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Category: Drama

  • Citizen Kane (1941)

    Citizen Kane (1941)

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    After he found success on Broadway with his Mercury Theater, a young Orson Welles caught Hollywood’s attention in 1936. Following his controversial radio broadcast of “War of the Worlds” in 1938, Welles got a very lucrative offer. RKO Pictures, most well-known for producing King Kong, offered him a two-picture deal that guaranteed complete creative control. Welles wanted to adapt Joseph Conrad’s Heart of Darkness for his first project, but things stalled due to budgetary constraints. Around this time, Welles collaborated with screenwriter Herman J. Mankiewicz, who suggested an idea based on William Randolph Hearst. Hearst was a newspaper tycoon notorious for his yellow journalism, political ties and ambitions, and extravagant lifestyle. With a budget of around $800,000, Welles gathered his Mercury Theater players for one of Hollywood’s most ambitious films. After premiering at the Palace Theater in May 1941, Citizen Kane hit theater screens nationwide that September.

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    Synopsis

    Newspaper tycoon Charles Foster Kane (Orson Welles) is on his deathbed alone in his massive mansion, Xanadu. His last words, “Rosebud,” lead to local reporter Jerry Thompson (William Alland) investigating what exactly Kane meant. Thompson interviews Kane’s manager Mr. Bernstein (Everett Sloane), old friend Jedediah Leland (Joseph Cotten), and ex-wife Susan Alexander (Dorothy Comingore). Through these interviews, Thompson learns about Kane’s rise to power through gold mining and acquiring the New York Inquirer. During his rise, Kane married Emily Norton (Ruth Warrick), the niece of the then US president. Unfortunately, he sold his newspaper after the stock market crash, and his marriage disintegrated following an affair with Susan Alexander. The experience hurt Kane’s chances of running for public office, and Susan eventually left him due to his controlling ways. But the question remains, “Who or what is Rosebud and what was its significance to Charles Foster Kane?”

     

    Review

    Over 80 years after its release, Citizen Kane has been discussed, dissected, and examined by every film scholar and critic. Considering how much has already been written about the film, I’m unsure what else I can offer. That said, it’s easy to see why Citizen Kane often ranks as one of the greatest films ever made. For a first-time filmmaker without prior experience, Orson Welles shows a lot of promise as a compelling visual storyteller. Admittedly, Welles borrowed many of the techniques used from other movies, which he fully admitted in numerous interviews. That said, how he uses these techniques, such as deep focus and low-angle shots, makes it unique. Welles and cinematographer Gregg Toland use them to create a heightened sense of reality that strips away any artificial qualities. This sense is further exemplified by the sound design, where dialogue between characters overlaps and sound effects transition between shots.

    Beyond the technical qualities, the story and how it’s told make this film stand out from its contemporaries. Long before Quentin Tarantino used nonlinear storytelling in Pulp Fiction, Welles told his story through flashbacks from multiple people. Additionally, while a rise to power story was typical back then, adding the character’s downfall was unheard of. Whereas most movies back then ended happily, this one didn’t have the protagonist living happily but dying broke and alone. It helps that, alongside writing and directing, Welles is a charismatic actor that comes off as sympathetic and villainous. It’s easy to see how power and wealth corrupted Kane, but you also feel sorry for what becomes of him. While Welles is at the forefront, the rest of the cast does an excellent job recounting his story. Overall, Citizen Kane is an entertainingly poignant examination of one man’s rise to fall that deserves its acclaim.

     

    Buy Citizen Kane from Amazon: https://amzn.to/3NJdewO.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Citizen Kane (1941)

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  • Elvis (2022)

    Elvis (2022)

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    Elvis Aaron Presley was not only one of the greatest musicians in history but also a worldwide pop culture icon. Often nicknamed “The King of Rock and Roll,” Elvis sold over 500 million copies worldwide and won three Grammy awards. Sadly, prescription drug abuse and poor eating habits led to his untimely death in 1977 at 42. Two years after Elvis’ death, John Carpenter directed a made-for-TV movie about his life with Kurt Russell in the lead. In April 2014, Warner Bros announced that they had entered negotiations with filmmaker Baz Luhrmann for a new biopic. In 2019, the studio cast Tom Hanks to play Colonel Tom Parker, and Austin Butler got the lead role. Filming began in January 2020 in Australia but stalled when Hanks and his wife Rita Wilson tested positive for COVID-19. Despite some other delays, Elvis finally hit the big screen in June 2022.

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    Synopsis

    While on his deathbed in 1997, Colonel Tom Parker (Tom Hanks) recounts how he discovered Elvis Presley (Austin Butler). In his early years, Parker was a huckster who worked at carnivals managing country singer Hank Snow (David Wenham). One day, he heard Elvis on the radio and was so impressed that he convinced Elvis to hire him. At first, things are going great for the budding rock star, but his music catches the ire of conservatives. Many parents and politicians see his music as a tool of Satan, corrupting the youth and promoting integration. Parker convinces the government to enlist Elvis into the army to try and clean up his act. While overseas, Elvis falls in love with Priscilla Beaulieu (Olivia DeJonge) and marries her once he returns home. But as Elvis’ career keeps growing, signs point to Parker having more control over him than once thought.

     

    Review

    Even if you’re not a massive fan of his music, you can’t deny Elvis Presley’s impact on pop culture. With this new movie, Baz Luhrmann deconstructs the myth and shows more of the human side of this rock star. Much like Rocketman, you see Elvis at his best and worst moments, and it’s just as raw and hard-hitting. Austin Butler does a fantastic job portraying the legendary rock star, bringing a lot of humanity to the role. After a while, you forget that it’s an actor and believe Elvis himself is in the movie. Tom Hanks also does a great job as Colonel Parker, coming off as manipulative and two-faced while also seeming innocent. Given his unique theatrical style, Luhrmann was the perfect choice to tell Elvis’ story and match his elegance. He captures the period’s look nearly perfectly without going too overboard.

    Admittedly, how they tell the story can be scattered and disorganized as it switches between Parker and Presley. The point is to show the events from two different perspectives, but it can sometimes be confusing to follow along. While Olive DeJonge is good as Elvis’ wife, she’s introduced roughly halfway into the film and doesn’t do much. The same applies to many of the other side characters, who just come and go at a moment’s notice. Also, at two hours and thirty-nine minutes in length, parts of the movie seem to drag out longer than they should. Then again, the film has a fast-enough pace that you’re never bored and there’s always something happening. Even if the movie’s slightly disjointed, it’s still an excellent deconstruction of an icon that deals with manipulation and greed. Overall, Elvis is a stylish film with great performances that fans and non-fans can enjoy.

     

    Buy Elvis from Amazon: https://amzn.to/4r3obyc.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Elvis (2022)

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  • Space Cowboys (2000)

    Space Cowboys (2000)

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    After working as an actor for many years, Clint Eastwood transitioned to directing with 1971’s Play Misty for Me. While he continued acting, Eastwood would go back and forth between going in front of and behind the camera. 1992 saw the release of Eastwood’s largest directorial effort, Unforgiven, which won the Oscars for Best Director and Best Picture. His career in the 1990s exploded as he directed five more films and a music video during the decade. Around the end of the decade, Eastwood got a script from writers Ken Kaufman and Howard Klausner about space exploration. Clint initially planned to star and produce, but when potential directors dropped out, he decided to take on that role. With a budget of $65 million, Eastwood set out to make an effects-heavy film, something he’d never done before. In August 2000, Space Cowboys soared its way onto theater screens in North America.

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    Synopsis

    NASA discovers that a Soviet communication satellite, IKON, is decaying from orbit and is about to crash onto Earth. Unfortunately, none of the engineers know how to work with the satellite’s outdated technology, so they seek outside help. Agent Sara Holland (Marcia Gay Harden) goes to recruit former engineer Frank Corvin (Clint Eastwood) to assist them. Corvin agrees if they also recruit his former teammates from “Team Daedalus,” which attempted to fly men to the moon. Among the team are William “Hawk” Hawkins (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland), and “Tank” Sullivan (James Garner). Their former boss Bob Gerson (James Cromwell), who’s now a project manager, wants the team to shadow younger astronauts. However, once the press gets wind of what’s happening, the four will be working alongside the younger astronauts. Once the team launches into space, they soon learn they’ve got something more significant in-store.

     

    Review

    Space Cowboys is an entertaining drama with some science-fiction elements, featuring some of Hollywood’s finest actors. Clint Eastwood, Tommy Lee Jones, Donald Sutherland, and James Garner make the film worth watching. They feel like old friends with a long history together, and it’s great seeing them work together. Each guy has their defining characteristics, such as Sutherland being a ladies’ man and Eastwood arguing with Cromwell. The rest of the cast is also great, particularly Marcia Gay Harden and James Cromwell. A romance develops between Jones and Harden, which comes out of nowhere, but they make it believable. Once they enter space, the film switches genres, but it’s built up to where it doesn’t feel out of place. The visual effects have held up surprisingly well for a movie made twenty years ago, and the CGI looks good. The finale is exciting and has some hard-hitting moments.

    Admittedly, the plotline is somewhat cliche, being a story of old guys coming out of retirement for one last job. The movie follows the typical tropes, such as the clash between young and old and doubts about the mission’s success. Plus, when the other team members are being recruited, none seem to second guess whether they should join. It feels a little too convenient, which takes away any sense of urgency, and deflates the tension. Despite the use of tropes, there are some genuinely shocking moments, especially in the finale, that you won’t see coming. It helps that the cast has so much charisma that it makes up for the cliche story. There is some padding at slightly over two hours, but the movie flows at a decent pace. Overall, Space Cowboys isn’t anything new, but the likable cast and decent effects make it worth a watch.

     

    Buy Space Cowboys from Amazon: https://amzn.to/3Qp0RbN.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Godfather: Part III (1990)

    The Godfather: Part III (1990)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter Patrick Glauber. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.17.4″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]On a $13 million budget, The Godfather: Part II grossed $93 million worldwide and was 1974’s sixth highest-grossing film. Despite a mixed reception from critics, the film earned six Academy Awards, including Best Director and Best Picture. Francis Ford Coppola followed this up with 1979’s Apocalypse Now, which was another hit despite numerous production problems. Unfortunately, his 1982 film One from the Heart was a colossal flop, grossing over $600,000 on a $25 million budget. Due to the financial loss, Coppola accepted an offer from Paramount to make another sequel to The Godfather. Al Pacino, Diane Keaton, and Talia Shire agreed to return, but Robert Duvall refused due to pay disputes. With a budget of $54 million, principal photography began in November 1989 and ran throughout the following year. Sixteen years after the last installment, The Godfather: Part III premiered on Christmas Day of 1990.

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    Synopsis

    Set in 1979, a 60-year-old Michael Corleone (Al Pacino) is dealing with the consequences of his rise to power. Michael meets with his now-grown children, Anthony (Franc D’Ambrosio) and Mary (Sofia Coppola), at an induction ceremony. They’ve been living with their mother and Michael’s ex-wife Kay (Diane Keaton), who’s since remarried and still resents Michael. At his sister Connie’s (Talia Shire) insistence, Michael agrees to take on his illegitimate nephew Vincent Mancini (Andy Garcia). Michael makes deals with the Vatican to pay off their debts for shares in Internazionale Immobiliare to legitimize his business. While this is happening, Mary takes an interest in Vincent, and the two start a romantic relationship. Don Altobello (Eli Wallach) wants in on the Internazionale Immobiliare but double-crosses Michael when he’s refused a share. As Michael reflects on his life choices, he is pulled back into the mafia lifestyle he tried leaving behind.

     

    Review

    Despite its flaws, I felt that The Godfather: Part II was a worthy follow-up to the original classic. Unfortunately, The Godfather: Part III isn’t the stellar finale to the trilogy fans were probably hoping for. Before I go into the negatives, I want to highlight the positives as there are good qualities to the movie. For one, the performances are spectacular (for the most part), especially from Al Pacino and Diane Keaton. Also, Andy Garcia does an excellent job playing the arrogant yet loyal Vincent Mancini. Like the previous films, this one explores themes of family, loyalty, and betrayal, reflecting on the past. We see the once determined and ruthless Michael Corleone become a broken man who feels remorseful in his old age. After going through the entire trilogy, it’s interesting to see the character growth of this war hero turned mafioso.

    Now, it’s time to address the elephant in the room that’s been discussed since 1990: Sofia Coppola’s performance. Sadly, she is the weakest actor in the movie, with her line delivery coming off stilted and unnatural. Someone like Winona Ryder would’ve done a much better job, but there are some scenes even she couldn’t save. Also, there are so many subplots going on that it’s hard to keep track of what’s happening. Sure, the second film suffered from constantly switching back between the past and present, but it was easier to follow. In this film, you’ve got a plot involving the Catholic Church, finances, family turmoil, rival gangs, and forbidden romance. Even though it’s the shortest one, the movie feels so scatterbrained that it’ll feel longer than it actually is. Overall, while it has many good aspects, The Godfather: Part III is a disappointing finale to an American classic.

     

    Buy The Godfather: Part III from Amazon: https://amzn.to/4f7W3nb.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Godfather: Part II (1974)

    The Godfather: Part II (1974)

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    On a $6 million budget, The Godfather exceeded all expectations, grossing over $130 million domestically and over $250 million worldwide. It was the highest-grossing film of 1972 and held the record for the all-time highest-grossing film until Jaws. The film also received universal praise from critics and won three Oscars: Best Actor, Best Adapted Screenplay, and Best Picture. Given the success, Paramount was eager to get a sequel out the door and even gave Coppola complete creative control. For the sequel, Coppola wanted to tell two stories: the rise of Vito Corleone and the fall of Michael Corleone. Coppola managed to bring back several original cast members with a budget of $13 million (more than double the original’s). Filming ran from October 1973 to June 1974, though panic arose when early preview screenings called the film a disaster. Nevertheless, The Godfather: Part II had its NYC premiere in December 1974.

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    Synopsis

    After his father’s death, Michael Corleone (Al Pacino) is the new Don of the Corleone crime family. He has to take on running an organized crime league while also caring for his current family. Unfortunately, things go south after Michael and his wife Kay (Diane Keaton) survive an attempted assassination while in bed. In response, Michael goes to Nevada and meets with mobster Hyman Roth (Lee Strasberg), who he suspects of the assassination. While this is going on, the film shows how Vito Corleone (Robert De Niro) rose to power. In addition to his children being born, we see how Vito eliminated Don Fanucci (Gastone Moschin) in his conquest. Back in the present, Michael contends with duplicitous partners, a Senate committee cracking down on crime, and his wife miscarrying. As the power and responsibility of being a don get to Michael’s head, his family life begins to crumble.

     

    Review

    Given the critical and commercial success of the original, The Godfather: Part II had a lot to live up to. For the most part, this sequel manages to be as good as the first film, but it has its problems. On the one hand, I’m glad Coppola had more creative control to make the movie he wanted to make. On the other hand, he might’ve gone overboard with packing in as much material as possible in a 3-hour runtime. The plot jumps back and forth between Michael’s story and Vito’s origin throughout the movie without any rhyme or reason. This jumping back-and-forth makes it challenging to follow what’s going on and keep track of both stories. Still, it’s interesting seeing how Vito maintains his family while becoming powerful, contrasted with how Michael’s family is falling apart. It’s a shame there’s not much cohesion between both narratives.

    Much like the original, this film showcases some of the best actors the 1970s had to offer. Not only is his character further expanded upon, but Al Pacino delivers an electrifying performance as a broken man. You feel how the pressure of being the Don affects him and his loved ones, especially in his outbursts. By contrast, Robert De Niro gives a calm and levelheaded performance as the young Vito Corleone. Even with limited experiences, you feel like this guy is in control of the situation and knows what he’s doing. The rest of the performances are exceptional, particularly Diane Keaton, Talia Shire, Robert Duvall, John Cazale, and Lee Strasberg. The production design is phenomenal, Gordon Willis’ cinematography is solid, and Nino Rota’s score is just as epic. Overall, The Godfather: Part II has its problems, but it’s a worthy successor to the original classic.

     

    Buy The Godfather: Part II from Amazon: https://amzn.to/3FV6xWt.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Godfather (1972)

    The Godfather (1972)

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    In 1967, Paramount Pictures announced they would be backing the latest book by author Mario Puzo to adapt to film. Titled The Godfather, the book was published in 1969 and became an instant best-seller, selling over nine million copies. Following the publication, studio executive Robert Evans started looking for a director, preferring an Italian American to add authenticity. After getting turned down by Sergio Leone, Peter Bogdanovich, and Arthur Penn, Evans’ assistant suggested an up-and-coming Francis Ford Coppola. After finding Puzo’s book sleazy and sensational, Coppola initially turned it down but changed his mind due to financial problems. At the time, Paramount was not doing well as most of their past films bombed at the box office. The studio took issue with the casting decisions, inflating budget, and unconventional filming throughout the production. Despite these setbacks, Coppola’s The Godfather finally hit theaters in March 1972.

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    Synopsis

    Michael Corleone (Al Pacino) returns home from the war for the wedding of his sister Connie (Talia Shire). His father, Vito (Marlon Brando), is the don of a massive crime league who cares for his family. Unfortunately, Vito has his life threatened when drug baron Sollozzo (Al Lettieri) asks for his assistance and gets rejected. Vito’s put in the hospital while his son Sonny (James Caan) takes over and accepts the offer. Things progressively worsen as an all-out war between the five families breaks out, Vito worrying for his sons’ safety. He has Michael relocate to Sicily while Fredo (John Cazale) takes shelter in Las Vegas until everything blows over. While they’re away, Sonny gets gunned down by gangsters, but Vito doesn’t want anyone acting out in vengeance. Coupled with Vito’s failing health, Michael moves back home and takes the reins to try and preserve the family.

     

    Review

    Honestly, The Godfather is one of those movies where I’m not sure if there’s anything new I can add. All I can offer is my perspective on what’s considered one of the greatest films in American history. Incredibly, Francis Ford Coppola went from working with Roger Corman on low-budget quickies to directing an American classic. Working with cinematographer Gordon Willis, he adds a quiet, somber tone to the proceedings, even in the more violent scenes. This melancholy tone is further exemplified by composer Nino Rota’s brilliantly haunting score, which has become iconic. The cast includes so many great performances that it’s hard to narrow down to just a few standouts. Suffice it to say that there’s not a single weak, and everyone delivers a stellar performance. If I must single out a few standout actors, they’d have to be Marlon Brandon, Al Pacino, and James Caan.

    While on the surface, it seems like a bloody mafia movie, it’s a melancholy tale about family, betrayal, and loyalty. Marlon Brando gives Vito Corleone a calm, understated performance where you get all the information from his facial expressions. Al Pacino is similarly reserved, but he has moments where he explodes as he gets more entangled in the family. James Caan comes off as the cocky older brother trying to keep the family together but making bad decisions. Other highlights include Robert Duvall, Diane Keaton, Talia Shire, Abe Vigoda, and even character actors like Joe Spinell. I’d be remiss if I didn’t mention the incredible makeup effects by Dick Smith, who can make Marlon Brandon unrecognizable. The slow pace and three-hour runtime might put off modern audiences, but it’s considered legendary for a reason. Overall, The Godfather is a cinematic masterpiece everyone should see at least once.

     

    Buy The Godfather from Amazon: https://amzn.to/3waDE3W.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch The Godfather (1972)

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  • Full Metal Jacket (1987)

    Full Metal Jacket (1987)

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    In the early 1980s, Stanley Kubrick expressed interest in doing a film about the horrors of the Vietnam War. After discovering the 1979 novel The Short-Timers, Kubrick referred to Gustav Hasford, the original author, to adapt the book. Kubrick had also been working with novelist Michael Herr, who previously wrote the Vietnam memoir Dispatches, on the screenplay. Initially, they brought on former Marine R. Lee Ermey as a technical advisor, but he convinced Kubrick to cast him. The rest of the cast consisted of relative unknowns like Matthew Modine, Vincent D’Onofrio, Adam Baldwin, and Arliss Howard. Filming occurred between 1985 and 1986, primarily in England, though it was difficult for many cast and crew members. After a rough shooting, the film premiered in the US in June 1987 and the UK in September. Concerned that audiences would misunderstand the title, Kubrick chose to call the movie Full Metal Jacket.

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    Synopsis

    At Parris Island, Drill Instructor Gunnery Sergeant Hartman (R. Lee Ermey) trains recruits to become Marines. While he’s tough but fair to most of them, he’s particularly annoyed with Private Leonard “Gomer Pyle” Lawrence (Vincent D’Onofrio). Throughout the training, Lawrence is mocked and ridiculed by both Hartman and his fellow recruits for being overweight and incompetent. The only one who shows some compassion is J. T. “Joker” Davis (Matthew Modine), but even he can’t help him. After training, J. T. is made a sergeant and sent off to Vietnam as a reporter for Stars and Stripes. Paired with combat photographer Private First Class Rafterman (Kevyn Major Howard), J. T. witnesses first-hand the horrors of war. He sees fellow soldiers getting blown up, shot by snipers, and losing their humanity as the conflict continues. In his own words, J. T. sees what he calls “the duality of man” at play.

     

    Review

    Of the many Vietnam war movies released around this time, Full Metal Jacket is undoubtedly one of the most well-made. There are tons of long takes, tracking shots, and harsh lighting to accentuate the mood in typical Kubrick fashion. Admittedly, the movie’s best parts are the scenes at boot camp, mainly because of the performances. R. Lee Ermey steals the show as the hard-as-nails drill sergeant spouting some of the most profane dialogue imaginable. Also, Vincent D’Onofrio is another stand-out as the sympathetic yet insane Private Pyle with some memorable lines of his own. Matthew Modine makes for a good center as he deals with the unhinged insanity of Ermey and D’Onofrio. Unfortunately, the boot camp sequences end roughly 45 minutes in, and the rest of the movie slows down dramatically. Still, the scenes in Vietnam have their merits, even if they’re not as memorable.

    As mentioned earlier, the film is incredibly well-made, and it shows during the Vietnam scenes. You get a sense of how ravaged these cities have become by the war with all the blown-up buildings. It’s crazy to think the film was shot in England, considering how well they could recreate a bombed-out Vietnam. The film tackles many themes, such as the duality of man and how war can make people into killing machines. Sadly, the sequences in Vietnam feel somewhat scattered and more like a series of events that just happen. It doesn’t quite have the emotional impact of similar Vietnam war movies like Platoon or Apocalypse Now. Despite its flaws, this is still an incredible well-made war film with great performances that explores humanity as a whole. Overall, Full Metal Jacket isn’t perfect, but it still earns its place as a cinematic classic.

     

    Buy Full Metal Jacket from Amazon: https://amzn.to/34cknVR.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Pig (2021)

    Pig (2021)

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    While attending Yale University, aspiring filmmaker Michael Sarnoski wrote a screenplay with fellow Yale student Vanessa Block. At the time, Sarnoski wanted to explore themes of grief and loss after losing his father at a young age. He centered the script around this image of an older man and a pig living in the woods all alone. Sarnoski presented the script to WME, who suggested Nicolas Cage for the lead role after giving it a readthrough. Cage loved the writing and agreed to star, and through that, they cast Alex Wolff to star opposite him. With the cast in place, they began shooting in Portland, Oregon, in September of 2019 for roughly 20 days. Neon, the distributor for Ingrid Goes WestI, Tonya, and Parasite, picked up the film for distribution in March 2020. Finally, on July 16, 2021, Michael Sarnoski’s Pig hit the big screen in the US.

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    Synopsis

    Rob Feld (Nicolas Cage) is a hermit living in the woods outside of Portland with his pig and hunting truffles. He sells the truffles to Amir (Alex Wolff), who supplies ingredients to high-end restaurants and is Feld’s only outside contact. One night, a group of people break into Feld’s cabin, knock him out, and kidnap his pig. Feld asks Amir for help, and he points him to drug addicts Bree (Julia Bray) and Scratch (Elijah Ungvary). Unfortunately, the couple sold the pig, so Rob and Amir head to downtown Portland to find where the pig is. After chasing down various leads, it turns out that Amir’s father, Darius (Adam Arkin), was responsible for kidnapping the pig. Darius offers to pay Rob $25,000 to leave the pig, but he refuses and ends his partnership with Amir. Rob must do whatever it takes to get his pig back with nothing to lose.

     

    Review

    From how I described the movie, this sounds like it could be a John Wick-style action movie with Nic Cage. However, Pig is nothing like that, which will be good or bad depending on your expectations. Instead, this is an intense, character-driven drama that deals with loss, death, isolation, friendship, and finding hope. Even at roughly 90 minutes, this is a slow burn where not much happens, and it’s more dialogue-driven. It helps that the film has a beautiful cast delivering this well-written dialogue to help keep your attention. Nicolas Cage is in top form as a lowly hermit trying to live out his days with his beloved pig. Alex Wolff works perfectly off Cage as the young and inexperienced Amir dealing with family issues. Though he’s not in the film much, Adam Arkin stands out as Darius, both intense and grieving.

    While the rest of the cast does a good job, Nicolas Cage is easily the most substantial presence here. Admittedly, this comes at the price of the rest of the cast not given much material to work with. On the one hand, it’s better to have one fully-developed character than several characters you have to keep track of. However, it’s hard to care about the other characters when only one gets any backstory or character development. That said, the direction is wonderfully moody, and there’s a foreboding sense of dread throughout. Even when there’s no dialogue, you can feel the sadness and remorse on the actors just by looking at them. Most would probably dismiss this as a pretentious vehicle for Nicolas Cage, but they’d be missing out on something special. Overall, Pig is a wonderfully melancholy character study with an incredible lead that sticks with you after watching it.

     

    Buy Pig from Amazon: https://amzn.to/3cXukY1.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Pig (2021)

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  • The Perks of Being a Wallflower (2012)

    The Perks of Being a Wallflower (2012)

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    In 1999, The Perks of Being a Wallflower, a coming-of-age novel by Stephen Chbosky, was published by Pocket Books. Incorporating some of his own experiences in high school, the book was the publisher’s highest-selling book at the time. While the book had a mixed reception, it later developed a cult following and Chbosky started getting film offers. Chbosky wanted to make a film adaptation, but he turned down several offers given how personal the story was. In 2010, John Malcovich’s Mr. Mudd Productions acquired the rights, and they allowed Chbosky to write and direct the film. For the leads, they hired Logan Lerman from the Percy Jackson series and Emma Watson of Harry Potter fame. After roughly two months of filming in Cincinnati and Pittsburgh, the film was re-edited to receive a PG-13 rating. In September of 2012, the film version of The Perks of Being a Wallflower was released.

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    Synopsis

    Charlie (Logan Lerman) is a young man suffering from clinical depression that’s about to enter freshman year of high school. He’s very shy, awkward, and has trouble making friends, though he likes his English teacher Mr. Anderson (Paul Rudd). During a football game, he meets seniors/siblings Sam (Emma Watson) and Patrick (Ezra Miller), who become his friends. Soon, Charlie grows closer to Sam and Patrick and meets their friends Mary Elizabeth (Mae Whitman) and Alice (Erin Wilhelmi). They bond over their shared love of indie music and attending/participating in screenings of The Rocky Horror Picture Show. Over time, Charlie starts having flashes of his Aunt Helen (Melanie Lynskey), which also triggers blackout moments of rage/anger. He has his ups and downs throughout high school: finding love, losing friends, defending his friends, and his ever-growing depression. High school is just one step into the rest of Charlie’s life.

     

    Review

    The Perks of Being a Wallflower is a very touching and heartfelt coming-of-age story perfect for today’s generation. Even though the film is set in the early 90s, much like The Breakfast Club, anyone can relate to it. First off, for a first-time director, Chbosky’s direction is simple but effective, giving the film a real homegrown feel. The use of shadows and a muted color scheme perfectly complement the rather somber and downhome tone of the film. The cast is fantastic, with Logan Lerman, Emma Watson, and Ezra Miller all shining in their lead roles. Lerman makes for a very sympathetic and likable lead who has his moments of weakness and expertly depicts depression. He has great chemistry with Miller and Watson, though her notable British accent occasionally slips through but not significantly. Also, Paul Rudd, Tom Savini, Kate Walsh, Dylan McDermott, and Joan Cusack shine in their small roles.

    Much like the best of John Hughes, this film deals with some issues that are relevant to any audience. Admittedly, some of these issues aren’t handled too well, such as suicide, which is brought up and quickly glossed over. But for the most part, the film handles themes of depression, isolation, friendship, and young love very well. Also of note is how the film handles its gay character Patrick, who is openly gay but not too stereotypical. The film depicts him as very realistic and fun-loving despite feeling rejected by his peers, including his football player boyfriend. While the movie is very funny at times thanks to its dialogue and cast, it can also be very serious. Thankfully, it’s not the kind of serious that feels manipulative or overly emotional, and it has a quick 103-minute runtime. Overall, The Perks of Being a Wallflower is a fantastic examination of adolescence.

     

    Buy The Perks of Being a Wallflower from Amazon: https://amzn.to/3eYz9SM

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  • Elite Squad (2007)

    Elite Squad (2007)

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    After attending Oxford University, up-and-coming filmmaker José Padilha started his production company, Zazen Produções, in 1997 with classmate Marcos Prado. Padilha’s first film was the 2002 documentary Bus 174, about a bus hijacking in his hometown of Rio de Janeiro. The film was a critical and commercial success, winning numerous awards and ending up on several best film lists. However, the film was not without controversy, some feeling that Padilha was sympathizing with the criminals and demonizing the police. For his next film, Padilha turned to Elite da Tropa, a book about the Batalhão de Operações Policiais Especiais (BOPE). The BOPE are essentially the Brazilian equivalent of the American SWAT, only they’re considered more aggressive and brutal. Rodrigo Pimentel, who co-wrote the original book, penned the script with Padilha and City of God writer Bráulio Mantovani. Despite being leaked online before release, Elite Squad was released in October 2007.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In 1997 Rio de Janeiro, Captain Nascimento (Wagner Moura) is an elite BOPE officer who’s looking for a replacement. Not only is the stress getting to him, but his wife Rosane (Maria Ribeiro) is pregnant with their first child. Coincidentally, BOPE is putting together an operation to secure the slums at Morro do Turano in preparation for the Pope. Meanwhile, longtime friends André Matias (André Ramiro) and Neto Gouveia (Caio Junqueira) join the police force, unaware of the corruption. Turns out the majority of the police force is paying off the local gangs, extorting protection money, and even stealing. Seeing the corruption firsthand, Matias and Neto decide to join BOPE alongside Captain Fabio (Milhem Cortaz), who’s a corrupt cop. Despite a gruesome training course, Matias and Neto pass, making Nascimento confident in finding a suitable replacement. However, all that training can’t prepare our heroes for what’s coming.

     

    Review

    Elite Squad has divided audiences since its release, and it’s easy to see why it earned such controversy. Every criminal is treated as the lowest form of scum and the BOPE are seen as good and virtuous. Additionally, the police aren’t shown in the brightest light, either screwing over each other or turning a blind eye. However, the point the film is trying to get across is how life in Rio de Janeiro can be unforgiving. It shows how a broken system can lead to violence and corruption, and how extreme measures must be taken. While we’re shown the BOPE taking out drug dealers, there’s also a grey moral area to what they do. We see them torturing suspects, verbally and physically assaulting people, and kill criminals and cops without a second thought. It makes you question just who the real good guys are.

    In terms of filmmaking, some might be put off by the shakiness of the handheld camera and quick-cut editing. Still, this helps add a sense of intensity and uneasiness throughout, putting you right in the middle of the action. You start to feel just how on-edge and stressed-out the characters are with how up-close and personal the film gets. In a way, it’s somewhat similar to RoboCop, but here it’s presented in a more realistic and less fantastical setting. It’s easy to see how this launched Padilha into superstardom as a director and how he moved onto bigger projects. Acting-wise, everyone delivers an excellent performance, with Wagner Moura, André Ramiro, and Caio Junqueira easily giving the best performances. As stated before, you’ll either love or hate this film depending on your ideologies, but regardless, it’s still powerful. Overall, Elite Squad is an engaging and haunting depiction of life in Brazil.

     

    Buy Elite Squad from Amazon: https://amzn.to/3mruz1o.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Elite Squad (2007)

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