Facebook

FilmNerd

Category: Reviews

  • Happy Death Day 2U (2019)

    Happy Death Day 2U (2019)

    [et_pb_section bb_built=”1″ fullwidth=”on” _builder_version=”3.19.7″ next_background_color=”#000000″][et_pb_fullwidth_header title=”WARNING” subhead=”This review contains spoilers from Happy Death Day. If you haven’t seen it and want to read further, be sure to watch it before continuing.” text_orientation=”center” _builder_version=”3.21″ background_color=”#e02b20″ custom_padding=”0px||0px” /][/et_pb_section][et_pb_section bb_built=”1″ admin_label=”section” _builder_version=”3.0.47″ prev_background_color=”#000000″][et_pb_row admin_label=”row” _builder_version=”3.0.48″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.21″]

    When the first Happy Death Day came out in 2017, I was intrigued, but put off by the PG-13 rating. Once I started seeing people whose opinions I trust saying positive things about the film, I got curious. While I did not see it in theaters, I eventually rented it and was pleasantly surprised. On the surface, the movie seemed like nothing more than a horror movie version of Groundhog Day. What I wasn’t expecting was a great lead performance from Jessica Rothe, some pretty emotional moments, and some fun scares. Admittedly, the PG-13 rating did hinder the film for me, but not enough to where I wouldn’t have recommended it. Given that this was a Blumhouse production, it seemed natural that a sequel was bound to happen. So, two years later, we get Happy Death Day 2U, with most of the returning cast and crew from before.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”3.19.7″ /][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.19.7″][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.21″]

    Taking place immediately after the first film, Ryan (Phi Vu) has been working on a new quantum reactor at school. Unfortunately for him and his friends, Samar (Suraj Sharma) and Dre (Sarah Yarkin), their project gets shut down. Suddenly, Ryan gets murdered, only to wake up reliving the same day again, much like what happened before. After Tree (Jessica Rothe) brings him and Carter (Israel Broussard) up to speed, they agree to help Ryan. They manage to stop the killer, but through a series of events, the reactor is triggered and everyone’s knocked out. Tree ends up waking up back in Carter’s bed reliving the events of the last movie, only things are different. Turns out Ryan’s reactor somehow got Tree stuck in an alternate dimension, and she needs to get back. With the help of Ryan and his friends, Tree must return to her dimension while avoiding the killer.

    Without getting into spoilers, I’ll first address the fact that this movie is more science-fiction than horror. While there is a killer on the loose and there are some intense moments, there’s very little horror here. That said, the first one combined horror, comedy, and drama, so it doesn’t seem that out of place. For the most part, this movie has more sci-fi and comedy elements, mostly in the form of slapstick. Some of it does fall flat, but most of it works thanks largely to the talented cast. Much like the last film, Jessica Rothe is easily the highlight here, thanks to her energy and charisma. Also like before, she really sells both the funnier moments and the more dramatic moments she has. The rest of the cast also does their job well, though they’re not quite as strong as Rothe.

    Returning director Christopher Landon also takes over writing duties, and he takes the story in some interesting directions. It seems like he wanted to make more of a Back to the Future type film than straight horror. Thankfully, the film is written in a way to where it respects the continuity of the first film. This really does feel like a sequel that the people involved wanted to make rather than just a cash-in. While I wasn’t too put off by the lack of horror elements, I can see some people being disappointed. That said, this is a much smarter and more inventive follow-up than you would usually get. Plus, I can respect their decision to go in a whole new direction rather than just retreading the same ground. Overall, while not as fresh or frightening as the previous film, Happy Death Day 2U is still a good time.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Captain Marvel (2019)

    Captain Marvel (2019)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.19.17″]

    In 1967, Marvel introduced the character Dr. Walter Lawson, aka Captain Marvel, in Marvel Super-Heroes #12. Created by Stan Lee and Gene Colan, the character was given his own series in 1968, but without much success. However, in Marvel Super-Heroes #13, a side character named Carol Danvers was introduced, who eventually became the superhero, Ms. Marvel. She was given her own series in 1977 and was considered socially progressive for its time. Over the years, she’s been rebranded and given new names, such as Binary in 1982 and Warbird in 1998. Eventually, Danvers would become the new Captain Marvel in Avenging Spider-Man #9 in 2012, and joined the main Avengers team. Of course, there was another Captain Marvel published by DC, but for obvious reasons, the character was renamed to Shazam. So, with that brief history out of the way, let’s look at the movie version of Captain Marvel.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.19.17″ title=”Rating” number=”90″ bar_bg_color=”#7cda24″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.19.17″]

    On the planet Hala, Starforce member Veers (Brie Larson) keeps having recurring dreams of a past life on Earth. However, she has no memory of this past life, and she keeps questioning what it all means. She is a member of the Kree, an alien race that is at war with the shapeshifting Skrulls. During a rescue mission, Veers is kidnapped by the Skrulls, who scan through her mind for information. She manages to escape into an escape pod that crash lands on Earth in 1995, specifically in Los Angeles. Her presence attracts the attention of S.H.I.E.L.D agents Coulson (Clark Gregg) and Nick Fury (Samuel L. Jackson). Now being pursued by S.H.I.E.L.D. and the Skrulls, Veers has to track down a Dr. Lawson before the Skrulls do. Over time, she starts to piece back her memories and soon learns that not all is as it seems.

    That’s the basic setup we’re given, but trust me when I say that this movie plays with your expectations. Honestly, I’m shocked at the hate this movie’s getting because I thought it was pretty amazing. While it’s cliche to say every new MCU movie is the best one, this is easily one of the best. First off, major props to Brie Larson, who is funny, charming, instantly likeable, and can throw a punch or two. Plus, the chemistry between her and Samuel L. Jackson is great, as they have some good banter with each other. Speaking of Jackson, the CGI deaging used for him and Gregg is some of the better-looking CGI I’ve seen lately. The rest of the cast does a great job too, especially Annette Bening, Jude Law, and Ben Mendelsohn. Also, Goose the cat easily steals the whole show.

    As with many great MCU movies, the action sequences are a ton of fun, enhanced by some great 90s music. Speaking of, I’m glad that this film didn’t force feed how this is set in the 90s. While there’s some fun 90s references here and there, the main focus is on the story and characters. Beyond the fun action and cute references, this is a very inspiring movie, and it has tons of heart. Our lead is always told to stay down and never fight back, but she keeps getting back up every time. Plus, what makes this stand out from other superhero origins is how different the structure and pacing are. It’s definitely unlike any of the other MCU movies, and I’m excited to see Captain Marvel return in Avengers: Endgame. Overall, Captain Marvel is an entertaining and heartfelt superhero movie and is easily one of the MCU’s best.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Green Book (2018)

    Green Book (2018)

    [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.19.17″]

    In the 90s, filmmakers Peter and Bobby Farrelly were best known for their quirky and often low-brow comedies. Their first big hit was 1994’s Dumb and Dumber, which also helped launch Jim Carrey’s career into superstardom. They followed that up with Kingpin and There’s Something About Mary, the latter of which helped solidify Cameron Diaz’s career. The 2000s had its ups-and-downs for the brothers, with hits like Me, Myself, & Irene and bombs like Osmosis Jones. Unfortunately, the 2010s were not as kind to the brothers, ultimately leading to what many consider their worst, Movie 43. The two made somewhat of a comeback with the sequel Dumb and Dumber To, but clearly comedy wasn’t working anymore. Now, Peter has gone off on his own to direct a film that, while somewhat comedic, is surprisingly a drama. That film is the biographical comedy/drama, Green Book.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.19.14″ title=”Rating” number=”90″ bar_bg_color=”#7cda24″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.19.17″]

    In 1962 New York, Frank “Tony Lip” Vallelonga (Viggo Mortensen) has unfortunately lost his job as a bouncer. While looking for work, he gets an invitation to meet a Don Shirley at Carnegie Hall. Turns out Don Shirley (Mahershala Ali) is a black pianist who is very well-spoken, classically-trained, and highly intelligent. He wants Tony Lip to be his driver as he goes on tour through the Midwest and the Deep South. Naturally, Tony has reservations about driving a black man through the Deep South, but he decides to take the job. This leads to a road trip where Tony and Shirley get to know one another and grow as people. Shirley even helps Tony with writing letters to his wife Dolores (Linda Cardellini). Along the way, they have to contend with racism, prejudice, and class issues. Their journey will change them for the rest of their lives.

    What makes the film work as well as it does is the two leads, Viggo Mortensen and Mahershala Ali. Both have phenomenal chemistry with each other and play their roles as if they were the real people. It’s interesting seeing the contrast between Ali’s more soft-spoken eloquent personality and Mortensen’s more wise-guy street-wise attitude. Also, unlike most films of its kind, this is a film where both characters learn to change as people. Tony learns to maintain his dignity in the face of opposition, and Shirley learns to appreciate his race’s culture. This movie tackles several issues, whether it’s racism, prejudice, homophobia, cultural stereotypes, breaking down barriers, and being more accepting. While Mortensen and Ali certainly dominate the film, the supporting cast all do a good job with their given roles. Leaving aside the issues it deals with, this is just a really fun and heartfelt road movie.

    If I do have any issues with the film, they’re very few and minor considering how spectacular this movie is. The only major issue I have is more of a tonal issue, namely how it goes between comedy and drama. At times, the movie doesn’t seem to know whether it wants to be serious or be funny. Granted, both the comedic and dramatic scenes work really well, and the actors help make it work. Also, while the film tackles some pretty heavy issues, it never seems to go deep enough into those issues. There are scenes where an issue is addressed, only for it to be tossed aside and never mentioned again. I would go into the liberties taken with the story, but that’s the nature of true story movies. Overall, Green Book is fantastic film with a great story and two solid lead performances.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The LEGO Movie 2: The Second Part (2019)

    The LEGO Movie 2: The Second Part (2019)

    [et_pb_section bb_built=”1″ fullwidth=”on” specialty=”off” next_background_color=”#000000″][et_pb_fullwidth_header _builder_version=”3.19.13″ title=”WARNING” subhead=”This review contains spoilers from The LEGO Movie. If you haven’t seen the original, please don’t go any further.” background_color=”#e02b20″ text_orientation=”center” /][/et_pb_section][et_pb_section bb_built=”1″ prev_background_color=”#000000″][et_pb_row][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.19.13″]

    When The LEGO Movie was released in 2014, no one expected it to be as good as it was. Not only was it a financial success, making over $400 million worldwide, but critics were generally positive towards the film. It was even nominated for Best Original Song at the Academy Awards for the insanely catchy Everything is Awesome. Naturally, with that kind of success, more LEGO movies were sure to come out, including a much-anticipated sequel. The first major LEGO spin-off was The LEGO Batman Movie in 2017, focusing on Will Arnett’s character from the original. Later that same year, The LEGO Ninjago Movie was also released, but neither were as successful as the first. So, five years after the original film, a sequel has finally been released, the original cast and crew returning. With that out of the way, let’s talk about The LEGO Movie 2: The Second Part.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][et_pb_circle_counter _builder_version=”3.19.13″ title=”Rating” number=”80″ bar_bg_color=”#7cda24″ /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.19.13″]

    After the ending of the first film, the world of LEGO has become a post-apocalyptic wasteland ala Mad Max. Turns out the residents of the Systar System, known as Duplos, have been invading and destroying everything in sight. Our heroes now reside in a makeshift town called Apocalypseburg, where everyone is tough, gritty, and brooding. One day, a visitor from the Systar System named General Mayhem (Stephanie Beatriz) arrives to deliver a message. Queen Watevra Wa’Nabi (Tiffany Haddish), ruler of the Systar System, intends to marry their leader so as to join forces. Mayhem captures Wyldstyle, Batman, UniKitty, Benny, and Metalbeard, and it’s up to Emmett (Chris Pratt) to save them. He soon runs into Rex Dangervest (Pratt), and the two fly off to rescue Emmett’s friends and stop the Queen. With the threat of “Our-Mom-Ageddon” looming, will they succeed or will something more sinister be revealed?

    If you’ve read my review of the original film, you can surmise that I was more than excited for this. Before going into more detail, this sequel definitely met my expectations, though it also fell short in some aspects. First off, all the returning characters from the first film are just as fun and enjoyable as ever. Unfortunately, many of the fun side characters from the original aren’t given as much screen time as before. However, many of the new characters introduced, such as General Mayhem, Queen Watevra, and Rex Dangervest, are welcome additions. Also, like the first film, this has plenty of meta humor, mostly at the expense of the previous film. Plus, the scenes between Emmett and Rex’s velociraptors are easily more enjoyable than Jurassic World: Fallen Kingdom in its entirety. That alone should make this film a more enjoyable watch, or at least a better sequel.

    While the film has some great jokes, some of them don’t quite land and some even seem slightly dated. For example, one inhabitant of the Systar System is a sparkly vampire who’s sensitive and talks about unrequited love. Obviously, this is meant to be a jab at the Twilight series, but in 2019, this joke feels very dated. Also, while the new songs here are fun and catchy, they don’t quite resonate as well as Everything is Awesome. However, much like the original film, this one presents a very positive message that kids and adults can relate to. And just like the original, this one still has tons of heart and is brimming with creativity all throughout. While it seems like I was pretty negative, I still really enjoyed this film in spite of its problems. Overall, The LEGO Movie 2: The Second Part is a fun and enjoyable time.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The LEGO Movie (2014)

    The LEGO Movie (2014)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]

    In the 1930s, Ole Kirk Christiansen started a toy company he called “Lego” from the Danish phrase for “play well”. Originally making wooden toys, the company started making plastic toys in 1947, and introduced new interlocking brick toys in 1949. Known as the “Automatic Binding Bricks”, these simple toys would go on to become a worldwide sensation. Throughout the 20th century, Lego’s have become one of the most popular toy lines still to this day. There are all kinds of licensed Lego sets, there are theme parks, competitions, video games, and, of course, movies. Warner Bros. first became interested in the idea after purchasing Traveler’s Tales, the company responsible for many Lego video games. Writers Dan Lin and Kevin Hageman penned the script, and directors Phil Lord and Christopher Miller were onboard to direct. And so, in 2014, we were given what was simply called The LEGO Movie.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Emmet Brickowski (Chris Pratt) is a simple LEGO construction worker who enjoys following the rules and fitting in with others. However, one night after work, he finds a mysterious woman searching in the construction site and follows her. After falling into a cave, Emmet finds an object known as the “Piece of Resistance”, giving him weird flashes. Upon waking up, he’s captured by Good Cop/Bad Cop (Liam Neeson) who starts asking him The Piece. Soon, Emmet is rescued by the mysterious woman, named Wyldstyle (Elizabeth Banks), who further elaborates on what’s going on. Years ago, the villainous Lord Business (Will Ferrell) stole a super-weapon known as “The Kragle” to take over the world. Only the Piece can stop the Kragle, and it’s prophesied that he who finds the Piece is “The Special.” Along with the old sage Vitruvius (Morgan Freeman), they must stop The Kragle before it’s too late.

     

    Review

    Right off the bat, just the very idea of a movie based on LEGO’s seems like a bad idea. It’s based off something with no story, and it might come across as a shameless plug for the toys. However, thanks to the talented people working on it, this film exceeds all expectations and is actually very heartfelt. First off, the animation is stunning, at times almost seeming like stop-motion animation, but on a much bigger scale. Also adding to the charm, everything is made of LEGOs: the clouds, the water, fires, explosions, smoke, etc. What’s also surprising is how funny it is, both the more kid-friendly humor and the more subtle adult humor. There’s some very biting social satire, especially with all the rules Emmet goes through at the start. There’s rules like, “Root for your home sports team”, “Drink Over-Priced Coffee”, “Listen to Popular Music”, and plenty more.

    As with any great animated movie, this one has really fun and loveable characters, all of them very well-acted. Chris Pratt is funny as always, Elizabeth Banks does a great job, and Morgan Freeman’s voice is perfect in anything. Will Ferrell makes for a surprisingly funny, charismatic, and sinister villain, and even has more emotional moments towards the end. There’s also Will Arnett as Batman, Nick Offerman as Metalbeard, Alison Brie as Unikitty, and Charlie Day as 80s spaceman. Each of these characters is given their moment to shine, and not one of them falls flat. If there are any problems, the action and humor sometimes move too fast without much room for breathing. Also, the movie can’t seem to stick to one plotline for more than a few minutes, always jumping forward. Despite that, The LEGO Movie has heart and creativity, and appeals to audiences young and old.

     

    Buy The LEGO Movie from Amazon: https://amzn.to/4oMclqa.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch The LEGO Movie (2014)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”The LEGO Movie” data-year=”2014″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Near Dark (1987)

    Near Dark (1987)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]

    For centuries, vampires have remained some of the most popular and iconic monsters, both in folklore and literature. While many stories have been written about vampires, probably the most famous vampire story ever written was Bram Stoker’s Dracula. Written in 1897 and loosely inspired by Vlad the Impaler, Dracula helped lay the groundwork for traditional vampire lore. With the introduction of film in the early 1900s, soon enough there would be movies based on vampires. The oldest surviving vampire film is Nosferatu from 1922, itself a loose adaptation of the book. More adaptations soon followed, the most famous being the Universal Dracula from 1931 with Bela Lugosi. Over the next few decades, vampire movies came and went, and it started to die out. That is, until the mid to late 80s, when fresh new takes on the vampire mythology were introduced. One of those was the vampire western, Near Dark.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ global_colors_info=”{}”]

    Synopsis

    Caleb (Adrian Pasdar) is a simple country boy out with friends when he spots a girl named Mae (Jenny Wright). The two seem to hit it off pretty well, that is until she accidentally bites him on the neck. As Caleb returns home, he starts to get weak and burn as the sun rises, smoke coming off his coat. Suddenly, he’s picked up in an RV where he meets Mae and her “family” of sorts. He’s introduced to Jesse Hooker (Lance Henriksen), Diamondback (Jenette Goldstein), Severen (Bill Paxton), and Homer (Joshua John Miller). Turns out they’re all vampires, and Caleb has just been made one, so now he’s strung along for the ride. Meanwhile, his father Loy (Tim Thomerson) and sister Sarah (Marcie Leeds) are traveling cross country to find him. Now a creature of the night, Caleb has to learn to kill lest he wither away and die.

     

    Review

    That is a very basic summary of what happens here, but oftentimes, the simplest plots are the best. This film works incredibly well as a horror film, a western, and a sort of dark romance. Despite coming off somewhat misogynist at first, Caleb is a very likable guy who you really feel for. Adrian Pasdar really helps give the character some humanity, and he has great chemistry with Jenny Wright. But of course, the real stars of the show are Henriksen, Goldstein, and especially Paxton, easily the most memorable actors. As the leader, Henriksen is insanely charismatic and just plain cool to watch and listen to. Goldstein is just as fierce and fiesty as she was in Aliens, and she and Henriksen make a good pair. However, Bill Paxton truly steals the show, playing such an unpredictably energetic lunatic who is having a blast playing Severen.

    Given that this was Kathryn Bigelow’s first solo directing job, the film looks fantastic despite its low budget. Many of the shots look like they’re straight out of a western, even with tumbleweeds rolling in the distance. The score from Tangerine Dream really helps to give it that dreamlike quality, and it’s easily some of their best. However, the one thing that holds this movie back is a plotpoint that happens towards the last half hour. Without giving too much away, a blood transfusion cures vampirism, which really feels like a cheap cop out. Traditionally, once you’re bit, you pretty much remain a vampire for eternity, so this “cure” they introduce is really weak. Despite that, it’s a really underrated film that shows how to do vampire romance the right way. Overall, Near Dark is a near perfect film with a great cast, great visuals, and a pretty awesome finale.

     

    Buy Near Dark on Amazon: https://amzn.to/476eKof.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Where to watch Near Dark (1987)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Near Dark” data-year=”1987″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Glass (2019)

    Glass (2019)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.19.7″][et_pb_fullwidth_header title=”WARNING” subhead=”This review contains spoilers from Unbreakable and Split. If you haven’t seen either movie and want to read further, be sure to watch both movies before continuing.” text_orientation=”center” _builder_version=”3.19.7″ background_color=”#e02b20″ custom_padding=”0px||0px”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.0.47″][et_pb_row admin_label=”row” _builder_version=”3.0.48″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.7″]

    After the critical and commercial success of Unbreakable, rumors of a sequel started to emerge. However, despite Willis, Jackson, and Shyamalan being onboard, the studio opted not to move forward. While working on that film, Shyamalan had created a character known as “The Beast” that was scrapped for balancing issues. Eventually, Shyamalan incorporated the character into the 2017 thriller Split, naming him Kevin Wendell Crumb. Because he wanted the two movies to link, Shyamalan added Willis’ David Dunn character at the end. This eventually led to Shyamalan deciding to make this into a trilogy, assuming that Split would succeed. Thankfully, the film was such a hit that Shyamalan was able to move forward with his third entry. However, with Disney owning the rights to Unbreakable, an agreement was made for them to work alongside Universal. So, after much anticipation, 2019 brings us Shymalan’s third installment, Glass.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”3.19.7″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.19.7″][et_pb_column type=”4_4″ _builder_version=”3.19.7″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.7″]

    The film takes place 19 years after the events of Unbreakable and three weeks after the events of Split. David Dunn (Bruce Willis) runs a security store by day, and stops crime as “The Overseer” by night. With the help of his son Joseph (Spencer Treat Clark), Dunn is tracking down Kevin, aka “The Horde”, (James McAvoy). After freeing some high school cheerleaders Kevin kidnapped, the two fight it outside until being stopped by authorities. They’re placed in a mental institution where they meet Dr. Ellie Staple (Sarah Paulson), who believes they’re suffering from psychosis. At the same institute is Elijah “Mr. Glass” Prince (Samuel L. Jackson), who has been catatonic for years. Dr. Staple tries to convince the three that they don’t have superpowers, but are suffering from delusions of grandeur. But soon, Glass starts planning his escape with help from The Beast and David has to stop them.

    First off, let me discuss the things about the movie that I did enjoy, as there’s a lot to like. For one, the acting in the movie is quite strong overall, not a single one falling flat. Like in Split, McAvoy still gives a stellar performance with his multiple personalities, each one distinguishable from another. Jackson, when he actually has something to do, does a good job as Elijah and still comes across as intimidating. Bruce Willis, who’s lately been sleepwalking through his roles, seems to actually care here and delivers a good performance. Sarah Paulson does a good job as she usually does, but her dialogue scenes tend to drag on and on. Also, in addition to Spencer Treat Clark, both Charlayne Woodard and Anya Taylor-Joy return and have some good moments. In addition to the acting, the action sequences are well-choreographed and exciting to watch.

    Unfortunately, while Shyamalan clearly tried since he had wanted to do this movie for years, the movie kinda falls flat. At times, the movie seems to not know if it’s a sequel to Unbreakable or to Split. It almost comes across like Shyamalan couldn’t figure out how to combine the two movies together and make it work. Also, while the first act is pretty solid, things start to drag in the second act, almost to a halt. It does start to pick up in the third act, but the ending leaves a lot to be desired. Without going into spoilers, I’m very conflicted about the ending, in that it’s interesting but it’s also kind of upsetting. While it does set up some interesting ideas, it also comes across as a bit of an insult. So overall, Glass has some good elements, but falls flat as the end of a trilogy.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Split (2017)

    Split (2017)

    [et_pb_section fb_built=”1″ _builder_version=”3.19.4″][et_pb_row _builder_version=”3.19.4″][et_pb_column type=”2_3″ _builder_version=”3.19.4″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.7″]

    With the back-to-back releases of The Sixth Sense and Unbreakable, M. Night Shyamalan became a household name. Many critics lauded him as one of the best directors at the time, even comparing him to Spielberg and Hitchcock. In 2003, Shyamalan released the sci-fi film Signs, which was another critical and commercial success for Shyamalan. But then, things changed with 2004’s The Village, which was very polarizing despite being a financial hit. After this began a dark period where Shyamalan’s movies got worse and worse, many now debating his filmmaking skills. Between 2005 and 2013, he released Lady in the Water, The Happening, The Last Airbender, and After Earth. However, when hope seemed lost, he came back swinging 2015’s The Visit, which surprised many with how great it was. After that film’s success came Shyamalan’s next surprise hit, 2017’s Split, a psychological thriller about man with 23 different personalities.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.19.4″ parallax=”off” parallax_method=”on”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”3.19.4″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.19.4″][et_pb_column type=”4_4″ _builder_version=”3.19.4″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.4″]

    After attending a party, teens Casey Cooke (Anya Taylor-Joy), Claire (Haley Lu Richardson) and Marcia (Jessica Sula) are kidnapped. When they wake up, they find that they’ve been kidnapped by a man calling himself Dennis (James McAvoy). While trying to come up with an escape plan, they’re greeted by the same guy now dressed as a woman. Turns out the man’s real name is Kevin, and he’s suffering from dissociative identity disorder, having 23 distinct personalities. Aside from the kidnapped girls, we also meet Kevin’s psychologist Dr. Karen Fletcher (Betty Buckley), who specializes in Kevin’s condition. We get to meet several of Kevin’s personalities, including 9-year-old Hedwig, who ends up befriending Casey, thinking her a girlfriend. However, these personalities talk about a 24th personality simply known as The Beast, who the girls will be sacrificed to. It’s a race against time as the girls try to outsmart Kevin and escape.

    While most teen girls in these movies are usually insufferable, they’re all three-dimensional characters that you root for. Anya Taylor-Joy is easily the strongest of the three, which isn’t to say the other two are terrible. When the movie makes Casey the main heroine, she really gives it her all and delivers a solid performance. Betty Buckley, who was also in The Happening, is another highlight in the cast, clearly believing she can help Kevin. Of course, the one who ultimately steals the show is James McAvoy, who makes the price of admission worthwhile. Given the role, this could’ve gone horribly wrong if given to a lesser actor, but McAvoy really sells it. He honestly makes you believe when he goes between different personalities as he doesn’t play any of them the same. He runs the gambit between being funny, sympathetic, intimidating, and terrifying.

    Shymalan’s direction is on-point and the cinematography from relative newcomer Michael Gioulakis perfectly sets a very eery presence. While the score isn’t as great as that of regular collaborator James Newton Howard, West Dylan Thordson’s score still works. Like many of his past films, Shyamalan does have a cameo, but it’s not as intrusive as it could’ve been. Of course, this being a film about a mental disorder, it isn’t the most accurate representation of DID. But, so long as the movie does its job well and it isn’t insulting to the disorder, it’s all good. Also, as is common with many Shyamalan, there is a slight twist towards the end that I won’t spoil here. Between this and The Visit, it seems that Shyamalan has learned from his mistakes and really made a comeback. Split isn’t the most original thriller, but it’s still engaging thanks to James McAvoy’s performance.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Unbreakable (2000)

    Unbreakable (2000)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Today, comic book movies, specifically superhero movies, are more popular now than ever and a major trend in Hollywood. These movies tend to come and go, usually in peaks and values, where just one flop can alter the course. 1978’s Superman was a huge hit, but then 1987’s Superman IV put a halt to that franchise. After 1989’s Batman, a new wave of comic book movies flooded the market before losing steam in the late 90s. Enter M. Night Shyamalan, who suddenly exploded with the release of The Sixth Sense in 1999. After that film’s massive success, he envisioned a film that paralleled a comic book’s traditional three-part structure. Overtime, he decided to focus more on the hero’s origin, essentially having the first act be the whole movie. So, in 2000, Shyamalan released what is arguably the best film of his career, Unbreakable.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7cda24″ _builder_version=”4.16″ global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    The film opens in 1961, where Elijah Prince is born with Type I osteogenesis imperfecta, his bones now easily broken. Cut to present time where we meet David Dunn (Bruce Willis), the lone survivor of a massive train accident. Not only is he the only survivor, but he miraculously doesn’t have a scratch on him. After attending the funeral for the other passengers, he’s introduced to the now adult Elijah Prince (Samuel L. Jackson). Elijah is convinced that Dunn is some sort of comic book superhero come to life, but Dunn doesn’t believe him. Dunn even tries to counter this when he learns that he nearly drowned as a child, but to no avail. Eventually, Dunn learns that not only is he super strong, but he can detect evil people have committed through touch. Dunn soon comes into his own as a hero, but what does that mean for Elijah?

     

    Review

    While most people say The Sixth Sense is Shyamalan’s best film, I’d argue that Unbreakable surpasses it tenfold. Not that The Sixth Sense is terrible, but Unbreakable is such a finely crafted film that it holds up better. The performances from Willis and Jackson are easily some of the best of their careers, Jackson’s in particular. Robin Wright also does a good job as Dunn’s estranged wife Audrey, who clearly still loves him despite their past. The direction from Shyamalan is phenomenal and James Newton Howard’s score really sells the tension and drama throughout. However, the reason why Unbreakable works so well is how it expertly deconstructs tropes common to most superhero stories. It takes the concept of a modern superhero story and places it in a real world setting. It’s essentially a story where, to quote Quentin Tarantino, “Superman is on Earth, but doesn’t know he’s Superman.”

    Normally, I’d give away the twist (common amongst Shyamalan films) since it’s nearly 20 years old, but I won’t. Not only will the ending shock you, but it will make you think back on everything you just saw. Some critics at the time were disappointed by the ending, which is somewhat understandable, but it still works really well. It’s one of those endings that is shocking, but you can pick up on it if you’re paying attention. If there were any criticisms I have towards the film, it’s very minor and really doesn’t detract from the film. The only real issues are that the pace can drag at times and the characters tend to whisper sometimes. But again, these minor grievances can’t take away from what an incredible and well-made film Shyamalan has made here. In summation, Unbreakable is a superhero movie that works as a deconstruction of the genre.

     

    Buy Unbreakable from Amazon: https://amzn.to/3Xwj4cl.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Unbreakable (2000)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Unbreakable” data-year=”2000″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Krull (1983)

    Krull (1983)

    [et_pb_section fb_built=”1″ _builder_version=”3.0.47″][et_pb_row _builder_version=”3.0.48″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.3″]

    In the 50s and 60s, science-fiction was looked down upon as merely kids stuff that couldn’t be considered high art. While the late 60s brought ground-breaking sci-fi films like 2001 and Planet of the Apes, the genre was still stigmatized. That is until 1977, when a little sci-fi film the studio had no faith in was released called Star Wars. After that film became a massive success, numerous studios wanted to capitalize on its success with their own space operas. Enter Columbia Pictures, who wanted to get in on the action with their own sci-fi epic. Stanford Sherman, the writer of Any Which Way You Can, was hired to pen the script. Peter Yates, director of Bullitt and Breaking Away, was hired to direct and the film was given a $30-million budget. Now titled Krull, there was a lot at stake, so how did the film turn out?

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#edf000″ _builder_version=”3.19.3″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.0.48″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.3″]

    On the planet Krull, Prince Colwyn (Ken Marshall) is set to marry Princess Lyssa (Lysette Anthony) to unite their kingdoms. That is, until a creature known as The Beast invades with his army of Slayers, traveling in The Black Fortress. The Slayers attack the castle before the wedding, kill the two kings, kidnap Lyssa, and leave Colwyn in the wreckage. After being nursed back to health Ynyr, the Old One (Freddie Jones), he is tasked with finding the Glaive. The Glaive is the only weapon capable of destroying The Beast, but The Black Fortress teleports every day at sunrise. The two ride off to find the Emerald Seer, who can tell them where The Black Fortress will teleport to. Along the way, they meet Ergo the Magnificent (David Battley), Rell the Cyclops (Bernard Bresslaw), and a group of bandits. Together, they must find the Black Fortress and slay The Beast.

    Right off the bat, I will say that this film provides some great escapist fun, especially for fantasy fans. Ken Marshall does a good job as the lead, playing Colwyn as a swashbuckler, almost like Errol Flynn. While David Battley is clearly the comedic relief, rather than annoying, he is genuinely funny and has some good lines. Given the budget of the film, you can definitely see the money on screen, especially in the sets and effects. While some of the visual effects seem dated, many are still impressive, especially the stop motion and optical effects. Plus, the Glaive is easily one of the most awesome-looking weapons in movie history, on par with lightsabers. This is the kind of big budget sci-fi/fantasy film that we don’t see much of anymore. There’s a lot of creativity on display and the people involved were clearly trying to make something amazing.

    Unfortunately, the movie was a massive box office flop, making only $16.5 million against a $30 million budget. While I did enjoy the film, I can see why the movie didn’t catch on, especially given its flaws. For every fun action sequence, there’s also a lot of slow moments that really drag the movie down. Also, as awesome as the Glaive is, Colwyn doesn’t actually use it until the third act, which is somewhat infuriating. Much of the film is derivative of other movies, but in fairness, even Star Wars borrowed elements from other movies. Speaking of which, the sci-fi elements feel somewhat shoehorned in, as much of the movie is more fantasy-oriented. Despite its flaws, it’s easy to see why this movie developed a cult following over the years. In short, while somewhat uneven and slow at times, Krull is an enjoyable time if you’re looking for simple entertainment.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]