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  • Rocky (1976)

    Rocky (1976)

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    Today, Sylvester Stallone is regarded as one of the finest action stars of the past 30 years. He’s most well-known for the Rambo franchise, more recently The Expendables movies, and of course, the Rocky franchise. Nowadays, they’re up to seven films with an eighth film on the way, but let’s go back in time to the early 1970’s. Prior to making it big as the Italian Stallion, Stallone was doing what he could to get by, including his first starring role being in a soft-core porn (yeah, seriously) film called The Party at Kitty and Studs in 1973. As easy as it is to make fun of him for that, keep in mind that he had recently been evicted from his apartment, was living on the streets, and slept for three weeks at the Port Authority Bus Terminal, so with that in mind, it’s easy to see why he agreed to do the film for $200 a day for two days. Stallone even said, “it was either do that movie or rob someone, because I was at the end – the very end – of my rope.” Funny enough, after Stallone’s newfound fame, the film was later rereleased as The Italian Stallion.

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    After having roles in movies in the early to mid 70s such as BananasThe Lords of Flatbush, and the cult-classic Death Race 2000, Stallone got the motivation to write the script for Rocky after watching the championship match between Muhammad Ali and Chuck Wepner, where, while being TKO’d by Ali in the 15th round, people were stunned that Wepner made it as long as he did. He spent three whole days writing the script, with the intent of playing the lead role. However, when he presented the script to United Artists, which they liked, they wanted someone like Ryan O’Neal, Burt Reynolds, or James Caan for the part. Thanks to both persistence and the support of producers Irwin Winkler and Robert Chartoff, Stallone managed to get the lead role.

     

    Synopsis

    The film tells the story of small-time boxer Rocky Balboa (Stallone), who one day gets a shot at fighting the heavyweight champion Apollo Creed, played by the always awesome Carl Weathers. In addition, Rocky pursues a romance with meek pet store clerk Adrian, played by Talia Shire, who usually gets treated like dirt by her brother Paulie, played by Burt Young. In prep for his fight, Rocky gets the curmudgeonly old former boxer Mickey, played by Burgess Meredith. With the support of his trainer, his newfound love, and his determination and heart, Rocky works his way up, not to necessarily beat Apollo in the ring, but prove to others and himself that he can go the distance.

     

    Review

    Despite what the sequels became, the first one stands out as more than just a boxing movie. The movie is really more of a character study. We see Rocky as a good-natured guy who, while not very bright, has a lot of heart and cares about others. When a mob boss named Tony Gazzo, played by character actor Joe Spinell, wants him to break a guy’s fingers for not paying, Rocky refuses cause he can’t bring himself to do it. While Paulie treats her like dirt, and she’s generally ignored by others, Rocky sees the beauty in Adrian and wants to show her that she is special and matters. There’s even one scene where Rocky helps a young girl get back to her home and warns her about how there can be a lot of creeps on the street. Really, the boxing element is somewhat secondary in the film.

    Directed by John G. Avildsen, who later went on to make The Karate Kid films, Rocky is an important entry in film history. This was during a period of filmmaking known as New Hollywood, where studios gave filmmakers more creative control and were willing to take more risks. While he did have a few roles under his belt, Stallone was still relatively unknown, and many of the other cast members were cast late into the production. In spite of the risks, much like Rocky, the film rose to the top and became a massive success. What makes the film work are the characters. In addition to the good-natured Rocky, you also have Burgess Meredith as Mickey, who you feel was once a great boxer until old age got the better of him, and he almost sees Rocky as the son he never had, so he trains Rocky not only to help him in the fight, but also to feel like he has purpose. Then there’s Carl Weathers as the flashy and arrogant boxer Apollo Creed. Weathers just oozes charisma and steals nearly every scene he’s in, but it is almost satisfying when you see the shock on his face when Rocky just won’t go down.

    Another major part of the film’s success is the music composed by Bill Conti. Anytime you hear the theme, Gonna Fly Now, you immediately want to start running and punching at the air like you’re Rocky. It’s the kind of song that really gets you pumped up. Other than that, the rest of the score helps add character to the film, by showing just how low the characters are in their life situation but also giving them a sense of hope. The movie is very inspirational, telling us that it’s not about whether we win or lose, but that it’s about proving to yourself and others that you can do it.

    The film went on to make a ton of money ($225 million against a $1.1 million budget), and won three Academy Awards for Best Director, Best Film Editing, and Best Picture, against movies like Taxi DriverNetwork, and All the President’s Men. There were six films that followed, four directed by Stallone, one by Avildsen, and one by Ryan Coogler. Despite how campy and ridiculous some of the sequels got, the first film still stands as what happens when someone with a lot of heart and drive goes against the odds and proves to the world that they can make something out of themselves.

     

    Buy Rocky from Amazon: https://amzn.to/3K5oyYA.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Rocky (1976)

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  • Sisters (1973)

    Sisters (1973)

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    On May 13, 2018, tragedy struck when Margot Kidder, most famous for playing Lois Lane in the Christopher Reeve Superman movies, passed away at the age of 69. While the cause of death at time of writing this is unknown, her health had been questioned ever since her 1996 incident, where she had a manic breakdown and was found in the backyard of a homeowner in Los Angeles with her teeth caps having been knocked out due to a rape attack. Since then, it’s been widely publicized how she’s suffered from bipolar disorder and how she had been working for years on recovering and ensuring she wouldn’t suffer from any more nervous breakdowns. As most people are paying tribute to her through the Superman movies, there are others who are looking to some of her genre work as tribute, such as Bob Clark’s 1974 slasher Black Christmas and the classic 1979 haunted house movie, The Amityville Horror. Another title that got brought up, which I’ll be talking about in this review is Brian De Palma’s 1973 thriller Sisters.

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    Synopsis

    Not to be confused with the Tina Fey/Amy Poehler comedy of the same name, Sisters tells the story of siamese twins Danielle and Dominique (Kidder), one nice, innocent, and sweet, the other more evil and sinister. One day, Danielle brings a guy back to her apartment much to the dismay of her sister, and after he goes out to get her medicine and a birthday cake, the lover ends up getting stabbed viciously by Dominique. While bleeding to death, the murder is witnessed by a neighbor through her window named Grace Collier, played by Jennifer Salt. She calls the police to report on the murder, but while she’s arguing with the cops, Danielle and her ex-husband/psychiatrist Dr. Emil Breton work to clean up the murder scene and make it seem like nothing happened. While the cops dismiss this as a crazy woman making false accusations, Grace is determined to prove that a man was indeed murdered, and what she finds is way more than she bargained for.

    Sadly, that’s all I can really say about the plot without giving away the many twists and turns the movie takes.

     

    Review

    Throughout most of his career, De Palma was often criticized for, among other things, being a rip-off of Alfred Hitchcock. Personally, I would consider himself more a genuine fan of Hitchcock rather than a rip-off of him since he takes a lot of the tropes and conventions that Hitchcock used and does his own thing with it. While Sisters shares a lot of similar elements to films like Rear Window and Psycho, it still tells its own story. Granted, there had already been a similar evil twins movie made the year prior called The Other, which I have not seen at the time of writing this, so I don’t know if Sisters took anything from that movie. What I do know is that De Palma got the idea for this movie from an article written in the late 60’s on Russian conjoined twins Masha and Dasha Krivoshlyapova, where he saw a picture of them where one had a very stoic and serene look on her face, while the other had a more sinister look to her. This is what led to the idea of twins who were conjoined but separated and had split personalities.

    Margot Kidder stands out as both Danielle and Dominique. When she’s Danielle, she’s very unassuming, sweet, innocent, and even a little flirtatious. As Dominique, she’s deranged and seems almost animalistic in her rage. Jennifer Salt is also great as Grace Collier, who’s very feisty and determined to get to the bottom of this. What’s great about her character is that she’s a very strong and independent female character who doesn’t just seem like a man-hating ball-buster, but rather a woman who’s motivated by a desire to get things done and prove to others what she can do. There’s also some fun comedic relief in the form of her mother, played by Salt’s real-life mother Mary Davenport, who responds to Grace’s talk of following the case and solving the murder with lines like, “Are you on diet pills again?”

    The one actor who truly steals the show is the late William Finley as the sinister Dr. Emil Breton, who, while being an obvious red herring, is still genuinely terrifying. He’s very cold and chilling, and you can see that he has his own personal agenda and will stop at nothing to make sure everything goes his way. Once you find out more about what’s going on, he becomes even more diabolical. Another actor of note in the film is character-actor Charles Durning, who plays a private investigator hired by Grace to help prove that a murder had taken place. While his screen-time is somewhat limited, he’s still a source of entertainment and makes for a fun counterpart to Salt’s Grace character.

    While this wasn’t the first movie he had made, this was the first horror film that De Palma had directed, and this would lead to a long and illustrious horror career, with movies like Phantom of the ParadiseCarrieThe FuryDressed to Kill, and Blow Out amongst others. Even with the low budget and some of the little mistakes that are noticeable throughout, the movie still works as an effective horror/thriller. It has some great performances, it’s got great suspense, the use of split screens and long, tracking shots are phenomenal and help give a sense of unease, and the score by the late-great Bernard Hermann is terrific. If you’re a fan of Hitchcock’s work and you’re looking for something a bit lesser known featuring Margot Kidder, this is definitely a great one to watch, especially if you want to see some of Brian De Palma’s early work.

     

    Buy Sisters from Amazon: https://amzn.to/4ohopiO.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Sisters (1973)

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  • RoboCop (1987)

    RoboCop (1987)

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    In the 80s, Orion Pictures was one of many mid-budget studios vying for that sweet spot in the Hollywood elite. However, unlike studios like Cannon or Empire, Orion could squeeze their way in, with such memorable films as The TerminatorArthurHoosiers, and even major Oscar winners like Amadeus and Platoon. Unfortunately, like many other mid-budget studios, they would often have fewer hits than misses. While many of their films were critically acclaimed and even award winners, they also had several bombs, such as Great Balls of Fire! and She-Devil. But then, hope in the form of a huge box office hit would come along with Paul Verhoeven’s RoboCop.

    Prior to Robocop, Verhoeven made films in The Netherlands including Turkish Delight and Soldier of Orange, working with actor Rutger Hauer. Then in 1985, Verhoeven made his transition to American films with Flesh + Blood, which, though having gained a substantial cult following in years since, was not a huge hit at the box office and ended the partnership between Verhoeven and Hauer. Suddenly, he gets a script for a movie called RoboCop, which he ended up throwing away in disgust. Then, his wife picked it up and told him to give it a read. He did and the rest is history.

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    Synopsis

    Set in a futuristic Detroit, crime runs rampant, and the police are privatized by a multi-million dollar company called OCP. Looking to reduce crime to make way for Delta City, they initially tried a giant robot known as the ED-209. When the ED-209 proves too destructive, they decide to move forward with a program for a cyborg cop. After being gunned down by bank robbers led by Clarence Boddicker, Officer Alex Murphy is turned into this cyborg cop. Now as RoboCop, he stops various crimes, including a convenience store robbery, an attempted rape, and a hostage situation. When his inner humanity starts to break through, RoboCop seeks revenge on the gang that gunned him down. As he takes down the gang, RoboCop ends up confronting Dick Jones, who’s been working with Clarence. With help from his partner Office Anne Lewis, RoboCop sets out to exact his brand of justice.

    Review

    RoboCop is easily one of the most incredible action sci-fi movies ever made. While on the surface, it is an entertaining, action-packed, and bloody-as-hell movie, there is more to it than that. The over-the-top violence is cartoonish, almost making fun of violent action movies. Throughout the movie, there’s all kinds of social satire in the form of news segments and fake commercials. These help to expand on the world on display, as well as poking fun at American culture. With Verhoeven being Dutch, it’s interesting to see an outsider’s perspective on the rampant consumerism. Plus, it predicts a future where a rundown city is taken over by a giant corporation that’s only interested in money. It tackles issues of reclaiming one’s humanity from corporate America that neglects the psychological effects.

    Peter Weller is terrific as the cop-turned-cyborg. As Murphy, he’s instantly relatable and likable. As RoboCop, he’s both incredible and tragic. He kicks all kinds of ass here, including a sequence where he busts a drug factory and mows down everyone in sight. Once he starts rediscovering his humanity, Weller delivers such an emotional performance. You get a sense of the pain he’s feeling and just how tragic his situation is. Nancy Allen is great as Anne Lewis and Kurtwood Smith steals the show as Clarence Boddicker. Ronny Cox shines as the corrupt businessman Dick Jones, and Miguel Ferrer is fun as the sleazy Bob Morton, who’s also RoboCop’s creator. Edward Neumeier and Michael Miner’s script is phenomenal, expanding the concept further than expected. Rob Bottin’s practical effects, mixed in with stop-motion by Phil Tibbett and the Chiodo Brothers, make the film a sight to behold.

    On a $13 million budget, which is impressive given the film’s scope, RoboCop made over $53 million. Verhoeven went on to make movies like Total Recall and Basic Instinct. There were two sequels, a live-action television series, at least two animated series, a TV mini-series, comic books, video games, and a quickly forgotten 2014 remake. RoboCop remains an important film in both the action and sci-fi genres and is easily one of my all-time favorites.

     

    Buy RoboCop from Amazon: https://amzn.to/47Y8cKw.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch RoboCop (1987)

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  • Die Hard (1988)

    Die Hard (1988)

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    Before 1988, Bruce Willis was known for comedy, especially with the TV show Moonlighting with Cybill Shepherd. Then, in 1988, Willis was reinvented as an action star thanks to a little movie called Die Hard. It’s funny to think now, but back then, no one thought that a guy known for comedy could break out as an action star. In fact, the part was originally offered to many action stars, like Sylvester Stallone, Harrison Ford, and Don Johnson. Little did people know that Willis would go on to lead one of the most successful franchises of all time.

     

    Synopsis

    Willis plays New York cop John McClane, who comes to LA to visit his wife Holly, played by Bonnie Bedelia. At an office Christmas party at her company, the Nakatomi Corporation, the two try to reconnect and get back together. As the party’s going on, a group of German thieves led by Hans Gruber, played by the late great Alan Rickman, storm in, start shooting up the place, and take everyone hostage. Armed with a pistol and his wits, McClane must survive the night, stop the thieves, and save the hostages.

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    Review

    Directed by John McTiernan, who previously directed the Schwarzenegger classic Predator, the film is one of the best made/filmed action movies of the 80s. Nowadays, many filmmakers seem to have ADD and usually cut everything so quickly and film too close to the action. Die Hard, however, has all these great sweeping shots that show off the grand spectacle on display, and it’s filmed in a way that puts you right in the action while also letting you see just what’s going on.

    While many didn’t think he was right for it, Bruce Willis as John McClane was perfect casting. In a time filled with muscle-bound and indestructible action stars like Schwarzenegger, Stallone, and Norris, along comes Willis, who is fit, but not as jacked as Dutch from Predator or Rambo from Rambo: First Blood Part II. Here, he’s just an ordinary guy who’s in a horrible situation and has to make the most of it. As the movie goes on, he gets more and more tired, gets beaten and bruised, and ends up with his feet all cut up with broken glass and limping. Hell, there’s even a scene where he talks to Sgt. Al Powell, played by Reginald VelJohnson, over the radio and tells him what to tell his wife in case he doesn’t make it. It makes him much more relatable, making you wonder what you’d do in that situation.

    Of course, I’d be remiss if I didn’t talk about Alan Rickman as the villainous Hans Gruber. He is truly one of the greatest bad guys in any movie ever. He’s cold, cunning, and ruthless, but he’s also very suave, charming, and clearly well-educated. He’s not just your average run-of-the-mill bad guy. He has one goal in mind: steal the $640 million in negotiable bearer bonds and make off with it scot-free. It’s also fun to watch him going toe-to-toe with Willis, whether it’s over the radio or when they’re on-screen together.

    Die Hard is an important film, not just for the action genre, but for movies in general. It paved the way for many great action movies to come, and it made a superstar out of Bruce Willis. The film went on to have four sequels, some better than others, and began a new era of action films.

    Yippe-Ki Yay, MotherF***er!

     

    Buy Die Hard from Amazon: https://amzn.to/4rm4x0O.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Die Hard (1988)

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  • Army of Darkness (1992)

    Army of Darkness (1992)

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    After hitting it big with Evil Dead II and Darkman, director Sam Raimi decided to revisit Ash Williams once again with Army of Darkness. While the second film was more of a comedy than the first one, it was still more or less a horror film. With this one, they decided to seemingly toss out anything horror-related and make the third entry more of an action-comedy. Though, it technically is horror since it follows two horror films and there are some horror elements in it, but not much. With a budget of $11 million, more than the first two combined, this had a lot to live up to. So how does a series that started with college kids trapped in a cabin go to having a medieval setting? Well, with a pretty strong cast, fun battle sequences, and a great sense of humor, chances are it really worked.

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    Synopsis

    Picking up from where the last film left off, our lovable smartass hero Ash is now stuck in the past. Unfortunately, he’s greeted with hostility and fear as he’s taken prisoner by King Arthur and his men. After surviving a battle between two deadites with his chainsaw, Ash manages to climb out and punch out the King. Now having proved himself, Ash must embark on a quest to reclaim the Necronomicon to stop the evil forces. Ash reluctantly sets off in the hopes of this leading to him going back to his own time. Along the way, he meets his evil twin, who he kills, eviscerates, and buries, but not before being warned. Once he gets the book, Ash ends up accidentally releases an army of the dead. Now led by Ash’s undead evil twin, the army is after the book and will kill anyone in their way.

     

    Review

    Given its fairly large budget, you can definitely see the money on the screen. From the immense sets to all the creatures and effects, this has a much larger scope than the previous films. It reminds me of Monty Python and the Holy Grail with its grand setting, sets, and costumes, but more comedic. That said, I feel like the bigger budget and larger production also hurts the film in terms of the style. It lacks the gritty and creepy feeling that the first two films had, and it feels a bit too polished. This one does feel more like a big-budget studio picture, but for what it is, it’s still better than others. Also, there are times where the comedy tends to clash with some of the more serious moments, to where the movie has a bit of a tone problem.

    All that being said, I still really enjoy this film. It’s funny, it’s exciting, it’s got some great special effects and action sequences, it’s fully aware of itself, and it features Bruce Campbell at his most badass. While the film did make a profit (it made $21.5 million against its $11 million budget), it wasn’t as big of a hit as they were hoping, and it didn’t get as warm of a response from critics as the last one did. Even still, the movie has gone on to become a major cult hit, and it’s also quite possibly one of the most quotable movies ever!

    Hail to the king, baby!

     

    Buy Army of Darkness from Amazon: https://amzn.to/4i0oDsW.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Army of Darkness (1992)

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  • Evil Dead II (1987)

    Evil Dead II (1987)

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    After hitting it big with The Evil Dead, Sam Raimi and company were not having much luck finding work. In 1985, Raimi, his producing partner Rob Tapert, and co-producer/star Bruce Campbell teamed up to make Crimewave. Written by The Coen Brothers, famous for Raising ArizonaFargo, and Miller’s Crossing, the film, unfortunately, was a disaster. Between issues with the producers to difficulty with cast members, the film as Bruce Campbell “wasn’t released, it escaped.” Needing a hit, Raimi and company decided to return to the cabin for the 1987 follow-up, Evil Dead II, also known as Evil Dead 2: Dead by Dawn.

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    Synopsis

    Following the first film, Ash’s stuck in the cabin with no escape, and the demonic forces psychologically torture him. Meanwhile, a young woman named Annie (Sarah Berry) meets up with her partner Ed (Richard Domeier). Annie is the daughter of Professor Knowby, who initially found the Book of the Dead. The two decide to go to the cabin after not hearing from her father in some time. With the help of local rednecks Jake (Dan Hicks) and Bobbie Joe (Kassie Wesley), they get to the cabin only to find Ash, who just cut off his hand and accidentally shot Bobbie Joe. Trapped within and dealing with a witch in the cellar, our heroes must fight to survive the night.

     

    Review

    Frequently, horror-comedies can be a tricky balance, where sometimes they stray a bit too far into either direction. However, Evil Dead II is one of those great examples where they are blended perfectly. When there’s humor, it’s genuinely funny in a very dark and grotesque sort of way. When there’s horror, there’s a great sense of dread and a foreboding nature that gets under your skin. Like the first one, this one is insane with the gore, though dialed back to avoid an X rating. You’ll notice throughout that the blood changes colors, including a bright red, black, green, and more of a dark red. So long as it didn’t look like real blood, it’s all good.

    I think this film is an excellent showcase of Bruce Campbell’s acting abilities. He starts as a shellshocked person who has survived this horrible series of events and slowly loses his sanity, especially having killed his girlfriend twice. A few highlights that show this include a small moment where he sees a rocking chair moving on his own till he goes over to it, and it stops as soon as Ash reaches his hand out, as well as a moment where his reflection leaps out at him to tell him how crazy he is. Once the new group arrives, he eventually steps up to be the badass hero we all think of him as. Although, I’d like to mention Sarah Berry as Annie, who’s easily the best actor after Campbell.

    To sum it up, I enjoy this film. As I said, the first one will always hold a special place in my heart. Even still, this one is a solid recommendation from me. This one has achieved significant cult status like the first one and is even considered the best of the trilogy. Even curmudgeonly old Roger Ebert gave it three stars, saying it is “a comedy disguised as a blood-soaked shock-a-rama. It looks superficially like a routine horror movie, a vomitorium designed to separate callow teenagers from their lunch. But look a little closer, and you’ll realize that the movie is a fairly sophisticated satire.” If that does not sell you on the film, I don’t know what will.

     

    Buy Evil Dead II from Amazon: https://amzn.to/3tgCwbT.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Evil Dead II (1987)

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  • The Evil Dead (1981)

    The Evil Dead (1981)

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    Stephen King, author of The Shining and Misery, called The Evil Dead “the most ferociously original horror film of the year”. Personally, I feel that this is a very appropriate description for the film. It is a very ferocious film and, for its time, was very original. While there had been plenty of movies about young people stranded in the woods and movies about people becoming possessed by demonic forces, there had never been a movie that combined the two together. As anybody who knows me well enough will tell you, The Evil Dead is my all-time favorite horror film. Some people have asked me why this is my all-time favorite, so let me take the time to explain why.

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    Synopsis

    The film follows five college students: Ash, his sister Cheryl, his girlfriend Linda, his friend Scotty, and Scotty’s girlfriend, Shelley. They’re together for a camping trip to the woods, where they stay in a small, isolated cabin. When strange things start happening, including weird voices and odd sounds, Ash and Scotty decide to check the basement. There, they find various items, including a tape recorder, an ancient book and dagger, and a shotgun. Once back upstairs, they play the tape recorder, which has a recording by a professor who found the blade and the book, known as “Naturum De Montum,” aka Book of the Dead. As the recording continues, the professor recites incantations from the book, releasing an ancient evil in the woods that possesses them one by one. As those possessed wind up killing each other, who will be the next victim, and who will survive the night?

     

    Review

    Many things make this film stand out from many other low-budget horror films from the time. First, it is a well-made and well-directed film, utilizing unique camera angles and unconventional editing techniques. This film was the directorial debut of Sam Raimi, who would later helm the original Spider-Man trilogy from 2002-2007. You can see his style in the movie from the various camera angles and tricks used throughout the film. For instance, the second half is mainly shot at dutch angles to give a sense of unease and suspense throughout. Also, there are the famous POV shots, done by mounting a camera on a 2×4 and running through the woods.

    The movie also makes its mix of suspense and atmosphere and insanely graphic violence and gore. It can be tricky to balance the suspense and tension with the buckets of blood and guts. Often, it can lead to tonal clashes with your film, but in this one, it works. The suspense and atmosphere complement the blood and guts, similar to what John Carpenter would do later with The Thing.

    While the movie does have its flaws, they’re not enough to ruin my enjoyment of it overall. For instance, a lot of the acting is questionable, not as bad as Cabin Fever. Everyone acts like complete asshats with no personality, while here, the characters are much likable. Also, you can see the low-budget production on the screen, even if you didn’t realize it. Plus, I feel like some of its spots help lend to its charm, given the harsh filming conditions they endured. Things like how cast members change every so often, how the cast is clearly getting cut up and bruised and beat up because they did their own stunts and didn’t have any safety protocols, and how Bruce Campbell tends to age between shots, going from a babyface to looking more defined and how we know him today.

    Even with that said, I still love this movie. It is one of the greatest horror films and has inspired many other filmmakers, including Edgar Wright and Peter Jackson. It’s spawned two sequels, comics, video games, action figures, a TV series, a remake in 2013, and even a musical. If you consider yourself a genuine horror fan and haven’t seen this, you owe it to yourself to watch it. If you dismiss this film as being nothing more than yucky trash, give it another chance and recognize it for how it started its career and how they put a lot of time and energy into making this.

     

    Buy The Evil Dead from Amazon: https://amzn.to/3twGC0Q.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch The Evil Dead (1981)

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