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Category: Comedy

  • Free Guy (2021)

    Free Guy (2021)

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    In 2016, 20th Century-Fox purchased a script penned by Matt Lieberman from Hollywood’s Black List of the best-unproduced screenplays. The story revolved around an ordinary bank teller who discovers that the world he’s in is a video game. The studio offered it to director Shawn Levy, but he passed on it since he wasn’t familiar with video games. However, Levy met actor Ryan Reynolds through a mutual friend, and after rereading the script, they agreed to work together. With Reynolds both starring and producing, filming began in mid-2019 in Boston’s Financial District and other parts of Massachusetts. Around this time, the studio was purchased by Disney and renamed 20th Century Studios, though Disney supported the project. Once filming wrapped, it was initially slated for a July 2020 release but saw delays due to the COVID-19 Pandemic. Finally, on August 13, 2021, Free Guy was exclusively released to theaters nationwide.

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    Synopsis

    Guy (Ryan Reynolds) is an average joe living in Free City, where people called “heroes” cause mayhem and destruction daily. However, Guy and his friend Buddy (Lil Rel Howery) continue going about their day working at the local bank. Despite this, Guy secretly years for something more in life apart from his menial and repetitive routine. One day, Guy decides to take charge and take the glasses from a “hero,” which reveals that he’s in a video game. In the real world, programmer Millie (Jodie Cromer) is looking for proof that Free City’s publisher stole her code. She plays the game as “Molotov Girl” and helps Guy level up so he can help her uncover the truth. Meanwhile, Guy’s popularity skyrockets while the publisher’s owner Antoine (Taika Waititi) is shutting the game down for a sequel. It’s up to Guy, Millie, and her ex-partner Keys (Joe Keery) to stop him!

     

    Review

    It’s hard to review Free Guy without comparing it to movies like The Truman Show or even They Live. It’s more than coincidental, from the protagonist realizing their world is artificial to a pair of glasses revealing the truth. While it certainly lifts elements from other movies, it’s still able to use them to create an original story. The idea of a video game NPC becoming self-aware is unique, and it’s interesting to see this explored. Wreck-It Ralph studied the idea years earlier, but I think this film honestly does a better job. Unlike that film, Guy is still the central focus of the story rather than shifting to another character halfway through. Even when the movie introduces real-world elements, the focus is still mainly on Guy and his actions. It’s amusing considering that Disney owns both films, though tangentially, yet this one is the better of the two.

    Once again, Ryan Reynolds makes for an amusing and likable lead, even if he’s playing the same type of character. Jodie Comer does an excellent job playing two characters and having solid chemistry with two different actors. Joe Keery is also likable, and you understand why he chose to work for the company that screwed him over. As usual, Taika Waititi steals the show as the eccentric head of the publisher whose sole interest is profits. In addition, this movie has a lot to say about the gaming industry as a whole, though it’s nothing new. It deals with publishers screwing over their employees, how companies are just after money and prioritizing familiarity over originality. Still, it’s interesting to see a multi-million dollar film tackle this and still deliver a solidly entertaining action-comedy. Overall, Free Guy does tread some familiar ground but does it satisfyingly.

     

    Buy Free Guy from Amazon: https://amzn.to/3M4VCQQ.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Free Guy (2021)

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  • Citizen Toxie: The Toxic Avenger IV (2001)

    Citizen Toxie: The Toxic Avenger IV (2001)

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    Following The Toxic Avenger Part III: The Last Temptation of Toxie, Toxie was made into the Toxic Crusaders 1991 animated series. Over the years, Troma president and filmmaker Lloyd Kaufman was not happy with how the sequels turned out. While Parts II and III had their moments, they weren’t able to catch the same energy as the original. After the making of Terror Firmer, Troma felt it was now time for New Jersey’s first superhero to return. Having proved himself, Trent Haaga not only was an actor in this but also a writer, producer, and casting director. With a $500,000 budget, this would prove to be the most ambitious yet most grueling-to-film entry in the series. This had the largest cast, the most special effects, and the most stunts of any film since Troma’s War. Though premiering in 2000, Citizen Toxie: The Toxic Avenger Part IV wasn’t released until 2001.

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    Synopsis

    The Diaper Mafia, led by Tex Diaper (Trent Haaga), is shooting up the Tromaville School for the Very Special. Thankfully, our favorite hideously deformed creature of superhuman size and strength The Toxic Avenger (David Mattey) is here for us. Though Toxie and his overweight by loveable sidekick Lardass (Joe Fleishaker) stop them, an explosion causes a dimensional rift. Toxie is transported to the mirror dimension, Amortville, while his evil self The Noxious Offender (David Mattey) is in Tromaville. While Toxie is trying to find a way back home, Noxie is causing chaos and eventually becomes the mayor. At the same time, Toxie’s wife Sarah (Heidi Sjursen) is pregnant with two babies: Toxie’s child and Noxie’s child. Will Toxie be able to return home and stop his evil doppelganger, or will he be stuck in Amortville? Also, how is Sarah pregnant with two kids from two different fathers?

     

    Review

    While The Toxic Avenger is a beloved cult classic, Parts 2 and 3 aren’t quite as fondly remembered. Thankfully, Citizen Toxie: The Toxic Avenger Part IV writes the wrongs of its predecessors and is the true sequel. You know you’re watching something special when comic book legend and master of cameos Stan Lee does the opening narration. In addition, there are tons of celebrity cameos to look for, including Eli Roth, James Gunn, and even Corey Feldman! Troma fans will also notice appearances from Bill Weeden, Lisa Gaye, Rick Collins, Debbie Rochon, Ron Jeremy, and Lemmy. Truth be told, there are so many cameos that it’s impossible to list them all in this one review. Needless to say, Tromaholics and genre fans alike will get a kick out of the many appearances here. Even a few actors from the original film make an appearance save for Marisa Tomei.

    If Terror Firmer was Lloyd Kaufman’s way of venting, then Citizen Toxie is him giving back to the fans. This film has all the blood, boobs, bodily functions, and bad taste in humor you’d expect in a Troma film. Some scenes tackle the Columbine shooting, abortion, AIDS, racism, and the mentally challenged, all injected with that distinct Troma flavor. David Mattey makes for a solid Toxie/Noxie, and the makeup effects used are some of Troma’s best. The late great Joe Fleishaker shines in his dual role of Lardass/Chester, showing more humanity than you’d expect. However, Lisa Terezakis, Barry Brisco, and especially Michael Budinger steal the show as Toxie’s friends, each offering some memorable lines. Admittedly, some moments feel like they’re stretching to reach two hours, but the pure insanity makes up for those moments. Overall, Citizen Toxie: The Toxic Avenger Part IV earns its “true sequel” status.

     

    Buy Citizen Toxie: The Toxic Avenger IV from Amazon: https://amzn.to/3eCMDmv

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  • Clue (1985)

    Clue (1985)

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    In 1949, the British company Waddingtons manufactured the board game Cluedo, a play on “Clue” and “Ludo” meaning “I play”. Originally designed by musician Anthony E. Pratt, the game was a hit and Parker Brothers licensed it in the US. In the early 1980s, actor turned director Jonathan Lynn had made a name for himself with the series Yes Minister. In 1983, producer Jon Peters had a meeting with Lynn about a potential project: a film based on Clue. Though skeptical, Lynn was sold on Peters’ pitch, so he flew out to Los Angeles to meet with John Landis. Lynn worked with Landis on developing the script, but Landis couldn’t direct it because he signed onto Spies Like Us. Despite having no experience directing films, Lynn agreed to direct and set out to bring this comedy to life. Clue saw its theatrical release on December 13, 1985.

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    Synopsis

    In 1950’s New England, a group of people is invited to a secluded mansion for a supposed dinner party. They’re greeted by the butler Wadsworth (Tim Curry) and the maid Yvette (Colleen Camp) and each given a fake name. The group includes Colonel Mustard (Martin Mull), Mrs. White (Madeline Kahn), Mrs. Peacock (Eileen Brennan), and Professor Plum (Christopher Lloyd). There’s also Mr. Green (Michael McKean) and Miss Scarlet (Leslie Ann Warren), and each of them is being blackmailed. Turns out the one responsible is Mr. Boddy (Lee Ving), who ends up getting killed under mysterious circumstances. Other victims soon arise including The Cook (Kellye Nakahara), a motorist (Jeffrey Kramer), and a singing telegram girl (Jane Wiedlin). With each of the guests having their own motive for the murders, everyone suspects everyone of being the killer. Who is the real killer, and how is this mystery going to end?

     

    Review

    At the time of its release in December of 1985, Clue was both a critical and commercial disappointment. In the years following its release, the film has developed a huge cult following, and I can see why. For one, the ensemble cast is made up of some of the best comedic actors of the time. Tim Curry is one of the film’s major highlights, delivering his lines with tons of wit and energy. On top of being absolutely stunning, Leslie Ann Warren is also fun as the conniving yet somewhat dimwitted Miss Scarlett. Madeline Kahn (Blazing Saddles) also shines as the quietly mysterious Mrs. White, who especially shines in her flames monologue. Christopher Lloyd, Martin Mull, and Michael McKean are pretty enjoyable acting either as ravenous horndogs, utter buffoons, or nervous wrecks. Though she can get somewhat annoying with her constant screaming, Eileen Brennan also has some funny moments.

    The production design is remarkable, with the sound stages looking just like a real old mansion you could live in. The score by Mel Brooks regular John Morris gives it a chilling mood and adds to the murder mystery feel. At slightly over 90 minutes, the movie moves at a fairly decent pace, though there are a few slow spots. Also, while many of the jokes land thanks to the delivery, some of the humor doesn’t quite work. There’s also an over-reliance on slapstick humor, which will either be enjoyable or predictably dull depending on your taste. Of course, the film is best known for its multiple endings gimmicks, which ended up hurting it. Given that any one of them could be the true ending, the film doesn’t really have a definitive conclusion. Overall, though it comes off somewhat disjointed, Clue is still a fairly enjoyable watch if nothing else.

     

    Buy Clue from Amazon: https://amzn.to/3dvos8X

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  • Freddy Got Fingered (2001)

    Freddy Got Fingered (2001)

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    In the 1990s, Canadian-born comedian Tom Green was incredibly popular due to his shock humor and lack of shame. Starting in September of 1994, he had his own show called The Tom Green Show, which ran until 1996. Acting as a precursor to Jackass, the show primarily consisted of Green performing all sorts of shocking stunts in public. Also, much like Bam Margera would do with Viva La Bam, Green would torment his parents and embarrass them. The show was picked up by MTV in 1999, where it became insanely popular worldwide, making Tom Green a superstar. With his newfound stardom, Green was offered numerous movie roles and appeared in Road TripCharlie’s Angels, and Stealing Harvard. Somehow, he convinced 20th Century Fox executives to let him star in, write, and direct his own feature film. So, on April 20th, 2001, Tom Green’s Freddy Got Fingered was released into theaters.

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    Synopsis

    Gordon Brody (Tom Green) is a 28-year-old unemployed man who dreams of being a professional cartoonist and making daddy proud. Said daddy is his father Jim (Rip Torn), who’s overjoyed to see his grown son move out of the basement. Once in LA, Gordon manages to meet Dave Davidson (Anthony Michael Hall), the head of a major animation studio. Unfortunately, Davidson rejects Gordon’s ideas, calling them “nonsensical”, so he moves back in with his parents, much to Jim’s annoyance. After a skateboarding accident puts his friend Darren (Harland Williams) in the hospital, Gordon meets Betty Menger (Marisa Coughlan). A quadriplegic doctor, Betty also has a passion for rockets, which ties into her oral fixation among other….strange fetishes. As Gordon struggles to make it big, he and his father are at war to ruin each other’s lives. Also, the title refers to a “joke” involving Gordon’s brother Freddy (Eddie Kaye Thomas).

     

    Review

    The late great Roger Ebert once said this movie “doesn’t deserve to be mentioned in the same sentence with barrels”. This refers to the old saying of “bottom of the barrel”, often referring to the absolute worst of the worst. In that regard, I personally think Mr. Ebert wasn’t harsh enough towards Freddy Got Fingered, which is saying something. This is one of those films where you wonder just who greenlit this and who thought this would be funny. Freddy Got Fingered is one of the worst comedies I’ve ever seen, and I thought It’s Pat was the worst. Much like that film, this one has very little plot, a really unlikeable lead, and “jokes” that fall flat. In many ways, this almost feels like a feature-length version of The Tom Green Show, but it doesn’t work. Then again, maybe this wasn’t intended to be a mainstream hit.

    This film tries to take the conventions of many comedies of the 90s and turn them on their heads. It’s the standard “loser tries to prove himself” storyline with the conventional love interest and emphasis on going against authority. However, despite what it tries to do, it fails because Gordon is a mean-spirited, sociopathic, and deranged man-child. It’s sad seeing Rip Torn and Anthony Michael Hall go from The Beastmaster and The Breakfast Club respectively to this. If I can give this film any positives, Marisa Coughlan is somewhat charming as the paraplegic love interest. She at least has a goal that she legitimately works towards as opposed to Gordon lying to get his way. I will say that this was slightly easier to sit through than It’s Pat, but that’s not saying much. Overall, Freddy Got Fingered is just as bad as you’ve heard.

     

    Buy Freddy Got Fingered from Amazon: https://amzn.to/34D5lF5.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Freddy Got Fingered (2001)

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  • Tromeo & Juliet (1996)

    Tromeo & Juliet (1996)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In the early 90s, Troma founder and president Lloyd Kaufman was working on a Shakespeare adaptation by way of Troma. In early 1992, Kaufman wrote the first draft alongside employees Andy Deemer and Phil Rivo entirely in a Shakespearean language. Unfortunately, this draft was pretty hated by everyone at Troma, so it was scrapped for the time being. In 1995, a newcomer named James Gunn came along and decided to take a crack at the script. He completely rewrote the script, making it much darker and more obscene but still using the Shakespearean verse. Kaufman worked with Gunn to rework the script further, removing the Shakespearean verse and adding more comedic elements. With a budget of roughly $350,000, this wound up being one of the cheapest films in Troma’s history. Though premiering at Cannes in 1996, Tromeo & Juliet wouldn’t see a US release until 1997.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    For years, the Que and Capulet families have been at war with each other, tearing up Manhattan in the process. While the Que’s son Tromeo (Will Keenan) lives in squalor, the Capulet’s daughter Juliet (Jane Jensen) lives a luxurious life. However, Juliet has to deal with her abusive father Cappy (Maximillian Shaun), and overprotective cousin Tyrone (Patrick Connor). During a costume party, Tromeo and Juliet cross paths and instantly fall in love despite their family rivalry. Unfortunately, Juliet is being forced to marry the young meat millionaire London Arbuckle (Steve Gibbons), but they have a plan. They get secretly married, but unfortunately, Tyrone finds out and tries killing Tromeo, only for Tromeo to kill Tyrone. With Tromeo on the run from the cops, Juliet is forced to marry London instead under threat from her father. Will Tromeo and Juliet be reunited, or will this end the way the play does?

     

    Review

    If you’re expecting Tromeo & Juliet to be a faithful adaptation of Shakespeare’s classic play, you’re going to be disappointed. Without going into spoilers, this film goes in some wildly different directions and is almost an in-name-only adaptation. Purists will probably hate the deviations this takes, but if you’re willing to look past that, you’ll have some fun. Even by Troma standards, this is one of the most wildly outrageous and obscene movies in their catalog. It has a very punk rock quality to it, which fits with the rebellious and anti-mainstream nature of Troma. This is exemplified by the soundtrack, which features the likes of Motorhead, Sublime, Supernova, the Ass Ponys, and more. Speaking of, the late great Lemmy from Motorhead appears in this as the narrator, who adds some eloquence. Still, it can be somewhat hard to understand him through his mumbling and raspy voice.

    In typical Troma fashion, the cast plays this as over-the-top and ridiculous as possible though not in an annoying way. Will Keenan and Jane Jensen shine as the star-crossed lovers torn apart by family and actually have some solid chemistry. Maximillian Shaun makes for a great villain, being both charismatic and so hateable that you want to see him die. Speaking of death, the gore scenes aren’t quite as outrageous as The Toxic Avenger Part III, but they’re still fun. Steve Gibbons is probably the only cast member who teeters on being annoying, acting like an even crazier Jim Carrey. Valentine Miele and Stephen Blackehart make for a fun comedic duo, Debbie Rochon is stunning, and Sean Gunn is funny. At slightly over 90 minutes, the film does drag in places, but it’s never boring largely thanks to the cast. Overall, Tromeo & Juliet would’ve been Shakespeare’s favorite movie…probably.

     

    Buy Tromeo & Juliet from Amazon: https://amzn.to/4fyF3Xf.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Tromeo & Juliet (1996)

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  • It’s Pat (1994)

    It’s Pat (1994)

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    During the 16th season of Saturday Night Live, the character of Pat, played by Julia Sweeney, was introduced. The joke about the character was that they are of undetermined gender and people are trying to figure it out. Having been featured in 14 sketches, the Pat character became one of the more popular characters on the show. However, over the years, the character has been criticized for negatively portraying people who are struggling with gender identity issues. Regardless, the character proved popular enough that a film adaptation was being considered after Wayne’s World was a financial success. The film was originally to be produced by Fox before they dropped out and Touchstone Pictures picked it up. With a budget of $8 million, the cast comprised of SNL veterans Julia Sweeney, Charles Rocket, and Tim Meadows. Finally, August 1994 saw the release of Adam Bernstein’s It’s Pat.

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    Synopsis

    Pat Riley (Julia Sweeney) is a heavyset person of undetermined gender who’s wanting more out of life. Unfortunately, they’ve been fired from every job they’ve had and Pat seems to not be happy with any of them. One day, Pat meets Chris (Dave Foley), a similarly androgynous person working as a bartender, and they fall in love. All over town, people keep asking the same question but never get an answer, “What is Pat’s gender?” One such person is Pat’s neighbor Kyle Jacobsen (Charles Rocket), whose curiosity turns into an obsession that ruins his life. Pat goes through a series of “wacky” scenarios, like taking a talk radio show from their neighbor Kathy (Kathy Griffin). Unfortunately, Chris ends up leaving Pat because of their selfishness and their inability to commit to anything in life. Will Pat and Chris be reunited, and how far will Kyle go to learn the truth?

     

    Review

    Ordinarily, I don’t like to throw around the term “worst movie ever” because there will always be something worse. In the case of It’s Pat, this is one instance where I can definitely call something the worst movie ever. In terms of comedy, this film fails on just about every single level and is almost entirely devoid of humor. Most of the “jokes” are pretty low-brow, which was fairly common in the 90s, but none of them land here. What doesn’t help is that Pat is easily one of the most disgusting, obnoxious, and unlikeable leads I’ve ever seen. Granted, I’m not familiar with the original sketch, but I can’t imagine the character being this insufferable on the show. Regardless, so much of the film is filled with Julia Sweeney mugging for the camera and using her obnoxious laugh. You know it’s bad when Kathy Griffin is actually sympathetic.

    Despite the film’s general awfulness, the one bright spot of the whole thing is Charles Rocket and his subplot. I don’t know who told him to treat this like a thriller, but I’m glad he did because it’s amazing. He plays his part with such intensity and creepiness that he’s much more interesting than the lead we’re given. We see his curiosity over Pat’s gender turn to an obsession where he starts dressing up like Pat. If the whole movie were a stalker thriller disguised as a dumb comedy, it might’ve actually been enjoyable. Instead, even at 75 minutes, the film is a pain to sit through, going from one “wacky” scenario to another. If The Blues Brothers and Wayne’s World are considered the gold standard SNL movies, this is easily among the worst. Overall, It’s Pat is easily one of the most painful films I’ve ever sat through.

     

    Buy It’s Pat from Amazon: https://amzn.to/2QDbein

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  • Postal (2007)

    Postal (2007)

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    German filmmaker Uwe Boll is considered to be one of the worst directors in the past few decades. After making a splash with Blackwoods and Heart of America in 2002, Boll started making movies based on video games. His first video game film was 2003’s House of the Dead, which is considered one of the worst films ever. Since then, he’s gone on to make movies based on Alone in the DarkBloodrayne, and Dungeon Siege. Each of the films received generally negative reviews and lost money at the box office, but he still found work. According to Boll, he was approached with doing an adaptation of the controversial game Postal, and he was intrigued. He got the backing of developer Running With Scissors and amassed a budget of $15 million to produce the film. Originally set for a 2007 release, Postal got a very limited release in May 2008.

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    Synopsis

    Life is tough for The Postal Dude (Zach Ward), after being mocked at an interview, denied welfare, and cheated on. Wanting to move out of town, he teams up with his Uncle Dave (Dave Foley), who’s organized a religious cult. Turns out Uncle Dave owes tons of money to the IRS, so he and Postal Dude devise a plan. There are 2,000 Krotchy Dolls, which are considered extremely rare, being sold at a local amusement part called Little Germany. Unbeknownst to them, the Taliban are also after the dolls as they plan to put Bird Flu vials in them. Postal Dude, Uncle Dave, and his right-hand man Richie (Chris Coppola) steal the dolls after a shootout breaks out. However, Richie kills Uncle Dave as he plans to use the dolls to bring about the end of the world. Also, Verne Troyer, Osama Bin Laden, and George W. Bush are there.

     

    Review

    Going into this, I had only seen clips of Boll’s movies and heard about how bad his films were. Admittedly, the only one of his films I had seen before this was 2009’s Rampage, which I thought was alright. As far as Postal goes, it’s technically not a good movie, but it’s an interesting one to put it lightly. In terms of Uwe Boll’s direction, it’s pretty flat, with almost every scene having an unusually orangish tint to it. Also, there are so many scenes where the camera doesn’t stay still that it becomes irritating. Acting-wise, it’s clear that everyone knew what kind of movie they were in and decided to just go for it. Zach Ward makes for a decent lead, and Dave Foley has some funny moments, though Chris Coppola can get obnoxious. Also, I feel like Verne Troyer probably regretted doing The Love Guru more than this.

    Further adding to how not good this film is, several subplots go absolutely nowhere and are dropped almost immediately. I had to exclude the vast majority of them from this review because of how utterly pointless they were. Boll clearly meant for this to be some sort of sociopolitical satire, but he’s as subtle as an atomic bomb. However, given Boll’s reputation and his constant criticisms at the time, it’s understandable why he was so vitriolic. This was never meant to be a good movie, but instead an incredibly offensive, politically incorrect, terrible movie. In many ways, he succeeded, and I even found myself laughing at just how absurd the humor was. So while I can’t call this some misunderstood masterpiece, I can commend Boll for succeeding at what he tried doing. Overall, Postal is pretty awful, but then again, maybe that’s the point or something like that.

     

    Buy Postal from Amazon: https://amzn.to/3g19l9C

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  • Sgt. Kabukiman N.Y.P.D. (1990)

    Sgt. Kabukiman N.Y.P.D. (1990)

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    While filming The Toxic Avenger Part II in Japan, Lloyd Kaufman and Michael Herz were approached with a lucrative deal. Apparently, The Toxic Avenger was very popular in the Land of the Rising Sun where it was a major hit. Tetsu Fujimura and Masaya Nakamura from Namco approached Kaufman and Herz to develop a film about a kabuki-themed superhero. Supposedly based on an idea from Kaufman, Namco agreed to put up half a million dollars for the budget. Unfortunately, things didn’t go as planned early on, as there were disagreements between the filmmakers and the producers. Namco and Herz agreed to make a family-friendly film for kids, but Kaufman wanted it made as another Troma movie. After premiering at the American Film Institute in 1990, the actual film didn’t see a wide release until 1996. So, with that out of the way, let’s examine Sgt. Kabukiman N.Y.P.D.!

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    Synopsis

    Harry Griswold (Rick Gianasi) is a New York police detective who enjoys fast food and is pretty clumsy. One night, he attends a Kabuki show, when suddenly the actors are gunned down, prompting Griswold to intervene. During the gunfight, he’s forcibly kissed by one of the dying actors, which gives him special Kabuki powers. The next day, his superior Captain Bender (Noble Lee Lester) chews him out claiming that Griswold shot at security officers. Griswold suspects that wealthy businessman Reginald Stuart (Bill Weeden) is somehow involved, but he’s got connections to discredit Griswold. When his partner Connie LaRosa (Pamela Alster) is attacked, Griswold transforms into Kabukiman, wielding tons of Asian-inspired powers and weaponry. Unfortunately, Connie gets killed, Griswold is suspended, and it seems like Stuart has gotten away with it all. With some help from the nubile Lotus (Susan Byun), Griswold harnesses his powers to fulfill his destiny!

     

    Review

    Despite having a troubled production, Sgt. Kabukiman N.Y.P.D. is much more fun and enjoyable than one would expect. First off, while not as iconic as Toxie, Kabukiman is still a uniquely fun character that works on his own. Not only does he have a very colorful design, but his goofy demeanor and random abilities add to his charm. Also, Rick Gianasi makes for a flawed but likable lead as Detective Griswold, as well as playing a cartoonish character. With its darkly-lit night scenes and even some line deliveries, it feels like a parody of 1989’s Batman at times. Even the scene transitions playfully reference the scene transitions in the 1960’s TV series, adding to the cartoony feel. What also makes it funny is how much of the cast play it straight, especially Susan Byun and Bill Weeden. They feel like they’re plucked from a mainstream superhero movie.

    Admittedly, some of the production problems mentioned before do creep their way in, though it doesn’t hurt the film. For instance, a fight scene will be goofy and silly, but then someone’s head will get stomped on. Also, there’s a fair amount of nudity here and there, and even an attempted rape scene, causing some tonal dissonance. Granted, violence and nudity mixed with cartoonish humor are Troma’s bread and butter, but here, there’s an odd disconnect. Still, the film is relatively tame compared to movies like The Toxic Avenger and Class of Nuke ‘Em High. While I think the original Toxie is perfect for Troma beginners, this might be better for those more squeamish. In terms of comparing this to Troma’s other films, this lies somewhere between the Toxie and Nuke ‘Em High sequels. Overall, Sgt. Kabukiman N.Y.P.D. is a fun superhero spoof worth investigating.

     

    Buy Sgt. Kabukiman N.Y.P.D. from Amazon: https://amzn.to/3cVsbNt

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  • Class of Nuke ‘Em High 3: The Good, the Bad and the Subhumanoid (1994)

    Class of Nuke ‘Em High 3: The Good, the Bad and the Subhumanoid (1994)

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    Lloyd Kaufman and Michael Herz enjoyed working with and were trying to make a star out of wrestler-turned-actor Brick Bronsky. He was hired to play the lead in the 1991 sequel Class of Nuke ‘Em High 2: Subhumanoid Meltdown. While The Toxic Avenger sequels were filmed back-to-back, the Class of Nuke ‘Em High sequels were filmed over three years. Both were directed by Eric Louzil, who previously directed Lust for Freedom and Fortress of Amerikkka as previously mentioned. He also produced 1981’s Malibu Hot Summer, which was rereleased as Sizzle Beach USA and featured a then-unknown Kevin Costner. For the sequels, Louzil decided to not follow the original and instead go off in his own direction. Neither had the original cast or filming locations. Class of Nuke ‘Em High 3: The Good, The Bad, And The Subhumanoid was released three years after Part 2.

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    Synopsis

    After the last film, Tromie the Nuclear Squirrel has been dealt with and peace has returned to Tromaville. Meanwhile, Roger Smith (Brick Bronsky) is in the hospital with his girlfriend Victoria (Leesa Rowland) because she’s giving birth. Unbeknownst to him, Dr. Slag, Ph.D. (John Tallman) from the Nukamama Corporation has his eyes set on Roger’s sons. Alongside Professor Melvina Holt (Lisa Gaye) and a new cretin gang, they kidnap his son Dick (Bronsky) after he’s born. Later, Roger’s son Adlai (Bronsky) is born and raised to be good-natured while Dick is raised to be bad. Adlai attends the Tromaville Institute of Technology like his dad and has a girlfriend named Trish (Lisa Star). Soon, Dr. Slag, Ph.D.’s plan comes to fruition when Dick wreaks havoc on Tromaville, and Adlai is blamed for it. Will Adlai be able to stop Dr. Slag, Ph.D., or will Tromaville become a nuclear stockpile?

     

    Review

    Class of Nuke ‘Em High 3: The Good, The Bad, And The Subhumanoid is more of the same from before. It’s got the same goofy sound effects, the same obvious ADR, the same emphasis on T&A over gore, etc. Interestingly, this film was apparently based on Shakespeare’s The Comedy of Errors, though with that extra Troma touch. Bronsky, though not a terrible actor, is clearly stretching it with having to play three roles at once. He’s surprisingly pretty intense as Dick, though it seems like he might be trying too hard at being intimidating. As Adlai, he’s basically repeating his performance as Roger from the last film, even wearing the same outfit. When he’s playing Roger, who’s also the mayor, has some fun moments getting to free up some more. Though he’s not the best actor, it’s a shame his acting career never took off after these two films.

    Lisa Gaye, much like Toxic Avenger 23 and Class of Nuke ‘Em High 2, is wonderfully over-the-top. She spends most of the runtime either smoking a cigar or eating snacks, but she still has some fun moments. John Tallman delivers a surprisingly straight-laced performance as Dr. Slag, Ph.D., mostly underacting though still coming off as mildly intense. Effects-wise, it’s what you’ve come to expect from a Troma film: tons of melting, goop, and rubber suits. What stands out the most are the subhumanoids, which have unique animal-like designs, such as a wolf, a lizard, etc. Also noteworthy is that this would be the first appearance of Ron Jeremy, who would become a Troma regular. While it has its moments, there are better Troma films to start with. Overall, Class of Nuke ‘Em High 3: The Good, The Bad, And The Subhumanoid is average at best.

     

    Buy Class of Nuke ‘Em High 3: The Good, The Bad, And The Subhumanoid from Amazon: https://amzn.to/31cofks

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  • The Toxic Avenger Part III: The Last Temptation of Toxie (1989)

    The Toxic Avenger Part III: The Last Temptation of Toxie (1989)

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    When Troma started working on a sequel to The Toxic Avenger, times were admittedly tough for the studio. After the failure of Troma’s War, the studio had been blacklisted from Hollywood and relegated to much smaller fare. While they had a $2 million budget, Troma founder Lloyd Kaufman got overly ambitious with his toxic sequel. The original cut of the sequel was four hours long, so naturally, they had to split it in half. The first half was released as The Toxic Avenger Part II in February 1989 while the second half continued. Though the last film was made primarily in Tokyo, this one would return to New York and New Jersey. Much of the cast and crew returned, and Mark Torgl from the original was supposed to return, but he declined. Finally, November 1989 saw the release of The Toxic Avenger Part III: The Last Temptation of Toxie.

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    Synopsis

    After running Apocalypse Inc out of Tromaville, the Toxic Avenger (Ron Fazio) has become depressed despite bringing peace to Tromaville. While failing at getting work, Toxie and his blind girlfriend Claire (Phoebe Legere) find a way to restore her eyesight. Unfortunately, the procedure costs more than they can afford, but hope comes when Toxie gets a job opportunity. This comes from Apocalypse Inc, whose Chairman (Rick Collins) offers Toxie money for Claire’s surgery in exchange for his services. He accepts the offer, much to the shock of the Tromaville citizens, who feel betrayed by their so-called hero. Things get worse once Toxie’s ego inflates, and soon he sees how the citizens of Tromaville have rejected him. Toxie eventually learns the error of his ways, works to restore the people’s trust and confronts the Chairman. It’s soon revealed that the Chairman is The Devil himself, and Toxie has to stop him.

     

    Review

    The Toxic Avenger Part III: The Last Temptation of Toxie, like its predecessor, has problems but is still fun. From its opening sequence at a video store to the showdown with The Devil, you’re in for a wild ride. Speaking of which, while the opening sequence seems out of place, it’s a great showcase of some cartoonishly grisly effects. Guts are ripped out, faces are erased, arms are crushed in a VCR, and heads are ripped off via mop. Admittedly, the film starts dragging after the opening sequence, especially when they start using stock footage from the last film. The story picks up significantly once Toxie confronts the Chairman/Devil, but there’s only about a half-hour left by then. At slightly under an hour and 45 minutes, the film feels padded and dragged out to reach feature-length. That said, this still provides everything that a Troma fan could ask for.

    Ron Fazio gives another solid performance as Toxie, clearly having fun as the loveable creature of superhuman size and strength. Phoebe Legere is an over-the-top ditz with her performance, though she gets to show off more of her musical talents. Like before, Rick Collins and Lisa Gaye give wonderfully hammy performances as the villains, Rick getting more screentime this time. The scene where he transforms into The Devil is grisly and horrific, just what you’d expect from a Troma film. Michael Jai White and Troma regular Joe Fleishaker make appearances, but they’re relegated to the background with hardly any lines. There are some fun fourth wall jokes thrown in for good measure, though they can sometimes be distracting. Like the last film, this is a bit of a mess, but it’s still a good time. Overall, The Toxic Avenger Part III: The Last Temptation of Toxie is enjoyable schlock.

     

    Buy The Toxic Avenger Part III: The Last Temptation of Toxie on Amazon: https://amzn.to/3kDg2P6

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