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  • Skyscraper (2018)

    Skyscraper (2018)

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    Movies set in a high-rise building are not necessarily a new concept. There have been many films over the years set in a tall building, whether it’s silent films like Safety Last! and Metropolis, action classics like The Towering Inferno or Die Hard, and more recent favorites like Land of the Dead and Dredd. Hell, there have even been horror movies set in a high-rise, such as Poltergeist III and Gremlins 2: The New Batch. For whatever reason, Hollywood really likes to use high-rise buildings as a setting for just about any type of film. This year, we’ve got another one to add to the list, Skyscraper. Directed by Rawson Marshall Thurber, the director of Dodgeball: A True Underdog StoryWe’re The Millers, and Central Intelligence, this is a major departure since this is his first non-comedy movie. So, with this being his first straight-up action film, does this movie rise to the top of other high-rise movies, or does it come crashing down in smoldering ruins?

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    The film opens at a snowy cabin where the police, SWAT teams, and FBI have surrounded the area after receiving a domestic disturbance call. A group of soldiers led by Will Sawyer, played by Dwayne “The Rock” Johnson, is sent in to deal with the situation, which results in the abusive father blowing himself up with a vest bomb. While the explosion left Will horribly scarred and without his left leg, it does lead to him meeting Sarah, played by Neve Campbell, a military nurse who ends up being his wife. Ten years later, Will has moved on to working as a security consultant and is hired by multi-billionaire Zhao Long Ji, played by Chin Han, to evaluate the security systems of his new skyscraper known as The Pearl, which is being touted as the tallest building in the world. Things seem to be going well until a group of terrorists invade the building and start a massive fire that engulfs the top half of the building. Will finds himself being framed for the attack, and he must find a way to clear his name, stop the terrorists, and save his family who are still trapped in the burning building.

    Obviously, when you look at the plot of this film, it doesn’t exactly read as something original or something that’s never really been done before. The movie borrows elements from a lot of much better action movies, mostly Die Hard and The Towering Inferno, with some taken from The Fugitive, namely how the hero is trying to clear his name while a police officer is trying to capture him. Of course, just because a movie takes elements from other films doesn’t necessarily mean it’s bad. What it comes down to is how the filmmakers handle the material and if they can make it work. For the most part, it does work here, largely due to the cast they’ve assembled and some of the action set pieces on display. Regardless of how you may feel about a lot of the movies he’s done, Dwayne Johnson is so likable and so charismatic that you can’t help but get behind him and want to see him win. In this, he is an insanely likable guy, who actually takes a few hits in the film and has some more human/vulnerable scenes throughout. Much like Die Hard, his character does go through the ringer and gets beaten and bruised quite a bit, and the fact that he has to do many of these scenes with a prosthetic leg makes him somewhat more relatable. Neve Campbell, known mostly for her role as Sidney Prescott from the Scream franchise, is also a stand-out here. She actually gets to kick some ass in the film and get really into some of the bigger action sequences, which is refreshing to see in such a big movie with a larger-than-life actor like Johnson. The child actors who play their kids, McKenna Roberts and Noah Cottrell, are not too bad here, not overly annoying like most child actors can be and are actually pretty competent throughout. The rest of the cast, while not necessarily amazing in their roles, still do a serviceable job here as well. The action scenes, while obviously done digitally for the most part, are a fun spectacle to watch, especially a scene where Dwayne Johnson makes a long jump off a multi-story crane into the building, as well as a scene where Neve Campbell and the kids run through a park in the building as it’s going up in flames.

    Now comes the part where I have to get into what doesn’t really work about the movie. With a movie like this, it might seem pointless to talk about the flaws and the things that don’t make sense here, but as someone who cares about film and like to examine movies beyond just what’s on screen, I feel that I should, or else I wouldn’t be doing my job very well. For one, Will’s son has asthma that really only acts up when the script calls for it. Also, the movie is full of action movie cliches, whether it’s the villain who just keeps talking and talking while one of the good characters is taking the time to get a shot off on them, the main character having a tragic backstory that makes them promise never to do something only to do that thing later on, or the main character having a best friend who ends up betraying them at some point. Of course, a lot of these are nothing new, but it is both funny/annoying when these cliches pop up. As I mentioned before, Dwayne Johnson is supposed to be more of an everyman who gets beaten, bruised, and takes several hits in the movie, much like John McClane in Die Hard. But what made it work in Die Hard was that Bruce Willis, unlike many other action heroes of the time, wasn’t built like a brick house with tons of muscle. He really just looked like a regular guy who was stuck in a horrible situation and just had to make the most of it. Here, because Dwayne Johnson is so shredded and incredibly buff, it makes it somewhat laughable that he’s supposed to be scared of doing some of the crazier stuff his character does. The movie also has a lot of conveniences throughout, where a seemingly impossible-to-solve situation is resolved by something so simple. I don’t want to spoil too much of the plot for anyone who goes to see it, but when you see it, you’ll know what I mean. Lastly, when you find out why the terrorists are doing what they’re doing, you stop and wonder how and why something like this would happen.

    Flaws aside, I still think this is an enjoyable if wildly predictable film. Largely thanks to a likable and talented cast and some pretty fun action sequences throughout, Skyscraper doesn’t reinvent the wheel when it comes to action movies and doesn’t rise to the top like similar films, but it is still a fun movie to watch when you need something to put on for 90 minutes that you don’t have to think about too much and just sit back and enjoy the ride.

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  • Ant-Man and the Wasp (2018)

    Ant-Man and the Wasp (2018)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Ant-Man, originally also known as Dr. Hank Pym, was created by legendary comic book writer Stan Lee, scripter Larry Lieber, and penciler Jack Kirby, and first appeared in Tales to Astonish #27 in 1962. Soon after, Lee and Kirby, alongside comic book writer/artist Ernie Hart created Ant-Man’s partner in crime-fighting known as The Wasp, originally Janet van Dyne, who debuted in Tales to Astonish #44 in 1963. Having been founding members of the original Avengers, the two had the unique ability to shrink down in size, giving them enhanced strength and speed. Pym was eventually replaced by ex-convict and electronics expert Scott Lang, who was created by David Michelinie and John Byrne, and he first became the new Ant-Man in Marvel Premiere #47 in 1979. He was soon followed by Hope Pym, aka Hope van Dyne, who was created by Tom DeFalco and Ron Frenz initially as the super-villain Red Queen debuting in A-Next #7 in 1999. Flash forward to many years later when, in 2015, Marvel Studios released Ant-Man as part of their Marvel Cinematic Universe. Starring Paul Rudd as the titular character, as well as featuring Evangeline Lilly as Hope van Dyne and Michael Douglas as Dr. Hank Pym, the film was an enjoyable superhero movie, if somewhat middle-of-the-road when compared to Iron ManCaptain American: The First Avenger, and The Winter Soldier, and The Avengers. Nonetheless, much like the other films in the MCU, Ant-Man was a hit with both critics and audiences and, in 2018, we’ve been given a sequel called Ant-Man and The Wasp.

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    Synopsis

    Taking place two years after the events of Captain America: Civil War, we find Scott Lang (Paul Rudd) now under house arrest following his encounter with the Avengers and teaming up with Captain America. Because of this, ties between him, Hope (Evangeline Lilly) and Dr. Pym (Michael Douglas) have all but ceased. That all changes when Lang starts having visions of Hope’s mother Janet, played by Michelle Pfeiffer, who has been trapped in the Quantum Realm for years. Believing this to be a message of her still being alive, Hope kidnaps Lang and wants to use him to help her and Pym find and bring Janet back once the two have finished working on a tunnel that will allow them to safely travel to the Quantum Realm. At the same time, there’s a new villain in town known only as Ghost (Hannah John-Kamen) who has the ability to shift in and out of the Quantum Realm following an experiment gone horribly wrong. There’s also the black market dealer Sonny Burch (Walton Goggins) who’s after Hope after he learns of the tech that she and her father possesses. Along the way, Lang, Hope, and Pym also try to get help from Bill Foster (Laurence Fishburne) who was a former partner of Pym’s until he was fired for his own reasons. As Ant-Man and The Wasp, they must fight off Ghost and Burch who are after the technology that Hope and Pym have, while also working to try to find and rescue Janet before it’s too late.

     

    Review

    Once again directed by Peyton Reed and with much of the original cast returning, this movie has a lot of the same charm that made the first one enjoyable. As Ant-Man, Paul Rudd is still just as funny and charismatic as he’s ever been. Evangeline Lilly, who was more of a supporting character in the first film, really shines in this one, as she gets to fight alongside Rudd and really kick some ass as The Wasp. Michael Douglas, while again playing a supporting character in this, has a lot more to do and also has moments of intensity that remind you of how Douglas is an Oscar-winning actor. Also returning are the main comic relief characters, including Michael Peña as Luis, Tip ‘T.I.’ Harris as Dave, and David Dastmalchian as Kurt. They more or less have the same shtick as the first one, so whether or not you liked them before, you’ll feel the same way about them here. Talking about the newcomers to this franchise, Michelle Pfeiffer is terrific as Janet van Dyne, Laurence Fishburne kills it as he always does, and it’s fun to see Walton Goggins pop up in this. Plus, major kudos to Hannah John-Kamen as Ghost, who is kind of a villain, but is also weirdly sympathetic once you learn about her backstory. She’s probably one of the only villains in the MCU who actually turns good by the end of the movie, which is actually quite refreshing.

    Of course, with this being an action movie, this movie should have thrilling action sequences, and it definitely has those, and then some. Given how this movie, like the previous one, plays with the concept of changing size, they use it quite a bit here, including a fight scene where a salt shaker is enlarged and used as a blockade, as well as a chase scene where a giant PEZ dispenser stops a guy on a motorcycle. Also of note are the sequences in the Quantum Realm, which reminded me of some of the other fantastical locations in the MCU, such as Dormamu’s realm in Doctor Strange or some of the weirder worlds of Guardians of the Galaxy. It’s a spectacle to look at, even if a lot of it is obvious CGI and green screen. The movie also has a lot of heart to it, especially when it comes to the family dynamics, whether it’s Lang’s relationship with his daughter Cassie, or the relationship between Hope and Dr. Pym. While the movie is certainly a fun thrill ride, it also can hit you in the feels a little bit.

    Getting into the negatives with this one, while I thought the villain(s) was certainly more memorable than the villain of the previous film, Ghost, unfortunately, doesn’t hold a candle to Loki, Killmonger, Ultron, or even Thanos. Also, as much as the comedy in this one works, there are a few places where the comedy does fall flat. Plus, when it comes to characters like Foster or Ghost, we don’t really know a whole lot about them, and we’re only given vague exposition about their backstories. Even with that said, I still really enjoyed this movie and had a blast watching it.

    After how dark and dire the previous film, Avengers: Infinity War, was, people were hoping that the next film Marvel had to offer would be a nice palette cleanser before the next big movie. In that respect, this movie more than succeeds at being just that: a fun and entertaining superhero movie that leaves you in a good mood. Overall, Ant-Man and The Wasp, like the previous film, is another filler Marvel movie, but that doesn’t mean it isn’t a good time.

     

    Buy Ant-Man and The Wasp on Amazon: https://amzn.to/40qveWY.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase. 

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    Where to watch Ant-Man and the Wasp (2018)

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  • The First Purge (2018)

    The First Purge (2018)

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    In 2013, Blumhouse and Platinum Dunes released The Purge. Taking place in a future USA where all crime, including murder, is made legal for twelve hours one night a year, the film had an interesting concept, but used said concept to create a standard home invasion movie. Nevertheless, the movie was a major hit, making over $89 million against a $3 million budget, so inevitably a sequel was made. So, in 2014, The Purge: Anarchy was released, and it was surprisingly better than the first, using its concept to tell a story that showed what happened on Purge Night across different parts of Los Angeles. Being an even bigger hit than the previous film ($111 million on a $9 million budget), another sequel was released soon after. The Purge: Election Year was released two years later, and while not as a good as the previous film, it still used a very similar premise and was just as insane, if not more so, than the previous film. Once again, the film was a hit, making over $118 million on a $10 million budget, so while we were going to get another film, this time we get a prequel to the previous three films. All that said, how does The First Purge compare to what came before?

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    Taking place several years before the events of The Purge, the film showcases a version of the USA where unemployment and poverty are on the rise, there are rioters on the streets, and the government is in total political turmoil. Then, a new political party known as The New Founding Fathers of America have emerged to replace the Democratic and Republican parties with the promise of a brighter future. Part of their plan is a new social experiment they’re proposing called The Purge, where for twelve hours, citizens are allowed to commit whatever crimes they want to in order to release their anger and frustration guilt-free. The brainchild of Dr. Updale, played by Marisa Tomei, the party decides to stage the first Purge on Staten Island, and they have incentivized the citizens by promising them $5,000 to stay in their homes, as well as some extra money if they participate. At the same time, we are also introduced to Nya, played by Lex Scott Davis, who is leading protestors against the Purge, as well as her brother Isaiah, played by Joivan Wade, and drug dealer/gang leader Dmitri, played by Y’lan Noel. As night rolls around and the first Purge is underway, how are the people of Staten Island going to survive and will they succumb to their primal instincts are start killing each other like the NFFA wants?

    As I alluded to, I was not a huge fan of the first film. While the idea ludicrous and would never fly in the real world, it’s still an interesting concept that you could do a lot with. Unfortunately, they chose to use that concept as the backdrop for a very bland home invasion film, and I hated it. That said, when the second film came out, I was surprised by how much I enjoyed it and then again with the third one. So, with the new one that just came out at the time of writing this, I was interested to see it, especially with it being a prequel since I was genuinely curious just how such a ridiculous idea could get off the ground. Getting into what I liked about the movie, I thought the main characters were mostly likable and easy to get behind. While Isaiah does get involved in some bad stuff, like trying to deal drugs and even wanting to participate in the Purge, you do get a sense that this is just a kid who wants to prove that he’s tough and that he can take of himself but can’t. Nya is a strong female lead, between rallying people against the Purge and trying to protect as many of them as possible. Dmitri, while not as awesome as Frank Grillo was in the previous two films, is still probably the most interesting character, especially when it gets into the third act and he steps up to be the hero. Also, when the action and violence start ramping up in the second half, it does get more entertaining as it goes along.

    Unfortunately, that’s really where many of the positives I have for this movie end, as this movie really isn’t very good. First off, this movie is a narrative mess. While the last two had different stories going on, they were at least handled well and were able to converge and come together. In this, it feels like a new plot-line starts up every 20 minutes or so. One minute, there’s a rave party going on where people are partying it up, doing drugs, and probably contracting more than a few STDs. The next, the government starts sending out mercenaries disguised as people participating in the Purge to kill people to make it seem like more people are purging then there actually are. Then, there’s a gang rivalry going where gang members are betraying one another and trying to take control from the other guy. Sure, these plots do intersect and converge with each other eventually, but it’s so scatterbrained and all over the place that it can be hard to keep track of everything. In addition, the movie is not that well-made, as there are clearly times where they use tons of CGI blood and obvious green screen, the latter also being a good indication that they only had some of the cast members available for a few days. And while the other movies certainly weren’t very subtle in their political commentary, this one practically hits you over the head with a brick with its symbolism. Hell, the final shot of the movie is a pan-up shot of an American flag. I realize that asking for subtlety in a Purge movie is asking a bit much, but the last two were more subtle in their commentary than this was.

    When I saw this movie, I obviously wasn’t expecting high-art or something that would change the landscape of cinema, but I was at least expecting something entertaining. And while it has its moments and has hints of what made the last two movies a lot of fun, The First Purge is so sloppily put together and full of itself that it’s honestly more infuriating than anything and just makes you wish you were watching the previous two movies. Hell, just watch The Purge instead!

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  • Jaws (1975)

    Jaws (1975)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default”][et_pb_column _builder_version=”4.27.4″ _module_preset=”default” type=”4_4″][et_pb_video _builder_version=”4.27.4″ _module_preset=”default” src=”https://youtu.be/_SVmV1ydVQA” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]In the early 70s, while working various odd jobs to make ends meet, writer Peter Benchley started working on the novel that would be his crowning jewel, Jaws. Inspired by stories Benchley had heard about great whites being reported and caught off the beaches of Long Island and Block Island in the 60s, the novel attracted the attention of producers Richard D. Zanuck and David Brown, who purchased the film rights in 1973, a year before the book was even published. After trying to find a director and removing one they had locked down because he kept referring to the shark as a whale, they ended up hiring a then relatively unknown Steven Spielberg, who had just finished his first theatrical film, The Sugarland Express, which Zanuck and Brown had produced. What followed was a very tumultuous production: the script was being rewritten constantly, casting was all over the place, and, most famously, the shark was not working. Despite all these problems, Jaws managed to become one of the most successful and critically-acclaimed movies, not just of the 1970s, but of all time.

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    Synopsis

    The setup is pretty basic, but it works in its simplicity. At the small coastal town of Amity Island, everything is peaceful as the townsfolk prepare for the 4th of July. That is, until a giant man-eating great white shark starts wreaking havoc and devouring skinny dippers and even small children. While Sheriff Martin Brody (Roy Scheider) is trying to close the beaches and keep the people safe, the town’s mayor (Murray Hamilton) wants to keep the beaches open since the town relies on the tourism revenue they get around the 4th of July. Eventually, it becomes clear that this whole shark situation is too much to handle, so the town puts out a call for people to hunt and kill the shark. A shark expert known as Matt Hooper (Richard Dreyfuss) arrives and, even though a group of hunters managed to find and kill a shark, he’s unsure if it’s the same shark that’s been terrorizing Amity Island. Turns out he was right, since shortly after, the shark comes back and almost kills Brody’s kids, which leads to the town enlisting the help of local fisherman Quint (Robert Shaw) to take out the shark. Having said goodbye to his wife, Ellen (Lorraine Gary), Brody, along with Hooper and Quint, go out into the ocean to hunt down and ultimately kill the shark.

     

    Review

    To say that this is a great movie would not be doing this film justice. This film is an absolute masterpiece of filmmaking, which is especially remarkable considering the numerous issues they encountered during production. While the movie differs significantly from the original novel, I believe that many of the changes made were for the better. For instance, in the book, Hooper was more of a ladies’ man and had an affair with Ellen Brody, creating a love triangle between Sheriff Brody, Matt Hooper, and Ellen Brody. Additionally, the novel featured a subplot where the mayor owed money to the mafia, providing a more compelling reason why the mayor would not want the beaches closed. Honestly, their removal from the movie was for the best, as adding those subplots would have detracted from the movie’s overall quality. Pretty much everything in this movie works: the performances are great, the effects are excellent, there is tons of suspense and dread throughout the film as you’re waiting to see the shark, and the score by John Williams is legendary. What’s funny is how the point-of-view shots of the shark are one of the many things in this movie that work, considering how the animatronic shark wasn’t working, and the filmmakers intended to show it in the film more prominently. The fact that you don’t see the complete shark until the last act of the movie helps ramp up the tension until the finale.

    Roy Scheider shines as the reluctant hero Sheriff Brody, a simple family man who wants to keep the townspeople safe and protect his family from the shark despite the mayor getting in his way. As much as people talk about some of his bigger moments, mainly when he kills the shark at the end, he also has a lot of great, quieter moments in the film. One instance is when he’s at home, frustrated, and his son starts mimicking his actions. It may seem insignificant, but it shows how he cares about his family and is just a regular guy at the end of the day. Richard Dreyfuss as Hooper makes for a great partner to go along with Scheider’s Sheriff Brody, but it’s Robert Shaw as the salty sea dog Quint that steals the show. His USS Indianapolis speech is probably one of the scariest monologues ever in a movie, and Shaw delivers it so well that you believe that he went through all of that. It’s also interesting to see how Hooper and Quint disagree and are at odds with one another, revealing a dichotomy between the old ways and the new. While it’d be easy to completely hate Murray Hamilton as the mayor because of how he’s more concerned about tourism revenue than the lives of innocent people, he does come around and become sympathetic when he finally decides to do something about it. Honestly, there are no weak spots in the film, though it is somewhat funny to see the animatronic shark propped on top of the boat at the end and Shaw pushing his way into the shark’s mouth.

    If I spoiled the movie for you, I take no responsibility for spoiling a 40+ year old film that you could have and should have seen by now. Even if you’re not a horror movie fan, this is an essential film that everyone should see, especially if you’re looking for something to watch on the 4th of July. With some terrific performances, an iconic score, and tons of suspense that leads to a thrilling climax, Jaws is not only a well-crafted film that helped usher in the age of the summer blockbuster, but it is probably one of the greatest and most important films ever made!

    You’re gonna need a bigger boat!

     

    Buy Jaws from Amazon: https://amzn.to/3FB693z.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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  • The Breakfast Club (1985)

    The Breakfast Club (1985)

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    John Hughes is a name that has become synonymous with growing up as a teenager in the 1980s. Having started as a writer for National Lampoon, he wrote two of the most seminal comedies of the decade, namely National Lampoon’s Vacation and Mr. Mom, both released in 1983. Then, in 1984, Hughes not only wrote but also directed Sixteen Candles, which was a hit with both critics and audiences, and is still regarded as a classic of its time. Since it was much more of a lighthearted comedy and slightly more inline with some of the other screwball teen comedies of the early 80s like Porky’sScrewballs, and, to an extent, The Last American Virgin, Hughes decided to follow it up with a film that took a closer examination of what life was like for the average teen in high school. Tackling issues like figuring out how you fit in, being locked down into a specific clique, and the pressures teens are put upon by their parents and their fellow students, that film would go on to be one of the most important and beloved films of the 1980s, The Breakfast Club.

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    Our film starts off on a Saturday morning at Shermer High School, where we have five students from different social classes and school cliques who are forced to come in for detention. These students include the nerdy kid Brian Johnson, played by Anthony Michael Hall, the athletic Andrew Clarke, played by Emilio Estevez, the reclusive and strange Allison Reynolds, played by Ally Sheedy, the popular young socialite Claire Standish, played by Molly Ringwald, and the reckless criminal John Bender, played by Judd Nelson. Under the watchful eye of Principal Vernon, played by Paul Gleason, the five are there for their own reasons that are revealed as the movie goes along, and they spend the day eventually getting to know one another and finding out that they’re not as different as they think. Truths are shared, secrets are revealed, friendships/relationships are formed, and they all grow as young people trying to find their place in the world.

    The setup really can’t be any simpler than that: five teens stuck in detention spend the day eventually learning about who they really are. As simple as it is, it really works, and there’s a lot more that goes on besides that. What makes this film truly special is that despite it obviously being in the 80s (the music, the clothes, the hairstyles, etc), this is a really timeless film as the issues it addresses are still applicable to young people today. All of us who have been through high school have experienced at least some of the same things as these kids, whether it’s how Andrew feels pressured to be #1 all the time because of his overbearing father, Brian being upset that he got an F on a shop assignment and how it will affect his grades, or even Claire’s having to always maintain her image and go along with everything her friends say. Each of the five characters is relatable in their own way to how we were in high school. Given that John Hughes was in his 30s when he wrote this, it’s amazing how he perfectly captures how teens think and act, almost as if he’s still a teenager himself, but in the body of a fully-grown adult.

    The five leads all fit into their characters perfectly. Anthony Michael Hall, who’s best known for being the nerdy kid in movies like Sixteen Candles and Weird Science, really gets to shine as Brian, who’s arguably the most relatable one of the group. Emilio Estevez, while seeming a bit bland at times, is still great as Andrew, especially in some of his more emotional scenes such as when he tells the story of what he did to get into detention and why he did it. Molly Ringwald, though initially a bit stand-offish, does become both likable and sympathetic as the movie goes on, and she even tells some truths that, while painful, are pretty true of how certain cliques interact with each other in high school. Ally Sheedy, though largely quiet in the first act, does grow as a character once she does talk, and she’s probably the second most relatable character next to Brian since at least some of us have felt like an outcast at that time. And of course, there’s Judd Nelson, who absolutely steals the show as John Bender, as he has so much manic energy and says so many quotable lines that it’s hard not to love the guy, especially in the scenes where he’s telling off the principal. Gleason is also fun as the principal, who tries to maintain his authority figure status despite some of the more ridiculous stuff that happens to him, and a special mention goes to John Kapelos as Carl, the janitor who probably understands the kids more than they know themselves.

    If I did have any complaints about the film (and it’s so minor that it probably doesn’t really matter), it’s that the movie doesn’t necessarily have a straightforward plot. A lot of the film is kind of a series of events strung together, almost feeling episodic. Like one scene, they’re running around the school trying to get to Bender’s locker without being caught. Then, Andrew and Brian are chatting when Allison joins in and dumps her purse out to them, essentially dumping all her problems on them. Granted, there is a narrative to these scenes, and it does really capture the feeling of being stuck at this school with the five of them just trying to find a way to pass the time while also growing closer together. All in all, this is an absolute wonder of a film that’s still just as relevant now as it was back then. Every one of us has been a brain, an athlete, a basket case, a princess, and a criminal at some point in our lives, and The Breakfast Club is a great examination of how each of us embodies each of those characteristics all at once.

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  • Thoroughbreds (2018)

    Thoroughbreds (2018)

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    Every now and then, a movie will come around that seems to come out of nowhere. You don’t hear much about it, you don’t see any trailers for it, but somehow you find out about it and you get curious. Such is the case with 2017’s Thoroughbreds, a movie made by first-time writer/director Cory Finley that was originally written as a stage play before being turned into a movie. Apparently, this movie was originally made in 2016, played the festival circuit, and was finally released theatrically in 2018, so it spent at least two years in limbo before being released. I do know one reason why it may have been delayed, but I’ll get into that later. I can’t quite remember how I first heard about this movie, but I went into this movie knowing little to nothing about it. I did see a trailer for it and I was intrigued, so I gave it a watch, and what I saw was probably one of the most original and unique movies I’ve seen this year so far.

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    Set in the suburbs of Connecticut, the film revolves around two upper-class high school girls, the popular and more academic Lily, played by Anya Taylor-Joy, and the more distant and unfeeling Amanda, played by Olivia Cooke. The opening sets the film in motion as we see Amanda killing her crippled horse with a knife. This leads to her meeting up with Lily, who was an old friend of hers until they split when Lily’s dad died. She goes under the pretense of hanging out with Lily and having her be her tutor until she discovers that her mother essentially paid Lily to be her friend. While Lily denies this, Amanda is completely unfazed by this due to her not being able to feel any emotions, and the two become friends again. After the death of her father, Lily’s mom has remarried to a guy named Mark, played by Paul Sparks, who is vain and cruel but acts no differently than any other parent. Lily is upset when she finds out Mark has enrolled her into boarding school because she was expelled and, after seeing him berate her mother, decides to talk with Amanda about possibly killing him. Initially, Lily wants Amanda to do it since she’d be free of guilt, but Amanda says she would immediately be suspect because of her pending animal cruelty charge. So instead, they enlist the help of ambitious but pathetic drug dealer Tim, played by the late Anton Yelchin, to stage the murder like an accident. What follows is a story about the loss of innocence, people doing what they can to get ahead in life, and how seemingly good-natured people can turn twisted.

    I mentioned before how I believe I know why this movie was delayed the way it was. Well, my reasoning is Anton Yelchin, who sadly passed away on June 19, 2016, just two weeks after filming was completed. Granted, I don’t 100% know if his death delayed the film’s release, but watching the film, it really does make you miss him since his acting is so good in this. Not saying the rest of the actors in this are bad, but Yelchin absolutely steals the scenes he has in this. As for the two leads, Anya Taylor-Joy and Olivia Cooke are fantastic and they work off each other really well. While admittedly Cooke’s character doesn’t change much, it is fitting since her character is supposed to be unfeeling. However, it is interesting to see the character arc that Taylor-Joy goes through, going from a somewhat uppity but prim-and-proper young lady into someone who’s almost as unfeeling as Cooke but is determined to get her way no matter the cost. Paul Sparks is also great as the step-dad Mark, in that he plays his character as so angry and hateful that you understand why Lily hates his guts, but you can also understand his perspective of a guy trying to raise this girl but struggling because she comes across to him as being self-centered and not appreciate of what he and her mother do for her. Going back to how this was originally meant for the stage, you can really feel that with how this movie is filmed and staged. Granted, that’s not a bad thing in this movie’s case since the performers are so strong and the story is engaging.

    If there are any problems I have here, one is the film’s pace. At times, it can be pretty slow and a little dull, as if nothing is happening. That said, at 92 minutes, the movie does go by fairly quickly, but it can feel like the plot doesn’t really come into play until the second half. Also, adding to the film feeling slow, there are quite a few static shots in the movie or shots where the camera doesn’t move, which can make scenes feel longer than they actually are. Even still, some of those shots are very effective, especially one towards the end where the camera stays on one shot and does a deliberately slow zoom. The movie is billed as a dark comedy, some referring to it as a mix between Heathers and American Psycho. I can see the connection, but I don’t think this movie has the same gleeful humor of Heathers nor the biting wit or graphic violence of American Psycho. Not that I think either would’ve made this movie necessarily better, but I can understand some people not being into this movie for its slow pace and seemingly endless scenes of just dialogue. However, if you stick with it and really focus on what’s going on, Thoroughbreds is definitely one of the hidden gems of 2018 that’s worth taking a look at.

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  • Jurassic World: Fallen Kingdom (2018)

    Jurassic World: Fallen Kingdom (2018)

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    Despite receiving mostly mixed reviews from critics, Jurassic World was a massive success. On a budget of $150 million, the movie grossed over $1 billion worldwide and set numerous box office records. It became the first film in cinematic history to gross over $500 million in a single weekend and was the third-highest-grossing film of all time in the US and Canada. It was the second-highest-grossing film of 2015, right behind Star Wars: Episode VII – The Force Awakens, and it’s gone on to be the highest-grossing film in the Jurassic Park franchise. Naturally, with this insane box office success, Universal was going to move forward with a sequel. This time, however, Colin Trevorrow would not be returning as director but would serve as a producer and co-writer alongside Derek Connolly. Instead, the director’s chair was handed over to J.A. Bayona, who previously directed The OrphanageThe Impossible, and A Monster Calls. Returning from the previous film are Chris Pratt, Bryce Dallas Howard, and BD Wong. Some notable actors who were brought in included Toby Jones, Ted Levine, and James Cromwell, and Jeff Goldblum was brought back for a small role as Ian Malcolm. So, with all this talent coming together, how does Jurassic World: Fallen Kingdom compare to the last film and the other films in the franchise?

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    Taking place three years after the previous film, the island of Isla Nublar has long since been abandoned, with all the remaining dinosaurs living in peace. At the beginning of the film, we see a group of mercenaries go to the island to retrieve a DNA sample of the Indominus Rex from the last film. Despite being attacked by a T-Rex and the Mosasaurus from the previous movie, the mercenaries manage to make off with the DNA sample. Meanwhile, the US government is debating whether or not to preserve the lives of the dinosaurs on Isla Nublar once it’s discovered that a previously inactive volcano has become active and is threatening to kill them off. Dr. Ian Malcolm (Jeff Goldblum) even voices his opinion, saying the dinosaurs should be killed off to correct the mistakes that John Hammond unintentionally started. At the same time, Claire Dearing (Bryce Dallas Howard), who was the park manager from before, has started a charity organization dedicated to preserving the lives of the dinosaurs. With hoping seeming lost, she’s invited to meet with Benjamin Lockwood, played by James Cromwell, who worked alongside John Hammond back in the day. With his assistant Eli Mills, played by Rafe Spall, Lockwood plans to move the dinosaurs from Isla Nublar to another island that will serve as a sanctuary, where they’ll be left alone and kept safe and sound. While they’re confident they’ll be able to find all the dinosaurs, Mills is concerned about finding Blue, the last surviving velociraptor from the last film, so Claire decides to recruit Owen Grady (Chris Pratt) to help her rescue the dinosaurs. Also along for the ride are Franklin Webb, played by Justice Smith, who works with Claire as a systems analyst and hacker, and Dr. Zia Rodriguez, played by Daniella Pineda, who also works for Claire as a dinosaur veterinarian. Once they make it to the island, it becomes a race to save as many dinosaurs as possible and find Blue before the volcano explodes and they’re engulfed in lava.

    Anyway, that’s all I can really say about the plot without spoiling things. However, I will say that the trailers really only tell you about the first half of the movie. Without giving too much away, let’s just say that the second half goes in a direction that you wouldn’t see coming. Just to get this out of the way, while I found the movie enjoyable and entertaining enough, it is easily one of the weaker films in the franchise. It’s not a completely worthless film as there are plenty of good things about it. For one, the film is very well-made. Having not really since any of J.A. Bayona’s previous work as of the writing of this review, I was impressed with his skills as a director, and I am now curious to see how his other movies compare. Also, much like the last film, while I am still a bit upset about them using mostly CGI for the dinosaurs, I will say that the dinosaurs do still look impressive and are cool to look at. Plus, there is some fun spectacle to be had, especially in the scenes on the island and some of the stuff that happens in the second half. What also helps is that the actors do elevate the material, as Chris Pratt is still likable and fun and makes the movie worth watching, while Bryce Dallas Howard owns her role and does a lot more than she did before. I’d also like to shoutout Justice Smith, who starts off a little annoying with his screaming and constantly acting afraid of everything but does improve as the movie goes along, and Daniella Pineda, who is a very fun character and has her moments to shine. Plus, I was impressed with newcomer Isabella Sermon as Maisie Lockwood, whose honestly not that bad for a child actress and actually does have her moments.

    Now to get into the stuff I didn’t like, and there’s quite a bit. For one, this movie is insanely dumb. Don’t get me wrong, there are plenty of dumb movies that I love, but there’s a difference between the kind of dumb that you can enjoy and the kind of dumb where it feels like the filmmakers think the audience is dumb and doesn’t know any better. Ordinarily, I don’t complain too much when characters do stupid things since a lot of times the stuff they do is something I can see at least somebody doing. But here, the characters keep making stupid decision after stupid decision to where you just get mad at the characters for not realizing how stupid this is. Also, one thing I don’t understand is that a lot of people, including myself, found the whole weaponizing the dinosaurs subplot from the previous film to be one of the weaker elements of that movie, and yet here, they bring that back and put it in the forefront, especially when the movie gets into the second half. The villains are so cartoonishly evil that it’s ridiculous, especially with how this movie tries to play itself so seriously. These guys, especially Mills, Mr. Eversoll (Toby Jones), and Wheatley (Ted Levine), might as well be twirling mustaches and gloating about how rich they’re going to be. Going back to taking elements from the last film, they repeat the whole create-a-dinosaur-with-genetic-splicing bit from before, and it honestly seems like a lot of this is just a repeat of the previous film.

    I’ll fully admit that I went into this movie wanting to sing its praises up and down the streets. Like I said earlier, there were some entertaining moments and some of the cast made the movie slightly enjoyable, but overall, this just feels like a movie that was simply made because the previous one was a hit and honestly seems to double-down on what didn’t work in the previous film. For fans of the previous films in the franchise, I’d just stick with any of those (mostly the first one), because Jurassic World: Fallen Kingdom is a highly-flawed yet slightly enjoyable film that’s probably best as a rental.

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  • Jurassic World (2015)

    Jurassic World (2015)

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    After the box office disappointment and mixed critical reaction of Jurassic Park III, Universal decided to put the franchise on hold. For the next 14 years, plans for a 4th movie were in development with numerous directors considered, concepts discussed, and screenplays written that were all over the place. Over the years, many of the original cast members, including Sam Neill, Jeff Goldblum, Laura Dern, and Richard Attenborough were either in talks to return or expressed interest in reprising their roles. After Joe Johnston declined returning to direct the fourth film, people like Alex Proyas and Brad Bird were considered to direct the film before Colin Trevorrow, who previously directed Safety Not Guaranteed, was ultimately chosen. There were several writers working on the initial scripts, including William Monahan, who eventually left to work on Kingdom of Heaven, John Sayles, who also wrote the original Piranha and The Howling before being nominated for Passion Fish and Lone Star, and Mark Protosevich, who also wrote I Am Legend and the first Thor, until Rick Jaffa and Amanda Silver from Rise and Dawn of the Planet of the Apes were ultimately picked to helm the screenplay. Released in 2015, 14 years after the previous film, with an entirely different cast and crew, how did Jurassic World turn out?

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    Synopsis

    Set 22 years after the first film (this one ignores The Lost World: Jurassic Park and Jurassic Park III), a new park called Jurassic World has been built on Isla Nublar, the island that the original park was set on. However, unlike the previous park, this one is not only fully operational and open to the public, but it has become a huge success and seems to have been in operation for quite a long time. The park is mainly run by Claire Dearing, played by Bryce Dallas Howard, who is more focused on her work than her personal life. This is made apparent when her nephews Zach and Gary Mitchell, played by Nick Robinson and Ty Simpkins respectively, come to the park and are escorted around by Claire’s assistant Zara, played by Katie McGrath. While Gary is overly excited and ecstatic to be at the park, Zach is clearly not having any of this and is more focused on picking up chicks there. Meanwhile, the park’s owner Simon Masrani, played by Irrfan Khan, has hired Dr. Henry Wu, played by BD Wong, to create a new dinosaur genetically spliced from other dinosaurs in order to attract more tourists. Known as the Indominus Rex, this new asset, as its referred to, is being touted as the biggest, baddest, and meanest dinosaur they have to offer. Before unveiling it to the public, Masrani wants to have an expert evaluate it, so he has Claire bring in velociraptor expert Owen Grady, played by Chris Pratt. Grady warns them about having the dinosaur kept in isolation, and through a series of circumstances, the Indominus Rex ends up escaping and it’s up to Grady and Claire to track the dinosaur down before it kills the tourists.

     

    Review

    When this movie was first announced, like most other people, I was very excited to see this movie since I really loved Jurassic Park. Plus, this was right after Guardians of the Galaxy came out, and Chris Pratt just exploded on the scene. So with all that said, when I finally did see the movie, I was largely entertained by it, but there were still things about the movie that bugged me. First, let me get into the positives. For one, the cast in this is terrific. Chris Pratt, as always, is both funny and insanely charismatic. Bryce Dallas Howard, on top of looking gorgeous, does her job well in spite of the material, and she actually does go through a character change, which is nice. Also, while they aren’t as good or memorable as Lex and Tim from the first film, Zach and Gary are still fun characters and both Nick Robinson and Ty Simpkins play off each other really well. While it is a shame that a lot of the original cast members don’t return for this one, it is nice to see BD Wong reprise his role from the original for a minor supporting role here. Plus, it’s cool to see Vincent D’Onofrio in a movie. Also worth mentioning is Jake Johnson and Lauren Lapkus as Lowery and Vivian respectively. While Johnson is more memorable and fun, Lapkus is also enjoyable and she and Johnson play off each other nicely. Aside from the cast, the dinosaurs do look impressive and are a fun spectacle. While I would’ve preferred more of a blend between practical effects and CGI like in the previous films, I can’t deny that the CG here looks good. Even though John Williams didn’t return to score this film, they did bring in Michael Giacchino as the composer, and he does a solid job mimicking Williams’ style of music.

    Now here’s where I get into everything about the movie that either doesn’t work or just really annoyed me. First off, for a movie written by two writers who before have written great material, this movie is not exceptionally well-written. A lot of the characters in here feel more like archetypes than actual three-dimensional characters, i.e. Pratt as the confident and gruff action hero, Howard as the uppity business woman who’s all about business but learns the meaning of life or something like that, and D’Onofrio as the stereotypical military-minded guy who wants to weaponize the raptors despite how terrible of an idea it is. Speaking of terrible ideas, I normally don’t complain about characters doing things that seem idiotic or nonsensical since it’s only a movie and you’re supposed to suspend your disbelief, but the characters here make some dumb decisions. For starters, Masrani says he wants a dinosaur with tons of teeth and who is very aggressive, but doesn’t oversee what sort of dinosaur DNA is used in the creation. Also, for a park that supposedly has a state-of-the-art security system, a pair of kids can easily roam free around the park while the workers just stand there and do nothing. And whenever a dinosaur is on the loose, a lot of the characters, except for the leads, seem to not know how to handle the situation. Sure, the security system was breached in the first film and the characters were unsure of what to do to survive, but in its defense, the park wasn’t open to the public, and aside from Hammond and the staff, none of the main characters had ever been to the park or even seen these dinosaurs, so of course they wouldn’t know what to do. Here, we have people who not only work at the park, but they have personal experience working with the dinosaurs and have extensive knowledge of these creatures. Going back to the effects for a minute, there’s only one scene in the whole movie where they have a practical dinosaur. It’s very brief, but it does look good, so my only question is: if they could create a dinosaur practically, why was every single other dinosaur CG? Admittedly, some shots I can understand why they were digital, like the pteradons flying through the air or some of the bigger dinosaur fight scenes, but I don’t understand why a film with this large of a budget couldn’t have done CG and practicals like before.

    Complaints aside, while this movie is nowhere near as good as the original Jurassic Park, it is arguably the best of the sequels. It’s definitely not as boring as The Lost World: Jurassic Park, and it is slightly better than Jurassic Park III even though I kind of liked it. Still, if you’re going into this expecting not only the great, three-dimensional and complex characters of the original, the well-written and subtle social/moral commentary, and a wonderful mixture of practical and CGI, you are going to be disappointed. However, if you’re looking for a fun ride that still has impressive-looking CGI, fun though generic characters played by actors above their given material, and some pretty fun set-pieces and spectacle, Jurassic World is still enjoyable to watch even if it fails in recapturing the magic of the 1993 original.

     

    Buy Jurassic World from Amazon: https://amzn.to/49yvzeH.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Jurassic World (2015)

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  • Jurassic Park III (2001)

    Jurassic Park III (2001)

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    Well, despite the mixed-to-negative reception of The Lost World: Jurassic Park, the film was still a huge hit. Not quite as successful as the first one (which made over $1 billion worldwide), but the second one did make over $600 million worldwide, so it only seemed natural that a third one would be in the works. However, this time Steven Spielberg decided to step down as director to instead direct A.I.: Artificial Intelligence. Now, Joe Johnston, whose previous credits as director include Honey, I Shrunk the KidsThe Rocketeer, and Jumanji, was brought in to helm Jurassic Park III. Prior to directing, Johnson actually had experience working in visual effects, having worked on the original Star Wars trilogy, as well as Raiders of the Lost Ark, so he already had a bit of a working relationship with Spielberg. In fact, he even asked Spielberg if he could direct the sequel, and while Spielberg did direct The Lost World, he still had Johnson in mind for a third film. So, with a different director and different writers, how did this sequel turn out?

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    Let’s get to the plot of this movie first. So, this time around, we follow Dr. Alan Grant, once again played by Sam Neill, who has now become famous for what happened to him back in the first film. We also learn that, in between movies, Ellie Sattler, one again played by Laura Dern, has married another man and has two kids with him. While at a dig site, Grant is visited by Paul Kirby, played by William H. Macy, who, with his wife Amanda, played by Téa Leoni, is asked to join them as a sort of guide while they go flying over Isla Sorna. Grant initially declines but is convinced by his assistant Billy, played by Alessandro Nivola, when the Kirby’s say they’re willing to fund Grant’s dig site. Dr. Grant reluctantly decides to go along with them, but when he discovers they want to actually land on the island, he tries to get out of it only to be knocked out and waking up on the island. They soon run into the new big bad dinosaur of the movie, the Spinosaurus, who literally towers over the T-Rex and, during their fight scene, actually snaps its neck. The group tries to fly off and escape, but the plane ends up crashing in the forest after hitting the Spinosaurus. Soon after, Grant demands to learn the truth of what’s going on, and we find out that Paul and Amanda are actually divorced, aren’t rich to the point that they could fund Grant’s work, and are on the island to find their son Eric Kirby, played by Trevor Morgan, who ended up stranded on the island after a botched parasailing trip with Amanda’s boyfriend Ben. Now stuck on the island, the group has to find the Kirby’s son, survive on the island, and try to find a way off.

    Now, I’m gonna be perfectly honest. This sequel is in NO WAY as good as the original Jurassic Park, but it’s honestly better than The Lost World in my opinion. For one, much like the last movie where it was great having Jeff Goldblum back, here it’s great to have Sam Neill returning as the lead once again. While his character is very similar to how he was in the first movie, he also plays his character as someone going through PTSD and he has a few nightmares about what happened to him back in the first one. There’s a particularly notable one where he wakes up to find a raptor on his plane that says, “Alan!” Of course, this was just his assistant Billy, and while the scene is kind of goofy, contextually it does make sense. Also, much like the first one, I like that they had regular civilians in this one instead of the mercenaries from the second one. Granted, Téa Leoni can get a bit aggravating with her constant yelling and screaming, and William H. Macy does play his part sort of as a doofy sitcom dad, but they do have scenes together where they work as a couple. Plus, Trevor Morgan as the son, much like Lex and Tim from the first film, is pretty likable and can clearly take care of himself. He isn’t some annoying kid who constantly is in danger. In fact, I’d argue that he does more in this movie than his parents do! Like the first film, the effects in this movie, both the practical and CGI, are outstanding. Literally, there are scenes where the CG is blended so well with the practicals that you often can’t tell which is which. And I’ll be honest, I thought the Spinosaurus was kinda cool. Yes, I was pissed to see it kill the T-Rex, but it was a nice way to introduce a new big bad dinosaur, even if this was its only movie.

    I will admit that while I did enjoy this movie more than the second one, there are still quite a few problems I had with this one. For one thing, the setup was almost a bit too similar to the previous film, where a returning character from the first film is asked to go back to the island, they refuse, but then they’re told something that makes them reluctantly go. In The Lost World, it was that Malcolm’s girlfriend was there, whereas here, it’s because the Kirby’s offer to fund Grant’s dig, which is actually similar to the setup of the first film. Basically, what I’m trying to say is that this movie, aside from some of the new dinosaurs they introduce here, doesn’t really do much of anything different. Also, with the previous two films, they seemed like B-movies on the surface, but they actually had some kind of message behind them and tackled quite a few issues that are still relevant today. Here, there really isn’t much a lesson to be had, except maybe don’t go to an island inhabited by dinosaurs, be closer to your loved ones, or something like that. This film does play a lot more like a B-movie, which isn’t necessarily a bad thing as it makes this film at least more enjoyable than the second one, but even still. That being said, while this film doesn’t come anywhere close to capturing the magic of the first film and it doesn’t necessarily have some of the appeal of the second one, Jurassic Park III is still a fun ride that actually manages to be slightly more enjoyable in spite of itself.

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  • The Lost World: Jurassic Park (1997)

    The Lost World: Jurassic Park (1997)

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    After the massive success of the first Jurassic Park, it seemed only natural that Universal would want to make a sequel almost immediately. For the sequel, Steven Spielberg returned to direct, David Koepp, who wrote the first film, came back to pen the sequel, John Williams came back to score the film, and this time, it was adapted from Michael Critchon’s follow-up to his original novel, 1995’s The Lost World. While the novel was not very well-received, it still was a success, spending eights weeks at the top of the New York Times Best-Seller list. Much like the book, the only main returning character from the first film is Ian Malcolm, once again played by Jeff Goldblum. Released four years after the original, The Lost World: Jurassic Park certainly had a lot to live up to, given how critically-acclaimed and financially successful the first movie was. Does this sequel live up to the first one, or does it fall short of its expectations? Well….it’s a bit of both. So, let’s get into it.

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    Taking place four years after the events of the first film, we open on a family vacationing on Isla Sorna, an island off the coast of Costa Rica near the island from the previous film, Isla Nublar. The family’s daughter is attacked by small dinosaurs called compsognathuses, and they file a lawsuit against Hammond’s company InGen. As a result, Hammond’s nephew Peter Ludlow, played by Arliss Howard, now owns the company and plans to go to Isla Sorna with a team of mercenaries to capture the dinosaurs on the island and bring them back to San Diego to open a new park. So, Hammond asks Malcolm to go to the island to document the dinosaurs to try and get support to stop human interference on the island and turn it into a protected sanctuary for the dinosaurs. Initially refusing, Malcolm is convinced to go when he learns that his girlfriend, paleontologist Dr. Sarah Harding, played by Julianne Moore, is already on the island. After meeting with his team, including equipment specialist and engineer Eddie Carr, played by Richard Schiff, and videographer/activist Nick Van Owen, played by Vince Vaughn, Ian Malcolm sets off for the island to find his girlfriend and stop the mercenaries from exploiting the dinosaurs.

    I’m not going to lie to you, dear reader. This movie isn’t very good. Honestly, this movie should be good. It’s following up on one of the best films of the 90s, it has the same director, the same writer, the same composer, the same effects guys, and Jeff Goldblum in the lead. It should work, but it just doesn’t. The movie is honestly really boring. Admittedly, the setup for it is decent, and it is nice to Hammond, Lex, and Tim again, even if it’s for a small cameo. Even though the reason for having Malcolm go back to the island is weak, and even he points out that much of this is a bad idea, Ian Malcolm was one of the best characters from the first film, and Goldblum is so watchable and charismatic that he can elevate anything he’s in. In addition, this movie does have a pretty decent supporting cast. In addition to Moore, who was also in Boogie Nights the same year, there’s also character actors like Pete Postlethwaite, Peter Stormare, Richard Schiff, Ian Abercrombie, and Arliss Howard. ILM returns to do the digital dinosaur effects, and Stan Winston and his crew return to design the practical dinosaur effects as well. There are also a few fun sequences in the movie, including one where Malcolm, Sarah, and Nick narrowly survive falling to their deaths in their lab/trailer, and especially in the last act when a T-Rex is let loose in San Diego and goes on a rampage. There are some good elements to the film…but there’s also quite a lot that doesn’t work.

    While there are some pretty good actors in here, a lot of them are honestly wasted here. Goldblum kind of looks like he’s just going through the motions, Moore comes across as being a bit of an idiot, and Vaughn is honestly just there and doesn’t really do much. Probably the weakest for me was Vanessa Lee Chester as Kelly, Malcolm’s daughter, who solely exists just to get in danger all the time. She even has probably one of the dumbest moments in any movie ever where, after earlier establishing that she’s a gymnast, she uses her gymnastic abilities to kick a raptor through a wall. Watching the scene, I was laughing quite hard at just how ridiculous that was, but I wasn’t sure if I was supposed to or not. Also, while I criticized Nedry and Gennaro from the first film for being two-dimensional villains, they were at least memorable and they were only in about half of the movie. Here, the villains feel like they’re out of a Saturday morning cartoon. The Peter Ludlow character is basically an evil version of Hammond, where Hammond was at least kind, caring, and had good intentions, Ludlow is the cliche exploiting-mother-nature-for-profit villain we’ve seen time and time again. Like I mentioned earlier, there is quite a lot of spectacle in the movie, but the characters and plot are so poorly-written that you really just don’t care.

    So yeah, it unfortunately didn’t live up to the expectations set by the first film. To be fair to the film, it would’ve been very difficult to make a worthy successor to the original Jurassic Park. As I stated in my review for that, it was one of those rare lightning-in-a-bottle movies that just can’t be replicated. Even with that said, in summation, The Lost World: Jurassic Park is a very flawed sequel that has some good moments and a glimmer of what made the first movie work, but it ultimately lacks the charm and seems to forget that you need a great story and characters before you need dazzling special effects. Here’s hoping the next one is at least slightly better than this one.

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