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Category: Horror

  • Nightbeast (1982)

    Nightbeast (1982)

    [et_pb_section fb_built=”1″ theme_builder_area=”post_content” _builder_version=”4.27.4″ _module_preset=”default”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” theme_builder_area=”post_content”][et_pb_column _builder_version=”4.27.4″ _module_preset=”default” type=”4_4″ theme_builder_area=”post_content”][et_pb_video _builder_version=”4.27.4″ _module_preset=”default” theme_builder_area=”post_content” src=”https://youtu.be/r6rsB9JNKYw” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]Troma is known not only for producing but also for distributing, often picking up films, retitling them, and re-releasing them. Though they had no direct involvement in the production, many notable people got more notoriety through being connected to Troma. For instance, Troma released Buddy Giovinazzo’s debut feature Combat Shock, which was one of the more unique films they released. Enter Baltimore-based filmmaker Don Dohler, who made his directorial debut The Alien Factor in 1972 but wasn’t released until 1978. Following the film’s release, Dohler decided to work on a film similar to The Alien Factor but hired another director. Unfortunately, he was having trouble with the new director, so plans were scrapped and Dohler filmed the 1980 slasher Fiend. After filming Fiend, Dohler decided to revisit the previous concept and start over, working with his usual cast and crew. In 1982, the horror sci-fi film Nightbeast was released.
    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    An alien spacecraft gets hit by an asteroid, which causes it to crashland on Earth in a small town. The alien pilot emerges from the ship before it explodes and is spotted by some hunters who alert the sheriff. County Sheriff Cinder (Tom Griffith), Deputy Sheriff Lisa Kent (Karin Kardian), and some men go out to investigate the monster. Meanwhile, the alien goes out on a rampage, blasting people with its disintegrator ray and ripping people’s guts out. The sheriff tries convincing Mayor Bert Wicker (Richard Dyszel) to evacuate the town, but he refuses because of a party. As the alien creature continues its rampage, local delinquent Drago (Don Leifert) is on the run after killing his girlfriend. Cinder and Lisa begin to fall in love, but it’s soon interrupted as the alien’s body count continues to rise. Will the creature be stopped, or will its rampage continue?

     

    Review

    Nightbeast is exactly the kind of movie you’d want it to be: a trashy, low budget sci-fi alien attack romp. For a film that supposedly had a $14,000 budget, it’s surprisingly well made and has some solid effects. The gore effects are pretty top-notch, and the design of the alien, while goofy, is unique and memorable. The score, partially done by a relatively unknown J. J. Abrams, also makes the film feel very creepy and ominous. Much of the nighttime scenes make extensive use of fog, which helps add to its atmosphere, even in daytime scenes. What also helps is that the film gets right into the action from the beginning with the alien attacking people. Watching the actors jump around, hit the ground, and start shooting while laser fly around them is entertaining. This is prime material that’s sure to satisfy anyone looking for cheap B-movie thrills.

    However, the film’s biggest problems are that the acting is fairly bland and there are tons of filler scenes. After the first 20 minutes, the action grinds to a halt as the actors run around looking for the alien. It doesn’t help either that most of the acting isn’t that great, though the cheesy acting adds to its charm. There is some nudity thrown in, but it seems shoehorned in and it’s not as sexy as it could be. Even at 80 minutes, the film feels slightly padded, especially with its subplots that don’t amount to much of anything. However, its flaws add to its overall homegrown charm, making it feel like a real small-town, homemade production. Much like The Toxic Avenger, this shows that even a low budget film can get attention and notoriety decades later. Overall, Nightbeast is trashy fun best enjoyed with friends and drinks.

     

    Buy Nightbeast from Amazon: https://amzn.to/3NTrKVs.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.
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  • Bloodlust: Subspecies III (1994)

    Bloodlust: Subspecies III (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]As stated before, Subspecies proved to be popular enough to spawn a new franchise alongside Puppet Master and Trancers. While there were some difficulties in filming the first installment, Ted Nicolaou and company were more than willing to return. Thankfully, Bloodstone: Subspecies II was a much easier and more enjoyable shoot, turning out to be a stronger entry. Though there were some cast and crew changes, actress Denice Duff proved to be a welcome replacement for Laura Tate. Both parts two and three were shot back-to-back and released one year apart from each other between 1993 and 1994. Things were going well for Full Moon Features thanks to their deal with Paramount and starting their kids’ label, Moonbeam. The next Subspecies film was planned to be the last in a trilogy unless fans requested that more be made. In 1994, Bloodlust: Subspecies III was released.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Following the last entry, the witch Mummy (Pamela Gordon) performs a blood ritual to resurrect the vampiric Radu (Anders Hove). Mummy believes that Radu’s fledgling Michelle (Denice Duff) has been corrupting him and must be killed at once. However, Radu keeps her around, stating that he is his own master and teaches Michelle how to be a vampire. Radu starts falling more and more in love with Michelle, while she begs for death and expresses her disgust. Meanwhile, Michelle’s sister Rebecca (Melanie Shatner) tries convincing ambassador Mel (Kevin Blair) and Lt. Marin (Ion Haiduc) of the vampires. While Mel agrees to help, Marin is skeptical but changes his mind after noticing villagers have gone missing. Mel recruits his friend, CIA officer Bob (Michael Della Femina), to infiltrate Castle Vladislav, rescue Michelle, and kill Radu. Will they be able to save her, or will Michelle be entranced into Radu’s grip?

     

    Review

    Much like the first two films, Bloodlust: Subspecies III is another fun, well-made, and atmospheric gothic vampire film. As with before, Anders Hove completely steals the show as the sinister yet charismatic Radu, clearly relishing in the role. Denice Duff is also wonderful, fully expanding her character and giving some real emotional depth to her scenes. Pamela Gordon works well as the villainous witch Mummy, and the makeup effects for her and Radu are impressive. While much is devoted to Radu and Michelle’s relationship, a major portion involves Melanie Shatner and Kevin Blair’s characters. They play off each other well, even though Blair can be a bit on the bland side at times. Ion Haiduc does a good job as the disgruntled police lieutenant and Michael Della Femina is a welcome addition. Sadly, Bob the CIA officer doesn’t get much screentime, so he comes off somewhat pointless.

    Once again, Nicolaou’s direction is on point, taking advantage of the Romanian landscape and using tons of fog and shadow. The makeup effects from effects artist Wayne Toth are impressive, given the low budget they were working with. Some fans might be disappointed that the titular characters, the subspecies, only appear during the last five minutes. Honestly, I’m ok with this since the focus of the story is the vampires, with the subspecies just being there. It’s interesting seeing the power struggle between Radu and Mummy, with Michelle being caught in the middle of it all. There’s also more of an emphasis on action, which is a nice change of pace, though some may disagree. While it’s not perfect, this film and its predecessors stand tall as some of Full Moon’s finest offerings. Overall, Bloodlust: Subspecies III continues what made the other films work, even with some of its shortcomings.

     

    Buy Bloodlust: Subspecies III from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Bloodlust: Subspecies III (1994)

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  • Tourist Trap (1979)

    Tourist Trap (1979)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]After earning a Master’s degree from the University of Texas, David Schmoeller got an internship working on 1978’s Capricorn One. Following his internship, Schmoeller was developing a screenplay off of his thesis film The Spider Will Kill You. He wrote the screenplay alongside J. Larry Carroll, and they tried pitching it to Sam Arkoff and Bruce Cohn Curtis. Eventually, they pitched their screenplay to Charles Band, who liked it and agreed to produce, with Schmoeller serving as director. He was given a $300,000 budget, $50,000 of which would go towards a name actor, that actor being Chuck Connors. The rest of the cast consisted of relatively unknown actors, though they helped Schmoeller learn working with actors. The crew included production designer Robert Burns from The Texas Chain Saw Massacre and Pino Donaggio as the composer. Finally, March of 1979 saw the release of Schmoeller’s directorial debut, Tourist Trap.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Friends Molly (Jocelyn Jones), Jerry (Jon Van Ness), Eileen (Robin Sherwood), and Becky (Tanya Roberts) are traveling through the desert. Unfortunately, their car breaks down, but fortunately, they get help from Mr. Slausen (Chuck Connors), a tourist trap owner. The four follow him to said tourist trap, a museum full of lifelike wax mannequins, some having mechanical movements. Slausen tells the girls to stay in the museum while he and Jerry go off to fix the truck. Eileen, however, ignores his warning and goes to check out a nearby house, where she runs into a masked killer. When they don’t hear back from them, Becky and Molly decide to go find them, only to find something horrifying. Turns out Slausen’s brother, who built the mannequins, has been in hiding and killing any tourists who come by. But not all is as it seems at the local tourist trap!

     

    Review

    Tourist Trap is a very underrated chiller that could be considered a slasher film, releasing one year after Halloween. Admittedly, its plot is nothing special: young people stranded in a deserted area being stalked by a killer. Not only that, but the film borrows elements from other films, including Psycho, Carrie, and The Texas Chain Saw Massacre. That being said, this film has plenty to help it stand apart, such as its mood and emphasis on atmosphere. Chuck Connors delivers a phenomenal performance as Mr. Slausen, who seems innocent and charming, but you know there’s something off. The other actors do a serviceable job, Jocelyn Jones, in particular, standing out as our main heroine and final girl. For a first-time director, Schmoeller shows quite a lot of potential here, creating an effectively creepy and unnerving mood throughout. It’s easy to see how he went on to later direct Puppet Master.

    For a PG-rated film, Tourist Trap is surprisingly disturbing, even with the lack of excessive blood and gore. For instance, there’s a death scene where a woman suffocates from having plaster applied to her face without breathing holes. Also, if you’re freaked out by mannequins, this film will haunt you with all the shots of their blank faces. There are some supernatural elements added in which, while not a detractor from the film, feel somewhat out of place. On the flip side, Donaggio’s score is very unique, at times playful and innocent, and other times haunting and creepy. Even with a 90-minute runtime, the film can be slow at times, but it does work to build up tension. Even with its flaws, it’s a shame this movie is so overlooked as it’s an effectively creepy film deserving recognition. Overall, Tourist Trap is an effective chiller worthy of its cult status.

     

    Buy Tourist Trap from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.​

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  • Island of Lost Souls (1932)

    Island of Lost Souls (1932)

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    In 1896, famed sci-fi novelist H. G. Wells published The Island of Dr. Moreau, a story of science gone awry. Described as “an exercise in youthful blasphemy”, it tells the story of Dr. Moreau, a mad scientist creating animal-human hybrids. In the 1930s, there was a massive boom in horror films thanks to the release of Universal’s Dracula and Frankenstein. Paramount Pictures decided to capitalize on this trend, starting with their 1931 adaptation of Dr. Jekyll and Mr. Hyde. The film was both a critical and commercial success upon release and lead Fredric March won a Best Actor Oscar. Seeing the potential, Paramount decided to follow it up with an adaptation of the H. G. Wells novel. For the adaptation, they hired Erle C. Kenton to direct, who was mostly known for comedies and crime dramas. Finally, in 1932, The Island of Lost Souls was released to theaters.

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    Synopsis

    Edward Parker (Richard Arlen) has been rescued and brought onto a freighter by its captain, Captain Davies (Stanley Fields). Unfortunately, Parker’s thrown off and left on the boat of Dr. Moreau (Charles Laughton) and his assistant Montgomery (Arthur Hohl). They arrive on Moreau’s island, where Parker is treated to his hospitality and is introduced to Lota (Kathleen Burke). Parker soon suspects something going on, so he investigates and discovers the “House of Pain”, where he discovers Moreau’s experiments. Turns out that Moreau has been creating human-animal hybrids, all of whom follow the Sayer of the Law (Bela Lugosi). Meanwhile, Parker’s fiance Ruth Thomas (Leila Hyams) hires Captain Donahue (Paul Hurst) to help her find and rescue him. As Parker spends more time with Lota, it becomes clear that Moreau wants him to mate with her. Will Moreau succeed in his experiments, and will Ruth be able to rescue her fiance?

     

    Review

    Island of Lost Souls is certainly one of the more interesting movies to come out of the pre-code era. While there’ve been many Dr. Moreau adaptations over the years, this one remains the definitive version, and for good reason. Firstly, the performances are top-notch, Charles Laughton being the highlight, playing more a calm, collected scientist than a mad one. He’s so charismatic and oddly charming that you almost buy into the bizarre experiments he’s performing, making a memorable villain. Arlen does a good job as the standard hero, and Burke is both captivating and seductive as the Panther Woman. Though virtually unrecognizable under heavy makeup, Lugosi delivers a great performance as always, even though his screentime is limited. Filmmaking wise, Kenton’s direction is decent, though there isn’t anything special on display, which was fairly typical of 1930s films. For its time, it’s a good looking film.

    What’s really impressive are the makeup effects used to create the human-animal hybrids, especially considering the limited budget they had. The makeup effects were done by Charles Gemora and Wally Westmore, who would work with John Ford and Alfred Hitchcock. It’s easy to see why, given how they were able to use very primitive materials to transform all these extras. Honestly, the effects are about on-par with the work Jack Pierce did for Frankenstein and The Wolf Man. Admittedly, parts of the movie tend to drag, and the action doesn’t really pick up until near the end. Thankfully, at roughly 70 minutes in length, it never outstays its welcome and is a fairly quick sit. It’s hard to recommend a movie like this to newer audiences, but it’s worth watching for any budding film historian. Overall, Island of Lost Souls is a piece of cinematic history worth uncovering.

     

    Buy The Island of Lost Souls from The Criterion Collection: https://bit.ly/3kn5cMV

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  • Creepozoids (1987)

    Creepozoids (1987)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In my review of Sorority Babes in the Slimeball Bowl-O-Rama, I talked about the early career of filmmaker David DeCoteau. After directing his first mainstream film, 1986’s Dreamanic for Charles Band, DeCoteau presented him with two pitches for his follow-up. With the popularity of post-apocalyptic movies and the recent release of Aliens, DeCoteau pitched Mutant Spawn 2000, which combined both. His other concept was a Ghoulies knock-off called Creepozoids, the film’s title being inspired by the Midnight Star song “Freak-A-Zoid”. Charles Band liked the concept of Mutant Spawn 2000 and the title Creepozoids, so he decided to combine the two. On a budget of roughly $150,000, DeCoteau assembled a small crew and filmed in a small studio in LA. Though casting Linnea Quigley fresh off of The Return of the Living Dead, most of the cast was relatively unknown. Finally, in 1987, Creepozoids was released both theatrically and direct-to-video.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Years after a nuclear war, a group of survivors are wandering through a post-apocalyptic cityscape looking for supplies and shelter. Led by Jake (Richard Hawkins), the group finds an abandoned facility that they decide to hold up in for now. Jesse (Michael Aranda) checks the computer logs to see what happened to the people who were previously there. Meanwhile, Jake, Blanca (Linnea Quigley), Butch (Ken Abraham), and Kate (Kim McKamy) explore and find food, beds, and running water. Unbeknownst to them, however, a strange and deadly creature is lurking throughout the facility, along with some killer rats. One by one, the creature picks off the crew members and sprays them with acid turning them into radioactive mutants. As their numbers continue to dwindle, the remaining crew members have to find a way to survive against the creature. Who will be able to survive and fight against the Creepozoids?

     

    Review

    Creepozoids is a movie that clearly “borrows” from more popular films, not the least of which being Ridley Scott’s Alien. The film also uses the trappings of post-apocalyptic films, but that’s more so for the setup rather than the plot. That said, Creepozoids is still a fine example of B-movie thrills made on a shoestring budget with plenty of creativity. The cast all put plenty of enthusiasm into their performances, even if many of them don’t do much. The main creature, though it’s clearly a knock-off of the Xenomorph, looks impressive and has a memorable design. DeCoteau is able to work around his low budget to create an effective mood using moody colors and dynamic lighting. Plus, at seventy-two minutes, the film never outstays its welcome and won’t take up too much of your time. Plus, Linnea Quigley’s in it, so you get to see her get naked.

    Probably my biggest issue with the film is how padded it is, even with its relatively short runtime. There are several reused shots and alternate takes used, and the end credits are stretched out for so long. Also, while DeCoteau is able to mostly mask the low budget, there are moments where you can see the cheapness. For instance, you can tell that they only had a few filming locations that they constantly reuse and redress. Also, some of the puppets that are used are obvious, namely, the giant rat puppet used every now and then. We’re never given much backstory other than some brief text at the beginning, and even that’s never fully explored. Still, this is the kind of movie that’s more concerned with delivering B-movie thrills than having a compelling story. Overall, Creepozoids knows exactly what kind of movie it is, and it mostly succeeds at that.

     

    Buy Creepozoids from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.​

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  • Puppet Master III: Toulon’s Revenge (1991)

    Puppet Master III: Toulon’s Revenge (1991)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]After helming several projects during the Empire days, director David DeCoteau worked as a producer during Full Moon’s early years. He produced Crash and Burn, Trancers II, and Puppet Master II when he got a call about directing again. Paramount, who was distributing Full Moon’s films, was happy with how Puppet Master II did and immediately wanted a sequel. For the installment, they hired writer C. Courtney Joyner, who previously wrote the Charles Band produced Prison in 1987. They decided that rather than a straight-up sequel, this third film would be a prequel set in WWII Germany. After filming Subspecies in Romania, they wanted to film there but decided against it due to political turmoil. Instead, they shot for two days at the Universal Backlot, while the rest was filmed at their Los Angeles studio. Released months after II, Puppet Master III: Toulon’s Revenge hit video store shelves in 1991.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    Synopsis

    In 1941 Berlin, puppeteer Andre Toulon (Guy Rolfe) and his wife Elsa (Sarah Douglas) are entertaining children with their shows. However, during their shows, they make fun of Hitler, which catches the attention of Major Kraus (Richard Lynch). Kraus has Lieutenant Stein (Kristopher Logan) investigate, and he discovers that Toulon has found a way to animate his puppets. This catches the attention of Dr. Hess (Ian Abercrombie), who’s been researching reanimating dead soldiers to create an immortal army. Kraus and his men raid Toulon’s home, kill his wife, and capture him with his puppets to be executed. The puppets manage to kill some of their captors, and Toulon makes his escape with them, plotting his revenge. Meanwhile, Kraus’ superior, General Mueller (Walter Gotell) orders him to find Toulon at once while Hess wants Toulon’s help. Will Toulon succeed in avenging his wife’s death, or will the Nazis kill him first?

     

    Review

    Of the films in the series so far, Puppet Master III: Toulon’s Revenge is easily the strongest entry. First off, the decision to film on the Universal Backlot greatly enhances the production value and adds to the authenticity. It’s also worth mentioning that the backlot sets used were the same ones used for the 1931 Frankenstein. Cast-wise, this has some of the best actors in any Full Moon film, including veterans Rolfe, Lynch, Abercrombie, Gotell, and Douglas. Much like in Trancers II, Lynch plays a very compelling villain who’s very sinister and determined while also showing humility. Rolfe, who you might remember from Stuart Gordon’s Dolls, delivers another solid performance, and his relationship with Douglas is touching. While he doesn’t have much screen time, Gotell also delivers a strong performance and adds to the pedigree on display. Also noteworthy is a brief appearance by famous scream queen Michelle Bauer.

    While the first two films were enjoyable, they had essentially the same plot of puppets killing people at a hotel. This film, however, stands out by having a plot centered on revenge that also makes the puppets the heroes. The one slip-up with the story is that the film takes place in 1941, while the original opened in 1939. Admittedly, it’s not a huge deterrent, but it’s kind of funny to point out and a glaring oversight. Also, while the puppetry and stop-motion hold up, there are some shots where you can see the strings. Even with that said, this is still an impressive entry in the series and a highlight in Full Moon’s catalog. Though the series would have its ups and downs going forward, this still stands as a milestone for Full Moon. Overall, Puppet Master III: Toulon’s Revenge is the best film in the franchise so far.

     

    Buy Puppet Master III: Toulon’s Revenge from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Puppet Master III: Toulon’s Revenge (1991)

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  • The Lost Boys (1987)

    The Lost Boys (1987)

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    Initially a window dresser, Joel Schumacher realized filmmaking was his passion, so he moved to LA in the early 1970s. While studying at UCLA, he was working as a costume designer on films like Woody Allen’s Sleeper and Interiors. After earning a Master of Fine Arts degree, Schumacher wrote the screenplays for Sparkle, Car Wash, and The Wiz. His first two films as director, The Incredible Shrinking Woman and D.C. Cab, made modest profits and received mixed reviews. His next film, 1985’s St. Elmo’s Fire, was a smash hit, earning over $37 million on a $10 million budget. Following its success, Schumacher was hired by Warner Bros. to direct a film originally offered to Richard Donner. The film was a story of vampires inspired by Peter Pan that also served as a coming of age story. That film would be released in 1987 as The Lost Boys.

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    Synopsis

    Michael (Jason Patric), Sam (Corey Haim), and Lucy Emerson (Dianne Wiest) have just moved into Santa Carla, California. One night, they decide to check out the nearby boardwalk, Lucy looking for work and the boys strolling around. Sam checks out a local comic book store and meets the Frog Brothers, Edgar (Corey Feldman) and Alan (Jamison Newlander). Meanwhile, Michael meets Star (Jamie Gertz), a young woman who hangs out with David (Kiefer Sutherland) and his biker gang. They invite Michael into their group despite Star’s hesitation, but soon Michael discovers things about him are changing. He becomes sensitive to sunlight, his reflection is fading, and he develops a thirst for blood, almost attacking Sam. While Michael battles with his vampirism, Sam recruits the Frog Brothers to figure out who the head vampire is. Will Michael succumb to his vampirism, or will the head vampire be defeated?

     

    Review

    Much like Near Dark, which came out the same year, The Lost Boys is a fantastic modernization of vampire mythology. While that film had a more Western feel, this has a punk rock feel, from the clothes to the music. For being his fourth film, Schumacher shows just how talented he was as a filmmaker, giving this a rich style. He uses tons of shadow, harsh lighting, and deep colors to help create a mood that’s both haunting and inviting. Cast-wise, everyone delivers a fantastic job, with Patric and Haim being solid protagonists. As the villain, Sutherland is very cool and sinister, while the amazingly gorgeous Gertz acts as Michael’s voice of reason. Feldman and Newlander are fun as the Frog Brothers, two guys who take vampirism seriously while everyone else doesn’t. Also noteworthy is Edward Hermann, a seemingly kindly man whose true intentions become clear later on.

    The other three lost boys, played by Brooke McCarter, Billy Wirth, and Alex Winter, unfortunately, aren’t given much to do. On that same note, Wiest and Bernard Hughes have some decent moments, but they also aren’t given much. Also, there are times when the editing can get choppy at times, making it difficult to understand what’s happening. While the soundtrack is great, the song “Cry Little Sister” is played several times throughout, so get used to it. On a more positive note, the makeup effects from Greg Cannom are impressive, especially the vampire designs and gore effects. The film also serves as a nice coming of age story, the vampirism a metaphor for change and finding identity. While it does have its flaws, this is yet another great example of a modern vampire story done well. Overall, The Lost Boys is a fun film to sink your teeth into.

     

    Buy The Lost Boys from Amazon: https://amzn.to/2CwvN8C

    [/et_pb_text][et_pb_divider _builder_version=”4.4.8″][/et_pb_divider][et_pb_blurb title=”Joel Schumacher, 1939 – 2020″ image=”https://staging.film-nerd.com/wp-content/uploads/2020/06/200622-joel-schumacher-obit-se-212p_58867df7b70cf1a68f457a53a1bf9b26.jpg” alt=”Joel Schumacher, 1939 – 2020″ _builder_version=”4.4.8″]

    This review is dedicated to the memory of filmmaker Joel Schumacher, who passed away on June 22, 2020, at the age of 80.

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  • Ghoulies II (1987)

    Ghoulies II (1987)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Released in 1985, Ghoulies was a massive success for Empire Pictures, making over $35 million on a $5 million budget. The film was also a hit on home video, so naturally, a sequel was to follow soon after. Charles Band had been tossing around an idea with his father Albert Band about the creatures taking over a circus. Unfortunately, much of the original cast and crew, including writer/director Luca Bercovici, did not return for the sequel. Instead, veteran director Albert Band would be stepping up, having not directed since 1979’s She Came to the Valley. Dennis Paoli (Re-Animator, From Beyond) wrote the screenplay and John Carl Buechler’s effects shop would again design the creatures. While the original was filmed in California, this would be filmed at the Empire Studios in Rome, Italy. So two years later, Empire Pictures released 1987’s Ghoulies II.

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    Synopsis

    The local carnival funhouse, Satan’s Den, has been running into financial troubles with businessman Philip Hardin (J. Downing) threatening foreclosure. While Larry (Damon Martin) wants to keep it running, his magician turned alcoholic Uncle Ned (Royal Dano) has given up. Meanwhile, the mischievous Ghoulies have hitched a ride on Satan’s Den as it makes its way to the local carnival. Taking up residence in the funhouse, the Ghoulies start attacking, though the carnival-goers think they’re part of the act. Soon, Satan’s Den is making a profit to Hardin’s chagrin, so he starts hitting on Larry’s girlfriend Nicole (Kerry Remsen). Once several of the other carnival workers start disappearing, the guests realize the Ghoulies are real and panic erupts. Alongside fellow carnie Sir Nigel Penneyweight (Phil Fondacaro), it’s up to Larry and Nicole to stop the Ghoulies. Will our heroes succeed, or will the Ghoulies become the next carnival act?

     

    Review

    While Ghoulies was enjoyable enough, it was also kinda slow and didn’t have much going for it besides the puppets. Ghoulies II, on the other hand, is much more fun, has better acting, and the puppets look amazing. First off, moving the setting from a generic haunted house to a carnival helps this film stand out. Also, the acting is much improved over the previous film, with some highlights being Martin, Dano, Remsen, and Fondacaro. Dano has some fun moments as an old drunk, and Fondacaro once again shows underrated of an actor he is. Downing is pretty fun as the stock corporate tightwad that you love to hate, and his death scene is satisfying. Plus, for a film that had a lower budget than the original, the puppets honestly look way better. They’re much more detailed, have better articulation, and each has a more unique design.

    Alongside the puppet and creature effects from John Carl Buechler and crew, there’s some great stop-motion from David Allen. The production design from Empire and Full Moon regular Giovanni Natalucci is fantastic, creating an authentic living and breathing carnival. The cherry on top of the sundae is the inclusion of “Scream Until You Like It” from W.A.S.P. Not only is it an awesome song, but it was written specifically for the film and W.A.S.P. enjoyed the experience. As much fun as the film is, my only gripe is that the love triangle subplot is uninteresting and dull. Also, while there are some gruesome moments to be had, much of the violence seems like it was cut out. Even with those gripes aside, this is still an enjoyable monster movie and a step up from the previous installment. Overall, Ghoulies II is a fun B-movie best enjoyed with friends and alcohol.

     

    Buy Ghoulies II from Amazon: https://amzn.to/3UzWGOq.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Critters 2: The Main Course (1988)

    Critters 2: The Main Course (1988)

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    Released in 1986, Critters was a modest hit at the box office, making over four times its budget back. Also, the film received favorable reviews, Siskel and Ebert giving it both thumbs up and rating it 3/4 stars. Naturally, with that kind of success, New Line Cinema asked for a sequel, given their penchant for franchises. Unfortunately, the original writer and director, Brian Muir and Stephen Herek did not return to helm the sequel. Instead, up-and-coming writer David Twohy was hired alongside co-writer Mick Garris, who would be making his directorial debut. Garris was chosen due to his work on the Steven Speilberg produced Amazing Stories series and *batteries not included. Much of the original cast and crew returned, including the Chiodo Brothers fresh off of making Killer Klowns from Outer Space. So, two years after the original, we got Critters 2: The Main Course.

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    Synopsis

    Two years after the last film, Brad Brown (Scott Grimes) has returned to his hometown of Grover’s Bend. Meanwhile, alien bounty hunters Ug (Terrence Mann) and Lee, alongside Charlie (Don Opper), learn the Crites are still on Earth. Once there, Lee takes on a female form (Roxanne Kernohan) and they set out to find and destroy the Crites. Elsewhere, Brad is visiting his grandmother (Herta Ware) when he attracts the attention of young reporter Megan Morgan (Liane Curtis). Turns out Brad is pretty well-known for what happened years ago, and she wants to learn more. Soon enough, the Crites make themselves known, going on a rampage through the town and killing everyone in their path. With some help from former sheriff Harv (Barry Corbin), Brad leads the townsfolk in taking out the carnivorous critters. Can they be stopped, or will Grover’s End be their latest feast?

     

    Review

    Whether or not it was made to ride off the coattails of Gremlins, Critters was an enjoyable time. And while Critters 2: The Main Course is also enjoyable, it’s missing much of what worked in the first film. For instance, the first film was a blending of horror and comedy, whereas the sequel feels more comedic than scary. Granted, there are some shockingly gruesome sequences here and there, but there are just as many goofy moments. On the one hand, the emphasis on comedy does make this a more fun film than the previous installment. On the other hand, the weird shift in tone makes this feel like it’s not even in the same universe. That being said, much of the comedy here does work, partially because the actors are playing it straight. Plus, the more comedic moments never get in the way of the more serious scenes.

    Like the previous film, the Chiodo Brothers did excellent work in bringing the Crites to life, perhaps more so here. The puppets seem more articulated, more expressive, and they even have different characteristics to make them stand out. Cast-wise, everyone does a great job, with returning actors Grimes, Mann, Opper, and Lin Shaye turning in solid performances. Admittedly, it is distracting not having M. Emmet Walsh back as Harv, but Barry Corbin makes up for this. For a first-time director, Mick Garris does a fine job, giving the film a slick studio picture look. While Muir and Herek are missed here, the work by Garris and Twohy is sufficient enough here. While this lacks the more low-budget feel of the previous film, this still is enjoyable enough to warrant a recommendation. Overall, Critters 2: The Main Course lacks the predecessor’s bite but is still work a look.

     

    Buy The Critters Collection from Shout! Factory: https://bit.ly/3dSwczC

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  • Critters (1986)

    Critters (1986)

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    In the early 1980s, filmmaker Stephen Herek got his start working as an editor for B-movie king Roger Corman. He was the assistant editor on Android, The Slumber Party Massacre, and Space Raiders, where he met Brian Muir. The two began a friendship while working on 1984’s City Limits, and Brian presented Stephen with a script he wrote. Seeing the potential in the screenplay, Herek decided this would be his next project as well as his directorial debut. They pitched their concept to Sho Films, who agreed to develop the film with New Line Cinema as the distributor. For the creature effects, they hired The Chiodo Brothers, who previously worked on Tim Burton’s Vincent and Pee-wee’s Big Adventure. Brian Muir decided to be credited as Dominic, his middle name, which he later regretted due to the confusion. After a six-week filming schedule and post-production, Critters was finally released in 1986.

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    Synopsis

    In the far-off reaches of space, a group of aliens known as Crites escapes from an asteroid prison. Two bounty hunters are sent to find and destroy the Crites, and they chase them down to planet Earth. They end up in the small town of Grovers Bend, where the bounty hunters assume human forms and start searching. Meanwhile, the Crites start making their way through the town and wind up at the home of the Brown family. The family consists of Helen (Dee Wallace), Jay (Billy “Green” Bush), Brad (Scott Grimes), and April (Nadine van der Velde). As the Crites and bounty hunters run rampant, local Sheriff Harv (M. Emmet Walsh) is having to deal with this. Once the Crites arrive at the Brown family’s house, it becomes a fight for survival against the diminutive creatures. Will the family survive, or will they be the Crites’ next meal?

     

    Review

    First and foremost, I should mention how Critters has been compared to Gremlins since its release and labeled a knock-off. While they share a similar premise of tiny monsters attacking people, the two are completely different from one another. Plus, Herek and Muir have refuted that Critters was written before Gremlins and was rewritten to avoid comparisons. Much like Ghoulies, this may have gotten greenlit because of the success of Gremlinsbut wasn’t a direct rip-off. That being said, Critters is easily the best if not one of the better films spawned after Gremlins. The cast is excellent, featuring veteran actors Billy Bush and M. Emmet Walsh, as well as genre favorite Dee Wallace. Plus, younger actors Scott Grimes and Nadine van der Velde give exceptional performances and are fully dedicated to the film. Also, there are some early appearances from Billy Zane and Lin Shaye.

    While not as intricate or detailed as the Gremlins, the Critters are still impressive given the low budget. As designed by the Chiodo Brothers (Killer Klowns from Outer Space), they have a unique look and plenty of movement. For a first-time director, Herek does a good job behind the camera, making effective use of shadow and low lighting. Admittedly, after the opening scene of the Crites escaping from prison, the film takes a while to get going. Thankfully, the characters are fun to watch, and there’s plenty of humor and character development to keep you invested. Once it gets going, it’s a great thrill ride as the family tries fighting off the Crites and surviving. Plus, at a brisk 86 minutes, the film never outstays its welcome or feels like it’s dragging to the end. Overall, Critters is a solid creature-feature made with tons of talent and heart.

     

    Buy The Critters Collection from Amazon: https://amzn.to/3X406JU.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Critters (1986)

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