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Category: Comedy

  • Ghostbusters II (1989)

    Ghostbusters II (1989)

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    Released in 1984, Ghostbusters was an instant hit, making almost $300 million worldwide on a $30 million budget. With its success, the studio immediately wanted a sequel, but there was some hesitation from the cast and crew. Following the film’s success, the studio teamed up with animation studio DIC Enterprises to produce The Real Ghostbusters in 1986. Despite some confusion with a preexisting cartoon, the series was also a hit, prompting the team to reconsider a sequel. Reitman returned to direct, while Aykroyd and Ramis returned to write and star alongside Murray, Weaver, Hudson, Moranis, and Potts. Since the cartoon was popular with kids, they decided to make the sequel more child-friendly as opposed to the original. Columbia was pushing for the sequel since their last few releases flopped, giving this a $37 million budget. Finally, five years after the original, Ghostbusters II was released in the summer of 1989.

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    Synopsis

    Following the events of the first film, the Ghostbusters have disbanded after being sued for property damage by the city. However, when her baby’s carriage rolls by itself onto an intersection, Dana Barrett (Sigourney Weaver) turns to them for help. Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis) investigate, discovering an underground river of slime. Unfortunately, they’re arrested and tried for illegal supernatural investigation, but they’re released after capturing some death row ghosts. Meanwhile, Janosz Poha (Peter MacNicol), Dana’s boss at the museum, is enslaved by the spirit of Vigo the Carpathian. Turns out Vigo is getting power from the slime, which is feeding off all the negative emotions in New York. His ultimate plan is to be reborn, so he orders Janosz to kidnap Dana’s baby so he can possess him. With the city in danger, it’s up to the Ghostbusters once again.

     

    Review

    Following up a landmark film like Ghostbusters was no small task, so Ghostbusters II had plenty to live up to. While it isn’t quite on par with the original, the sequel still manages to retain its charm and humor. Everyone in the main cast, from the Ghostbusters to Dana, Louis, and Janine, all do a fantastic job. Newcomer MacNicol as fun as the eccentric Janosz and Kurt Fuller does well filling in for William Atherton. Murray, Aykroyd, and Ramis still have their signature comedic timing, and Hudson gets more to do and say here. The mood slime is a great concept and helps share a message to be nicer and friendlier to one another. There are some fun highlights to be had, including the courtroom scene and the Statue of Liberty scene. Plus, Vigo makes for a good villain, especially with Max Von Sydow providing the voice.

    I think the film’s biggest problems are two-fold: they waited too long and they tried making it too kid-friendly. Though it was popular thanks to the merchandising and cartoon, audiences seemed to lose interest and wanted something different. It doesn’t help that this sequel repeats some of the same plot points from the original almost verbatim. Also, in trying to capitalize on the same audience as the cartoon, they lose much of the first one’s edge. Aside from Vigo and the Scoleri Brothers, all the other ghosts are too goofy and silly to be taken seriously. That said, much like the first film, the effects here are fantastic, especially with ILM handling a majority of them. On the whole, the movie certainly has its flaws, but it’s nowhere near as bad as some critics have said. Overall, Ghostbusters II is an underrated sequel that deserves more credit than it gets.

     

    Buy Ghostbusters II from Amazon: https://amzn.to/3fEhAEP.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Ghostbusters II (1989)

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  • Ghostbusters (1984)

    Ghostbusters (1984)

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    In the early 1980s, Dan Aykroyd worked on a script based on his fascination with the paranormal and quantum physics. He originally wrote it intending to star alongside Eddie Murphy and John Belushi, but sadly Belushi died in 1982. Aykroyd then turned to his friend and fellow SNL cast member Bill Murray, who agreed to star and replace Belushi. Thanks to his previous success with Animal HouseMeatballs, and Stripes, Ivan Reitman was chosen to direct personally by Aykroyd. Aykroyd’s script was considered too large to film, so Harold Ramis (Animal House, CaddyshackStripes) was added for further rewrites. Sigourney Weaver, Ernie Hudson, Rick Moranis, Annie Potts, and William Atherton joined the cast for a 6-week New York shoot. Richard Edlund supervised the visual effects, Elmer Bernstein composed the music, and Ray Parker Jr made a tie-in song. Finally, on June 8, 1984, Ghostbusters was released to the general public.

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    Synopsis

    Paranormal scientists Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis) are fired from Columbia University. In response, they decide to open their own business, Ghostbusters, where they hunt and capture ghosts for clients. Meanwhile, Dana Barrett (Sigourney Weaver) visits them after something strange happens at her apartment, namely a strange creature growling “Zuul”. Business starts blowing up after they successfully capture a ghost, and hire Winston Zeddemore (Ernie Hudson) as the fourth Ghostbuster. Trouble starts brewing when EPA inspector Walter Peck (William Atherton) visits to see the containment unit, threatening a court order. Soon enough, Dana and neighbor Louis Tully (Rick Moranis) get possessed by spirits awaiting the arrival of Gozer the Gozerian. To make matters worse, Peck shuts off the containment unit, releasing all previously captured ghosts and signaling Gozer’s return. With the world’s fate at stake, will the Ghostbusters save the day?

     

    Review

    Ghostbusters is often considered to be one of the best comedies of the 1980s and for good reason. First off, the cast is near perfect, with Murray, Aykroyd, Ramis, and Hudson playing off each other well. As per usual, Murray’s dry wit and smart-alec attitude steal the show, delivering some of the film’s best lines. Aykroyd is fun as the optimist of the group, while Ramis has some great moments with his deadpan delivery. Unfortunately, Hudson doesn’t have much in terms of characterization, but he does work as a straight man to the others. Much like he would later do in Die Hard, Atherton is great as the bad guy you love to hate. Weaver has some solid chemistry with Murray, and Moranis is fun as the affable but goofy neighbor. Also, Annie Potts’ Jeanine has some great banter with the main Ghostbusters, especially with Murray and Ramis.

    The special effects are spectacularly vivid and hold up surprisingly well for a film that’s over 30 years old. There are some cool optical effects, as well as some impressive puppets and animatronics that help make these creatures believable. Reitman directs the film in a way to where it feels more like a horror film than a comedy. Combined with Elmer Bernstein’s score, it helps make the film stand out from other comedies of the time. Oscar-winner John DeCuir’s production design is phenomenal, adding to the film’s scope and giving a sense of scale. With all of the on-site shooting, New York City becomes a character itself, given all the recognizable landmarks and locations. From the NY Public Library to the 8 Hook and Ladder building, these are just as iconic as everything else. Overall, Ghostbusters succeeds thanks to its great cast, fantastic effects, solid direction, and quotable dialogue.

     

    Buy Ghostbusters from Amazon: https://amzn.to/3cS0gdQ.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Ghostbusters (1984)

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  • Tammy and the T-Rex (1994)

    Tammy and the T-Rex (1994)

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    It’s always fascinating to look back through a now-famous actor’s career and see where they got their start. Examples include Jennifer Aniston in Leprechaun, Johnny Depp in A Nightmare on Elm Street, and Leonardo DiCaprio in Critters 3. In this case, we’re looking at the debut of Denise Richards and the late Paul Walker, Tammy and the T-Rex. Released in 1994, the film was co-written and directed by Stewart Raffill (The Ice Pirates, Mac and Me). Interestingly, the concept came about because someone who owned theaters in South America who had access to an animatronic T-Rex. Produced on a budget of less than $1 million, the film was shot and released within a month. Originally an R-rated film, the distributor cut it for a PG-13 until Vinegar Syndrome released an uncut version in 2019. Now with the production history out of the way, let’s examine Tammy and the T-Rex.

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    Synopsis

    Tammy (Denise Richards) and Michael (Paul Walker) are madly in love despite protests from her ex-boyfriend Billy (George Pilgrim). Meanwhile, the nefarious Dr. Wachenstein (Terry Kiser) has acquired a robotic T-Rex that he plans to bring to life. That night, Michael sneaks into Tammy’s room when Billy and his gang chase him down to teach him a lesson. They leave him at the local wild animal park where he’s mauled by a lion and put in a coma. Tammy and her gay friend Byron (Theo Forsett) visit Michael in the hospital when Wachenstein arrives to take Michael away. Alongside assistant Helga (Ellen Dubin), Wachenstein takes Michael to his lab, extracts his brain, and implants it in the T-Rex. The dinosaur soon wakes up and goes on a rampage, all while trying to find Tammy and get her back. Soon, the police get involved while Wachenstein tries getting the dinosaur back.

     

    Review

    Tammy and the T-Rex is one of those movies where you’ll know if you’re interested just by the title. Most people will scoff at the title and not give it a chance, but certain audiences will be drawn in. While I will admit that this isn’t a cinematic masterpiece, it’s still an enjoyably ridiculous film that provides laughs aplenty. Part of what makes it especially funny is how most of the cast take the material so seriously. Kiser and Dubin play up their roles as over-the-top as possible, while Richards and Walker are playing it fairly straight. Even with their relative inexperience, Richards and Walker have surprisingly good chemistry with each other and feel like a couple. There are also fun appearances from character actors George ‘Buck’ Flower, Sean Whalen, Ken Carpenter, and John Franklin. Whether their performance is ridiculous or serious, every cast member gives it their all.

    Effects-wise, the T-Rex itself looks like something you’d find at an amusement park or a low-end science museum. The walking scenes are either the T-Rex being dragged along or shots that are someone wearing dinosaur shoes. Also, there are many scenes where the T-Rex’s arms are someone wearing dinosaur gloves, but they’re nowhere near attached. Going back to the T-Rex walking, there are some composite shots of the dinosaur moving that look hilariously awful. Of course, given the film’s low budget, many of these can be excused, and they add to the film’s charm. Probably the film’s biggest flaw is the inconsistent tone, going from high school romance to a mad scientist plot. Along with the inclusion of some extremely graphic gore scenes, it leaves you wondering who exactly this was made for. Overall, Tammy and the T-Rex is a disjointed mess that still has plenty to offer.

     

    Buy Tammy and the T-Rex from DiabolikDVD: https://bit.ly/2MhPDWR

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  • Sorority Babes in the Slimeball Bowl-O-Rama (1988)

    Sorority Babes in the Slimeball Bowl-O-Rama (1988)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]David DeCoteau has had a career in B-movies since the early 80s, having started at Roger Corman’s New World Pictures. He worked as a production assistant on Galaxy of Terror and Escape from New York, both released in 1981. After that, he moved on to directing mostly adult films under the pseudonym David McCabe before he met Charles Band. In 1986, DeCoteau directed Dreamanic, which was followed up by the post-apocalyptic monster movie Creepozoids in 1987. Band was so happy with DeCoteau’s work that he decided to bring him on board to become a regular. For his next film, DeCoteau started working on a film called The Imp, which was turned into a horror-comedy. With the change in tone, they decided on a new title that would fit the film more. So, in 1988, the newly re-titled Sorority Babes in the Slimeball Bowl-O-Rama was released.

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    Synopsis

    At a college frat house, three guys, Calvin (Andras Jones), Jimmie (Hal Havins), and Keith (John Stuart Wildman), are bored. They get an idea: sneak over to the local sorority house where some new pledges are being initiated and watch. Unfortunately, they get caught by head sisters Babs (Robin Rochelle), Rhonda (Kathi O’Brecht), and Frankie (Carla Baron). As punishment, the three guys must accompany pledges Taffy (Brinke Stevens) and Lisa (Michelle Bauer) on a special mission. They’re sent to break into a local bowling alley and steal a trophy, the three heads watching via security cameras. While at the bowling alley, the gang runs into Spider (Linnea Quigley), a biker who’s robbing the place. They find a bowling trophy, but it gets dropped, releasing an imp named Uncle Impie (Michael Sanye, aka Dukey Flyswatter). He offers each of them a wish, but they soon discover that comes with a price.

     

    Review

    Having a title like Sorority Babes in the Slimeball Bowl-O-Rama, you should know what kind of movie you’re getting into. While this film is not going to receive high critical praise or sweep the Oscars, but it’s not trying to. The acting ranges from mediocre to downright amateurish, the effects are shoddy, and the story is flat out ridiculous. Even by Empire/Full Moon standards, this film is complete trash, but it’s still enjoyable trash that’s worth some laughs. One thing of note is the casting of three legendary scream queens: Linnea Quigley, Brinke Stevens, and Michelle Bauer. Not only are Stevens and Bauer more than willing to show some skin, but Quigley is owning all her scenes. She’s having fun playing a bad girl similar to her role in Return of the Living Dead, minus the nudity. However, the real star of the show is Uncle Impie.

    With a heavy ebonics-speaking voice and tons of corny jokes, Uncle Impie is what makes the film so much fun. The puppet itself looks pretty good, even though it has limited movement and the mouth doesn’t entirely match the voiceover. Also, much like other great B-movies, there’s even an appearance by George “Buck” Flower, once again giving a fun performance. As stated above, Sorority Babes in the Slimeball Bowl-O-Rama is not for everyone, especially for most mainstream audiences. However, if you’re the type of person who enjoys enjoyable trash cinema, this is well worth a watch. I should note that, at the time of writing this review, a sequel is already in the works. Whether or not the sequel lives up to the original, it shows how popular a seemingly bad movie can be. Overall, Sorority Babes in the Slimeball Bowl-O-Rama is a fun time for the right audience.

     

    Buy Sorority Babes in the Slimeball Bowl-O-Rama from Amazon: https://amzn.to/4d90Swm.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Dolemite Is My Name (2019)

    Dolemite Is My Name (2019)

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    During the 1970s, black comedians such as Redd Foxx and Richard Pryor started becoming popular thanks to their crude humor. Around the same time, comedian Rudy Ray Moore, aka the Harlem Hillbilly, was starting to emerge onto the scene. Wanting to be an entertainer since childhood, Moore struggled to find his niche until eventually finding success in comedy. After recording and releasing three comedy albums in the early 70s, Moore decided the next step would be the movies. Released in 1975, Dolemite received mixed to negative reviews but was a massive commercial hit grossing close to $12 million. He followed that up with The Human TornadoPetey Wheatstraw, and Disco Godfather, but his career tanked in the 80s. Sadly, Moore died in 2008, though his legacy is still celebrated by rappers like Snoop Dogg and Busta Rhymes. Eleven years following his death, the biopic Dolemite Is My Name is released.

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    Rudy Ray Moore (Eddie Murphy) is a struggling artist working at a record store in 1970s Los Angeles. He also works as an MC at a local club for his friend Ben Taylor (Craig Robinson) and his band. One day, a homeless man named Ricco (Ron Cephas Jones) comes in and starts telling stories that captivate the patrons. That night, Moore finds Ricco amongst other homeless people, paying them in cash and booze to tell stories and jokes. Moore then modifies the material, creates a new character, and performs the act at the club, becoming an instant hit. Seeing the potential, Moore decides to record a comedy album, which becomes so successful, he’s offered a recording contract. After finding success with his albums and tours, Moore sets his sights on Hollywood with a Dolemite movie. With a dedicated but inexperienced cast and crew, Moore is determined to be a star.

    In terms of Netflix original movies, Dolemite Is My Name is by far the best one released so far. The film was written by Scott Alexander and Larry Karaszewski, famous for Tim Burton’s Ed Wood, and you can tell. Much like what that film did for Ed Wood, this both pokes fun at and pays loving homage to Moore. Craig Brewer’s direction is phenomenal, as he perfectly captures the look and feel of 1970s Los Angeles. Performance-wise, everyone is on point, with Eddie Murphy giving one of his best performances in a long time. After years of being in drek like Pluto NashDaddy DaycareNorbit, and Meet Dave, this is a major comeback. Not only is he giving it his all, but he perfectly captures Rudy Ray Moore’s mannerisms and body language. Murphy did his homework when it came to mimicking Rudy Ray Moore and making it his own.

    Going back to the performances, Wesley Snipes is hilarious as actor/director D’Urville Martin, who doesn’t care about anything. He perfectly plays a character who thinks he’s all high and mighty but isn’t as big as he thinks. Craig Robinson and Mike Epps are fun as Moore’s friends, and Keegan Michael-Key has some great dry humor. Also, special mention has to go to Da’Vine Joy Randolph as Lady Reed, who gives an amazing performance here. There are some fun cameos from Snoop Dogg, Chris Rock, and Luenell that make Dolemite Is My Name extra fun. Also, going back to comparing this to Ed Wood, this film has an inspiring message behind about overcoming the odds. Much like the real-life story of Rudy Ray Moore, this film shows how drive and perseverance can pay off. Overall, Dolemite Is My Name, much like its source material, is bold, brash, and wildly entertaining.

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  • Jojo Rabbit (2019)

    Jojo Rabbit (2019)

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    After WWI ended in 1918, Germany was declining, between losing the war, the terms of surrender, and economic woes. One year later, a recently discharged soldier saw the potential to rise in power through propaganda and strongarming political leaders. That man was Adolf Hitler, who rose to power from 1921 until 1933 when he was declared chancellor of Germany. He would go down in history as one of the most tyrannical and genocidal dictators to ever live. Over the years, there have been various films made about Hitler, ranging from serious dramas to hilarious satires. Some examples of satire include Charlie Chaplin’s The Great Dictator in 1940 and Mel Brooks’ The Producers in 1967. Flashforward to 2019, where New Zealand filmmaker Taika Waititi (Thor: Ragnarok) has brought us his form of Nazi mockery. Based on the book Caging Skies by Christine Leunens, we have the comedy-drama Jojo Rabbit.

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    Synopsis

    In 1940s Germany, a young boy named Johannes “Jojo” Betzler (Roman Griffin Davis) dreams of being Hitler’s right-hand man. So much so that he even has an imaginary friend who happens to be Hitler (Taika Waititi) offering sagelike advice. He attends a Hitler Youth camp run by Captain Klenzendorf (Sam Rockwell), where an accidental grenade blast leaves him scarred. Thanks to his mother Rosie (Scarlett Johansson), Jojo manages to get work from Klenzendorf, mostly small tasks like spreading propaganda. One day at home, Jojo discovers a Jewish girl named Elsa (Thomasin McKenzie), who’s been hiding out in the attic. Though initially frightened because of his teachings, Jojo reluctantly starts spending time with her, mostly learning about the “Jewish secrets”. He starts having feelings for her, which goes against what he believes as a Nazi and starts frustrating imaginary Hitler. Will he hold onto his beliefs, or will he be changed?

     

    Review

    Jojo Rabbit is the perfect film to come out now, especially given much of the hatred that’s been spreading. It’s a very sweet and touching film that shows how love and compassion can conquer fear and hate. Roman Griffin Davis, for such a young actor, delivers a fantastic performance as a boy trying to prove himself. Thomasin McKenzie is also great, being both really funny and even showing her more dramatic side in some scenes. As per usual, Sam Rockwell steals just about every scene he’s in, easily one of the film’s highlights. Scarlett Johansson is both charming and sweet as a single mother trying to raise her son by encouraging love. Both behind and in front of the camera, Taika Waititi shows just how talented he is as a filmmaker/actor. As an imaginary Hitler, he can be really funny and simultaneously really intimidating, especially near the end.

    In terms of problems, Jojo Rabbit has a few that hinder it slightly, but not enough to ruin the film. Perhaps the biggest problem is that this film has very odd tonal shifts throughout, bouncing wildly between satire and drama. One minute, you’re laughing at some of the goofier moments between Jojo and either Elsa, imaginary Hitler, or his mother. But then, almost out of nowhere, there will be some dark and heavy scenes that seem out of place. Given the subject matter, it’s fair to expect that there would some darker elements in Jojo Rabbit. But the way it’s handled feels like tonal whiplash as if trying to remind you of the horrors going on. Granted, that might’ve been the intent, but it could put some audiences off, especially if they’re going in blind. Overall, while somewhat flawed, Jojo Rabbit is still worth your time.

     

    Buy Jojo Rabbit on Amazon: https://amzn.to/4dI9wSe.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Jojo Rabbit (2019)

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  • Sorry to Bother You (2018)

    Sorry to Bother You (2018)

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    Raymond Lawrence Riley, aka Boots Riley, has had quite the illustrious career as a community organizer, activist, and hip-hop artist. His first major claim to fame was founding the hip-hop group The Coup, whose songs were very politically charged. Many of their albums tackled capitalism, politics, police brutality, racial issues, and even working at menial jobs. As time went on, Riley decided to transition from music to filmmaking, even directing some music videos for The Coup. Eventually, Riley started working on a screenplay based around his experiences working as a telemarketer in the Bay Area. Having finished it in 2012, he decided to generate some buzz around the screenplay by releasing a tie-in album. In 2014, Riley got invited to the Sundance Institute development labs to learn more about being a first-time writer/director. Cut to 2018, where his dream project, Sorry to Bother You, is released upon the world.

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    Cassius Green (Lakeith Stanfield) is struggling to make ends meet between having no job and owing hundreds in rent. Luckily, he has the support of his artist girlfriend Detroit (Tessa Thompson) and his friend Salvador (Jermaine Fowler). Things start to change for Cassius when he gets a job at a telemarketing firm, but he has no luck. He gets advice from an older coworker named Langston (Danny Glover) to use his “white voice” to fool the customers. With this, Cassius becomes an overnight success and eventually moves up the food chain and becomes a power caller. However, at the same time, his former coworkers, led by Squeeze (Steven Yeun) go on strike and demand better pay. As time goes on and things start spiraling out of control, Cassius finds himself torn between success and his morals. Once he learns what’s really happening, Cassius must make a decision.

    I know I was somewhat vague on what exactly the plot of this movie was, but there’s a reason. There’s so much that happens in the movie, especially in the second half, that I really don’t want to spoil. This is a movie that’s best to go in blind because, believe me when I say, you will be surprised. This movie revels in its absurdity and has great social commentary, almost a cross between Office Space and Idiocracy. This being Boots Riley’s first film, he has great potential as a filmmaker and I’m excited for his next project. Lakeith Stanfield does a great job as Cassius Green, being instantly relatable and likable as someone wanting to succeed. He has a real vulnerability that shows throughout as he struggles between finding success and keeping his friends and morals. The rest of the cast also does a great job and compliment themselves.

    If there are any issues with the film, it’s mostly just nitpicks and how others might respond to the movie. Given how weird and out there this is, I can see some audience members being put off by the absurdity. But if you’re willing to go along with it, you’ll find some great social satire and a fun ride. Much like Office Space, this movie shows how miserable and soul-crushing working at an office job can be. Also, like Idiocracy, there’s plenty of social satire that serves as a warning/commentary of the society we live in. But while comparable to other movies, this is still a very original film that stands on its own. Even if you’re not a fan of this movie, there will still be something here that will stick with you. Overall, Sorry to Bother You is a uniquely absurdist dark comedy that’s worth a watch.

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  • Smokey and the Bandit (1977)

    Smokey and the Bandit (1977)

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    In September of 2018, the world lost a true acting legend, the mustached symbol of masculinity known as Burt Reynolds. Born in 1936, Burt Reynolds was probably one of the most iconic actors of the past 40 years. Like most actors, he first got his start on television, with shows like GunsmokeHawk, and Dan August. His first major break came in 1972 when he starred in the survival thriller Deliverance, sans his iconic mustache. His career continued with hits like White Lightning and Gator, as well as bombs like At Long Last Love. At the same time, former stuntman Hal Needham was making the transition to directing. He had previously worked with Reynolds as a stunt coordinator on GunsmokeWhite Lightning, and Gator. In 1977, the two teamed up to work on a small film that ended up becoming a major phenomenon. That film was Smokey and the Bandit.

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    At a truck driving competition, father and son Big Enos (Pat McCormick) and Little Enos (Paul Williams) have a job. They need a truck driver to deliver 400 cases of Coors from Texas to Atlanta within 28 hours. Enter the Bandit (Burt Reynolds), who decides to take the job, which he’s promised $80,000 for. Bandit recruits his friend Cledus (Jerry Reed), aka Snowman, to driver the truck while Bandit drives the “blocker”. Essentially, while Snowman drives the truck, Bandit drives somewhat recklessly in order to divert attention away from the truck. Along the way, Bandit ends up inadvertently picking up Carrie (Sally Field), a runaway bride trying to lose her fiancé. Unfortunately for Bandit, this makes him the target of her fiancé’s dad, Sheriff Buford T. Justice (Jackie Gleason). What follows is essentially one big chase with Bandit trying to outrun the sheriff and trying to make the delivery.

    This movie is definitely a classic in every sense of the word that shaped a generation. While he was a star at the time, this is the film that would make Burt Reynolds into a superstar. As the Bandit, Reynolds is just dripping in charisma and charm, the very essence of an excellent leading man. As the sheriff, Jackie Gleason (who improvised all his lines) is incredibly funny and has excellent comedic timing. Whether it’s mocking his dimwitted son Junior (Mike Henry) or threatening to catch the Bandit, Gleason is delightful. Sally Field is also fun as the feisty runaway bride who has great chemistry with Reynolds. Jerry Reed, on top of performing the classic theme song, does a great job as the straight man alongside Reynolds. Given this was directed by a former stuntman, the car chases and stunts are tons of fun to watch.

    Admittedly, this movie is absolutely a product of its time, and acts as a time capsule of the late 70s. In that sense, the movie is dated, but that doesn’t take away from how enjoyable it is. It takes you back to a time when movies could be just simple fun without talking down to its audience. Plus, we see real cars getting into real chases and real crashes, something we sadly don’t see much of today. On top of making Burt Reynolds a superstar, but the film was even the second highest grossing film of 1977. The film even made Coors seem appealing, which is certainly not an easy feat given how gross the taste is. Of course, as tends to happen with a successful film, there were plenty of rip-offs and cash-ins made. Despite this, Smokey and the Bandit remains a quintessential 70s film and a true classic.

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  • Dr. Strangelove (1964)

    Dr. Strangelove (1964)

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    After the end of World War II in 1945, tensions between the US and the Soviet Union began to arise. While both were allies fighting against the Nazis, the two were still wary of one another. The US feared the threat of communism, while Russia viewed Americans as cowards. The USSR began spreading their communist influence throughout Eastern Europe as the US and England provided aid to Western Europe. This led to a decades-long conflict known as the Cold War, a term coined by George Orwell in 1945. For the next 40+ years, the two were engaged in a stand-still, threatening one another with total nuclear annihilation. As paranoia continued to mount, Stanley Kubrick, following his 1962 film Lolita, decided to show how absurd this conflict was. In 1964, he created the black comedy, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.

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    At Burpelson Air Force Base, General Jack D. Ripper (Sterling Hayden) has gone insane. He is convinced that the Russians have poisoned our drinking water through fluoridation, threatening our “precious bodily fluids”. As such, he orders Group Captain Lionel Mandrake (Peter Sellers) to put the base on high alert. Ripper also issues “Wing Attack Plan R”, wherein several B-52 Bombers attack various Russian targets. Meanwhile, at a secret underground base called the War Room, several officials have been assembled. As General Turgidson (George C. Scott) explains the situation, President Muffley (Sellers) tries warning the Russian premier. We also follow a crew of one of the B-52s, led by Major TJ Kong (Slim Pickens), as they prepare their run. With the threat of nuclear annihilation looming, the president’s nuclear advisor Dr. Strangelove (Sellers) tries working out how to survive. It’s a race to try and avert the situation before getting worse.

    Despite how dire the situation is, the movie presents this as an absurd black comedy. The characters are intentionally over-the-top and exaggerated caricatures and things spiral out of control to a ridiculous level. Peter Sellers plays three roles in this film: Captain Mandrake, President Muffley, and Dr. Strangelove. He does such a great job that you can buy these characters as three different people. George C. Scott is also memorable as General Buck Turgidson, who acts almost like a spoiled child. He pouts whenever he’s scolded at has an adolescent view of women and sex. Slim Pickens is fun as the stereotypically Texan Major Kong, and watch for an early role for James Earl Jones. Sterling Hayden plays General Ripper seriously enough to where he’s believable in spite of his ridiculous lines. The cast assembled does a great job between playing it straight and being as crazy as possible.

    This being one of his first major studio productions, Kubrick does an outstanding job staging these scenes. In spite of how absurd things get, this movie does have a message that’s still relevant today. Today, we live in a world where our leaders can wipe out entire countries with the press of a button. At anytime, the US, Russia, North Korea, or any other country can use nuclear weapons to take out their enemies. This movie was very ahead of its time, given that the Red Scare was still prevalent. Admittedly, some of today’s audience might find this movie to be dated and not as funny as one would believe. There is a lot of dialogue and it can be hard to follow at times. However, if you have an open mind, you’ll find that Dr. Strangelove is a great slice of absurd counter-culture satire.

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  • Caddyshack (1980)

    Caddyshack (1980)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Harold Ramis was probably one of the greatest comedic talents who ever lived. It’s because of him that we have comedy classics like GhostbustersStripes, and Meatballs. Prior to this, he worked for Playboy as the magazine’s joke editor and reviewer. Eventually, he worked with the famous Second City Improv Troupe and The National Lampoon Show. He worked alongside other people from Second City like John Belushi, Gilda Radner, and Bill Murray. His first major break was penning the script for 1978’s Animal House. On a budget of $3 million, the movie went on to make over $140 million. Following that film’s success, Ramis not only wrote but also worked as a first-time director on the cult comedy classic Caddyshack. The film not only helped cement Ramis as a comedy genius, but also helped Rodney Dangerfield become a comedy superstar.
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    Synopsis

    It’s somewhat difficult to discuss the plot of the film since it doesn’t really have a straightforward narrative. The film plays more of a series of sketches that’re somewhat interconnected with one another. Essentially, the main plot has to do a young caddy named Danny Noonan, played by Michael O’Keefe. He’s down-on-his luck and has aspirations to go to college, but he can’t afford it. His best bet is to get in good with Judge Smails, played by Ted Knight, for a chance at a caddy scholarship. At the same time, Smails is dealing with newcomer Al Czervik, played by Rodney Dangerfield, an eccentric real estate developer who likes to party and have fun. Also, the local groundskeeper Carl Spackler, played by Bill Murray, is hired to kill a troublesome gopher. And there’s Chevy Chase as Ty Webb, more or less the straight man in all of this.

     

    Review

    As mentioned before, this movie doesn’t so much have a plot so much as it’s stuff happening that’s somewhat connected. Plus, while you could argue that there is a central plot, there are several different subplots that come and go. There’s Danny trying to get the scholarship, Carl trying to get the gopher, and Smails trying to get rid of Czervik. Because of that, it can sometimes be hard to follow how one scene relates to another. However, what makes it work as well is the writing and especially the cast. The way it’s written, it feels less like you’re watching a movie and more like you’re watching the daily goings-on at a country club. While dominated by Dangerfield, Knight, Murray, and Chase, the rest still do a great job. O’Keefe is very likable, his relationship with Sarah Holcombe is sweet, and Cindy Morgan is a knock-out.

    Most of you reading this have already seen this movie several times over and can quote the most memorable lines. For those who haven’t, I won’t spoil any of the gags or lines here. Suffice to say, this is probably one of the best comedies ever made. Also, shoutout to Kenny Loggins, who’s title song I’m Alright is instantly catchy. It’s no wonder why the song is so popular even to this day. Regardless of whether or not you’ve already seen it, Caddyshack is the sort of movie you can watch over and over and still find hilarious. And, the less said about the sequel, the better…

     

    Buy Caddyshack on Amazon: https://amzn.to/3YM2fvw.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Caddyshack (1980)

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