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  • Squeeze Play (1979)

    Squeeze Play (1979)

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    After the disastrous release of Big Gus, What’s the Fuss?, Lloyd Kaufman was in a tight jam. With his business partner Michael Herz, Lloyd founded Troma Entertainment in 1974, where they could produce their movies. Around this time, Kaufman directed a series of adult films under the pseudonyms H.V. Spyder, Louis Su, and David Stitt. In the 70s, the industry took celluloid sex seriously, and mixing sex with other genres was unheard of. With this in mind, Kaufman and Herz thought it would be a good idea to make a sex comedy film. The Women’s Liberation Movement was in full swing, so Kaufman and Herz decided to incorporate that into their movie. Lloyd’s brother Charles worked with screenwriter Haim Pekelis to churn out a 75-page script while Lloyd accumulated a $300,000 budget. While the film premiered in New York in 1979, Squeeze Play wouldn’t be released nationwide until 1980.

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    Synopsis

    Wes (Jim Harris) is captain of the local men’s softball team, The Beavers, and is the talk of the town. However, his fiance, Samantha (Jennifer Hetrick), isn’t happy about how he spends more time with the guys than her. She wants him to quit softball next year so he can spend more time with her, but he’s reluctant. Soon, the girlfriends and wives of the other team members share the same sentiment as Samantha and have had it. One night, the girls meet runaway Mary Lou (Melissa Michaels), who has a wicked throwing arm and can play softball. Suddenly, Samantha gets an idea: she and the girls will form their softball team to teach the boys a lesson. Naturally, the guys don’t take them seriously, so the girls train hard and start getting good. Who will win this epic battle of the sexes, and who will make the squeeze play?

     

    Review

    While not as good as comedies like Animal House or MeatballsSqueeze Play is still an enjoyably silly sex comedy. Admittedly, most of the movie’s humor is dated and relies heavily on slapstick, but plenty of the gags do land. The most famous joke in the film is when a player catches the ball between his buttcheeks. Aside from the dumb jokes, the plot is an excuse to add double entendres and get women naked. This movie is from a bygone era where a Wet T-Shirt Contest, gender stereotypes, and politically incorrect humor were acceptable. The pro-women message, though it lacks subtlety, is weirdly relevant even today and helps it stand out. While it’s easy to hate the men for being gross and rude, the women make plenty of mistakes. It’s interesting how a 70s sex comedy depicted feminism better than today’s crop of movies.

    The cast, mainly made up of relatively unknown actors, does their jobs well and plays into the comedy. There are some notable cast members, including Jennifer Hetrick from Star Trek: The Next Generation and Al Corley from Dynasty. The most memorable actor here is Mike Starr, who later starred in Uncle BuckEd Wood, and Dumb and Dumber. Admittedly, the movie does follow plenty of sports movie tropes, but this was well before those tropes became a thing. As with every sports movie, everything culminates in a final game, though this one has some nudity. At slightly over 90 minutes long, it won’t take up too much of your time and goes by fast. Diehard Troma fans might get a kick out of this, but general audiences will probably dismiss this. Overall, Squeeze Play is a product of its time, for better or for worse, though it has its moments.

     

    Buy Squeeze Play from Amazon: https://amzn.to/3EuFmB1.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Puppet Master: The Legacy (2003)

    Puppet Master: The Legacy (2003)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.17.1″ _module_preset=”default” global_colors_info=”{}”]Due to financial problems, Charles Band temporarily shut down Full Moon Features in 2002 and rebranded as Shadow Entertainment. Having made a deal with Twentieth Century Fox Home Video, Band tried staying afloat despite the market dying out. Thankfully, he still held the rights to the Puppet Master series, but he had to make sense of the continuity. Much like the Friday the 13th series, the timeline of the movies was all over the place and became confusing. He brought back C. Courtney Joyner, writer of Puppet Master III, to pen a script for a soft reset. Joyner used the pseudonym Gene Yarbrough, while Band went by his Head of the Family credit, Robert Talbot. Fans would have to wait four years for this entry, and what they got was a huge disappointment. In 2003, Puppet Master: The Legacy hit video store shelves across the country.

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    Synopsis

    Rogue agent Maclain (Kate Orsini) searches for André Toulon’s secret of resurrecting the dead for a mysterious client. Her search takes her to the Bodega Bay Inn, where she finds Eric Weiss (Jacob Witkin) working on the puppets. It turns out that Weiss knew Toulon before his death and swore never to reveal his secrets. When Maclain threatens his life, Weiss plays a recording left by Toulon explaining how he acquired the magic. Some stock footage later, Weiss reveals that his real name is Peter Hertz, the boy Toulon saved from Nazi Germany. The two begin arguing over whether Toulon was good or evil and whether the puppets justified their killings. Maclain soon learns more than she ever expected, including the war with Sutek and how Toulon’s secrets keep getting discovered. Soon enough, they’ll find just what kind of a legacy has been left by the Puppet Master.

     

    Review

    Admittedly, Full Moon Features was never going to produce a film that would get an Oscar nomination, let alone win. They always maintained at least some level of quality and were generally fun B-movies that knew what they were. With Puppet Master: The Legacy, the company has hit an all-time low for the franchise and Full Moon themselves. At 80 minutes in length, about 15 minutes is original footage, with the remaining 65 being stock footage. It’s on par with Silent Night Deadly Night 2‘s use of stock footage, but at least that was more even. With Legacy, there will be two minutes of original footage followed by ten minutes of clips from the other movies. It feels less like a full-length feature, and more a glorified clip show trying to pass off as a movie. I understand why they did it, but that doesn’t make it less lazy.

    To give them some credit, the filmmakers tried to make sense of the series’ continuity being all over the place. Unfortunately, they leave you with more questions than answers and make the timeline even more confusing. For instance, Rick Meyers, the lead from Puppet Master 4, was killed off-screen after the events of Puppet Master 5. Also, we learn that the puppets hired Maclain to kill Weiss, the new puppet master, which raises tons of questions. If that was their endgame, why didn’t the puppets kill Weiss themselves when they had the chance? Also, how were the puppets able to talk to Maclain when none of them had voices? After the ending, there’s a message thanking all the people who worked over the years on this franchise. Overall, they may have had good intentions, but Puppet Master: The Legacy feels like desperation more than a celebration.

     

    Buy Puppet Master: The Legacy from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Sizzle Beach, U.S.A. (1981)

    Sizzle Beach, U.S.A. (1981)

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    Some of the most prominent actors working today often get their start in low-budget films, though they often regret this. There’s Demi Moore in Parasite 3D, Jennifer Aniston in Leprechaun, and Nicole Kidman in BMX Bandits, to name a few. Then there’s Kevin Costner, who was a stagehand before getting his big break in The Untouchables and No Way Out. While working behind the scenes, Costner would pass by the office of producer Eric Louzil and ask for acting roles. Louzil had a project in line with first-time director Richard Brander, so he offered Costner a minor part. Admittedly, Louzil hired Costner more for his looks than his acting abilities, not to mention he was awkward. The movie was filmed during the winter of 1978-79 and initially released in 1981 as Malibu Hot Summer. In 1986, Troma acquired the rights and re-released the film as Sizzle Beach, U.S.A.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.16.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Best friends Janice Johnston (Terry Congie), Dit McCoy (Lesley Brander), and Cheryl Reilly (Roselyn Royce) move out to California. Dit wants to be a famous singer, Cheryl gets a job as a physical education teacher, and Janice takes acting lessons. They decide to rent a beach house and Malibu and plan to try and live out their dreams. Janice falls in love with ranch hand John Logan (Kevin Costner), who teaches her horseback riding in between her classes. Dit gets a spot in a singing competition through a friend but soon discovers how sleazy the manager is. Also, Cheryl gets scolded by her supervisor at the school for supposedly having an insatiable libido. The three grow as friends, learn lessons along the way, and meet the loves of their lives. All of this is mixed in with plenty of TNA to distract you from how dull the plot is.

     

    Review

    Going into Sizzle Beach, U.S.A., I expected it to be one of those zany sex comedies from the early 1980s. Instead, you get a bland drama about three women, their friendship, and their dreams mixed with some nudity. After a while, the nudity starts losing its appeal and becomes annoying, like you’re praying they keep their clothes on. At least the three lead women look good naked, but that’s not enough to compensate for a dull movie. Congie, Brander, and Reilly have decent chemistry together, but there’s nothing to their characters to make us care. It’s not a shock that of the three, only one has more than two acting credits to their name. I’d comment on the rest of the cast, but they’re so forgettable that it’s not worth it. Then, of course, there’s the person we’re all here to see: Kevin Costner.

    After hearing Louzil say he hired Costner for his looks, it makes sense given his performance or lack thereof. Costner sounds stiff and wooden, and he looks awkward and uncomfortable as if he doesn’t know what to do. Supposedly, he was most uncomfortable shooting a love scene without clothes on, and you can tell when you see it. While he’s never been great, you’d never guess that Costner would become the superstar he is today seeing this. Usually, I scoff at actors denying or feeling embarrassed by their past work, but in this case, I get it. Even with the rampant nudity, this is such a dull and uninteresting movie that you’ll forget about it fast. Even at 90 minutes long, you could do much better than this, even if you want cheap TNA. Overall, Sizzle Beach, U.S.A. might be worth it for Costner completionists, but it’s otherwise best avoided.

     

    Buy Sizzle Beach, U.S.A. from Amazon: https://amzn.to/3uZxKCg.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Sizzle Beach, U.S.A. (1981)

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  • Morbius (2022)

    Morbius (2022)

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    Morbius, The Living Vampire, first appeared as a villain in The Amazing Spider-Man #101 in October 1971. Created by Roy Thomas and Gil Kane, the character later became a broody and gritty anti-hero in the 1990s. Initially meant to debut in 1998’s Blade, Morbius was one of several planned adaptations between Marvel and Artisan Entertainment. While this never happened, Sony announced in 2017 that they’d be starting a new shared universe of Spider-Man-related characters. Matt Sazama and Burk Sharpless submitted a screenplay to Sony for a potential Morbius movie in late 2018. Jared Leto came on board, but he’d only commit if he could have a say in choosing the director. Eventually, Daniel Espinosa got the job, and filming began in early 2019 and wrapped that June. Due to eventual reshoots, the COVID-19 Pandemic, and shifting schedules, Morbius would not see a release until April 2022.

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    Synopsis

    Dr. Michael Morbius (Jared Leto) is a scientist suffering from a rare blood disease who may have found a cure. He travels to Costa Rica, collects several vampire bats, and experiments on them to find a treatment for his condition. Due to the nature of these experiments, Michael and fellow scientist Martine Bancroft (Adria Arjona) must work in international waters. While he’s successful, Morbius becomes a vampire-like creature with superhuman abilities who must consume blood to stay alive. Soon, his adoptive brother Milo (Matt Smith) learns about what Michael has done and wants the cure, but Michael refuses. Soon enough, the bloodlust consumes Milo as he challenges Michael for denying him what he always wanted. Meanwhile, FBI Agents Simon Stroud (Tyrese Gibson) and Al Rodriguez (Al Madrigal) investigate Michael after a recent string of murders. Will Milo be stopped, and will Michael learn to embrace what he’s become?

     

    Review

    You know you’re in trouble when you hire the writers of Dracula UntoldGods of Egypt, and Power Rangers. With those credits, it’s no surprise that Morbius is an incomprehensible mess that is equal parts confusing and uninteresting. There’s hardly any characterization aside from some backstories, and even then, it’s hard to care about anyone. Everyone delivers their lines with such lifelessness and gloom that it seems like even the actors don’t care. Jared Leto is acceptable in the lead, but you’d expect a guy who plays outrageous characters to deliver that. Instead, he has the broodiness and edginess of a fanfiction character written by a 12-year-old who loved The Crow. Jared Harris feels wasted here, and Adria Arjano doesn’t offer much other than being the damsel in distress. The only bright spot is Matt Smith, who at least tries to be entertaining in a campy way.

    To make matters worse, this is possibly one of the ugliest-looking movies I’ve seen in quite some time. Everything looks so drab and dark that it’s emotionally draining, giving Zach Snyder a run for his money. It doesn’t help that the editing is so sloppy and haphazard that it’s often hard to tell what’s going on. These cloudy streaks emanate from Morbius that blur what’s happening during any action sequence, and they mix in some slow-motion. The final battle between Morbius and Milo looks like a badly-rendered cutscene in a video game with all the CGI. Going back to the editing, they tried so hard to tone this down to a PG-13 that it’s almost comedic. It feels like whole chunks of the movie are missing, which would explain why it flies by so fast. Overall, there are worse comic book movies, but that doesn’t make Morbius a good one.

     

    Buy Morbius from Amazon: https://amzn.to/3xHq6yY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Cinderella (1977)

    Cinderella (1977)

    [et_pb_section fb_built=”1″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]After the release of Andy Warhol’s Blue Movie in 1969, a new trend in cinema called “Porno Chic” was born. This trend was a movement where adult films started becoming mainstream and were taken seriously by critics and general audiences. The most successful of these adult films was 1972’s Deep Throat, which grossed a record-breaking $3 million in six months. In the middle of this, there was a mini-trend of adapting children’s stories into adult films, both live-action and animated. Some examples include 1971’s The Erotic Adventures of Pinocchio and 1976’s Alice in Wonderland: An X-Rated Musical Comedy. Seeing the potential at hand, Charles Band decided to make his own adult take on a classic fairy tale. He hired Michael Pataki, who previously directed Mansion of the Doomed, to helm an adult fairy tale including musical numbers. In May 1977, Band’s adult take on Charles Perrault’s Cinderella hit grindhouse theaters.

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    Synopsis

    Cinderella (Cheryl Smith) lives with her oppressive stepmother (Jennifer Stace) and her stepsisters Drucella (Yana Nirvana) and Marbella (Marilyn Corwin). While she’s stuck having to tend to their every need, Cinderella longs for the day she’ll be free. Meanwhile, The Prince (Brett Smiley) is wary about marriage, which worries The King (Boris Moris) and Queen (Pamela Stonebrook). With The Prince’s 21st birthday approaching, The King decides to host a ball so his son can find a bride. The stepsisters go to the ball, but not before humiliating Cinderella as she has to stay at home. While sleeping, a cat burglar/crossdresser (Sy Richardson) breaks in and convinces Cinderella he’s her fairy godmother. With his help, she gets to go to the ball and have a night with The Prince. Unfortunately, she runs off before The Prince finds out who she is, so he goes out searching for his bride.

     

    Review

    Cinderella is undoubtedly a product of its time, for better or for worse, which will affect your enjoyment. First off, if you’re uncomfortable with gratuitous nudity and copious amounts of sex, this is not the movie for you. However, if you have an affinity for 70s adult entertainment, this is one of the more entertaining ones. For one, Michael Pataki’s energetic direction keeps the film upbeat and full of energy, so you’re never bored. What also helps is the cast, who all play their parts well and have fun with the material given. On top of being gorgeous, the late Cheryl “Rainbeaux” Smith brings an undeniably sweet charm to her role. Sy Richardson is hilarious in his debut role as the loud-mouthed, snarky, and devious fairy godmother. Admittedly, his character is one of the many elements that date the film considerably and would not fly today.

    The musical segments are surprisingly catchy and will stick in your head quickly, particularly “Snapper” and “Do It To Me.” The rest of the cast gleefully chew through the scenery as they prance about and constantly get naked. Given that this was the 1970s, be prepared to see more bush than a topiary garden that hasn’t been trimmed. Going back to the humor, most of it consists of sexual innuendos and puns, which can get stale fast. Also, while there isn’t much of a plot aside from the original story, this simplicity works in its favor. It serves its purpose of stringing together sex scenes and musical numbers without bogging things down with unnecessary subplots. At slightly over 90 minutes in length, the movie gets in and out quickly and doesn’t overstay its welcome. Overall, Cinderella won’t be for everyone, but fans of oddball adult entertainment should check it out.

     

    Buy Cinderella from Amazon: https://amzn.to/43ncJnf.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Cinderella (1977)

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  • Big Gus, What’s the Fuss? (1973)

    Big Gus, What’s the Fuss? (1973)

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    By the early 1970s, Lloyd Kaufman was only a few years away from co-founding Troma Entertainment with Michael Herz. Kaufman had two directing credits under his belt, The Girl Who Returned and The Battle of Love’s Return. Around this time, producer Ami Artzi had his first film, The Dreamer, premiere at the 1972 Cannes Film Festival. Artzi convinced Kaufman and Herz that making a G-rated family comedy in Israel would be easy money. Not only would it be a hit in Israel, but the film could also play at American synagogues. Unfortunately, the trouble started when the original script Kaufman and Herz turned in was drastically rewritten by the Israeli producers. In the end, Kaufman and Herz lost money when the film flopped upon release due to war breaking out. In 1973, Schwartz: The Brave Detective, aka Big Gus, What’s The Fuss? came and went.

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    Synopsis

    Detective Schwartz (Bomba Tzur) is a former cop turned private investigator who works alongside his partner Simcha (Yosef Shiloach). A wealthy man has hired them to spy on his wife, who he fears is cheating on him. The wife has an affair with her doctor, so the detectives decide to take on the case. While they manage to get photographic evidence, they accidentally lose the footage, and the doctor finds out what they’re doing. In retaliation, he hires a mob boss to send his goons after Schwartz and Simcha to hide the truth. A series of “wacky” hijinks follow as our heroes try to outrun the mob and expose the wife. Thankfully, Schwartz and Simcha have friends in high places who can help them out of this jam. Will our heroes succeed, what will happen to the wife, and just who is Gus?

     

    Review

    Over the years, Lloyd Kaufman said Big Gus, What’s The Fuss? “did more damage to the Jews than Mein Kempf.” While Lloyd’s statement might be hyperbolic, it’s not like Big Gus, What’s The Fuss? is some misunderstood masterpiece. Perhaps it’s a case of culture clash since I’m not Israeli, but I can’t imagine enjoying this if I was. Cultural issues aside, this is one of the most confusing and disjointed films I’ve seen since starting this site. What’s strange is that, at first, it begins simply enough as a goofy comedy about two bumbling detectives. The plot goes off the rails into pure chaos at some point as it devolves into a string of gags. They make no sense in context and come out of nowhere, including one involving a random couple rehearsing a scene. It doesn’t help that almost none of these gags aren’t the least bit funny.

    From what I understand, many of the cast members were famous in their native land and considered superstars. Admittedly, I’ve never heard of these actors, let alone seen their previous work, so I can’t say for sure. Most of them resort to simply mugging for the camera and making silly noises thinking that’s funny. It seems like they’re trying to capture the madcap energy of Benny Hill without understanding what made him work. It doesn’t help that this film is G-rated, meaning we don’t get the sexy shenanigans Benny Hill was known for. The soundtrack comprises only two songs repeatedly played throughout, which adds to the painful viewing experience. While not as bad as It’s Pat or Freddy Got Fingered, this is still a terrible comedy. Overall, unless you’re a Troma completionist, Big Gus, What’s The Fuss? is best left forgotten.

     

    Download Big Gus, What’s The Fuss? from Troma Direct: https://bit.ly/3qsWAZM.

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  • Crash and Burn (1990)

    Crash and Burn (1990)

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    After the collapse of Empire Pictures, Charles Band returned to the US and started its successor company: Full Moon Entertainment. While most of the Empire library went to other studios, Band released some under his new studio. The first three films released under this new company were Puppet MasterMeridian: Kiss of the Beast, and Shadowzone. Unfortunately, one of the films Band lost when Empire collapsed was Robot Jox, which went to Triumph Pictures. Since it took so long for Triumph to release the movie, Band decided to capitalize on it. Much like how Roger Corman made movies capitalizing on his previous successes, Band took a similar approach with this. Using much of the same crew as Stuart Gordon’s giant robot epic, Band churned out his own big robot movie. While Gordon’s movie hit theaters in November 1990, Band’s Crash and Burn arrived on video store shelves in September.

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    Synopsis

    In 2035, the powerful corporation Unicom is controlling the world after a massive economic collapse. Most of the earth is desert, and massive “thermal storms” caused by a depleted ozone layer are a daily hazard. A Unicom agent named Tyson (Paul Ganus) is delivering some freon to one of the last remaining TV broadcast stations. He meets the station manager Lathan Hooks (Ralph Waite), who instantly distrusts Tyson due to his resentment towards Unicom. Tyson also meets Lathan’s granddaughter Arren (Megan Ward), schoolteacher Parice (Eva LaRue), and technician Quinn (Bill Moseley). Unfortunately, Tyson has to stay the night at the station due to a thermal storm, trapping everyone else inside. To make matters worse, Unicom sent a “synthoid” to kill the station manager and anyone who gets in its way. Who is this mysterious killer, and who will be left alive to fight off the assailant?

     

    Review

    While not one of the better early Full Moon titles, Crash and Burn is a pretty entertaining mash-ups of genres. At its core, it’s a slasher film with a cyborg, a cross between Friday the 13th and The Terminator. What makes it stand out is its post-apocalyptic setting and how an economic collapse causes it, which is unique. You can tell that this was when Full Moon had extra capital through Paramount, given the production values. Despite its low budget, the set design and visual effects are surprisingly effective, though it helps they had talented artists. Future Oscar winner Greg Cannom, who also worked on Vicious LipsCherry 2000, and Meridian, designed the makeup effects. Empire/Full Moon regular David Allen handled the stop-motion alongside Chris Endicott, who later managed visual effects on Avengers: Endgame. It shows that a talented crew can compensate for a meager budget.

    On top of having a sweet mullet, Paul Ganus makes for a decent leading man and has plenty of charisma. Future Full Moon regular Megan Ward is fun as the young Arren and has tons of charm to spare. Cult actor Bill Moseley easily steals the show, especially when he goes full Nicolas Cage in the second act. Jack McGee is appropriately gross and slimy as the movie’s Rush Limbaugh stand-in, and he works as the comic relief. Ralph Waite brings some class to the production and Eva LaRue has decent chemistry with Ganus. While not exceptional, Band’s direction works, using low lighting and shadows to create an effective mood. Despite teasing some giant robot action, we only get five minutes worth towards the end of the movie. Overall, Crash and Burn isn’t quite as good as later Full Moon productions, but it’s a decent ninety-minute watch.

     

    Buy Crash and Burn from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Crash and Burn (1990)

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  • The Last Airbender (2010)

    The Last Airbender (2010)

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    On February 21, 2005, Avatar: The Last Airbender premiered on Nickelodeon and became an instant hit with critics and fans. The show ran through three seasons, received universal praise, and won several awards, including an Emmy and a Peabody Award. In 2007, Paramount Pictures announced a live-action film was in production, with M. Night Shyamalan attached to write and direct. Initially, the show’s creators, Michael Dante DiMartino and Bryan Konietzko, were excited about Shyamalan’s involvement and wanted to offer input. Despite his then-recent track record, the producers were confident in Shyamalan’s abilities to bring the show to the big screen. With a $150 million production budget, plus $130 million for marketing, this was Shyamalan’s most expensive film to date. Unfortunately, the film ran into controversy over the casting, resulting in fan backlash and even boycotts. After months of production, The Last Airbender hit theaters on July 1, 2010.

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    Synopsis

    For centuries, the four nations of Water, Earth, Fire, and Air have lived in peace and prosperity. Unfortunately, the Fire Nation declared war on the other nations, wiping out the Air Tribes and enslaving the Earth Nation. One hundred years later, Katara (Nicola Peltz) and her brother Sokka (Jackson Rathbone) find a young boy frozen in ice. By accident, they free the boy, Aang (Noah Ringer), who turns out to be the last surviving Air Bender. Meanwhile, Prince Zuko (Dev Patel) is searching for the Avatar, who can master the four elements. To reclaim his honor, he seeks to capture the Avatar for his father, Fire Lord Ozai (Cliff Curtis). It turns out Aang is the Avatar, and he must master the four elements to restore peace to the world. With his friends Katara and Sokka and his flying bison Appa, Aang must master the first element: Water.

     

    Review

    Even with its infamous reputation, I wanted to give The Last Airbender the benefit of the doubt. When they recreated the opening sequence from the show at the beginning, I thought, “Well, how bad could it be?” Sadly, once the opening text crawl showed up with Nicola Peltz’s narration, I knew I was in trouble. She delivers several expository monologues throughout the movie that make Harrison Ford’s narrations from Blade Runner sound riveting. Most of the acting here is flat and wooden, with Jackson Rathbone being the worst offender. Noah Ringer’s acting isn’t great either, but child actors usually aren’t that great, and he has some unintentionally hilarious deliveries. Dev Patel and Aasif Mandvi are at least trying to deliver decent performances, but even they can’t save the script. It’s unfortunate, considering Patel went from starring in the Oscar-winning Slumdog Millionaire to appearing in this.

    The film’s biggest problem, aside from the acting, the script, and the action, is that it’s dull and uninteresting. It’s as if the movie sucked out all the humor, emotion, drama, and excitement from the show. Given the montages and voice-overs, you can tell that the filmmakers tried cramming as much material as possible. James Newton Howard’s score is exciting, and some of the visuals are decent to give the movie some credit. I could go on about plot holes, character inconsistencies, and deviations from the source, but there are too many to list. While it’s easy to blame Shyamalan since he wrote and directed the film, I believe there was some studio meddling. Considering the show’s creators were not on board and had their input denied, I suspect Paramount is responsible. Overall, The Last Airbender is a poor adaptation and a terrible movie on its own merits.

     

    Buy The Last Airbender from Amazon: https://amzn.to/3KxQlLN.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Def by Temptation (1990)

    Def by Temptation (1990)

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    In the 70s, James Bond III was a prominent child actor known for the short-lived series The Red Hand Gang. He also made appearances on popular shows like Wonder WomanThe Love Boat, and The Waltons. In 1988, Bond starred in Spike Lee’s second feature-length film, School Daze, with Laurence Fishburne and Giancarlo Esposito. While working on the film, Bond became acquainted with some cast and crew members, including cinematographer Ernest Dickerson. Once filming wrapped, Bond recruited some of his School Daze costars to appear in his directorial debut film. Bond cast Kadeem Hardison, Bill Nunn, and a relatively unknown Samuel L. Jackson from the earlier production. Troma stepped in to help with filming at some point, including having Redneck Zombies director Pericles Lewnes handle the effects. In March 1990, Bond’s only directing effort, Def by Temptation, held its premiere in Chapel Hill, North Carolina.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.14.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.14.8″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.14.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.8″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Joel (James Bond III) is a devout Christian studying to become a minister when he decides to take a break. He meets up with his brother “K” (Kadeem Hardison), an aspiring actor who’s happy to have his brother stay over. While showing him around New York City, they stop into the One Step Down club for some drinks. The night before, “K” met his dream woman (Cynthia Bond) and hopes to find her there again. Much to his dismay, she sets her sights on Joel and latches onto him, completely blowing off “K.” He becomes suspicious after noticing she has no reflection, so he asks his detective friend Dougy (Bill Nunn) for help. According to Dougy, she’s been seducing and killing men for years, and they discover she’s a succubus. Joel is in for the ultimate test of his faith unless his brother can save him from Temptation.

     

    Review

    Like many great low-budget films, Def by Temptation manages to rise above its limitations to become something special. It’s a shame this is James Bond III’s only directing effort because he shows a lot of promise here. With help from cinematographer Ernest Dickerson, he uses colored lighting and soft focus to give the film a nightmarish quality. Bond also uses fog and darkness to further add to the already spooky mood established. Additionally, the gore effects are surprisingly decent for such a small budget, and gorehounds will be satisfied. Admittedly, some makeup effects look slightly dodgy, but the quick editing and low lighting help hide it. This ties into what’s probably the film’s biggest flaw: the budget was unfortunately not enough for the filmmaker’s ambition. You don’t need huge budgets to make a good movie, but they might’ve bitten off more than they could chew.

    In terms of the acting, it’s very hit or miss, but you can tell many of them are trying. While a decent director, James Bond III isn’t the best at acting, coming off somewhat flat and wooden. It helps that his costars, Kadeem Hardison and Bill Nunn, can carry the film with him. However, the performance that stands out the most is Cynthia Bond as the captivating yet deadly temptress. She owns every scene she’s in, and you have no trouble believing her ability to seduce any man she wants. It’s a shame she didn’t act in much else after this because she’s easily the film’s highlight. Also, despite the marketing plastering his face all over, don’t expect Samuel L. Jackson to have a significant role here. Overall, Def by Temptation is a highly underrated supernatural horror film that genre enthusiasts should give a watch.

     

    Buy Def by Temptation from Amazon: https://amzn.to/34lQORM.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Batman (2022)

    The Batman (2022)

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    In 2014, Warner Bros. announced a Batman spin-off after Ben Affleck was cast in Batman v Superman: Dawn of Justice. Affleck agreed to star, co-write, produce, and direct the film, but he started losing interest in 2017. With Affleck gone, the search began for a new director, Ridley Scott, George Miller, and Denis Villeneuve being potential candidates. Eventually, Matt Reeves, who previously helmed War for the Planet of the Apes, was hired to direct the film. However, Reeves asked to have complete creative control, including rewriting Affleck’s script, and Warner Bros. agreed, believing in his vision. In 2019, the studio announced that Robert Pattinson would be playing the Cape Crusader, which was received poorly by fans. Unfortunately, Reeves put filming on hold due to COVID-19, which took the life of dialect coach Andrew Jack. Despite numerous setbacks and delays, The Batman finally hit theaters in March 2022.

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    Synopsis

    For two years, Bruce Wayne (Robert Pattison) has been operating in Gotham City as a masked vigilante called The Batman. After the murder of Mayor Don Mitchell Jr. (Rupert Penry-Jones), officer Jim Gordon (Jeffrey Wright) asks for Batman’s help. During his investigation, Batman meets Selina Kyle (Zoë Kravitz), a waitress working at the Iceberg Lounge for Penguin (Colin Farrell). With her help, he discovers that all the victims are city officials tied to organized crime, including Mitchell. Soon, the killer reveals himself as The Riddler (Paul Dano), who has been targeting officials to expose some corruption. As the body count continues to grow, Batman learns some horrible secrets about the city and his family. He also starts developing a romantic relationship with Selina, further jeopardizing the mission and making him question his motivation. Regardless of how the investigation turns out, the answers will shake the very foundation of Gotham City.

     

    Review

    Ever since the initial trailers for The Batman were released, I have been highly anticipating this film’s release. Some doubted whether or not Robert Pattison would succeed, most based on his performances in the Twilight movies. However, anyone who saw The Lighthouse knows that Pattinson can deliver an outstanding performance, and The Batman is no exception. While he’s not the typical suave playboy we’ve come to expect, he brings real humanity and darkness not seen before. When he dons the cape and cowl, he has this presence where you know you’re in trouble. Zoë Kravitz has a very seductive and charming quality to her performance, and she has excellent chemistry with Pattinson. Though he wears a mask for most of his screentime, Paul Dano is believably deranged and psychotic as The Riddler. His performance is almost comparable to Heath Ledger’s Joker from The Dark Knight: over-the-top without being campy.

    Matt Reeves’s direction is solid, making great use of darkness and shadows to create dynamic visuals with limited lighting. The fight scenes are well-choreographed, well-shot, and aren’t overly edited to the point where the fights are incomprehensible. In particular, there’s a shootout sequence where the only lights are the muzzles from the guns. Combined with the sound design, it’s an expertly crafted sequence that would’ve looked terrible in a lesser director’s hands. The film also has one of the most exciting car chases I’ve seen in quite a long time. Even at nearly three hours, the pacing never drags, and it goes by fairly quickly without feeling rushed. While it doesn’t reach the same heights as The Dark Knight, it’s still an excellent take on the caped crusader. Overall, The Batman is an exceptional blockbuster that delivers on the action while also delivering a thrilling story.

     

    Buy tickets to The Batman through Fandango: https://fandan.co/3Kht00L.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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