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Category: Horror

  • The Prey (1983)

    The Prey (1983)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]Since the early 1970s, Edwin Brown and his wife Summer worked on several adult films for Essex Productions. After working on 1979’s Human Experiments, studio head Joseph Steinman offered the Browns a horror film to write/direct. Edwin and Summer took inspiration from Wes Craven’s 1977 classic The Hills Have Eyes and John Carpenter’s Halloween. Like many low-budget horror films, the cast comprised relatively unknown actors, save for Jackie Coogan of The Addams Family. Though Edwin set the movie in the Colorado Rockies, the actual filming occurred in and around Idyllwild, California. A young John Carl Buechler created the effects, and Don Peake, who composed The Hills Have Eyes, did the score. Despite finishing filming in 1980, the movie sat on the shelf for years before New World Pictures acquired it. It wasn’t until the fall of 1983 that The Prey finally entered US theaters.

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    Synopsis

    Three young California couples are going on a hiking/camping trip through the Colorado Rockies leading to North Point. During their journey, the women meet local ranger Mark O’Brien (Jackson Bostwick), who warns them about trekking to North Point. The couples split up that night for private time, but unfortunately, Gail (Gayle Gannes) and Greg (Philip Wenckus) go missing. The remaining couples – Nancy (Debbie Thureson) and Joel (Steve Bond), and Bobbie (Lori Lethin) and Skip (Robert Wald) – go searching. Meanwhile, O’Brien meets with ranger Lester Tile (Jackie Coogan), who mentions an older couple that went missing in North Point. O’Brien searches for the older couple while the other campers continue their journey, unaware of the dangers ahead. Little do they know that a mysterious figure is stalking them, intending to kill them off one by one. Who will survive, and who will end up as The Prey?

     

    Review

    The Prey is about as primary as possible with early 80s slasher films, but that’s not necessarily bad. Sometimes, less is more; this movie exemplifies that for better or worse, depending on your mileage. The filmmakers added tons of nature stock footage to put the audience in the same setting as the characters. The abundance of stock footage makes it feel like they tried padding out the runtime, which is only 80 minutes. It doesn’t help that there’s little material to work with since it’s primarily characters wandering through the woods. While none of the actors are bad, they’re not particularly memorable, though there are a few standouts. Jackson Bostwick has some entertaining moments, either playing guitar or telling jokes, and Debbie Thureson is a decent lead. It’s also interesting to see veteran actor Jackie Coogan in his final role before passing away in 1984.

    For a movie that had a $150,000 budget, the gore effects, while minimal, are pretty gruesome and bloody. If anything, it’s an excellent showcase for the talent John Carl Buechler later implemented into his work for Charles Band. Also, the score by Don Peake helps add tension and suspense as it gradually builds throughout the film. As slow as the movie is, the filmmakers do a decent job of making it suspenseful until the climax. The film’s last 20 minutes are nail-biting as the remaining characters try to outrun the killer. It all builds up to an ending that, without spoiling, needs to be seen to be believed. The deliberately slow pace and basic setup may put some people off, but I had a decent time with it. Overall, I wouldn’t call The Prey an all-time classic, but I think it’s underrated if nothing else.

     

    Buy The Prey from Amazon: https://amzn.to/3CcpZ3b.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch The Prey (1983)

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  • 10 to Midnight (1983)

    10 to Midnight (1983)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]After purchasing The Cannon Group in 1979, Israeli filmmakers Menahem Golan and Yoram Globus were ready to conquer Hollywood. While many of their low-budget pictures made money, their release of 1982’s Death Wish II put them on the map. Following the sequel’s success, Golan and Globus wanted to make another film with Hollywood veteran Charles Bronson. Producer Pancho Kohner wished to adapt the 1978 novel The Evil That Men Do, but the rights would’ve cost $200,000. Instead, Golan asked him to develop a new title, which they promoted at Cannes despite not having a story. Upon returning home, Kohner asked his friend Lance Hool for help, and he gave him a script called Bloody Sunday. Besides the title, nothing in the screenplay was changed, and Happy Birthday to Me director J. Lee Thompson was hired. In March 1983, The Cannon Group released the crime thriller/slasher film 10 to Midnight.

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    Synopsis

    Detectives Leo Kessler (Charles Bronson) and Paul McAnn (Andrew Stevens) are investigating a series of murders in Los Angeles. Almost every victim is a beautiful young woman found disemboweled and left to bleed out to death. The killer is an officer repairman, Warren Stacey (Gene Davis), a quiet loner who feels rejected by every woman. Meanwhile, Kessler is trying to repair the relationship with his daughter Laurie (Lisa Eilbacher), whom he abandoned for work. Through the investigation, Kessler learns that Stacey is responsible and makes it his mission to bring him to justice. He goes so far as to plant evidence to try and frame Stacey, only for him to be let out. Now a free man, Kessler and Stacey battle wits against one another until Stacey goes after Laurie. With time running out, it’s up to a weathered detective and his young partner to stop a malicious slasher.

     

    Review

    I’m unsure if 10 to Midnight belongs in this series since it’s more of a crime thriller than a slasher. Then again, when else will I talk about this 1983 Charles Bronson thriller from The Cannon Group? While this is more Dirty Harry than Friday the 13th10 to Midnight is exciting, well-paced, and well-made. While he looked like he was coasting and doing the bare minimum, Charles Bronson seemed to enjoy his role here. He has excellent chemistry with Andrew Stevens; the scenes of them bantering back and forth are a highlight. Lisa Eilbacher also does a great job as Kessler’s daughter and manages to hold her own against Bronson. Wilford Brimley fits the role of the cranky police captain to a T, though his screen time is limited. Also, there’s an appearance from Ola Ray, who was also in the music video for Michael Jackson’s Thriller.

    However, the film’s real star is Gene Davis as the cold and calculating serial killer Warren Stacey. He’s putting his all into this role and makes for one of the most intense villains of the 1980s. Seeing him going after women who rejected him, I can’t help but feel like this movie is still relevant today. J. Lee Thompson does a great job building the suspense through harsh shadows and moody lighting. Adding to that is the phenomenal score by Robert Ragland, which adds a lot of energy to the film. Granted, this movie is a product of its time, with its views of justice leaning heavily to the right. Some may scoff at the violence and nudity, but this film is practically tame compared to Michael Winner’s work. Overall, 10 to Midnight is a compelling crime thriller that happens to have some slasher elements.

     

    Buy 10 to Midnight from Amazon: https://amzn.to/3NSox8E.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch 10 to Midnight (1983)

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  • The Final Terror (1983)

    The Final Terror (1983)

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    With the rising popularity of slashers in the early 80s, exploitation producer Samuel Z. Arkoff wanted to capitalize on it. Joe Roth, an up-and-coming producer dating Arkoff’s daughter at the time, wanted to make a horror film with him. Arkoff handed Roth a script he had called Three Blind Mice, which Alien co-writer Ronald Shusett wrote. Shusett suggested they hire a young Andrew Davis to direct off the strength of his short films. With little money and relatively unknown actors, the movie was shot in Jedediah Smith Redwoods State Park in late 1981. Unfortunately, because of the low body count, no distributor was interested compared to the other slasher films released. In 1982, Adrian Zmed and Darryl Hannah gained much attention for T.J. Hooker and Blade Runner, respectively. Now, with two big stars in the cast, The Final Terror was finally released to theaters in late 1983.

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    Synopsis

    Dennis (John Friedrich), Marco (Adrian Zmed), Mike (Mark Metcalf), Nathaniel (Ernest Harden Jr.), and Richard (Lewis Smith) are going camping. They meet up with Margaret (Rachel Ward), Windy (Daryl Hannah), Vanessa (Akosua Busia), and Melanie (Cindy Harrell) for the trip. After being driven by bus by Eggar (Joe Pantoliano), the group sets up camp and shares campfire stories. But as soon as they arrive, a mysterious camouflaged figure emerges and starts picking them off one by one. While exploring, the group finds an old cabin that they believe is where the killer is hiding out of. They immediately suspect Eggar is responsible since he was the first to disappear the morning after they arrived. As members of the group wind up either missing or dead, the survivors have to stick together to save themselves. Without knowing they’ve unlocked an unknown force, but can they survive The Final Terror?

     

    Review

    Considering the overall quality, it’s easy to see why it took years for The Final Terror to find a distributor. While most slashers at the time ramped up the body count, this one only has three kills. The producers had to go back and shoot a completely different opening just to add some more kills. That’s not to say the final film is a complete disaster, as there are some excellent qualities to be had. For one, seeing so many talented people get their start behind and in front of the camera is worth watching. Given its meager budget, Andrew Davis made the most out of the locations, creating a feeling of isolation and dread. You feel like you’re with these unlucky campers as they get lost in this gigantic forest. It’s a shame that the film isn’t all that compelling and drags for quite a bit.

    After the tacked-on opening, none of the main characters get killed until at least 40 minutes into the film. Most of the runtime is spent with the cast wandering through the woods, trying to find their way out. Even when a character gets killed, there’s nothing unique or special about their deaths, which I guess is more realistic. I’m not saying every slasher needs crazy, over-the-top kills to be good, but you should give us something. Admittedly, the acting is decent, if unremarkable, but Joe Pantoliano does a great job playing a creepy weirdo. Also, the survival elements help this film stand out from typical slashers, but it never builds any tension or suspense. While I wouldn’t call this one of the worst slashers I’ve ever seen, it’s one of the most unremarkable. Overall, The Final Terror was a good starting ground for future talent, but it isn’t very compelling.

     

    Buy The Final Terror from Amazon: https://amzn.to/3KS1BFm.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch The Final Terror (1983)

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  • Demonic Toys: Jack-Attack (2023)

    Demonic Toys: Jack-Attack (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]While not as popular as the Puppet Master series, Demonic Toys still proved to be a Full Moon hit. After the crossover, Dollman vs. Demonic Toys, the SciFi Channel released a loosely connected sequel, Puppet Master vs. Demonic Toys. In 2010, nearly 20 years after the original, Full Moon released Demonic Toys 2, written and directed by William Butler. However, it wouldn’t be until a decade later that the series got a soft reboot with a spin-off. In 2021, William Butler directed Baby Oopsie, which focused on the evil baby doll from the original movie. Initially released in parts as a mini-series, the film proved popular enough that two sequels were released the following year. During a Full Moon Universe video, Charles Band announced another spin-off focusing on the evil Jack-In-The-Box toy, Jack-Attack. Now comes the latest chapter in the killer puppet series, Demonic Toys: Jack-Attack!

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After witnessing the death of her foster mother, young Lily (Sofia Castellanos) is staying at an orphanage. CPS agent Audrey Haines (Mabel Thomas) informs the director, Mrs. Culver (Donna Steele), that Lily will be moving out. Despite Mrs. Culver’s warning about Lily’s arrested development, Audrey takes her to live with the Yost family. Tyler (Sean Ramey) and his wife Kate (Christine Brunner) welcome the mute Lily into their home with open arms. Lily soon meets her new siblings, Mike (Carson Polish) and Dewey (Taylor Abigail Rice), who’s a would-be influencer. Despite the warm welcome, Lily is still traumatized and keeps seeing images of an evil clown with a Jack-in-the-box. Unfortunately, the toy of her nightmares ends up at her new home, releasing the demonic toy, Jack Attack. As Audrey rushes to save her, Lily must learn to confront her fears and survive against the tiny terror.

     

    Review

    Admittedly, I didn’t know what to expect when I started playing the screener copy of Demonic Toys: Jack-Attack I received. Aside from the original film and the first crossover, I had yet to see the sequel or the Baby Oopsie spin-off. Unfortunately, this movie references the events of that film quite a bit, so you need to see it to understand. Considering the quality of most modern Full Moon movies, I was genuinely surprised at how much I liked this one. The cast performs well, with Sofia Castellanos and Mabel Thomas being the standouts. Admittedly, Taylor Abigail Rice is pretty annoying, but it feels like that’s how her character was written. Also, the film has some decent gore effects, and a few of the death scenes are surprisingly gruesome. Plus, at only an hour long, the movie goes by fast and never feels bogged down with unnecessary padding.

    Sadly, the movie still has some of the same issues as most modern Full Moon films. For one, the overuse of stock music, stock footage, stock sound effects, and fake websites is distracting. Tonally, the movie feels like a Hallmark Channel original drama that has weird horror moments thrown in. This might be more of a technical problem, but there are some odd audio issues with balancing and echo. It doesn’t help that there is some obvious ADR added in post-production. While Jack Attack’s design looks close to how he initially looked, I’m not too fond of his new high-pitched laugh. Also, while I praised the practical effects, some noticeable CGI is sprinkled in. To give William Butler credit, there is some decent camera work and a good use of light and shadow. Overall, Demonic Toys: Jack-Attack has its issues, but it’s a decently entertaining killer doll movie.

     

    Special thanks to Full Moon Features for providing me with an early screener copy for review.

    Buy Demonic Toys: Jack-Attack from Amazon: https://amzn.to/40Otjfd.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The House on Sorority Row (1983)

    The House on Sorority Row (1983)

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    After graduating from NYU’s film program, Mark Rosman got an idea for a movie when he returned home to LA. Before attending NYU, he was part of a fraternity at UCLA, and he based his concept on his college experiences. Rosman’s script focused on sorority sisters being threatened after a prank gone wrong but were more than just victims. After gathering a budget of $300,000, Rosman started casting in New York and Los Angeles before filming began in 1981. The movie was shot on location in and around Pikesville and the University of Maryland, though the production struggled financially. After principal photography wrapped, Film Ventures International picked the film up for distribution and gave additional funds for post-production. Richard Band, who later scored Re-Animator and Puppet Master, composed the score with the London Philharmonic Orchestra. Following a limited 1982 release, The House on Sorority Row hit theaters nationwide in 1983.

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    Synopsis

    A group of sorority sisters is celebrating their graduation when their housemother, Mrs. Slater (Lois Kelso Hunt), spoils it. One of the girls, Vicki (Eileen Davidson), suggests they pull a prank on her that she’ll never forget. Unfortunately, things go wrong, and Mrs. Slater is shot and killed, so the girls hide her body in the pool. While fellow sister Katey (Kathryn McNeil) is distraught and wants to call the authorities, Vicki persuades her not to. Before long, an unknown assailant kills off the girls one by one using Mrs. Slater’s walking cane. Before long, Katey gets in touch with Dr. Beck (Christopher Lawrence), who had been treating Mrs. Slater years earlier. However, Katey soon learns more about her former housemother than she could have ever expected. Nothing can prepare you for what happens when she fights back in The House on Sorority Row!

     

    Review

    On the surface, The House on Sorority Row seems like any standard slasher film that ticks off all the checkboxes. You’ve got an isolated setting with the sorority house, plenty of young women to pick off, and some gruesome kills. What separates this from other slashers is that the victims are, in a way, responsible for what’s happening to them. Sure, you feel bad for the girls getting killed, but you can’t help but feel like they might’ve deserved it. Seeing the rational Katey and the vindictive Vicki argue over how to handle the situation drives this point home. It helps that Kathryn McNeil and Eileen Davidson give solid performances and make these characters feel real. The other sorority sisters also do an excellent job of feeling like a group of girls who’ve been long-time friends. All around, the acting is better than you’d expect from this kind of movie.

    While this is a slasher film, it could almost be seen as a thriller on par with Brian De Palma. Just when you think the girls have gotten away with the murder, something comes along to jeopardize it. Plus, the plot has so many twists and turns that it keeps you engaged and constantly guessing. Admittedly, the movie goes off the rails in the last twenty minutes when the killer’s identity is revealed. Thankfully, Mark Rosman and cinematographer Tim Suhrstedt keep the suspense and tension going as it turns into a cat-and-mouse game. Also, Richard Band’s score is fantastic, adding a surreal, dreamlike quality to the film, enhancing some trippy moments. Though I wouldn’t call this one of the greatest slashers ever, it’s still a well-made and well-acted thriller worth seeing. Overall, The House on Sorority Row deserves its cult status as an underrated slasher classic.

     

    Buy The House on Sorority Row from Amazon: https://amzn.to/47z2blc.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch The House on Sorority Row (1983)

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  • The Last Voyage of the Demeter (2023)

    The Last Voyage of the Demeter (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”]Aspiring screenwriter Bragi Schut Jr. worked at a model shop in Hollywood and became fast friends with the model makers. He loved looking at their past work, but what caught his eye was a schooner used for Bram Stoker’s Dracula. This inspired him to write an Alien-like movie set on the doomed ship, The Demeter, from Bram Stoker’s novel. Unfortunately, the project languished in development hell for decades, with various studios, directors, and actors coming and going. Directors like Robert Schwentke, Marcus Nispel, Stefan Ruzowitzky, David Slade, and Neil Marshall were all attached at some point. It wasn’t until 2019 that André Øvredal, who previously helmed Scary Stories to Tell in the Dark, was hired. The movie was shot in Berlin and Malta between June and October 2021 with a $45 million budget. After languishing for years, The Last Voyage of the Demeter finally hit theaters in August 2023.

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    Synopsis

    The Demeter has docked in Bulgaria to transport valuable cargo to London, though the villagers refuse to help load it. A local doctor named Clemens (Corey Hawkins) overhears that the Demeter needs a crew, so he volunteers. Though initially rejected, the ship’s captain, Elliot (Liam Cunningham), welcomes Clemens aboard after saving Elliot’s grandson Toby (Woody Norman). While investigating the ship, Clemens finds one of the cargo crates has broken open and finds a young woman inside. He uses his medical knowledge to revive her through blood transfusions, but everyone else is skeptical about the stowaway. The young woman, Anna (Aisling Franciosi), wakes up and tries to warn the crew about a monster on board. Soon, a mysterious figure picks off crew members individually, which Anna reveals is the legendary vampire Dracula (Javier Botet). Will the crew survive, or will this bloodsucking monster ensure this is Demeter’s last voyage?

     

    Review

    The Last Voyage of the Demeter is a very atypical Dracula movie in that Dracula isn’t the main character. Sure, Dracula is in the film, but the focus is more so on the crew of the ship. Some audiences might be disappointed that Dracula isn’t the central focus, but it’s an exciting take on the source material. It helps that the crew comprises some fantastic actors, particularly Corey Hawkins, Liam Cunningham, and David Dastmalchian. Hawkins makes for a tremendous lead, Cunningham gives his usual commanding presence, and Dastmalchian shows versatility in his performance. Aisling Franciosi, who was also in Game of Thrones with Cunningham, performs excellently as a victim-turned-hero. Even though he has no lines, Javier Botet makes for an excellent Dracula, and his design is familiar yet unique. Seeing his transformation from a sickly creature to a demonic monster is interesting.

    André Øvredal’s is fantastic, giving the movie a gothic feel reminiscent of old Hammer films of the 50s and 60s. Even the daytime scenes have a sense of dread, especially with the surviving characters reflecting on what happened. Also, the practical effects used to create Dracula are impressive, and I appreciate that they hide him until needed. Admittedly, the climax is hampered by some hastily thrown-in CGI, but it doesn’t ruin the overall tension. Without getting into spoilers, the ending feels out of place, like it clashes with the tone they established early on. Lastly, a few moments could’ve been trimmed from its under two-hour runtime, but the length isn’t a huge deterrent. This is still a unique and bold take on the classic character that horror fans will undoubtedly enjoy. Overall, The Last Voyage of the Demeter isn’t perfect, but it’s better than most movies released in August.

     

    Buy The Last Voyage of the Demeter from Amazon: https://amzn.to/3YOyp9x.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Curtains (1983)

    Curtains (1983)

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    After producing the hit Prom Night in 1980, Peter Simpson teamed with writer Robert Guza Jr. for a new project. With slasher films continuing to be profitable, Simpson wanted this one to be more adult-oriented for an older audience. He hired cinematographer Richard Ciupka, whose prior credits included Ilsa the Tigress of Siberia and Atlantic City, to direct. They hired John Vernon from Animal House, Samantha Eggar from The Brood, and Lynne Griffin from Black Christmas. Unfortunately, the film was plagued with production issues, mainly from Ciupka and Simpson disagreeing with the tone. Due to these disputes, Ciupka left the project in 1981, having only filmed 45 minutes of material. Simpson finished the film, though Ciupka has his name replaced with “Jonathan Stryker,” a character from the movie. After numerous rewrites and reshoots, Curtains opened regionally in the US in February 1983 before opening nationwide a month later.

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    Synopsis

    To prepare for an upcoming role, actress Samantha Sherwood (Samantha Eggar) feigns mental illness to be committed to an asylum. Unfortunately for Samantha, her director, Jonathan Stryker (John Vernon), plans to audition six girls for her part in her absence. Five actresses arrive, including Patti (Lynne Griffin), Brooke (Linda Thorson), Laurian (Anne Ditchburn), Tara (Sandee Currie), and Christie (Lesleh Donaldson). The sixth, Amanda Teuther (Deborah Burgess), gets killed on her way to the audition at Stryker’s rural New England mansion. However, Samantha shows up unannounced as she has escaped the asylum and plans to get revenge on Stryker. One by one, the girls are attacked by a mysterious sickle-wielding killer, whether in a jacuzzi or on the ice. As the bodies pile, it becomes a whodunit as the girls try to find out who the killer is. They better find out fast, or it’s Curtains for them!

     

    Review

    While not quite a slasher classic on par with Halloween or Friday the 13thCurtains is nonetheless a fascinating watch. For one, the acting is better than expected from this kind of movie, especially Vernon, Eggar, Griffin, and Thorson. John Vernon does a great job playing a pretentious, somewhat sleazy director willing to push his actresses to the edge. Samantha Eggar is fantastic as an aging actress trying to stay relevant, and her scenes with Vernon are great. While the other main actresses do well, Lynne Griffin and Linda Thorson stand out in performance and character. Griffin is sympathetic as a comedian-turned-actress struggling to be taken seriously, and Thorson shows plenty of vulnerability in her role. Like any good slasher, this one has memorable kills, the most famous being on a frozen lake. While none are particularly bloody, they’re shot and edited well.

    Unfortunately, the movie’s troubled production creeps in when certain characters and plot points are dropped. For instance, Samantha Eggar’s character somehow escapes the asylum, but we’re never shown how, but instead given a throwaway explanation. Also, without giving away any spoilers, the ultimate payoff feels so thrown together that it’s disappointing. That said, the theme of several young actresses willing to debase themselves for a role is still relevant today. These women will sleep with the director, endure humiliation, and be forced into uncomfortable situations just for a shot. While I’m sure this aspect was always intentional, the somewhat disjointed nature unintentionally makes the film stand out. Even if it’s not scary or bloody, it’s so bizarre and off-putting that it’s worth seeing. Overall, Curtains is confusing and disorienting, but the performances and unique kills make this a fascinating watch.

     

    Buy Curtains from Amazon: https://amzn.to/45gigdu.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Curtains (1983)

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  • A Blade in the Dark (1983)

    A Blade in the Dark (1983)

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    The son of acclaimed Italian horror director Mario Bava, Lamberto Bava got his start working as his partner. He was an assistant director on Planet of the Vampires, Dr. Goldfoot and the Girl Bombs, and Danger: Diabolik. After a chance meeting with fellow filmmaker Pupi Avati, Lamberto made his directorial debut with Macabre in 1980. This led to Bava working with Ruggero Deodato on Cannibal Holocaust and Dario Argento on Inferno and Tenebre. While working with Argento, Lamberto was approached by writers Dardano Sacchetti and Elisa Briganti with a new project. The initial plan was to film four 30-minute segments for a TV miniseries, each ending with a murder. However, the censors deemed the series too gory for television, so Bava re-edited the material into a feature film. Following its 1983 Italian release, the film was released in the US as A Blade in the Dark in 1986.

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    Synopsis

    Bruno (Andrea Occhipinti) rents a villa from Tony Rendina (Michele Soavi) so he can work on a horror movie soundtrack. While staying at the villa, Bruno is visited by Katia (Valeria Cavalli), a neighbor who stops by without revealing why. Soon, a mysterious figure kills Katia with a box cutter, which Bruno doesn’t realize until he finds blood stains. He soon discovers her diary, which mentions Linda, a mysterious woman who leased the villa and disappeared soon after. Later surprise visits include his girlfriend Giulia (Lara Lamberti), Katia’s friend Angela (Fabiola Toledo), and his director Sandra (Anny Papa). Unfortunately, just as these women come by to see Bruno, they get killed more gruesomely than the last. Bruno starts uncovering more about the mysterious Linda and her connections to Sandra’s movie as the bodies pile up. Just who is Linda, and who is responsible for all these murders?

     

    Review

    I wouldn’t say A Blade in The Dark is one of the best giallos ever, but it’s a decent watch. Like any good Italian horror film, this one has plenty of gruesome kills involving box cutters, knives, and plastic bags. There’s plenty of bloody carnage, though none of the kills are memorable, like in Tenebre or The New York Ripper. Also, the cinematography is solid, with plenty of POV shots, contrasting shadows, and a few tracking shots. The music from Guido and Maurizio De Angelis, aka Oliver Onions, is catchy, even if the same theme plays throughout. The cast has a few memorable faces in Italian cinema, including Andrea Occhipinti, Giovanni Frezza, and future director Michele Soavi. Plus, at roughly about 90 minutes in length, the movie doesn’t take up too much time and gets out quickly. It’s a shame this is a pretty average giallo/slasher film.

    I’d say the movie’s biggest flaw is that, in between all the murder scenes, there’s tons of filler. There are many slow scenes of characters either fiddling with their equipment, swimming, or wandering around the villa. It doesn’t help that the sequences play out the same: a random woman visits, talks to Bruno, then gets killed. On top of that, we’re not given much character development, so there’s not as much impact when they die. I’m not saying every slasher film needs deep characterization, but this doesn’t give us much of anything. That said, as boring as this movie can be, it led to Lamberto Bava making more exciting genre fare. We wouldn’t have gotten incredible movies like DemonsBlastfighter, or Demons 2, so I give this film some credit. Overall, A Blade in The Dark has moments, but it’s best recommended for hardcore giallo fans.

     

    Buy A Blade in The Dark from Amazon: https://amzn.to/4aCbrIB.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch A Blade in the Dark (1983)

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  • Dolly Deadly (2016)

    Dolly Deadly (2016)

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    Hailing from Northern California, Heidi Moore has wanted to direct movies for much of her life. She started Wretched Productions as a way to get her films off the ground, as well as help fellow artists. In 2012, she directed a short called Mommy, initially intended as a segment for The ABCs of Death. That same year, she made the short film, Boyfriend: Hell Hath No Fury Like a Wo-man Scorned. In addition to being a director, Moore was also a mother of two sons named Lawrence and Justin. For her first feature film, she took inspiration from the torment she saw her son Justin go through at school. Moore got her movie off the ground with some bribery and a few favors, but mainly through hard work. At some point, Troma acquired the distribution rights and released Dolly Dearest in August 2016.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After witnessing his mother’s death as an infant, Benji (Justin Moore) has to live with his grandma Mitzi (Kimberly West-Carroll). She and her slob of a boyfriend, Donald (Jay Sosnicki), constantly mock Benji for playing with dolls. Even the neighborhood kids, Crystal (Paloma Couoh) and Kenny (Lawrence Moore) hassle him for his doll obsession. In his solitude, Benji retreats into dreams of his mother, Tina Lyn (Dana Nelson), reminding him that she loves him. At one point, Benji leaves home and runs into Rock Bottom (Donny Gonzalez), who shares some bizarre stand-up comedy. He also meets a homeless guy (Christopher Calvano) who says, “Do unto others as they would do unto you!” This inspires Benji to no longer take the abuse and kill everyone who mocked and tortured him. Benji is no longer a neglected child but instead is now Dolly Deadly!

     

    Review

    Going into Dolly Deadly, I expected it to be some run-of-the-mill generic slasher film about a creepy doll. However, what I got instead was a fascinating character study of a mentally scarred kid pushed to his limit. It brings to mind similar movies like Sleepaway Camp or Silent Night Deadly Night, where the killer is almost sympathetic. You may disagree with them killing people, but you can understand what drove them to this point. Like the controversial Christmas slasher, this one deals with a character’s identity crisis, with the killer embracing who’ve they become. The cast does a phenomenal job, even the kid actors, which is rare even in big-budget movies. Even if it is nepotism, Justin Moore does a fantastic job of playing a kid who just needed some love. He’s excellent at being sympathetic and terrifying, and I’m excited to see what else he does.

    Kimberly West-Carroll and Jay Sosnicki do a great job playing such hateable characters that it makes their deaths more satisfying. The death scenes are creatively gruesome, and the practical effects are top-notch, given the low budget. While the film mostly has an intentionally flat look, some dark sequences utilize brightly-colored lighting, adding a surreal, dreamlike quality. It reminds me of the colors used in Creepshow to give that film its comic-book look. If I had any complaints, I’d say that a few scenes, particularly with Donny Gonzalez, feel out of place. Even at less than 90 minutes, parts of the movie feel padded, and it takes a while to get going. But despite its flaws, this is still an impressively horrific yet heartfelt character study/slasher film that exceeded my expectations. Overall, Dolly Deadly is worth checking out if you want something twisted yet deep.

     

    Buy Dolly Deadly from Amazon: https://amzn.to/3pW8gav.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Dolly Deadly (2016)

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  • Blade: The Iron Cross (2020)

    Blade: The Iron Cross (2020)

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    After 2017’s Puppet Master: Axis Termination closed out The Axis Trilogy, the long-running franchise was put on hold. In 2018, the famous horror magazine Fangoria released a soft reboot called Puppet Master: The Littlest Reich with Band producing. The following year, Charles Band announced The Deadly Ten, a series of ten films produced in-house at Full Moon. The first two titles announced, Weedjies: Halloweed Night and Necropolis: Legion, were released in October and November 2019, respectively. Another film announced for The Deadly Ten was a Puppet Master spin-off directed by John Lechago of Killjoy 3 fame. The movie would be a direct continuation of The Axis Trilogy that focused on the iconic puppet, Blade. While initially scheduled for a December 2019 release, the film was pushed back to the following year. In mid-2020, during the COVID-19 Pandemic, Blade: The Iron Cross slashed onto Full Moon’s streaming service.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#EDF000″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Young psychic Elisa Ivanov (Tania Fox) works as a reporter while holding onto Andre Toulon’s puppets. Elsewhere, Ingenieur Erich Hauser (Roy Abramsohn) has synthesized Toulon’s life-giving serum to create an army of the undead. Hauser has discovered that he can harness bio-energy to bring the recently dead back to life after experiencing intense drama. Unfortunately for him, his experiments lead to several bodies turning up, which Elisa and photographer Barney (Griffin Blazi) discover. Meanwhile, Detective Joe Gray (Vincent Cusimano) also investigates the bodies and discovers the Nazis’ involvement. With their army of the undead rising, Elisa uses her psychic abilities to reawaken Blade to battle the Nazis. Hauser’s ultimate plan is to transmit a Death Ray to wipe out humanity and turn them into zombies. It’s up to a psychic, a photographer, a detective, and a puppet to save the world.

     

    Review

    While Blade: The Iron Cross isn’t the return to form fans might’ve hoped for, it’s not without its merits. For one, gorehounds will appreciate how bloody this movie is, with every throat slash resulting in gallons of blood. Also, it was wise for them to use Blade as the central figure since he’s arguably the most iconic puppet. The cast all do a decent job, with Tania Fox and Vincent Cusimano being the highlights. Roy Abramsohn makes for a proper lead villain, chewing up as much scenery as possible. Speaking of scenery, while the sets reveal the film’s low budget, they’re unique enough to add variety. Admittedly, the film doesn’t have the flair John Lechago lent to the Killjoy sequels, but it has some moody lighting. Lastly, the movie is short, clocking in at roughly 70 minutes, much less than the last film.

    Unfortunately, that’s where any positives I can glean from this anemic spin-off end, as this is ultimately a disappointment. Sure, the series dropped in quality after Puppet Master 5: The Final Chapter, but some entries were decent. While this one isn’t a glorified clip show, this spin-off shows how much the series has gone downhill. For one, Blade barely appears in the movie, which happens to feature his name in the title. Some technical problems pop up, such as establishing shots featuring a modern-looking city despite the 1945 setting. Plus, some scenes have an actor donning a Blade costume since they couldn’t afford stop-motion, and it sticks out. But what kills this spin-off’s potential is that it’s boring, which is the worst thing a movie can be. Overall, Blade: The Iron Cross isn’t the worst, but this iconic killer puppet deserved better.

     

    Buy Blade: The Iron Cross from Amazon: https://amzn.to/44BQ8Bk.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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