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Category: Horror

  • The Mutilator (1984)

    The Mutilator (1984)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”]Though he was practicing law at the time, Buddy Cooper always wanted to work in the movie industry. He spent some time taking courses on screenwriting and production at American University, where he met Associate Professor John Douglass. The two hit it off, and Douglass agreed to help Cooper co-direct a script he wrote for a horror film. Cooper’s father owned a hotel for housing and an isolated condo off Atlantic Beach, so everything was set. Much of the cast and crew were locals, family members, or young New York and LA up-and-comers. For its release, the MPAA wanted to give the film an X-rating, but Cooper refused and released it unrated. Under the title Fall Break, the film premiered in Raliegh, North Carolina, in early 1984 until the distributor retitled it. After ironically making cuts to get an R-rating, the film hit LA theaters in 1985 as The Mutilator.
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    Synopsis

    Young Ed (Trace Cooper) accidentally kills his mother with his father’s hunting rifle while trying to clean it. Years later, Ed (Matt Mitler), now in college, gets a call from his father to close up his beach condo. With Fall Break approaching, his girlfriend Pam (Ruth Martinez) suggests they and their friends spend it at the condominium. He agrees, and they bring their friends Ralph (Bill Hitchcock), Sue (Connie Rogers), Linda (Frances Raines), and Mike (Morey Lampley). Little do they know that a mysterious killer (Jack Chatham) roams outside, waiting to pick them off one by one. The victims die in increasingly gruesome ways, such as with a boat motor, a flounder gig, and a fishing gaff. A local cop (Ben Moore) tries saving the young adults, only to wind up being decapitated by the killer. Who will survive Fall Break, and how many will fall victim to The Mutilator?

     

    Review

    Whether you call it Fall Break or The Mutilator, this formulaic slasher film doesn’t have much to offer. Of course, there’s nothing wrong with that, but if you’re expecting something more, you will be disappointed. It has a basic setup: young people go to an isolated setting to party, and a killer stalks the area. In a way, it’s similar to the setup of Friday the 13th, except this came out years later. Also, that film intentionally hid the killer to build suspense, whereas this one immediately shows the killer. Then again, this movie isn’t concerned about building tension so much as it is about delivering the kills. Thankfully, Mark Shostrom (Evil Dead II, From Beyond, Forbidden World) and his crew delivered some gruesome set pieces. In particular, the scenes involving a boat motor and a large fishing gaff are more gruesome than many other slashers.

    Sadly, for all of its bloody kills, the film lacks stellar acting and a compelling story. In this film’s defense, almost everyone involved was relatively unknown at the time and didn’t have much experience. Also, no one is so unlikable that you’re begging for their deaths, which puts it above most modern horror films. Matt Mitler, who later appeared in 1986’s Breeders, is a decent lead, though he comes off a bit milquetoast. The biggest standout is Bill Hitchcock as the comedic relief Ralph, who makes the most of his screen time. His carefree attitude and quick-witted one-liners make him a fun character, and he has a memorably goofy silent film-esque scene. While he doesn’t have much dialogue, Jack Chatham makes an imposing killer with his enormous stature and terrifying facial expressions. Even if the cast isn’t overly memorable, they get the job done well enough.

    As formulaic as this movie is, some weird additions make it stand out from its contemporaries. The title song is so upbeat and cheerful that it feels more appropriate for a sitcom than a slasher. The end credits, which feature bloopers alongside the cast’s names with respective footage and the theme song, add to that. It adds to the sense that the people making this film were having fun, which I can appreciate. Regardless of how the final product turned out, I’m glad the cast and crew enjoyed themselves while making it. The homegrown, local feel to the film adds the kind of charm you’ll only find in low-budget horror movies. Plus, at only 86 minutes, the movie gets in and out without the need to pad things out too much. Overall, The Mutilator isn’t anything remarkable, but it offers the type of thrills you’d expect.

     

    Buy The Mutilator from Amazon: https://amzn.to/3WgDJRX.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.
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    Where to watch The Mutilator (1984)

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  • Pearl (2022)

    Pearl (2022)

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    While working on 2022’s X, writer-director Ti West worked with actress Mia Goth on a prequel story. Inspired by the impact COVID-19 had on cinema, West started production of the prequel immediately after the first film. Much to West’s surprise, A24 agreed to green-light both projects. It helped that X grossed $15 million against a $1 million budget and earned rave reviews from critics and audiences. For the prequel, A24 gave West an $8 million budget, which he started filming in March 2021. Alongside Mia Goth, the rest of the cast included David Corenswet, Tandi Wright, and Matthew Sunderland. Much of the crew had just come from working on Avatar: The Way of Water and had undergone safety precautions. West finished editing and recording the soundtrack after the original film’s premiere at SXSW in 2022. After premiering at the Venice Film Festival, Pearl hit theaters nationwide in September 2022.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.26.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.26.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    Synopsis

    Pearl (Mia Goth) is a lowly farm girl who dreams of leaving her family home to become a big star. Unfortunately, she and her domineering mother, Ruth (Tandi Wright), are stuck caring for her ailing father (Matthew Sunderland). On top of that, Pearl’s husband, Howard (Alistair Sewell), is off serving in World War One. Feeling isolated and abandoned, Pearl starts showing signs of psychopathy: killing animals, abusing her father, and masturbating with a scarecrow. It doesn’t help that she has a secret affair with a local projectionist (David Corenswet), who she confides in. Opportunity comes when Pearl’s sister-in-law Mitsy (Emma Jenkins-Purro) tells her about an audition for a statewide dance troupe. Pearl sees this as her ticket off the farm and will do anything to get it, even murder. Soon, the whole world will know her name no matter how many people have to die.

     

    Review

    A prequel is rarely as good as the original, especially when both come out in the same year. The only other time something similar happened was when both Breakin’ movies came months apart in 1984. While Pearl doesn’t have breakdancing, a funky soundtrack, or a memeable subtitle, it’s still a great companion piece to X. As a prequel, the movie gives you great insight into the murderous wench that terrorizes the young pornographers decades later. As a standalone movie, it’s a great character study of a young woman with great aspirations plagued by psychotic tendencies. You can also sense Ti West’s love of cinema with the stylized colors and meticulous attention to detail. West and his crew perfectly capture the Old Hollywood feel with its vibrant color scheme, wide-angle shots, and classical score. Granted, it’s slightly anachronistic since the film takes place in 1918, but that’s easy to overlook.

    Like the original film, Mia Goth is the biggest highlight as she gives a career-defining performance as young Pearl. She can be warm, cheerful, sad, vulnerable, and even chilling and sinister, sometimes in the same scene. You sometimes want her to succeed and stand up to her overbearing mother to become a star. But then, there are moments when you dread what she will do next and are genuinely terrified of her. A real showcase of Goth’s talent as an actress is a 7-minute-long speech where the camera focuses solely on her. It’s genuinely mesmerizing as this character simultaneously breaks down everything she’s feeling without interruptions, experiencing various emotions one after another. Another great example is during the end credits, where there’s one static shot of her trying to maintain a smile. It perfectly encapsulates everything about the character all in one sequence.

    As great as Goth’s performance is, that’s not to say the rest of the cast isn’t on par with her. Tandi Wright is appropriately chilling and stern as Pearl’s overbearing mother, who sees the truth in her troubled daughter. David Corenswet is also memorable as the projectionist, whose suave charm and carefree attitude entice Pearl to escape the farm. While he has no lines, Matthew Sunderland still does a great job conveying a sense of dread about his situation. While the original film had plenty of gruesomely bloody kills, this one doesn’t have as many overly gory kills. Still, the kills are done in a way that makes them equally disturbing just by how suddenly they happen. Despite whether you prefer this film over the original, this is an excellent horror movie in the purest sense. Overall, Pearl is a solid prequel and a great standalone film for horror fans.

     

    Buy Pearl from Amazon: https://amzn.to/3xSE8AH.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • A Quiet Place: Day One (2024)

    A Quiet Place: Day One (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”]Despite numerous setbacks, A Quiet Place Part II was a box office hit, grossing nearly $300 million worldwide. Before the sequel’s release, Paramount announced a spin-off prequel was in development with Jeff Nichols set to write and direct. Unfortunately, due to creative differences, Nichols left the project in October 2021, and Pig director Michael Sarnoski replaced him. The studio hired Oscar-winner Lupita Nyong’o and Joseph Quinn of Stranger Things fame for the lead roles. Djimon Honsou, who played a small role in the original’s sequel, reprised his role for this film. With a $67 million budget, filming occurred in and around London between February and April 2023. Following post-production, the film’s release was postponed numerous times between March 2023, September, and March 2024. After premiering at the Tribeca Film Festival, A Quiet Place: Day One opened worldwide in June 2024.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Samira (Lupita Nyong’o) is a terminally ill cancer patient living in hospice care with her cat, Frodo. During a trip to Manhattan with the other residents, several giant creatures crash land on Earth and start killing people. After falling unconscious, Sam reawakens and finds that people stay quiet since the creatures only respond to sound. As she tries to survive, Sam sees the bridges leading out of Manhattan destroyed and the power grid cutting off. Along the way, she runs into Eric (Joseph Quinn), a law school student from England who follows Sam around. The two bond as they try to survive while everyone heads to the South Street Seaport to evacuate. While Eric wants to get to the seaport, Sam intends to enjoy pizza before she dies. It’s a fight for survival as our heroes try to live through the first day of the world’s end.

     

    Review

    While this prequel isn’t as strong as the first two installments, A Quiet Place: Day One is a decent watch. What elevates the film are the lead performances from Lupita Nyong’o and Joseph Quinn, who are excellent together. Nyong’o does a great job as a cynical cancer patient who wants to fulfill her last wish before dying. Quinn also works as a young, somewhat naive law student trying to survive and following Nyong’o out of desperation. They have fantastic chemistry with each other, and I’m glad the movie doesn’t force them into being love interests. They’re just two lost souls trying to survive the end of the world and make the most of it. Admittedly, given it’s a prequel, you can predict where they end up, but you don’t mind spending time with them. The actors give compelling performances to where you root for them throughout the film.

    Like the previous films, the cast here is small, and aside from the leads, the rest aren’t developed much. Djimon Honsou is solid as always, but he feels like an afterthought and doesn’t have much screen time. His only reason for being here is to tie in with the other films, making his role a giant reference. Alex Wolff also does an excellent job with his few scenes and has some good back-and-forths with Nyong’o. Of course, the movie’s real star is the cat Frodo, who is very dependable and loyal to its owner. Michael Sarnoski’s direction is solid, and he does a great job staging some post-apocalyptic scenery, especially after the initial attacks. You can tell that Sarnoski is a visual director in the quieter scenes where people walk the abandoned streets. You could watch the film muted and still get the same experience.

    Admittedly, it’s hard to talk about this movie other than to say it’s a decent but safe prequel. That’s the biggest issue with this film: it’s neither terribly offensive nor remarkably groundbreaking, but somewhere in the middle. Of course, the movie isn’t without its merits: the leads give great performances, the directing is solid, and it’s entertaining. Plus, at only an hour and forty minutes, it’s a quick sit that’s paced well. Hardcore fans of the first two movies will enjoy this, but they’d probably prefer a sequel. If you’ve never seen either of the first two, you could start with this one, but I’d recommend the original. I wouldn’t go so far as to say this movie is terrible, but it does feel ultimately pointless. Overall, A Quiet Place: Day One is decent entertainment, but don’t expect anything groundbreaking or original.

     

    Buy A Quiet Place: Day One from Amazon: https://amzn.to/3CbYB5n.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Abigail (2024)

    Abigail (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”]Radio Silence Productions got plenty of attention after 2019’s Ready or Not became a critical and commercial success. The directing duo of Matt Bettinelli-Olpin and Tyler Gillett helmed the fifth and sixth installments in the long-dormant Scream franchise. Both films received positive reviews and grossed over $100 million at the box office, cementing their place in horror history. In April 2023, they announced work on a new project with Universal Studios loosely based on 1936’s Dracula’s Daughter. Universal Studios clarified that they wanted each film to stand alone and give filmmakers more creative freedom. With a $28 million budget, filming started in Dublin in June before being suspended due to the SAG-AFTRA strike. Filming wrapped in December, but sadly, cast member Angus Cloud passed away in July from a drug overdose. After premiering at the Overlook Film Festival, the newly-retitled Abigail hit theaters in April 2024.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Crime boss Lambert (Giancarlo Esposito) hires a group of six criminals to kidnap young ballerina Abigail (Alisha Weir). After kidnapping her, the group must wait in an old mansion while Lambert negotiates with the girl’s father. While the rest of the group keeps a lookout, group member Joey (Melissa Barrera) must be Abigail’s sole caretaker. As the night goes on, they get picked off one by one under mysterious circumstances, leading to internal struggles. On top of that, the mansion’s security system activates, trapping them inside with seemingly no way out. Soon, the group learns the truth – Abigail is a vampire, and the whole kidnapping was a trap. What started as a seemingly easy job becomes a fight for survival as the thieves fight off the young vampire. Before long, the group learns more than they bargained for as they try to fend off Abigail.

     

    Review

    I’m glad I never saw a trailer for Abigail because I was surprised by how good this movie was. This is one of the most fun, violent, and entertaining movies I’ve seen in quite some time. I wish I hadn’t known about the vampire twist, but I understand the movie needs to sell its gimmick. Admittedly, going in knowing that adds to the suspense as you’re left wondering when she’ll turn and attack them. It helps that Alisha Weir delivers a standout performance, going from scared and helpless to evil and conniving without fail. Everyone in the cast does a great job, and none of them feel secondary in the slightest. Melissa Barrera is tough and likable, Dan Stevens is wonderfully despicable, and Giancarlo Esposito shines in his few scenes. Kathryn Newton and Kevin Durand’s relationship is sweet, Will Catlett is strong, and the late Angus Cloud excels.

    Like their 2019 outing, Bettinelli-Olpin and Gillett deliver a bloody good time with tons of practical gore effects. By the movie’s end, not a single room in the mansion is left unstained by blood, and it’s great. The movie is so bloody that the directors had to apologize to the actors for how much blood they used. Thankfully, it never feels like the gore is there for the sake of being there, like so many other movies. The movie also reinvents the vampire lore by showing that specific weaknesses aren’t practical in this universe. The film introduces a ton of lore, but it never feels unnecessary or detracts from the rest of the story. Also, the movie takes some genuine twists and turns that I wasn’t expecting, and I was pleasantly surprised by them. It helps that the movie clocks in at slightly under two hours long.

    On the topic of this being a remake, this movie honestly doesn’t share much in common with Dracula’s Daughter. Not once is Dracula mentioned by name, nor is Abigail referred to as being The Count’s daughter. The only significant connection between the two is using the Swan Lake theme, which is a nice touch. If I can be honest, I’m struggling to find things to discuss with this movie without getting into spoilers. In a time where we’re inundated with sequels, remakes, and reboots, original movies like this are a rarity. The cast is excellent, the effects are gruesome, the direction is solid, and the pacing works. You’ll have a good time if you’re a horror fan who enjoys splatter and liked the directors’ previous work. Overall, Abigail is one of the most fun theater-going experiences I’ve had this year, and I highly recommend it.

     

    Buy Abigail from Amazon: https://amzn.to/48yffYO.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Cemetery Man (1994)

    Cemetery Man (1994)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”]In 1986, Tiziano Sclavi’s horror comic series Dylan Dog was published by Sergio Bonelli Editore and became a huge success. The comics caught the attention of filmmaker Michele Soavi, and he expressed interest in making a film adaptation. While Sclavi had already sold the movie rights, he gave Soavi a manuscript for a novel to consider adapting. Soavi wasn’t entirely sold, but after producer Tilde Corsi and co-producer/writer Gianni Romoli revamped the script, Soavi signed on. For the lead role, they hired up-and-coming English actor Rupert Everett, who Sclavi based the look of Dylan Dog on. With a roughly $4 million budget, filming occurred in two Italian cemeteries in Carsoli and Guardea. Shooting lasted eleven weeks, and the production had many issues, but they persevered and finished the movie. Originally released in Italy as Dellamorte Dellamore in 1994, the film hit stateside in 1996 as Cemetery Man.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Francesco Dellamorte (Rupert Everett) is the caretaker of a cemetery where the dead rise seven days after their burial. With his mute assistant Gnaghi (François Hadji-Lazaro), he has to put these “returners” back in their graves. One day, Francesco meets a young widow (Anna Falchi) whose older husband recently passed and falls in love with her. They make love on top of her late husband’s grave, but he rises and bites her, presumably killing her. Francesco shoots her in the head when she gets up, but she comes back later as a returner. After killing her for good, Francesco slips into a fit of depression, culminating in a mass shooting spree. At the same time, Gnaghi falls for the mayor’s underage daughter, Valentina (Fabiana Formica), even after she’s a severed head. It’s a twisted tale of love and death, loss and life, friendship and existentialism.

     

    Review

    Unfortunately, there’s more to the plot that I can’t cover because to describe everything that happens would make this longer. So much wild stuff happens in Cemetery Man that spoiling any of it would be a disservice. Whether you love it or hate it, Michele Soavi’s twisted tale of love and death must be seen to be believed. Like many Italian horror films, this one is more concerned about style than making any logical sense. Speaking of, the film has a dark, gothic look that permeates throughout, with tons of fog and moody lighting. Even the daytime scenes in the cemetery have a strange presence, which offsets the intentionally dull city-bound scenes. While the film isn’t as gory as the works of Fulci and Argento, there are some pretty bloody effects. Italian effects legend Sergio Stivaletti did some of his best work here, especially the zombie designs.

    As the groundskeeper, Francesco Dellamore, Rupert Everett gives an appropriately dry and sardonic performance as a man bored of life. You get the sense that being surrounded by the dead for so long has taken its toll on him. It doesn’t help that his only friends are the primarily mute Gnaghi and a state worker who believes him. While her character isn’t given a name, the undeniably gorgeous Anna Falchi stands out as the young widow. When she returns as a returner, she somehow remains beautiful despite being covered in roots and leaves. She shows up later as two miscellaneous characters, which leads to theories that Francesco might be getting punished. Another standout is the late Mickey Knox as Marshall Straniero, who has some great back-and-forths with Everett. There are so many wild characters that add to the overall absurdity of the film.

    Like many of the best horror comedies, this one achieves that perfect balance of laughs and scares. For all the scenes of zombies rising to attack people, there are just as many darkly comedic moments. For example, when the mayor finds his daughter’s reanimated head, he’s more concerned about her wanting to marry Gnaghi. This sort of movie would fit right at home in either an arthouse or a grindhouse theater. There are plenty of moody, artistic touches for the more artsy crowd, with some sleaze added for exploitation fans. That said, your enjoyment of this movie largely depends on how much you’re willing to suspend your disbelief. So much is left unexplained, and not much makes sense, but you’ll enjoy the ride if you go with it. Overall, Cemetery Man is one of the most uniquely bizarre horror comedies ever and is a must-watch for genre fans.

     

    Buy Cemetery Man from Amazon: https://amzn.to/3NVL6sQ.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Cemetery Man (1994)

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  • Bad CGI Gator (2023)

    Bad CGI Gator (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]Love it or hate it, computer-generated imagery or CGI has been a tool in filmmaking for decades that won’t go away. While CGI had been experimented on since the 50s, the technology wasn’t fully realized until the early 90s. Blockbusters like Terminator 2: Judgement Day and Jurassic Park revolutionized visual effects and showed what CGI could do. However, even as the technology continued to grow, there’s always been some pushback by people who found the effects unrealistic. This isn’t helped by how most movies made in the last 20 years have mainly used digital effects. Plenty of low-budget studios crank out movies with intentionally poor digital effects, most notably The Asylum with their Sharknado series. Wanting to capitalize on this trend, Charles Band’s son Zalman wrote a screenplay based around a digital lizard. With Danny Draven directing, Bad CGI Gator premiered on Full Moon’s streaming service in late 2023.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    College grads Chad (Ben VanderMey), Sarah (Rebecca Stoughton), Pearce (Cooper Drippe), and Paisley (Sarah Buchanan) are celebrating Spring Break. They rent a cabin in the Georgia bayou along with buzzkill Sam (Michael Bonini) and Chad’s sister Hope (Maddie Lane). To try to go viral on social media, Sarah leads the others in throwing their school laptops into the lake. Little do they know that a miniature digital alligator starts growing when it comes in contact with their computers. As the group continues drinking and trying to get lucky, the gator lurks outside, looking for its next victim. Before long, the gator eats the college grads one by one, with those left scrambling for a way out. While the gator moves around unnaturally, flies through the air, and continues growing, our heroes try to stay together. It’s terror rendered too cheaply when our heroes face the Bad CGI Gator!

     

    Review

    If nothing else, Bad CGI Gator lives up to its title: it’s got a gator made from bad CGI. Like Cocaine Bear, the movie gives you exactly what the title promises, so you can’t accuse it of false advertising. Unfortunately, that’s where anything positive I can say about this movie ends since it doesn’t have much else to offer. Aside from its titular gimmick, this is another feeble excuse for a film that Full Moon seems fine with releasing. For one, this barely qualifies as a movie since its runtime is just slightly under an hour. Granted, I’m glad they didn’t add pointless filler to increase the length artificially, but it’s still worth pointing out. It feels like Charles and Zalman had an idea for something that could be amusing but didn’t think much further. Well, at least father and son are working on movies together.

    The cast seems to follow the Eli Roth school of acting, which means being as unlikeable as possible. I’m sure they’re trying to make fun of younger generations obsessed with social media, but it falls flat. Just because most of these characters are going to die doesn’t mean they should speak only in stereotypical bro talk. It doesn’t help that almost everyone plays their part as if they’re in a comedy, which often doesn’t work. It’s much funnier when the cast acts like they’re in a serious drama, contrasting with the silliness around them. Michael Bonini plays the stereotypical nerdy guy, but he is more like a football player trying to be a loser. My favorite character in the movie is Hope, played effectively by Maddie Lane, who seems just as annoyed as me. Thankfully, she’s one of the few survivors, so the movie’s got that going for it.

    Despite my criticisms and issues with the film, this is one of those movies that’s almost critic-proof. Much like the Sharknado series or movies like Llamageddon, this was intentionally made as a bad movie. While there’s undoubtedly an audience for this kind of bad movie, I’m not part of that audience. To me, the best bad movies are the accidentally bad ones, either due to incompetence or the filmmakers not caring. For example, The Room is infinitely more entertaining despite being poorly made, horribly written, and badly acted. You can tell Tommy Wiseau tried making a great drama but failed in the best way possible due to incompetence. Danny Draven’s film may provide a few laughs, but it will be quickly forgotten within a month or two. Overall, Bad CGI Gator has nothing much going for it besides a funny title and a cheesy gimmick.

     

    Buy Bad CGI Gator from Amazon: https://amzn.to/3UwKzkY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Thanksgiving (2023)

    Thanksgiving (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]For the 2007 double feature Grindhouse, directors Edgar Wright, Rob Zombie, and Eli Roth contributed three fake trailers. Wright homaged 70s European horror with Don’t, Zombie brought up Werewolf Women of the SS, and Roth offered up Thanksgiving. While the movie underperformed, the trailers were a highlight, and Roth started developing a feature film based on the trailer. Over the next few years, Roth and co-writer Jeff Rendell worked on fleshing out the script while producing other movies. During this time, Roth was hired by Lionsgate to direct a film adaptation of the popular video game Borderlands. While filming wrapped in 2022, reshoots were announced in early 2023, but Roth chose to make his holiday slasher instead. He left Tim Miller in charge while filming in Toronto and Ontario for three months on a $15 million budget. After 16 years of development, Thanksgiving finally slashed into theaters in November 2023.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    The small town of Plymouth, Massachusetts, is rocked to its core when a massive Black Friday sale ends in tragedy. One year later, Thomas Wright (Rick Hoffman), the store owner whose sale ended in death, plans to do it again. Wright commits despite warnings from his daughter Jessica (Nell Verlaque) and protests led by former manager Mitch Collins (Ty Olsson). Soon, a mysterious figure dressed as a pilgrim wearing a John Carver mask starts killing people in increasingly gruesome ways. The killer is targeting people involved in the Black Friday tragedy, which Jessica and her friends were present for. Sheriff Eric Newlon (Patrick Dempsey) is investigating the murders while Jessica deals with her ex-boyfriend Bobby (Jalen Thomas Brooks). As the killings continue, our heroes have to figure out who the killer is before they end up dead. This Thanksgiving, there will be no leftovers.

     

    Review

    If I’m being honest, I’ve never been the biggest fan of Eli Roth, primarily because of his writing style. In Cabin Fever and Hostel, he wrote the characters to be so unlikeable that you wanted them to die. That’s the sign of a bad writer: instead of writing well-rounded, three-dimensional characters, you make them as annoying as possible. With that in mind, I was genuinely surprised by how much I enjoyed Roth’s latest offering. Thanksgiving is a solid throwback to 80s holiday-themed slasher films like My Bloody Valentine and Happy Birthday to Me. One thing that impressed me immediately was the gore effects, which are all done practically and look great. There are some memorable kills, including a few from the original fake trailer, including the infamous trampoline scene. The over-the-top nature of the kills adds to the fun, grindhouse-type vibe the movie is going for.

    While I would’ve preferred Michael Biehn from the original trailer to return, Patrick Dempsey does an excellent job. He’s quiet and reserved, never playing the role for laughs and taking it seriously, which makes the dark humor funnier. Relative newcomer Nell Verlaque is also promising as the main heroine, Jessica, acting as the voice of reason. The rest of the cast is your typical slasher canon fodder, but that’s not to say they’re all detestable. Sure, there is some of that douchy bro attitude Eli Roth is known for, but it’s downplayed significantly here. Plus, any particularly unlikable characters are disposed of pretty quickly, so you’re never stuck with them for too long. Old-school slasher fans should look for an appearance from Lynne Griffin, known for Canadian chillers like Black Christmas and Curtains. Also, Gina Gershon has a small but memorable role early in the movie.

    If I had any complaints, I’d say one of the biggest is the runtime, roughly an hour and forty-seven minutes. A slasher film like this should be kept at ninety minutes, and plenty of slower scenes could’ve been excised. Also, while the first two acts are strong, everything starts falling apart in the third. The film loses the sense of dark fun it had and goes straight for the gross-out factor. Plus, even if the effect was digital, I wish this had that faux grainy, scratched-up look from Grindhouse. Regardless, you’ll have a good time here if you’re a fan of Eli Roth’s work or slasher films. Even if you generally don’t like Roth’s movies (like myself), you might be surprised with this one. Overall, Thanksgiving is an enjoyably gruesome and humorous take on a well-worn horror subgenre that never seems to die.

     

    Buy Thanksgiving from Amazon: https://amzn.to/4f85pzl.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Friday the 13th: A New Beginning (1985)

    Friday the 13th: A New Beginning (1985)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]As previously stated, producer Frank Mancuso, Jr. insisted that Friday the 13th: The Final Chapter would be the last installment. However, the film grossed $33 million against a $2.2 million budget, so Paramount decided to continue the series anyway. Phil Scuderi, one of the series’ longtime financiers, hired Danny Steinmann of The Unseen and Savage Streets fame to direct. Since Jason died in the last film, the producers decided to make the next installment a whodunit like the original. Under the working title Repetition, the movie was shot in and around Beverly Hills and Camarillo, California, in 1984. Unfortunately, there were production issues, namely clashes between Steinmann and Mancuso and edits mandated by the MPAA. Little did the filmmakers know that the final result would be one of the most divisive entries in the series. Ultimately, Friday the 13th: A New Beginning opened in March 1985.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Years after surviving his encounter with Jason Voorhees, Tommy Jarvis (John Shepherd) is put in a halfway house. Due to the trauma he endured, Tommy is very quiet and reserved, which makes him an easy target for bullying. Terror strikes the community when mentally disturbed Vic (Mark Venturini) kills overweight Joey (Dominick Brascia) over a chocolate bar. Soon, more murders happen near the halfway house, and numerous suspects are named, including Tommy and possibly Jason. Among those killed are lovers Eddie (John Robert Dixon) and Tina (Debisue Voorhees) and the goth Violet (Tiffany Helm). Soon, the only ones left are Pam (Melanie Kinnaman) and Reggie “The Reckless” (Shavar Ross), with Tommy mysteriously absent. They soon meet the killer, wearing a hockey mask that’s very similar but different to Jason’s. But is this Jason back from the dead, is it a mentally deranged Tommy, or is it someone else?

     

    Review

    Like Halloween III: Season of the Witch, Friday the 13th: A New Beginning has been harshly criticized since its release. Most of the criticism is over the killer’s identity and how it pulled a fast one on the audience. While it’s not as strong as the earlier installments, this film doesn’t deserve nearly the hate it gets. For one, John Shepherd does a great job as a traumatized Tommy Jarvis, acting quiet and reserved. Even though he doesn’t have many lines, you can tell from his facial expressions that he’s been through a lot. Melanie Kinnaman is also good as the strong and nurturing Pam, who wants to help Tommy overcome his trauma. Shavar Ross is also fun as the fearless Reggie “The Reckless” and has excellent chemistry with Kinnaman and Shepherd. Carol Locatell and Ron Sloan are also memorable as a foul-mouthed redneck and her yokel son, respectively.

    The thing that makes any Friday the 13th movie work is the creativity and brutality of the kills. There are some decent kills, though they’re not as brutal as those from The Final Chapter or Part 3. Some more unique kills include a flare to the mouth, hedge trimmers to the eyes, and a head-crushing belt. Aside from that, most of the film’s deaths are the usual stabbings and slashings you’ve expected from this series. It seems director Danny Steinmann was more interested in showing busty women topless than creating elaborate kills. Nudity does add to the series’ charm, but it doesn’t mean the difference between a good and lousy installment. It doesn’t help that, aside from a few standouts, most of the characters aren’t all that memorable. While no one is insufferably annoying, it’s hard to feel sad about people dying when they don’t have much characterization.

    While it’s admirable that the filmmakers tried making this more of a whodunit, they somewhat give away the killer’s identity. I won’t spoil it here, but if you watch the film, it’s made pretty obvious who will be the killer. Whether intentional or not, it’s frustrating when you learn who the killer is, considering the direction they could’ve gone in. They tried to build off the ending of the last film and double down on it in this film’s ending. Unfortunately, the fans were so upset that the setup was abandoned, which is a shame but not a series-ender. This is a competently-made, decently-paced slasher with some decent kills and a few memorable characters. But as an entry in one of the longest-running horror franchises, this one misses the mark, but not without trying. Overall, Friday the 13th: A New Beginning isn’t great, but it’s at least underrated.

     

    Buy Friday the 13th: A New Beginning from Amazon: https://amzn.to/4hudv73.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Friday the 13th: A New Beginning (1985)

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  • Halloween 4: The Return of Michael Myers (1988)

    Halloween 4: The Return of Michael Myers (1988)

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    While it grossed over $14 million against a $4.6 million budget, Halloween III: Season of the Witch was widely hated. Though it’s since been reappraied by critics and audiences, at the time, the movie upset people who expected Michael Myers. John Carpenter and Debra Hill hired Dennis Etchison to write for a fourth installment, with Joe Dante possibly directing. Unfortunately, executive producer Moustapha Akkad rejected the script, wanting more of a straightforward slasher with Michael Myers. Carpenter and Hill sold their rights to Akkad, who hired Dwight H. Little and Alan B. McElroy for the project. Donald Pleasance was the only returning cast member from the first two films as Jamie Lee Curtis’ career had exploded. Among the new cast was a young Danielle Harris, Ellie Cornell, and George P. Wilbur as the iconic killer. Finally, Halloween 4: The Return of Michael Myers was released in theaters in October 1988.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_circle_counter title=”Rating” number=”65″ bar_bg_color=”#EDF000″ _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]

    Synopsis

    Ten years after his original rampage, Michael Myers (George P. Wilbur) is comatose and is transferred to Smith’s Grove. He awakens when he finds out he has a niece and escapes to Haddonfield, killing several people during his trek. His former psychiatrist, Dr. Sam Loomis (Donald Pleasance), learns about Michael’s escape and chases after him. Over in Haddonfield, Jamie Strode (Danielle Harris) lives with her foster parents, Richard (Jeff Olson) and Darlene Carruthers (Karen Alston). While the parents attend a Halloween party, their daughter Rachel (Ellie Cornell) has to babysit Jamie while she goes trick-or-treating. After arriving in Haddonfield, Loomis meets Sheriff Meeker (Beau Starr) to warn him about Michael’s intent to kill Jamie. A lynch mob hunts down Michael while Loomis and Meeker try to protect Jamie and Rachel from Michael’s wrath. Who will survive, and who will be the next victim of Michael Myers’ return?

     

    Review

    While I have my issues, Halloween 4: The Return of Michael Myers is a decent, if unremarkable, slasher. It doesn’t come close to the quality of John Carpenter’s original, but for what it is, it’s okay. For starters, the opening credits sequence is excellent, perfectly capturing the vibe of Halloween and the changing seasons. From there, the movie retains this spooky vibe with its use of fog and minimal lighting. Since this was still early in his career, Dwight Little did great as a director and showed potential. The acting is solid, with Donald Pleasance being the consummate professional and carrying the film. Relative newcomers Danielle Harris and Ellie Cornell are also great and have good chemistry as their relationship develops. George Wilbur makes for a good Michael Myers, giving off an imposing presence that sets him apart from his predecessors.

    Admittedly, most of my problems with this film are issues that stem from problematic elements from previous installments. In my review of Halloween II, I mentioned that I didn’t enjoy the twist with Laurie being Michael’s sister. This film builds on that twist with the inclusion of Jamie, Laurie’s daughter and Michael’s niece. While it helps that Danielle Harris does a great job, the fact they followed up on the twist is bothersome. Also, the fact that Michael and Loomis survived the explosion in the second installment undermines its ending. From what I’ve read, the film was initially meant to be more of a ghost story, which would’ve been interesting. I understand the producers wanted to bring Michael Myers back, but they had to jump through hoops to get there. That said, it’s still less insulting than what was done to Michael in Halloween Kills and Halloween Ends.

    The kills are relatively tame for a slasher film, which isn’t entirely wrong, but it makes the movie feel soft. A few stand out, but that’s thanks to the late addition of special effects artist John Carl Buechler. Still, don’t expect anything as visceral as Crispin Glover’s death in Friday the 13th: The Final Chapter. Another strong point of the film is the score by John Carpenter’s long-time associate, Alan Howarth. He mixes the original theme with some moody synth music that adds to the movie’s ominous tone. While it takes time to get going, the climax, where the movie turns into a siege film, is thrilling. At roughly 88 minutes, there is quite a bit of padding, but the film gets in and out fairly quickly. Overall, Halloween 4: The Return of Michael Myers is a step down in quality, but it has its moments.

     

    Buy Halloween 4: The Return of Michael Myers from Amazon: https://amzn.to/3ZJcYFP.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Parts of the Family (2003)

    Parts of the Family (2003)

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    1989’s Rabid Grannies became a popular title for Troma Entertainment, so Lloyd Kaufman formed a partnership with producer Johan Vandewoestijne. The following year, Vandewoestijne produced Maniac Nurses Find Ecstacy, which was directed by Belgian filmmaker Léon Paul De Bruyn. When Troma acquired the distribution rights, they considered retitling it to seem like a sequel to 1976’s Bloodsucking Freaks. Instead, they used the original title, and the film ended up being another small hit for Troma. Vandewoestijne also produced 1994’s State of Mind, which featured American actors Lisa Gaye, Fred Williamson, and Jill Scholen. A decade later, Vandewoestijne reunited with De Bruyn to produce a Belgian zombie movie called Parts of the Family. When Troma acquired the movie for distribution, they found the final product unwatchable and decided to “fix” it. When they released the film on DVD in 2003, they included the original and an “improved” version with questionable results.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#E09900″ _builder_version=”4.22.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After pulling off a bank heist, Jason Goodis (Bob Dougherty) is fleeing from the cops and looking for a hideout. While on the run, he kidnaps young model Elle (Cecilia Bergqvist) and holds her up in an old mansion. As the police try talking Jason down and bringing in a negotiator named Carl Ressler (Lloyd Kaufman), things turn dark. Through flashbacks, we learn that Elle knew the family who previously lived in the mansion and was their maid. She was having an affair with the son but was found by the father, and she killed them both. When the mother and daughter came home, Elle killed them and buried the bodies, vowing to keep them safe. In the present, the family rises as zombies and goes on the hunt, attacking Jason and the police outside. Who will survive, and who will become a part of the family?

     

    Review

    I should mention that the version of Parts of the Family I’m reviewing is the original, not the Troma-edited version. From what I understand, the main changes made were a mocking commentary by Lloyd Kaufman and some stock footage. Having seen the original version, I can see why Troma wanted to “fix” it since the film is plodding. I don’t mind a slow-burn movie if it produces a good payoff, but unfortunately, this one doesn’t. It almost feels like the filmmakers tried taking a cue from From Dusk Till Dawn with its genre switch. However, the characters and the writing kept you engaged before the vampires showed up, making the Rodriguez/Tarantino collaboration work. With this, we know so little about the characters, and the dialogue is so dull that it’s hard to care. Sometimes, it feels like watching a soap opera with nudity and blood.

    In terms of acting, everyone does a serviceable enough job with the material, though no one stands out. Cecilia Bergqvist, while not terrible, was most likely hired because she looks good naked rather than her acting ability. Her delivery is flat, lifeless, and more laughable than believable when she tries to show emotion. Bob Dougherty isn’t much better, as he tries to play a tough guy but fumbles around and doesn’t offer much. Aside from Lloyd Kaufman as a police negotiator, everyone else might as well have been a cardboard cutout. Even the actors playing the family, when they’re living and undead, blend into the background and offer nothing. It doesn’t help that all these elements – crime thriller, erotic drama, and zombie horror – don’t mesh well together. It’s like Léon Paul De Bruyn had all these ideas but didn’t know how to make them work.

    Admittedly, the only things that held my attention were the nudity, the gore, the decent soundtrack, and the gloomy atmosphere. As I said, Cecilia Bergqvist looks great when she’s naked, and we see her like that constantly. Also, the movie is full of blood and guts, especially in the last act when the family returns as zombies. The makeup for the zombies is crude but effective, and there’s enough blood spray to make Sam Raimi blush. While repetitive, the score adds a creepy, almost haunting feel to the film, and there’s some decent cinematography. It’s clear the director tried making more of an arthouse horror film, so it’s a shame that it didn’t work. Even at 85 minutes, the movie’s so slow and tedious, and it’s only worth seeing for the few trashy elements. Overall, Parts of the Family isn’t the worst Troma movie, but there are much better ones.

     

    Buy Parts of the Family from Amazon: https://amzn.to/3Zed34e.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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