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Category: Horror

  • Blood Hook (1987)

    Blood Hook (1987)

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    Minnesota-born Jim Mallon is probably best known today as one of the creators of Mystery Science Theater 3000. However, back in the mid-1980s, he had just graduated from college when he got a job at WHA-TV in Madison. Since converting to video, the studio had access to tons of unused film equipment, which Mallon decided to use. He contacted his old friend David Herbert to write a script based on an early short film. With a budget of $200,000, filming lasted for 35 days in Hayward, Wisconsin, under the title Muskie Madness. While initially planned for a 1986 release, the film had to be trimmed to avoid an X rating for violence. At some point, Troma acquired the distribution rights to the film and decided to re-edit and re-title the picture. In April 1987, Troma released Mallon’s film in theaters as Blood Hook.

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    Synopsis

    Seventeen years after witnessing his grandfather’s death, Peter van Clease (Mark Jacobs) returns to his hometown for a fishing festival. There’s also his girlfriend Ann (Lisa Jane Todd) and friends Rodney (Patrick Danz), Kiersten (Sara Hauser), and Finner (Christopher Whiting). While everyone’s preparing for the Muskie Madness fishing contest, a psychopathic killer is on the loose. His method of choice involves using a large lure on a fishing line to reel in his victims. While the sheriff (Paul Heckman) tries to keep the peace, our heroes scramble to figure out who the killer is. Wayne Duerst (Paul Drake) instantly distrusts Peter and his friends, while his son Evelyn (Bill Lowrie) thinks there’s something more. While suffering from PTSD over his grandfather’s death, Peter has to rise to the occasion and stop the killer. But who is this psychotic fisherman, and why is he catching people with his blood hook?

     

    Review

    Blood Hook is a ridiculous movie, and the filmmakers are fully aware of that, but there’s plenty of sincerity. One aspect that works in the movie’s favor is the location, an actual small town in Wisconsin. It’s the sort of homegrown setting where you feel like you know everyone, and minor things are significant events. Jim Mallon does a great job of capturing the beauty of the lakeside locations while adding a moody atmosphere. It’s worth noting that the key grip was Kevin Murphy, who went on to voice Tom Servo in MST3K. In addition, the movie moves at a steady pace, offering enough time between kills to develop the characters further. Also, the way the killer dispatches his victims with a fishing hook is unique, and each kill is quite bloody. There are also some disturbing moments where the victims are dragged with ropes through their mouths.

    The acting is hit or miss, with some standing out or coming off as a wet blanket. For most of the runtime, Mark Jacobs is a bland lead that makes dumb decisions that hurt his character. Lisa Jane Todd is likable enough as the love interest, but the other would-be victims are pretty forgettable. Bill Lowrie is easily the biggest stand-out in the cast as a crazed Vietnam veteran who rants about conspiracy theories. Don Winters also does a great job playing a friendly fisherman/bait shop owner who might be hiding something sinister. Also worth noting is Sandy Meuwissen, who is irresistibly cute, and her bubbly personality makes her endearing. The movie clocks in at 111 minutes, which is long for this type of movie, but it never drags. Overall, Blood Hook isn’t one of the greatest Troma movies, but it’s an underrated gem.

     

    Buy Blood Hook from Amazon: https://amzn.to/3UkWKit.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Llamageddon (2015)

    Llamageddon (2015)

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    While attending the University of Miami, Robert Horn shot a student film about a killer llama run amok. After graduation, Horn felt he could expand the short film into a full-length feature, so he worked to acquire funds. Thanks to a university grant, he earned a budget of $3,000 to make his killer llama movie a reality. To keep costs down and help some aspiring filmmakers, Horn hired around 25-30 college students for the cast and crew. Horn specifically wanted to use llamas simply because he had access to one that he could use. Horn wanted his movie to be an intentionally campy B-movie, and almost everyone used pseudonyms as part of the joke. For example, Robert Horn became Howie Dewin, and the cinematographer became Chet Steadman. After a limited theatrical run in April 2015, Llamageddon made its way onto streaming services later that year.

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    Synopsis

    On a far-off planet full of killer llamas, one of them takes a rocket to invade Earth. During the journey, the ship gets damaged and crash-lands near a small farm, and the llama kills the farmers. Meanwhile, siblings Floyd (James Earl Cox III) and Mel (Pinki Brainweis) are coming back from their grandparents’ funeral. While their mother has to take care of the will, Floyd and Mel must watch over their grandparents’ house. Mel takes this opportunity to invite several friends, including her boyfriend Trent (Gooch Jesco III), over for a party. While everyone is either getting drunk or stoned, they’re unaware of the killer llama stalking outside looking for prey. Soon enough, the llama starts killing off the partygoers in ridiculous ways, including electrocution, heart removal, and toxic spit. Who will make it out alive, and will this killer llama be stopped?

     

    Review

    In my review of The VelociPastor, I mentioned how I’m generally not a fan of intentionally bad movies. To me, films that’re supposed to be terrible feel hollow and artificial, like the filmmakers use it as an excuse. I gave VelociPastor some credit because, even though it’s meant to be ridiculous, it felt like the filmmakers tried. With Llamageddon, it feels like the filmmakers put little to no effort into making this movie. Granted, they had a $30,000 budget to work with, but I’ve seen several low-budget films that look better than this. The directing is flat, the acting is bad all across the board, and the effects are laughably terrible. The only legitimately good thing is the animated segments, which are amateurish but are easily the best parts. However, I can criticize this movie all I want, but doing so is a pointless venture.

    Everything in this movie is supposed to be terrible: the story, the characters, the effects, the script, etc. You’re not supposed to go into a film about a llama with laser eyes that kills people expecting high art. This is meant to be a horror-comedy, and I could get behind that if it were funny, which it isn’t. Aside from the absurd premise, most of the jokes fall flat and have been done better in other movies. None of the characters are likable, which I’m sure was the point, but it’s a lazy writing trope. Even at 69 minutes in length (Get it?), there is so much filler that it feels like it drags on. However, if anything I’ve described sounds appealing to you, you’ll have more fun than I did. Overall, Llamageddon is precisely what you think it is, but don’t expect anything more.

     

    Watch Llamageddon on Amazon Prime: https://amzn.to/3U9wiIj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Llamageddon (2015)

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  • Killjoy Goes to Hell (2012)

    Killjoy Goes to Hell (2012)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.1″ _module_preset=”default” global_colors_info=”{}”]While the first two movies came and went, Killjoy 3 was more successful than Full Moon expected. Despite the profits, the studio wasn’t pushing for another entry, primarily because of how outside their wheelhouse it was. According to writer/director John Lechago, they built sets in Full Moon’s offices since they had no studio access. Filming lasted seven days, but Lechago insisted on one additional filming day, which consisted of 10 hours of shooting. While most Full Moon movies aren’t necessarily connected, Lechago wanted this to be a direct sequel to the last one. Several of the previous film’s cast – Trent Haaga, Victoria De Mare, Al Burke, Tai Chan Ngo, and Jessica Whitaker – returned. With a reported budget of $85,000, Lechago went all out on this film and let his creativity run wild. On October 2012, Killjoy Goes to Hell made its way onto DVD shelves for a rabid audience.
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    Synopsis

    The demon clown Killjoy (Trent Haaga) is taken to Hell’s courtroom to stand trial with Beezlebub (Stephen F. Cardwell) overseeing. Jezabeth, the Devil’s Advocate (Aqueela Zoll), accuses Killjoy of going soft, especially after letting one of his victims go. The said victim is Sandie (Jessica Whitaker), who’s been committed to a psych ward after witnessing her friends’ murders. While in prison, Killjoy meets Skid Mark (John Karyus), an aspiring clown demon who wants to be Killjoy’s attorney. Using Skid’s human blood, Killjoy summons Punchy (Al Burke), Freakshow (Tai Chan Ngo), and Batty Boop (Victoria De Mare). He has them act as his witnesses, but unfortunately, the trial goes south, and Killjoy’s existence is in jeopardy. In a last-ditch effort, Batty and Freakshow use a magic mirror to bring Sandie to Hell as a witness. Little do they know that Skid Mark, Killjoy’s attorney, has his own agenda.

     

    Review

    Killjoy Goes to Hell is more of the same as Killjoy 3, for better or for worse. Lechago injects the same manic energy, irreverent humor, and cost-effective filmmaking that made the last Killjoy movie work. Admittedly, the script isn’t the greatest, with most of the dialogue either being exposition dumps or overuse of expletives. Some moody lighting, decent makeup effects, and exciting production design make it stand out. While this movie had a low budget, Lechago managed to make effective use of that small budget. But the film’s biggest highlight is Trent Haaga’s performance in the title role as the demon clown. Like in the last movie, he has the time of his life in the part, making Killjoy demented and funny. It helps that Burke, Ngo, and De Mare work great opposite Haaga, each having their moments to shine.

    Sadly, much of the human cast isn’t the greatest, but they’re not the movie’s focus. When Jessica Whittaker tries to act crazy by laughing constantly, it comes off as restrained and flat-sounding. When she’s dragged to Hell to confront Killjoy, her performance picks up, and she has some great lines. John Karyus is OK as the comic relief, but he can get annoying, though it feels intentional. Even though she wasn’t hired for her acting talent, Aqueela Zoll is stunning as Jezabeth, and she has some moments. While the practical effects are decent, there is some questionable CGI that looks straight from a Sega CD game. Also, this is the most extended entry so far at an hour and thirty-three minutes, but it’s not too padded. Overall, Killjoy Goes to Hell is a mostly entertaining, somewhat messy entry in Full Moon’s catalog.

     

    Buy Killjoy Goes to Hell from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Halloween Ends (2022)

    Halloween Ends (2022)

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    On a $20 million budget, Halloween Kills grossed over $130 million worldwide, significantly less than Halloween in 2018. Critically, the movie wasn’t as well received, earning a 39% rating on Rotten Tomatoes, though audiences were more favorable. Despite this, the studio decided to move ahead with a third installment, which would be the last in the series. While the studio expected filming to start in the summer of 2021, production didn’t begin until January 2022. Jamie Lee Curtis filmed her scenes between January 25 and February 22, and principal photography wrapped in March. In addition to Curtis, Andi Matichak, Kyle Richards, James Jude Courtney, and Will Patton returning, Rohan Campbell joined early on. Before the film’s release, Curtis said in interviews that the movie would be “shocking” and “make people very angry.” After premiering at Beyond Fest, Halloween Ends slashed theater screens in October 2022.

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    Synopsis

    It’s been four years since Michael Myers (James Jude Courtney) last stalked and slashed the streets of Haddonfield. Since then, Laurie Strode (Jamie Lee Curtis) has bought a new house and lives with her granddaughter Allyson (Andi Matichak). One day, Laurie meets Corey Cunningham (Rohan Campbell), a young man who accidentally got a child killed years ago. Seeing the goodness in him, Laurie introduces Corey to Allyson, and the two start forming a relationship. Unfortunately, the rest of the town views Corey as the town pariah and bullies constantly attack him. One night, Corey is dragged into a drain pipe by a mysterious figure, who turns out to be a burned Michael Myers. Under Michael’s influence, Corey kills anyone who wronged him, and Allyson wants to leave town with him despite Laurie’s objections. It all culminates in an ultimate showdown between Michael Myers and Laurie Strode.

     

    Review

    It’s a shame that the 2018 sequel/reboot was so good, and then both follow-ups were huge disappointments. As much as I didn’t care for Kills, that film was at least a Halloween movie, albeit a bad one. With Ends, it feels like the filmmakers took a preexisting script and threw in some Halloween elements. Halloween III: Season of the Witch wasn’t a Michael Myers movie, but at least it wasn’t advertised as one. With this movie, the marketing sells you on the last act without even hinting at what else happens. Like Kills, this movie tries to say something about the nature of evil, but it barely explores those themes. Admittedly, the idea of following a central character accused of something terrible and seeing his struggles has potential. The issue is that this idea isn’t fleshed out enough to make us care.

    While the story is weak, the acting is solid from all players involved, especially Jamie Lee Curtis and Andi Matichak. Also, Rohan Campbell does a pretty good job playing a sympathetic yet flawed character, but his performance feels wasted. Kyle Richards returns, but she hardly has anything to do, and Will Patton is utterly forgettable. James Jude Courtney shines in his few scenes as Michael Myers, and the ending fight with Curtis is well done. Unlike the ridiculously over-the-top kills from the last movie, the kills here are more subdued and restrained. Also worth mentioning is that Nick “The Shape” Castle and Diana “Darcy the Mail Girl” Prince have small cameos. As a standalone slasher, this movie is dull and preachy, and as a “conclusion” to a long-running series, it’s disappointing. Overall, Halloween Ends is a case of missed opportunities and failure to deliver.

     

    Buy Halloween Ends from Amazon: https://amzn.to/3X1r1Gj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Halloween Ends (2022)

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  • Eating Miss Campbell (2022)

    Eating Miss Campbell (2022)

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    From an early age, South Yorkshire native Liam Regan took influence in 1980s horror films, particularly Troma movies. After buying a copy of The Toxic Avenger Part II from his local Blockbuster, Liam decided filmmaking was his passion. He got to live out his dream by working with Lloyd Kaufman on Return to Nuke ‘Em High Volume 1. After working on Return to Return to Nuke ‘Em High Aka Vol. 2, Regan went off to found Refuse Films. He made the short film Confessions of Peltzer, which premiered at TromaDance 2012. Regan expanded the short into a feature film, My Bloody Banjo, winning Best Horror Comedy at the Weekend of Horrors. He returned to Troma to help write Lloyd’s latest film, #Shakespeare’s Shitstorm, before moving on to his next feature. In September 2022, Eating Miss Campbell premiered in the US at the GenreBlast Film Festival.

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    Synopsis

    Beth Connor (Lyndsey Craine) is a 17-year-old goth vegan attending Henelotter High who’s perpetually stuck in a horror film. She can only escape if she kills herself, but she wants to do it in a memorably gruesome way. Meanwhile, Tusk Everbone (Justin A. Martell) and Nancy Applegate (Annabella Rich) hire Mr. Sawyer (Vito Trigo) as the new headmaster. At an assembly, Sawyer announces the “All You Can Eat Massacre,” an eating competition where the winner gets a handgun. Whoever wins the gun can kill themselves or shoot up the school, so Beth enters, hoping to end it all. However, things go awry when she develops a craving for human flesh and a crush on Miss Campbell (Lala Barlow). To make matters worse, Campbell is a psychopathic killer picking off the students and staff. Will Beth’s suicide be successful, or will her appetites consume her?

     

    Review

    The opening minutes of Eating Miss Campbell, where Beth talks directly to the camera, tell you what to expect. This film will be a self-aware horror-comedy that pokes fun at the tropes and conventions of the genre. But rather than just being a horror comedy, this movie also tackles some issues of gun violence and gender equality. Specifically, the theme of almost glamorizing school shootings is an excellent satire of news stations constantly publicizing such tragic stories. This film should come with a warning as there isn’t a single thing some people won’t find offensive. It takes dark subject matter like teacher/student relations, gun violence, and misogyny and twists them on their heads. Writer/director Liam Regan adds references to everything from Heathers and Mean Girls to Child’s Play 3 and Scream. Even the Rugrats-inspired opening credits add to its live-action cartoon vibe.

    Tone-wise, this movie is like a combination of 90s Nickelodeon and the splatter films of Peter Jackson. With so much blood and viscera spewed everywhere, this will no doubt satisfy any gorehound’s lust for carnage. To help offset the chaos, Lyndsey Craine gives an outstanding performance as the straight person reacting to all the insanity. Her snarky attitude and dry wit help make her endearing when this character could’ve been annoying in someone else’s hands. Lala Barlow also shines as the outwardly bubbly yet internally vicious Miss Campbell, and her scenes with Craine are gold. This movie doesn’t look cheap for a low-budget horror comedy, with its moody lighting and solid practical effects. Admittedly, the occasional CGI blood splatter hurts it, and some of the gags don’t land, but it’s still wicked fun. Overall, Eating Miss Campbell won’t appeal to everyone, but genre fans will love it.

     

    Special thanks to Liam Regan for providing a screener link to the movie: https://twitter.com/refuseliam.

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  • Halloween III: Season of the Witch (1982)

    Halloween III: Season of the Witch (1982)

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    While the original Halloween was a critical and commercial success, Halloween II wasn’t as successful. Despite grossing over $25 million, reviews weren’t as kind, with Roger Ebert calling it “a fall from greatness.” Still, the producers thought the film earned enough money to warrant another sequel despite John Carpenter and Debra Hill’s reluctance. They only agreed to return if they could make a standalone film without Michael Myers returning as the focus. With a $2.5 million budget, Carpenter hired Nigel Kneale, best known for the Quatermass series, to write the script. Unfortunately, producer Dino De Laurentiis wanted more gore added, so Carpenter and director Tommy Lee Wallace rewrote the script. The hope was that if this film were successful, it would spawn a new anthology series of Halloween-themed movies. On October 22, 1982, Halloween III: Season of the Witch was released to an unsuspecting audience.

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    Synopsis

    Dr. Daniel Challis (Tom Atkins), an alcoholic, divorced doctor, is called into the hospital when a delirious patient arrives. The patient, shop owner Harry Grimbridge (Al Berry), clutches a Jack-O-Lantern mask claiming that “they’re going to kill us all.” That night, a mysterious stranger (Dick Warlock) goes to the hospital, kills Harry, and immolates himself. The next day, Challis meets Harry’s daughter Ellie (Stacey Nelkin), who reveals she found some strange information regarding his death. Their investigation takes them to the Santa Mira headquarters of Silver Shamrock Novelties, a company known for its Halloween masks. Posing as potential buyers, Dan and Ellie tour the factory and meet the owner, Conal Cochran (Dan O’Herlihy). Things go south when Ellie gets kidnapped and Dan gets captured while breaking into the factory. What Dan soon learns about Silver Shamrock and their masks will shock him to his very core.

     

    Review

    Halloween III: Season of the Witch is criminally underrated, even if it’s the furthest apart from the other entries. Since its release 40 years ago, there are still fans who’ve dismissed this entry simply for not having Michael Myers. Even though the marketing clarified that Michael Myers wouldn’t return, this fact still annoyed fans. Thankfully, the film has recently gained a reevaluation from critics and audiences, which it rightfully deserves. As a standalone film, it works as a supernatural thriller with some clever satire toward the commercialization of Halloween. As a sequel, the movie is removed from the first two as much as possible, which is its biggest flaw. If it were called anything other than Halloween III, the film probably wouldn’t have been as hated by audiences. Still, it’s the only way the movie would’ve gotten the green light, so its downfall was inevitable.

    As always, Tom Atkins delivers a charismatic and commanding performance playing an unconventional leading man as an alcoholic divorcee. On top of looking adorable, Stacey Nelkin makes for a great leading lady and has excellent chemistry with Atkins. Dan O’Herlihy makes for a compelling villain, coming off as charming and sinister, best exemplified by his speech about Samhein. While there are some gruesome kills, the movie manages to make them disturbing without being needlessly graphic. Not to mention, this movie does something you rarely see either back then or nowadays: they kill a child. Admittedly, the plot doesn’t make much sense, and there are plenty of plotholes, but they don’t hurt the overall experience. If you view this as a standalone movie, you’ll get one of the best supernatural horror films of the decade. Overall, Halloween III: Season of the Witch deserves its status as a cult classic.

     

    Buy Halloween III: Season of the Witch from Amazon: https://amzn.to/3fW5JI1.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Taint (2011)

    The Taint (2011)

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    Since 1978, Park City, Utah, has hosted the Sundance Film Festival, the largest independent film festival in the US. However, in 1999, Troma founder/president Lloyd Kaufman saw how mainstream Sundance became and decided to do something about it. So, he founded TromaDance, “the first and only film festival of the people, for the people, and by the people.” Unlike Sundance, filmmakers don’t have to pay submission fees, and screenings are open to the general public. In its 20+ year history, TromaDance has showcased numerous low-budget, independent movies from aspiring filmmakers across the country. Two such filmmakers were Drew Bolduc and Dan Nelson, who met while attending VCU to study moviemaking. Since some audiences have complained about horror films being misogynistic, Bolduc and Nelson decided to base their movie around that. So, at TromaDance 2011, their debut feature film, The Taint, was screened to a packed house.

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    Synopsis

    In a small, remote town, the water supply gets contaminated with toxic chemicals that affect the men who drink it. Any man who drinks the infected water becomes a savage brute who targets women to rape and kill. Thankfully, Phil O’Ginny (Drew Bolduc) hasn’t been affected, but he must bear witness to the horrors around him. While stumbling through the woods, he meets Misandra (Colleen Walsh), who killed her husband after he tried killing her. As they travel across town, they must contend with the mutated men, who sport massive, pulsating erections. Eventually, Phil and Misandra meet Ludas (Kenneth Hall), a loner with a strange mask who explains what caused the contamination. They learn that scientists were working to create a chemical to give men larger penises, but the experiments backfired. With society crumbling around them, it’s up to Phil and Misandra to put things right.

     

    Review

    On the surface, The Taint is a gross-out horror comedy with crass humor, cheap effects, and bad acting. However, if you look closely, you’ll find a reasonably intelligent film that pokes fun at misogyny. Often, people label horror as a genre about exploiting women, so Buldoc and Nelson decided to satirize this. The men are cartoonishly savage and brutal; even Phil isn’t exactly a squeaky clean hero. Misandra is the only halfway decent character in the movie, playing a role fit for Sigourney Weaver. Still, the film works because it never beats you with social commentary but instead wants to entertain. There are so many exploding penises in this movie you’d swear that Anita Sarkeesian had a hand in making this. Not only that, but in true Troma fashion, numerous bodily fluids spew out by the gallons. It’s hands down one of Troma’s grossest movies.

    Drew Buldoc plays Phil as a goofy, snarky prick that doesn’t seem to care about much, and he’s excellent. He comes off like a stereotypical hipster, and seeing his nonreactions to the carnage around him is hilarious. Colleen Walsh plays the part of Misandra completely straight, which contrasts wonderfully with the insanity around her. The movie injects some 80s nostalgia but also lovingly mocks it, adding in silly romances and homoerotic workout montages. Admittedly, the plot can be disjointed since there are times when the action stops for a flashback, seemingly at random. Still, at just an hour and 15 minutes, the movie gets in and out fairly quickly and doesn’t feel padded. Most audiences will hate this, but if you’re a fan of gross-out B-movies, this is for you. Overall, The Taint is a message movie disguised as an entertainingly cheesy splatter film.

     

    Buy The Taint from Amazon: https://amzn.to/3fIWL0z.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Smile (2022)

    Smile (2022)

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    In 2020, Parker Finn’s short film Laura Hasn’t Slept gained much attention after winning the Special Jury Award at SXSW. Paramount Pictures hired Finn to adapt the short film into a feature-length movie in June of that year. In September 2021, the studio announced the film titled Something’s Wrong with Rose, with Sosie Bacon in the lead. After the studio announced the rest of the main cast, principal photography lasted from October to November 2021. An extensive round of editing and post-production followed, lasting from December 2021 to May 2022. Initially, Paramount wanted to release the film to their streaming service but chose a theatrical release after positive test screenings. The film premiered at Fantastic Fest on September 22, 2022, followed by screenings at Beyond Fest on September 27. Now retitled Smile, the film hit theaters worldwide on September 30, 2022.

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    Synopsis

    Dr. Rose Cotter (Sosie Bacon) is a psychiatrist working at a psych ward in New Jersey with a traumatic childhood. One day, she meets Laura Weaver (Caitlin Stasey), a Ph.D. student claiming to see an entity appearing as people smiling. Despite Rose’s best efforts, Laura ends up convulsing before standing up, smiling, and taking her own life. After witnessing Laura’s suicide, Rose starts seeing people smiling and shouting she will die, making people question her mental stability. Things don’t get much better after her boss, Dr. Morgan Desai (Kal Penn), orders her to take a week-long break. As her mental state continues crumbling, Rose’s fiance Trevor (Jessie T. Usher) and sister Holly (Gillian Zinser) start fearing her. Rose is determined to figure out what’s causing all this and stop the entity, even as her life falls apart. Will she break the curse, or will she succumb to the Smile?

     

    Review

    When I first saw the trailer for Smile, I thought it looked ridiculous and would be laughed off the screen. Thankfully, I’m happy to report that this is not the case with this movie, although it has some flaws. Firstly, I have to give props to Sosie Bacon in the lead role, who carries the entire film. She has to sell her character’s mental anguish in almost every scene, pulling it off incredibly well. The rest of the cast does a fantastic job, notably Kal Penn and Kyle Gallner, who genuinely care for her. Admittedly, Gillian Zinser comes off a bit cartoonishly passive-aggressive as the older sister, coming off as unrealistically hateful. The movie tries to explore themes of childhood trauma and mental issues, and it mostly succeeds, but it occasionally stumbles. Still, the way they tackle these issues is impressive and strangely relatable.

    Parker Finn shows a lot of promise, with this being his first feature-length film, utilizing some impressive camerawork. Tons of overhead views, upside shots, and sweeping camera movements help make the movie feel much more dynamic. While Finn does establish some suspense and tension, the film has a few too many jumpscares, especially false ones. Still, there are plenty of moments when something creepy pops up in the background without an intrusive music sting. The movie takes full advantage of its R-rating, spewing gallons of blood and going for the jugular. Admittedly, the film does borrow elements from other, much better horror movies like The Ring and It Follows. Still, considering initial expectations, this movie is surprisingly effective and a perfect way to start the Halloween season. Overall, Smile has problems, but its strong performances, terrifying scares, and impressive direction elevate the material.

     

    Buy Smile from Amazon: https://amzn.to/4i2ZFcn.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Smile (2022)

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  • Shadowzone (1990)

    Shadowzone (1990)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]Aspiring filmmaker J.S. Cardone got a lot of attention for his controversial 1982 slasher film, The Slayer. One of the production managers was a young Peter Manoogian, who later worked with Charles Band on The Dungeonmaster. Cardone met with Band through this connection to discuss ideas and was signed to a two-picture deal. At the time, Charles Band had just made his deal with Paramount to distribute, and they demanded content. Cardone presented Band with a script he worked on after The Slayer, and Charles offered him $1 million to produce. As part of the deal, Cardone got to bring his producer wife Carol Kottenbrook and FX artist Mark Shostrom. With a twenty-four-day shooting schedule, Cardone had complete creative control to make the film he wanted to make. After a New York City premiere in January 1990, Shadowzone hit video store shelves that February.

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    Synopsis

    NASA Captain Hickock (David Beecroft) is sent to the Jackass Flats Proving Ground to investigate a recent death. At the proving grounds, a group of scientists is working on “Project Shadowzone,” an experiment to tap into people’s dreams. Dr. Erhardt (Louise Fletcher) and Dr. Van Fleet (James Hong) are heading the research team alongside Dr. Kidwell (Shawn Weatherly). The team believes that sleeping in a deep EDS state can allow a person to access a parallel dimension. Hickock wants them to recreate the experiments to ensure they’re not life-threatening, but something goes wrong. During the test, computer engineer Wiley (Miguel A. Núñez Jr.) notices a mysterious figure, known only as “John Doe,” lurking. According to Dr. Erhardt, “John Doe” is a creature from the parallel dimension who’s slipped into our world. Now trapped with no rescue coming, it’s up to the team to survive against this interdimensional terror.

     

    Review

    Like many early Full Moon movies, Shadowzone is incredibly ambitious, even if hampered by a low budget. The film borrows elements from movies like Alien, The Thing, and Galaxy of Terror, but not in the wrong way. Cardone takes some familiar features and crafts them into a uniquely terrifying sci-fi/horror film. For one, it’s established that the creature can take on the physical manifestation of one’s thoughts and dreams. This concept opens up many opportunities for some decent scares and creative kills, which they take advantage of. Everyone in the cast does a solid job, such as David Beecroft, who makes for a decent leading man. The biggest stand-out is Louise Fletcher, who plays the well-intentioned scientist driven to the breaking point. James Hong also stands out as a scientist driven to ensure his experiments work despite what’s happening around him.

    Everything is here to satisfy any gorehound’s thirst for blood, from the creature designs to the gruesome deaths. With credits including From Beyond, Evil Dead II, and The Beastmaster, Mark Shostrom continues to do excellent work here. The production design is also terrific, with the sets having a rustic, lived-in feel, adding to the sense of isolation. You feel like you’re with the characters stuck in this abandoned facility, separate from the rest of the world. Cardone’s direction is on-point, using minimal lighting, dynamic shadows, and plenty of darkness to create a suspenseful mood. Admittedly, there are a lot of slow scenes, and it takes a while for the plot to kick in. Among Full Moon’s non-franchise movies, this is one of the more underrated entries and is worth checking out. Overall, Shadowzone has its issues, but give it a watch if you’re a fan of claustrophobic sci-fi/horror films.

     

    Buy Shadowzone from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Shadowzone (1990)

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    This review is dedicated to the memory of legendary actress Louise Fletcher, who passed away on September 23, 2022, at the age of 88.

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  • Beyond Evil (1980)

    Beyond Evil (1980)

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    In my review of Graduation Day, I talked about filmmaker Herb Freed’s history as a rabbi turned movie director. As previously mentioned, Freed met producer David Baughn and started a partnership making horror films in the early 1980s. Not only was horror the cheapest genre of film to make, but it was also the most profitable. After directing Haunts in 1976, Freed wanted to make a more spiritually driven horror film, given his religious background. Baughn managed to acquire a small budget, and the shooting began in the Philippines in August 1979. Freed worked with co-writer Paul Ross, whose credits included Kitty Can’t Help It and Journey Into The Beyond in 1975. While working on the film, Baughn told Freed, “You know, this isn’t just evil. This is beyond evil.” That comment stuck with Freed, so the film hit theaters as Beyond Evil in May 1980.

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    Synopsis

    Architect Larry Andrews (John Saxon) and his wife Barbara (Lynda Day George) are moving into a condominium in the Philippines. Upon arrival, they’re greeted by Larry’s business partner Del (Michael Dante), who Barbara suspects is using her husband. It turns out she’s not far off as Del has them staying at a supposedly haunted mansion. According to local legend, Alma Martin (Janice Lynde) and her husband Esteban (Zitto Kazann) killed themselves inside the estate. Strange things start happening as Barbara has visions of a woman and even stabs her hand uncontrollably. Some locals, including Dr. Solomon (David Opatoshu), warn Larry that Alma’s spirit is trying to possess Barbara’s body. Despite Larry’s insistence on leaving, Barbara refuses, and soon Del and Solomon’s daughter Leia (Anne Marisse) wind up dead. Will Larry be able to save his wife and marriage, or will Alma’s vengeful spirit consume Barbara?

     

    Review

    Compared to Graduation DayBeyond Evil isn’t as memorable or entertaining, but plenty is going for it. For one, the cast does a great job, with Saxon and George as the highlights. Saxon offers the same cool and calculated demeanor he brings to every other role he’s played. Like in Pieces, George is pretty decent, but she has moments where she amps it up and chews up the scenery. Michael Dante is alright as Saxon’s colleague/friend, but he doesn’t do much until 2/3 of the way through. Freed manages to inject plenty of mood and atmosphere with his use of shadows, colored lighting, and fog. As always, Pino Donaggio’s score elevates the movie by adding a mix of orchestral and synth styles. Unfortunately, for all the film has going for it, the whole thing feels lackluster, though not without some merits.

    The biggest problem with the film is its sluggish pace, making it a chore to watch. Some creepy stuff happens here and there, but it’s primarily a marriage drama that does play into the movie. Considering the ghost that possessed Barbara was a woman who killed her husband, there are parallels between the two. As I said, the actors help make it enjoyable, but the script doesn’t give them much to work with. It’s not until about halfway through that things start to get interesting as tons of crazy stuff starts happening. Supposedly, part of the film’s incomprehensibility was due to a series of reshoots done because MGM ruined the original negative. This would explain some of the hokey optical effects, which add a bit of campy charm to the movie. Overall, Beyond Evil has plenty to offer, but it’s a case of the parts being greater than the sum.

     

    Buy Beyond Evil from Amazon: https://amzn.to/48HwKGA.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Beyond Evil (1980)

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