel (Keanu Reeves), who tries helping but fails. In an attempt to show that wealth won’t solve his problems, Gabriel switches Arj’s life with Jeff’s, but it backfires. While Jeff is now struggling to get by, Arj is living comfortably, throwing huge parties, going on vacations, etc. After explaining that Arj must agree to switch lives back, Gabriel’s supervisor, Martha (Sandra Oh), takes away his wings. Now stuck on Earth, Gabriel learns what being human means while trying to fix his mistake.

     

    Review

    While not the funniest movie in the world, Good Fortune is still an enjoyable, even hopeful, watch. Regardless of where you’ve been in life, almost everyone has been in a tough spot in their lives. This movie perfectly captures that feeling of hopelessness and despair we’ve felt when everything seems to be going wrong. That said, the film tackles these issues in a comedic way to avoid bumming out the audience. At the same time, this comedy doesn’t have many big laughs, though there are a few chuckle-worthy moments. A lot of the humor comes from the cast, who all play well off of each other. While the dialogue isn’t the greatest, it gets the job done, and there are some amusing anecdotes thrown in. While the movie conveys a powerful message, it never feels pandering; instead, it comes across more naturally in its delivery.

    Aziz Ansari and Seth Rogen both give solid performances in their respective roles as Arj and Jeff. You instantly identify with Arj’s struggle of trying to get by while working low-paying jobs and constantly getting grief. Although making Jeff unlikable would’ve been easy, you understand his perspective, and he has a great arc, as does Arj. Keke Palmer is also good as Arj’s love interest, Elena, even if her subplot about unionizing doesn’t go anywhere. However, the real scene stealer is Keanu Reeves as the well-meaning but indept guardian angel Gabriel. Seeing this heavenly being experiencing human things for the first time is hilarious and makes him an endearing character. The movie is at its best when it involves either Arj and Gabriel, Jeff and Gabriel, or all three together. All three play off each other really well and have excellent comedic timing, which makes for a fun viewing experience.

    As I hinted at earlier in the review, one of the film’s flaws is the unresolved subplots that go nowhere. Aside from the union subplot, there’s Arj and Elena’s relationship that comes and goes, and the struggles amongst the angels. Plus, the movie doesn’t do anything that similar movies haven’t done before, like It’s a Wonderful Life or Groundhog Day. Granted, a film doesn’t have to reinvent the wheel or be a huge trendsetter to be enjoyable. For a first-time director, Ansari shows great promise in his use of color and composition. I’d be curious to see what he does next, whether it’s another comedy or something more dramatic. At just over 90 minutes, the movie is a quick, breezy watch that leaves you feeling hopeful. Overall, Good Fortune isn’t one of the funniest movies ever, but that doesn’t mean it isn’t enjoyable to watch.

     

    Good Fortune is in theaters.

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    Where to watch Good Fortune (2025)

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  • The Toxic Avenger (2025)

    The Toxic Avenger (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]In 2010, news came that a “family-friendly” remake of The Toxic Avenger was in the works, much to fans’ dismay. There were even talks of Arnold Schwarzenegger starring, but he turned down the role for Terminator Genisys instead. Various directors were attached to the project, including Hot Tub Time Machine‘s Steve Pink and Sausage Party‘s Conrad Vernon. In 2018, Legendary Pictures bought the reboot rights and brought on Lloyd Kaufman and Michael Herz as producers. The studio hired director Macon Blair, fresh off of 2017’s I Don’t Feel at Home in This World Anymore. Filming took place around Bulgaria during the summer of 2021, with the film premiering at Fantastic Fest in 2023. Despite positive word-of-mouth, the filmmakers couldn’t find a distributor until Cineverse picked up the film in early 2025. Twenty-five years after the last sequel, The Toxic Avenger reboot hit theaters in August 2025.

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    Synopsis

    Down-and-out janitor Winston (Peter Dinklage) struggles to make ends meet while caring for his stepson Wade (Jacob Tremblay). To make matters worse, he learns that he has a terminal brain disease, and his company’s insurance won’t cover it. Desperate, Winston meets with the CEO Bob Garbinger (Kevin Bacon) to beg for help, only to be turned away. He tries robbing them, but he runs into The Killer Nutz, a ruthless gang and band working with Bob. They shoot and dump him in toxic waste, which transforms him into a hideously deformed creature of superhuman strength. Now mutated, Winston makes a name for himself as he tears up terrorists and becomes a hero. News of his exploits reaches Bob, who sends The Killer Nutz and his brother, Fritz (Elijah Wood), to eliminate him. Now christened “The Toxic Avenger,” Winston teams up with J.J. Doherty (Taylour Paige) to take down Garbinger’s corruption.

     

    Review

    As a huge Troma fan and knowing about the reboot for years, I was skeptical going into this. Thankfully, I’m happy to say that Macon Blair’s reimagining is a worthy successor to Lloyd Kaufman’s seminal cult classic. Firstly, I should mention that this is a reboot, not a remake, although it does hit similar beats. For instance, Winston does wear a tutu before his transformation, and his first heroic act is stopping a fast-food robbery. I’m glad the filmmakers went in this direction, as doing a straightforward remake would’ve made this movie redundant. Instead, they went in the same direction as The Fly and The Blob remakes, creating something similar but different. You can watch the original and this film back-to-back and have two different viewing experiences, which I appreciate. Plus, there are tons of fun nods and background references to the original film for eagle-eyed viewers.

    When I first heard that Peter Dinklage was playing Toxie, I wasn’t sure how that would work. Granted, that’s mainly because Toxie has traditionally been an imposing figure, but I remembered that this is a different interpretation. While Mark Torgl played his janitor as goofy and hammy, Dinklage gives Winston a humanity and realness that’s compelling. Like the original, a different actor plays Toxie, specifically Luisa Guerreiro, but they do a good job blending them. Dinklage has fantastic chemistry with Tremblay as you see him struggle to be the dad he needs. As always, Kevin Bacon steals the show as the overzealous, corrupt businessman, hamming it up while remaining intimidating. Elijah Wood is wonderfully creepy as Fritz, playing a cross between Danny DeVito’s Penguin and Dwight Frye’s character from Frankenstein. Other highlights include Taylour Paige’s no-nonsense reporter, Julie Davis’s sycophantic assistant, and Jonny Coyne’s ruthless mobster.

    In true Troma fashion, many of the effects are practical, from the Toxie suit to the gore flung everywhere. While there is some CGI that creeps in, it’s kept to a minimum rather than dominating the film. You can tell that Macon Blair has a reverence for Troma with the plentiful gore, tasteless jokes, and anarchic energy. That said, though many of the jokes landed and got a good laugh, quite a few fell flat. It doesn’t help that this film runs 103 minutes long compared to the original’s 82 minutes, which feels unnecessary. So much of the film could’ve been cut, namely some dialogue-heavy scenes, and it wouldn’t have made a difference. Still, for a modern reimaging of a legendary cult film, it’s so wildly entertaining that you can forgive its shortcomings. Overall, The Toxic Avenger is a worthy successor that delivers what fans expect while respecting its predecessors.

     

    The Toxic Avenger is in theaters.

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    Where to watch The Toxic Avenger (2025)

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  • Kung Pow: Enter the Fist (2002)

    Kung Pow: Enter the Fist (2002)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter BodaciousCNO. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.27.3″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”]Comedian Steve Oedekerk got his first break in entertainment writing for In Living Color, where he met Jim Carrey. The two hit it off and became collaborators, starting with 1994’s Ace Ventura: Pet Detective, with Oedekerk as project consultant. Its success led Oedekerk to write and direct the sequel, Ace Ventura: When Nature Calls, which was a bigger hit. He also wrote The Nutty Professor, the fifth highest-grossing film of 1996, and its sequel, Nutty Professor 2: The Klumps. Oedekerk earned an Oscar nomination for 2001’s Jimmy Neutron: Boy Genius, which he co-wrote with director John A. Davis. After writing/directing 1997’s Nothing to Lose, Oedekerk’s next film would be an ambitious parody of 1970s martial arts films. Inspired by films like What’s Up, Tiger Lilly?, Oedekerk took footage from 1976’s Tiger & Crane Fists and redubbed it. The result was the 2002 action-comedy Kung Pow: Enter the Fist.

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    Synopsis

    After witnessing his parents’ murder as a baby, a wanderer known as The Chosen One (Steve Oedekerk) seeks vengeance. Along the way, he meets Master Tang (Hui Lou Chen), who agrees to train him after seeing his sentient tongue. The Chosen One also meets the incompetent Wimp Lo (Lau Kar-wing) and his future love interest, Ling (Ling Ling Tse). Soon, The Chosen One meets Master Pain (Fei Lung), aka Betty, who was responsible for his family’s death. Determined to match Betty’s prowess, namely taking Bō staff beatings, The Chosen One trains himself similarly but with little success. Despite warnings from the one-breasted Whoa (Jennifer Tung), The Chosen One hunts Betty and his henchmen down. Unfortunately, those closest to The Chosen One fall victim to Betty’s wrath, further motivating him to train properly. Will The Chosen One succeed in finding vengeance, or will Betty and The Evil Council conquer the world?

     

    Review

    Despite receiving largely negative reviews, Kung Pow: Enter the Fist has become a cult favorite, and I can see why. The style of comedy presented is a precursor to the randomness and eccentricity of Internet humor. You could say that Kung Pow: Enter the Fist walked so that YouTube Poop videos could run. While not all the jokes land, the film hits you with so many that you’re never bored. Your enjoyment of the movie comes down to whether or not you enjoy absurdist, occasionally childish, humor. Part of the film’s charm is its lack of mean-spiritedness and all-out shock humor in service of pure silliness. Like the best parody films, this one pays homage to its subject matter and pokes fun at the conventions. Even if some jokes fall flat, the ones that work make up for them and offer the biggest laughs.

    In addition to being in excellent shape, Steve Oedekerk’s inherent likability makes him a strong lead. Oedekerk also provided the dubbing, which he wrote to be as awkward and nonsensical as possible. The dubbing perfectly spoofs the trope of most martial arts films of the 70s that had unintentionally hilarious voiceovers. Since Jennifer Tung is the only female voice present, it’s even funnier to hear Oedekerk use his best female voice. I also have to give Oedekerk credit for not stooping to stereotypical humor, which a lesser filmmaker would’ve used. It’s also impressive how Oedekerk was able to integrate new footage with the old footage in a seamless way. Granted, some of the compositing sticks out badly, but the low-fi effects add to its charm. There’s also some dated CGI, but I can excuse it considering the $10 million budget.

    Returning to the subject of the film’s structure, describing the movie is difficult without discussing individual moments. It’s all over the place, from a battle with a CGI cow to a breakdancing extra in a fight scene. So much of the film shouldn’t work, but Oedekerk throws so much at the screen that it comes together. While I wouldn’t call this a comedy classic similar to Blazing Saddles or Caddyshack, it’s earned its cult status. Interestingly, this film tied with Master of Disguise for Most Painfully Unfunny Comedy at the Stinkers Bad Movie Awards. While humor is subjective, and some might not enjoy this, saying it’s on par with Dana Carvey’s failed starring vehicle. At 81 minutes, the film goes by fast without feeling rushed and never overstays its welcome. Overall, Kung Pow: Enter the Fist is a uniquely funny parody deserving of its cult following.

     

    Buy Kung Pow: Enter the Fist from Amazon: https://amzn.to/3YMIwui.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Beetlejuice Beetlejuice (2024)

    Beetlejuice Beetlejuice (2024)

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    Against a $15 million budget, Beetlejuice grossed $75 million, becoming the 10th highest-grossing film of the year. Additionally, the film was a critical success, winning the Oscar for Best Makeup and three Saturn Awards. Given its success, The Geffen Film Company wanted a sequel, with various writers coming on board to contribute scripts. Over the next decade-plus, Daniel Waters, Pamela Norris, and Kevin Smith either accepted or declined offers to rewrite the sequel. It wasn’t until 2011 that Warner Bros. hired Seth Grahame-Smith to write and produce the sequel with Burton. While Michael Keaton and Winona Ryder expressed interest, the studio scrapped the sequel in 2019 before resurrecting it in 2022. Under Plan B Entertainment, the sequel finally entered production, with many of the original cast and crew returning. After 36 years of development hell, Beetlejuice Beetlejuice finally hit theaters in September 2024.

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    Synopsis

    Lydia Deetz (Winona Ryder) now hosts a paranormal investigation show produced by her manager/lover, Rory (Justin Theroux). Tragically, Lydia gets word from her stepmother, Delia (Catherine O’Hara), that her father passed away. They pick up Lydia’s estranged daughter, Astrid (Jenna Ortega), who resents Lydia for focusing more on the show than her. After the funeral, Astrid meets a local boy, Jeremy (Arthur Conti), with whom she falls in love. Unfortunately, Astrid unintentionally opens a portal to The Afterlife, leaving Lydia with few options to save her daughter. She reluctantly summons Betelgeuse (Michael Keaton) to help rescue Astrid, which he’ll do if Lydia marries him. Meanwhile, Betelgeuse’s ex-wife Delores (Monica Bellucci) is after him, and ghost detective Wolf Jackson (Willem Dafoe) is in pursuit. Will Lydia repair the relationship with her daughter, and what devious schemes does Betelgeuse have cooking this time?

     

    Review

    Given how long it’s been since the original, it’s remarkable that Beetlejuice Beetlejuice is as good as it is. While it lacks the simplicity and even pacing of the first film, it retains its wild imagination and zany energy. You can tell that Tim Burton genuinely wanted to make this rather than the studio demanding he make a sequel. Like the first film, the production design and practical effects look incredible and add to the movie’s charm. While there are some CGI effects, they’re used in tandem with the practical effects rather than completely overshadowing them. Sadly, the memorable stop-motion effects fell victim to the CGI, but I understand it’s an expensive and time-consuming art form. To the VFX artists’ credit, they at least gave the CGI the same movement and fluidity as traditional stop-motion animation. Also, Danny Elfman delivers an excellent score, matching the original’s dark yet playful sensibilities.

    Like before, Michael Keaton is a joy to watch as he chews the scenery and spouts excellent one-liners. Thankfully, he’s only given slightly more screen time than the original instead of overloading the audience with him. Winona Ryder and Catherine O’Hara shine as older Lydia and Delia, and it’s great to see how their characters evolved. Jenna Ortega is also great as Lydia’s estranged daughter, bringing some of the same cynicism Ryder brought to the original. Justin Theroux and Willem Dafoe have their standout moments, and Danny Devito has a funny cameo as an undead janitor. Arthur Conti is also solid as Astrid’s love interest, and his reveal halfway into the movie is unexpected. Unfortunately, despite a fantastic introduction, Monica Bellucci feels underutilized and inconsequential to the film, only showing up here and there. You could’ve written her out, which wouldn’t have changed anything.

    That leads me to my biggest issue with the movie: a lack of focus and too many subplots. One of the reasons the original worked so well was that it had a relatively simple story to follow. Sure, there were a few subplots, but they tied into the main story and were resolved by the end. With the sequel, it feels like a new plot starts every 30 minutes only to get wrapped up haphazardly. Still, there’s never a dull moment, and the film flies by at an hour and 44 minutes. For a sequel to an iconic movie made almost 40 years later, this is probably the best we could’ve gotten. It’s not on par with legacy sequels like Mad Max: Fury Road or Top Gun: Maverick, but it could’ve been much worse. Overall, Beetlejuice Beetlejuice is a flawed but enjoyable companion piece to the 1988 classic.

     

    Beetlejuice Beetlejuice is currently playing in theaters nationwide.

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  • Beetlejuice (1988)

    Beetlejuice (1988)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”]After Pee Wee’s Big Adventure became a surprise hit, Tim Burton got many offers, but none caught his attention. Around this time, writers Michael McDowell and Larry Wilson presented Burton with an oddball horror-comedy script, which he liked. McDowell and Wilson tried selling the screenplay to Universal, but they rejected it, and The Geffen Company picked it up. Warren Skaaren came on board to rewrite the script, adding more humor while toning down the more graphic material. Geffen greenlit the project for $15 million and suggested Michael Keaton for the title role of a paranormal bio-exorcist. The movie was shot between March and June 1987, with exteriors in East Corinth and interiors at Culver City. Warner Bros. had doubts about the film, but positive test screenings reassured them that everything would be fine. Tim Burton’s sophomore directorial outing Beetlejuice opened in theaters in March 1988.

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    Synopsis

    While vacationing at home, newlyweds Adam and Barbara Maitland (Alec Baldwin and Geena Davis) tragically die in a car accident. They return home, only to realize they’re dead, and Barbara’s sister Jane (Annie McEnroe) sold their house. The new owners are the Deetzes – Charles (Jeffrey Jones), his wife Delia (Catherine O’Hara), and his daughter Lydia (Winona Ryder). The Maitlands are horrified to see what Charles and Delia are doing to their house and want them out. Through the help of the Handbook for the Recently Deceased, the Maitlands meet their undead caseworker, Juno (Sylvia Sidney). She advises they scare the Deetzes out, but no one except for the strange and unusual Lydia can see them. Against Juno’s advice, the Maitlands recruit a self-proclaimed “bio-exorcist” named Betelgeuse (Michael Keaton), but he turns out to be troublesome. Can the living and dead coexist, and will Betelgeuse be stopped from wreaking havoc?

     

    Review

    Given the movie’s weird, bizarre, and off-beat nature, Beetlejuice shouldn’t work, but it does in a spectacular way. The tone is all over the place, the visuals are intentionally gaudy, and any sense of logic is nonexistent. What makes it work is the fantastic script, Tim Burton’s solid direction, and the memorable performances. Despite the wild visuals, the story is straightforward: people want to eliminate an invasive family, and a trickster manipulates them. It’s simple enough that anyone can relate but open-ended enough that it can lead to several opportunities. Additionally, portraying the afterlife as a bureaucracy is genius, essentially making something fantastical as mundane as the DMV. This choice also helps ground the film in an easily approachable reality without abandoning its bizarre foundation. These simple choices help make this movie beloved by both mainstream audiences and fans of niche genre cinema.

    Despite any reservations they might have had when reading the script, everyone in the cast does an excellent job. Alec Baldwin and Geena Davis make for a great suburban couple who find themselves in supernatural situations. Catherine O’Hara and Jeffrey Jones bounce off each other perfectly, with Jones’ more straight-laced businessman contrasting O’Hara’s wildly manic personality. Winona Ryder also balances her dark, brooding personality with a dry, sarcastic sense of humor that makes her likable. Similarly, as the disillusioned case worker Juno, Sylvia Sydney offers charm and wit as she tries fixing the Maitland’s mistakes. Glenn Shadix also stands out as a self-proclaimed genius who’s taken to task as things spiral out of control. But the one who steals the show is Michael Keaton as Betelgeuse, making the most of his limited screen time. His gross demeanor, manic energy, and wild personality make him a treat to watch.

    Burton collaborator Bo Welch’s production design is excellent, whether depicting the mundane living world or the wild afterlife. You can tell Welch and Burton took inspiration from the German Expressionist Movement of the 1920s and Salvador Dali’s works. Danny Elfman’s sinister yet playful score perfectly complements the wild visuals, as is the use of calypso music. Admittedly, some effects haven’t aged well, particularly the blue screen work, but that was by design. Burton wanted the effects to emulate the B-movies of his childhood, and they did an excellent job recreating that look. The visuals might put off modern audiences watching this for the first time, but I’d take these over modern CGI. By design, this is one of the least mainstream-looking movies ever, yet it somehow became mainstream, which is an achievement. Overall, Beetlejuice is a wild and crazy joyride brimming with creativity and originality that deserves its classic status.

     

    Buy Beetlejuice from Amazon: https://amzn.to/3AfwZvz.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Beetlejuice (1988)

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  • Coneheads (1993)

    Coneheads (1993)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter BodaciousCNO. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.26.0″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”]The second season of Saturday Night Live saw the debut of a race of aliens known as The Coneheads. The brainchild of writer/actor Dan Aykroyd and SNL writer Tom Davis, the sketch became an instant success. The alien family would appear in future episodes before fading out once Aykroyd left the show in 1979. Decades later, Wayne’s World, adapted from an SNL sketch, became a surprise hit, grossing over $180 million worldwide. Following this success, Paramount Pictures chairman Brandon Tartikoff asked SNL producer Lorne Michaels for other sketches they could adapt. Michaels contacted Aykroyd about making a movie out of The Coneheads, and he worked on a screenplay with Davis. They hired music video director Steve Barron, who recently made the box office hit Teenage Mutant Ninja Turtles. With a $30 million budget, Paramount hoped Coneheads would be a big hit for the summer of 1993.

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    Synopsis

    After the National Guard shoots down their spaceship, Beldar (Dan Aykroyd) and his wife, Prymaat (Jane Curtain), crash near Manhattan. They’ve come from the planet Remulak with orders from their leader, Highmaster Mintot (Dave Thomas), to conquer Earth. Unfortunately, a rescue ship won’t arrive for years, so Beldar and Prymaat must blend in to survive. They move to the suburbs, settle down, and raise a teenage daughter named Connie (Michelle Burke). Meanwhile, INS agent Gorman Seedling (Michael McKean) and his partner Eli Turnbull (David Spade) are tracking the Coneheads’ movements. Soon, Connie starts a relationship with a mechanic named Ronnie (Chris Farley), whom Beldar objects to despite her insistence. Soon, the family gets notified that their rescue ship is on the way, but the INS is on their tail. Hijinks ensue (possibly) as Earth has to welcome the new family in town, the Coneheads.

     

    Review

    If The Blues Brothers is the best SNL movie and It’s Pat is the worst, Coneheads is in the middle. It’d be more accurate to say it’s near the bottom because, while not the worst, it’s still terrible. Like It’s Pat, this movie proves that what might work as a 5-minute sketch doesn’t work as a 90-minute movie. Seeing the aliens try to act like humans might be amusing at first, but the shtick gets old very quickly. To their credit, Dan Aykroyd and Jane Curtain play their parts precisely as they did on SNL. Conversely, Michelle Burke acts like a stereotypical teenage girl who happens to be a Conehead, which creates a weird disconnect. It’s even odder when you consider that Laraine Newman, who played Connie on SNL, acted like Aykroyd and Curtain. That might’ve been intentional, but it’s pretty stupid, like everything else in this movie.

    While Charles Rocket as the villain was the best part of It’s Pat, Michael McKean is far from that. He’s neither funny enough to be memorable nor weirdly intimidating to where he’s weirdly out of place. David Spade is slightly amusing as McKean’s sycophantic assistant, who all but kisses up to him, but it wears thin. The cast has many other SNL members like Phil Hartman, Chris Farley, Adam Sandler, Garrett Morris, and Kevin Nealon. Practically half the cast consists of usually funny people, but not one of them landed a single good joke. However, it is slightly amusing seeing Jason Alexander with hair that looks more fake than the prosthetic cones for Aykroyd. It says a lot when Jon Lovitz and Tom Arnold were uncredited for their work. It’s impressive how they got so many comedians together, and none are funny.

    To give this film some credit, as dull as the Earth scenes are, the few moments on Remulak are decent. There’s some interesting production design, and they even throw in a stop-motion creature, which is appreciated. It’s worth noting that the stop-motion animator was Randal M. Dutra, whose credits include RoboCopWillow, and Howard the Duck. I think director Steve Barron preferred shooting the Remulak scenes, considering his work on Teenage Mutant Ninja Turtles. Those sequences fit more of the fantastical comic book aesthetic of his 1990 effort versus the more pedestrian Earth scenes. Also, it’s interesting to see a film from 1993 about a family of literal aliens running afoul of the government. If the movie had focused more on that than dumb sight gags, it might’ve worked, but alas, no. Overall, Coneheads is neither funny nor offensively bad enough to recommend to anyone.

     

    Buy Coneheads from Amazon: https://amzn.to/4e7RvvS.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Ghostbusters: Frozen Empire (2024)

    Ghostbusters: Frozen Empire (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”]Despite a mixed reception, 2021’s Ghostbusters: Afterlife was a box office hit, grossing $204 million against a $75 million budget. Months after its release, Sony Pictures announced a sequel was in development with Jason Reitman returning to direct. However, towards the end of 2022, Reitman was replaced by director Gil Kenan, who previously helmed the Oscar-nominated Monster House. Under the title Firehouse, principal photography started in March 2023 in London, with some shots filmed in New York City. In addition to the primary cast from the previous film, several actors from the original films also reprised their roles. New cast members included Kumail Nanjiani, Patton Oswalt, James Acaster, and Emily Alyn Lind. Filming wrapped in June, and it was scheduled for a December release but was delayed due to the SAG-AFTRA strike. After premiering in New York City in early March 2024, Ghostbusters: Frozen Empire was released worldwide soon after.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Following the previous film, the Spenglers and former science teacher Gary Grooberson (Paul Rudd) move into the Ghostbusters firehouse. Though successful, the family tells Phoebe (Mckenna Grace) she can’t continue busting ghosts, or they get shut down. Meanwhile, local Nadeem Razmaadi (Kumail Nanjiani) sells Dr. Ray Stantz (Dan Aykroyd) an orb that supposedly contains an ancient spirit. The team discovers that inside the orb is an ancient evil that was imprisoned after harnessing the death chill. Elsewhere, a depressed Phoebe inadvertently makes friends with a ghost girl named Melody (Emily Alyn Lind), who seeks absolution. While she appears innocent, Melody secretly works with the ancient evil, Garraka, to release him from the orb. Once freed, Garraka plans to engulf New York City and the world in a neverending winter of fear. Will our fearless paranormal investigators save the world, or will they become frozen with fear?

     

    Review

    Some may recall that the last Ghostbusters movie made my Best Films of 2021 list, and I stand by that. Naturally, I was excited for another sequel, though I had doubts after seeing the first few trailers. Having seen the movie, I can say that while this isn’t spectacular, Ghostbusters: Frozen Empire is a decent enough follow-up. The returning cast members still deliver solid performances, though some stand out more than others. Like in the last film, McKenna Grace is charming and likable, and her scenes with Dan Aykroyd are fun. The returning Ghostbusters are given more to do here, though some, like Bill Murray, are little more than glorified cameos. Another standout is Emily Alyn Lind as Melody, the ghost girl with a tragic backstory who becomes friends with Phoebe. Not only is she fabulous, but it’s a different look at ghosts that the series hasn’t explored before.

    Admittedly, this plays into one of the film’s most significant weaknesses: too many characters and insufficient story. So many characters and subplots are going on that the movie loses focus and feels like a jumbled mess. Sure, some of it is interesting, like Winston using his vast wealth to fund further Ghostbusters research, but it’s overwhelming. In all honesty, some characters, like Finn Wolfhard’s Trevor, could’ve been written out, and nothing would’ve changed. Also, the pacing is very uneven, with the first half being relatively dull and the second being more action-packed. While it does pick up in the second half, considering all the exposition dumped on you, it’s hard to care. It feels like Gil Kenan had a lot of ideas but no one to tell him when to pull back. Say what you will about Afterlife, but it at least felt like Jason Reitman had a singular vision.

    To spin this in a more positive direction, I will give this movie props for creating a new villain. Garraka is an intimidating and well-designed villain, and the lore surrounding him is fascinatingly eerie. I think that’s what frustrates me the most about this movie: it has several good ideas but no real focus. It doesn’t help there are more references to the older movies, though it’s not as egregious as critics have suggested. I’ve also seen critics complain that this had a more serious tone, which I wasn’t bothered by. Sure, it isn’t as funny or has many jokes, but remember that the original was shot like a horror film. Despite my issues, and while I wouldn’t say it’s on par with Afterlife, this is still a decent sequel. Much like Ghostbusters 2Ghostbusters: Frozen Empire is a flawed but enjoyable experience overall.

     

    Buy Ghostbusters: Frozen Empire from Amazon: https://amzn.to/4ec3HMb.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Ferocious Female Freedom Fighters (1982)

    Ferocious Female Freedom Fighters (1982)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    In 1966, Woody Allen released What’s Up, Tiger Lily?, a redubbed version of a Japanese spy caper from 1964. Soon, other filmmakers used this technique of taking old foreign films and recutting and redubbing them to make new content. Roger Corman reedited several movies from the Lone Wolf and Cub series to create 1981’s Shogun Assassin. Charles Band cobbled two women-in-prison films together, shot additional footage with Linda Blair, and released it as Savage Island. It was only a short time until Lloyd Kaufman decided to get in on this after acquiring a Filipino movie called Passionate Woman. While the film was shot in English, Kaufman replaced the language track with one scripted by his brother Charles. They attempted to take an unintentionally funny foreign wrestling movie and make it intentionally funny, which horrified the original producer. The result was the retitled spoof Ferocious Female Freedom Fighters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    Synopsis

    Bambi (Eva Arnaz) is a Judo champion who, despite her fighter prowess, wants to leave the fighting world behind. However, her mother insists she keeps fighting to earn enough money to afford an operation for her little brother. According to the doctor, her brother suffers from a condition where semen rushes to his head when he gets excited. Bambi gets involved with an Elvis-impersonating trainer named Barney (Barry Prima), who gets her into criminal activities. While the money is enough for her brother, Bambi confides in her friend Mia (Leily Sagita) about the degrading wrestling. Barney can also see that this underground wrestling ring isn’t right for Bambi, so he helps her escape. What follows are several poorly staged fight scenes, a jive-talking snake, and a lot of farting. But Bambi is determined because she is a ferocious female freedom fighter! At least, that’s what the dub says.

     

    Review

    If the synopsis sounded incomprehensible just from reading it, imagine watching Ferocious Female Freedom Fighters and making sense of it. Granted, I can’t imagine the movie would make much sense with the original audio, but the “comedic” dubbing hurts it. Part of me wishes I could watch this movie with the original audio, but I doubt it would’ve helped. Troma wasn’t taking the film seriously, considering all the farts, sex jokes, and low-brow humor used in the dubbing. It’s like what the company behind the dub of the anime Ghost Stories did, only with fewer racial jokes. Unfortunately, because of the dub, it’s hard to follow along with what’s happening in the movie, let alone care. I’m not saying the original film was probably some lost masterpiece of Filipino cinema, but its plot could’ve been decent. Instead, what we got is a complete mess.

    It’s hard to gauge the acting in this film, considering we aren’t hearing the actors’ original voices. Going off of their facial expressions and body language, it seemed like they were trying their best. Also, to give the actors credit, some of the fight sequences aren’t half bad, even if sloppily put together. There are some unintentionally hilarious moments from the original film, most notably a random mud wrestling fight. Also, some of the dubbing made me chuckle, mostly the Elvis impersonator and the weirdly out-of-place snake that speaks jive. But aside from some mild giggles, the rest of the movie is dull, and the humor falls flat. Lately, I’ve been trying to write longer reviews to explain things better, but honestly, there’s not much to say here. Overall, Ferocious Female Freedom Fighters is another movie whose title is better than the actual content.

     

    Buy Ferocious Female Freedom Fighters from Amazon: https://amzn.to/46opywm.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Little Nicky (2000)

    Little Nicky (2000)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review was requested by YouTuber Rogue, Internet Man. If you’d like to subscribe to Rogue’s YouTube channel, click the buttons below.” text_orientation=”center” button_one_text=”Rogue on YouTube” button_one_url=”https://www.youtube.com/@RogueInternetMan” logo_image_url_last_edited=”off|desktop” _builder_version=”4.22.1″ _module_preset=”default” title_level=”h2″ background_color=”#ff0000″ background_enable_image=”off” background_size=”contain” custom_button_one=”on” button_one_bg_color=”#ff0000″ custom_button_two=”on” button_two_bg_color=”#E02B20″ custom_margin=”||||false|false” custom_padding=”15px||15px||false|false” global_colors_info=”{}” logo_image_url__hover_enabled=”off|desktop”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]After the financial success of Billy Madison and Happy Gilmore, Adam Sandler became one of Hollywood’s most prominent comedic actors. Even though he wasn’t a hit with critics, audiences lined up to see the latest Sandler comedy. Between 1998 and 1999, Sandler’s movies grossed over $100 million, with Big Daddy making $235 million alone. In 1999, Sandler started his production company, Happy Madison Productions, to produce movies for himself and his SNL friends. The studio’s first film, Deuce Bigalow: Male Gigolo, was a hit, making over $92 million against a $17 million budget. For his next project, Sandler wanted to do something more ambitious that retained elements from his earlier comedies. With a budget of around $80-85 million, Sandler hired Steven Brill, who previously helmed 1995’s Heavyweights, to direct. In November 2000, Sandler’s most expensive production at the time, Little Nicky, debuted on theater screens across the globe.

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    Synopsis

    After 10,000 years of reigning over Hell, Satan (Harvey Keitel) must choose one of his sons as his successor. There’s the conniving Adrian (Rhys Ifans), the brute Cassius (Tommy “Tiny” Lister Jr.), and the meek Nicky (Adam Sandler). When Satan tells them he’ll still rule Hell, Adrian and Cassius are furious and decide to flee to Earth. Unfortunately, their exit freezes the gates of Hell, preventing souls from entering, which causes Satan to start disintegrating. Satan sends Nicky to Earth with a flask that imprisons anyone who drinks from it to bring his brothers back. With help from a talking dog named Mr. Beefy (Robert Smigel), Nicky has to learn to navigate the human world. He meets aspiring actor Todd (Allen Covert), metalheads John (Jonathan Loughran) and Peter (Peter Dante), and designer Valerie (Patricia Arquette). Will Nicky stop his brothers, or is Hell coming to The Big Apple?

     

    Review

    While Little Nicky was a financial flop when it was released, it’s since gained a cult following and critical reevaluation. Having revisited it after many years, I can see why the film has its fans and continues to find more. In terms of production value, this is one of Sandler’s more ambitious films, with its elaborate sets and makeup effects. It helps that artists like Norman Cabrera, Greg Cannom, and the three heads of the KNB EFX Group were hired. The Hell sets look impressive, almost like you’re seeing a metal album cover come to life. Admittedly, the digital effects haven’t aged well, but you could say that about most movies around this time. Given that this was his second feature, Steven Brill does a decent job as director and shows plenty of promise. While the film is technically impressive, the humor and story could be better.

    Admittedly, my least favorite Adam Sandler movies are the ones where he uses an obnoxious voice. While the voice he puts on here can be grating, it’s not as bad as The Waterboy or Billy Madison. As usual, his performance comprises him mugging for the camera and making silly faces with occasional pathos. The supporting cast is more interesting than the lead, especially with names like Harvey Keitel, Rodney Dangerfield, and Patricia Arquette. Rhys Ifans steals the show as the devious Adrian and Tommy “Tiny” Lister Jr. does a decent job as Cassius. There are some decent cameos from Henry Winkler, Regis Philbin, Ozzy Osbourne, Reese Witherspoon, and Jon Lovitz. At 90 minutes, parts of the film drag as it tends to get sidetracked, but it gets the job done. Overall, Little Nicky isn’t quite as bad as its reputation, but I wouldn’t call this a misunderstood classic.

     

    Buy Little Nicky from Amazon: https://amzn.to/3CdcRLa.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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