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Category: Horror

  • Pieces (1982)

    Pieces (1982)

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    After graduating from the Madrid Film School, aspiring filmmaker Juan Piquer Simon directed 1964’s España Violenta, aka Violent Spain. The short was about the Spanish Civil War and was so controversial that the fascist government had Simon arrested. In 1977, Simon made his first fictional film, Where Time Began, based on the novel by Jules Verne. The film received US distribution through American International Pictures, where Simon met producers Samuel Arkoff and Dick Randall. Simon continued working with Randall on movies like Supersonic Man and Mystery on Monster Island, another Jules Verne adaptation. It was the early 1980s, and slasher films like Friday the 13th made huge profits at the box office. Wanting to capitalize on this, producers Randall and Steve Minasian asked Simon to direct a slasher film called Jigsaw. Simon agreed, and his first horror film, Pieces, premiered in Spain in 1982 and in the US in 1983.

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    Synopsis

    At a Boston college, a mysterious figure is stalking and killing various girls with a chainsaw in a gruesome fashion. Lt. Bracken (Christopher George) and his partner, Sgt Holden (Frank Braña), are hot on the case. They interview various staff members, including Dean Foley (Edmund Purdom) and Professor Brown (Jack Taylor), who they suspect is responsible. To help with the investigation, Bracken enlists local student Kendall (Ian Sera) and former tennis player Mary Riggs (Linda Day). After each murder, the killer takes various body parts off his victims, such as their arms and legs. As the body count continues, numerous suspects begin to emerge, including the groundskeeper Willard (Paul L. Smith). Who is this mysterious co-ed killer, and why are they taking pieces of their victims? Also, who randomly attacks people in the middle of the night because of lousy chop suey?

     

    Review

    While American slasher films like The Prowler and The Burning were gruesome, Pieces takes it to a new level. The kills have a vicious quality that could only come from foreign slasher films, both in gore and tone. From the schoolgirl getting decapitated with a chainsaw to the reporter getting a knife through her mouth, they’re something else. The filmmakers manage to make the kills insanely bloody in a cartoonish way while mixing in some genuine sleaze. In one of the film’s most infamous kills, the victim urinates herself right before getting sliced in half. The movie works in some Giallo qualities, namely the cloaked figure with black gloves and how everyone is a suspect. Everyone has unique qualities that make them stand out and give you reasons to think they might be guilty. Could it be the neurotic professor, the womanizing student, or the standoffish dean?

    The late great Christopher George, who was the gym coach in the movie Graduation Day, is terrific as always. He has enough charisma and smartass quips to make him believable as a cop, and his scenes are a treat. Character actor Edmund Purdom from Absurd does a good job playing an unassuming dean that slowly reveals his dark secrets. Admittedly, Linda Day, aka Lynda Day George, is about as good at acting as she is at playing tennis. Also, it’s probably just the bad dubbing, but Ian Sera comes off a bit bland as the oddly womanizing Kendall. There are some dead spots during the film’s hour and twenty-five-minute runtime, but it never feels dull. It helps that the score, which is mainly composed of stock music, helps add a creepy feeling to the proceedings. Overall, Pieces is, like the tagline says, exactly what you think it is.

     

    Buy Pieces from Amazon: https://amzn.to/39vVJlM.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Girls’ School Screamers (1986)

    Girls’ School Screamers (1986)

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    Being a fan of low-budget horror/science-fiction films from the 1950s-60s, John P. Finnegan wanted to make his own. He raised $100,000 from a group of friends to fund his independent project, but he didn’t know the technical side. For the crew, Finnegan held a talk at NYU to recruit film students to work on his new horror film. Under the title The Portrait, Finnegan gathered his cast and crew to film for four weeks in Philadelphia. Given that most of the cast and crew came out of film school, this would be their first professional credit. Since many horror movies back then had blood and gore, Finnegan avoided those to make his film stand out. After post-production wrapped, Finnegan took the film to New York, where Troma bought it for distribution. However, Troma edited new gore scenes into the movie and released it as Girls’ School Screamers.

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    Synopsis

    Seven students from Trinity College, an all-girls school, must stay at the Welles mansion to catalog an old art collection. Among them are Jackie (Mollie O’Mara), Elizabeth (Sharon Christopher), Kate (Mari Butler), Karen (Beth O’Malley), and Susan (Karen Krevitz). Alongside Adelle (Marcia Hinton) and Rosemary (Monica Antonucci), they work on cataloging with Sister Mary Urban (Vera Gallagher) watches them. That night, the girls hold a seance to contact Jennifer Welles, a former student who supposedly died in the mansion. Unfortunately, the seance seems to awaken some kind of ancient evil in the manor as the girls get picked off. Jackie’s boyfriend Paul (Peter Cosimano) and his friend Bruce (John Turner) arrive to help, but they too fall victim. After stumbling across a portrait of Jennifer, Jackie learns more about her and discovers a horrible secret about her death. But just who or what is killing her fellow students?

     

    Review

    While it’s not technically terrible, Girls’ School Screamers is a woefully uninteresting watch, which might be worse. Granted, it’s not as insufferable to sit through as Igor and the Lunatics, but it isn’t hilariously awful either. None of the girls stand out in any way, and you’ll have difficulty remembering their names. I had to go to the movie’s Wikipedia page to remind myself which girl was which. Also, once the girls get to the mansion, it grinds to a halt as they wander through the hallways. It’s not until the last 20 minutes or so that things start to pick up. Even then, it’s hard to care since nothing has happened for the previous 60 minutes. I can see what the filmmakers were going for in trying to create a suspenseful mystery/ghost story. Unfortunately, the execution leaves a lot to be desired.

    However, that’s not to say that this movie lacks any positive qualities, as there are a few noteworthy aspects. For one, the location they picked out looks excellent and almost feels like a character in its own right. There are also a few scenes where they build up plenty of suspense and tension to make them feel ominous. While some would view Troma’s reediting as backstabbing, I feel like the added gore scenes helped in the long run. These 28 seconds of violence caught my attention and got me invested in what was happening. Also, for all I said about the cast, it does feel like they’re trying their best as non-actors. Even if it’s not the most engaging film, you can tell the people behind it were putting in the effort. Overall, Girls’ School Screamers is a mess, but there are far worse ways to spend eighty-five minutes.

     

    Buy Girls’ School Screamers from Amazon as part of The Sexy Box: https://amzn.to/3QOuEei.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Dreamaniac (1986)

    Dreamaniac (1986)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]After working as a production assistant for Roger Corman’s New World Pictures, a young David DeCoteau started making adult films. Under the pseudonym “David McCabe,” he directed several gay adult films, saving up for his first mainstream movie. DeCoteau raised $30K, which was enough for a 10-day shoot on 16mm film, so he developed a treatment called Succubus. Through a mutual friend, DeCoteau contacted Debra Dion, the development head at Empire Pictures and Charles Band’s then-wife. Since David already had filming locked down, Band was more than eager to join in, offering to reimburse DeCoteau’s $30K. At the time, Wes Craven’s A Nightmare on Elm Street was hugely successful, and Band wanted to capitalize on it. So, he asked David to change the title and create a new marketing campaign for this yet-to-be-made film. Under Band’s Wizard Video label, DeCoteau’s Dreamaniac hit store shelves in late 1986.

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    Synopsis

    Heavy metal artist Adam (Thomas Bern) agrees to loan his house to his girlfriend Pat (Kim McKamy) for a party. Her sister Jodi (Lauren Peterson) wants to get into a local sorority, offering to pay Adam to use the house. Soon enough, the other guests arrive, including sorority sisters Francis (Cynthia Crass), Jan (Linda Watts), and Rosie (Lisa Emery). Meanwhile, Adam performs a ritual to summon the succubus Lily (Sylvia Summers) to help him become a rock star. Unfortunately, Adam’s plan backfires as Lily kills the partygoers one by one to appease her need for a sacrifice. Eventually, Adam falls under Lily’s spell and joins her in attacking the party guests, even going after Pat. With help from local nerd Jamie (Bob Pelham), Pat learns what Lily is and must try to stop her. But will she overpower this succubus or fall victim to the dreamaniac?

     

    Review

    Despite this film’s quality, David DeCoteau has made some enjoyable B-movies, like Creepozoids and Sorority Babes in the Slimeball Bowl-O-Rama. Sadly, Dreamaniac is not one of those enjoyable B-movies but rather an 82-minute endurance test. But before going into the negatives, I want to spotlight a few decent aspects of this movie. For starters, Kim McKamy, aka Ashlyn Gere, is pretty likable and easy to root for as the leading lady. Also, this movie has a delightfully cheesy synth score that could only have come from the 1980s. Plus, there are gruesome gore effects, such as a decapitation by a power drill and a scene of genital mutilation. These effects are the work of Tom Schwartz, whose credits include ScannersGalaxy of Terror, and Hell Night. Sadly, these positive qualities can’t compensate for how dull and monotonous this movie is.

    The movie’s biggest problem is that it’s boring, which is the worst thing a movie can be. Until the killings start, there is so much filler and padding that you’ll be checking your watch half the time. It doesn’t help that the cast, aside from McKamy, is either unlikable, uninteresting, or both. To her credit, Sylvia Summers is trying to be an over-the-top horror villain, but it doesn’t work. There are a few chuckle-worthy lines here and there, but most of the dialogue is utter garbage. While there are some gory moments, most of the kill scenes are substandard and lack any creativity. Plus, it has one of those “fake out” endings that will leave you more annoyed about what you just saw. Overall, Dreamaniac might be worth some laughs if you have friends and alcohol, but otherwise, it’s not worth it.

     

    Buy Dreamaniac from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Dreamaniac (1986)

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  • Killjoy 3 (2010)

    Killjoy 3 (2010)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]In 2004, aspiring Canadian filmmaker John Lechago made the low-budget horror film Blood Gnome on a budget of around $20,000. The film made six times its budget, though Lechago couldn’t find the same success with 2008’s Magus. However, his output caught the attention of Re-Animator director Stuart Gordon, who introduced him to Charles Band. Band needed someone for visual effects, and since he had a background in the field, Lechago took the job. Lechago designed the visual effects for 2008’s Dangerous Worry Dolls, which impressed Band enough to give him a chance. Around this time, Full Moon was planning on reviving several franchises, including Puppet Master and Demonic Toys. One of those franchises would be Killjoy, which hadn’t seen a release since Killjoy 2: Deliverance from Evil in 2002. Eight years later, 2010 would see the release of Killjoy 3, aka Killjoy’s Revenge.

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    Synopsis

    College student Sandie (Jessica Whitaker) is housesitting for her professor (Darrow Igus) while he’s away on business. She’s staying with her boyfriend Rojer (Michael Rupnow), his friend Zilla (Spiral Jackson), and her BFF Erica (Olivia Dawn York). One day, a mysterious package arrives, and they open it despite Sandie’s protest, which turns out to be a mirror. Unbeknownst to them, the mirror is a gateway to another world, where the demonic clown Killjoy (Trent Haaga) rules. Joined by his accomplices Punchy (Al Burke), Freakshow (Tai Chan Ngo), and Batty Boop (Victoria De Mare), Killjoy demands blood. One by one, the college students are pulled into Killjoy’s world and subjected to different torture methods. Eventually, the professor returns and explains the situation to the students, informing them how to defeat the demon. Will our heroes survive, or will they be Killjoy’s next victims?

     

    Review

    Of the films in the franchise so far, Killjoy 3 is arguably the best one, though it’s not saying much. It’s not as good as classics like Puppet Master III or Dollman, but it feels like a return to form. While some may be disappointed by the filmmakers ditching the urban aesthetic, it’s a welcome change to keep things fresh. What also helps is Trent Haaga’s performance, as he chews up all the scenery around him and runs rampant. Unlike the last film, he’s given more free reign to deliver lines with maniacal glee and have more fun. Victoria De Mare works great alongside Haaga and has tons of fun as the seductive yet quirky clown succubus. Along with Killjoy, the character designs of Batty Boop, Punchy, and Freakshow are incredibly unique and memorable. There’s also a great mix of horror and dark comedy sprinkled throughout.

    Unfortunately, the film sadly falls into the traps of many of the more recent Full Moon films. For one, the main actors playing the college kids are flat and not as memorable as the villains. Jessica Whitaker does put in the most effort compared to everyone else, though Spiral Jackson has some fun moments. Also, even for a movie by Full Moon, the production design is remarkably cheap, and the sets look flimsy. From what I understand, filming took place at a Chinese studio, which might explain the inferior quality. There’s also the occasional digital effect, but they add to the cheesy quality and mix in with some decent practicals. At an hour and eighteen minutes, the movie flies by quickly and will make a decent time killer. Overall, Killjoy 3 isn’t quite the return to the glory days of Full Moon Features, but it’s a good time.

     

    Buy Killjoy 3 from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • American Psycho (2000)

    American Psycho (2000)

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    In 1991, novelist Bret Easton Ellis’ third novel, American Psycho, was published and immediately drew controversy from women’s rights groups. Many people condemned the book for its graphic violence and what they perceived as a misogynist view. Despite this, the book caught the attention of producer Edward R. Pressman, who purchased the film rights in 1992. Initially, the producers considered Stuart Gordon and David Cronenberg to direct, with Johnny Depp and Brad Pitt set to star. Eventually, they hired up-and-coming filmmaker Mary Harron, who received rave reviews for her debut feature, I Shot Andy Warhol. She brought on writing partner Guinevere Turner to helm the screenplay, eliminating any psychological backstory from the lead character. While the studio wanted a prominent actor like Leonard Di Caprio for the lead, Harron insisted on casting Christian Bale. With a $7 million budget, American Psycho hit the silver screen in April 2000.

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    Synopsis

    Investment banker Patrick Bateman (Christian Bale) spends much of his time keeping up appearances with his fellow Wall Street brokers. Despite hating most of them, Bateman wants to appear sophisticated and like a big shot to his peers. Though he has a fiance, Evelyn Williams (Reese Witherspoon), Bateman picks up some hookers, brutalizes them, and eventually kills them. He and his coworkers flaunt their business cards during a meeting when Paul Allen (Jared Leto) wows them with his. Enraged by this incident, his lifestyle, and getting a reservation at Dorsia, Bateman kills Allen while playing Huey Lewis. Later, private investigator Donald Kimball (Willem Dafoe) interviews Bateman about Allen’s disappearance, and Bateman pretends not to know what happened. At a lunch meeting, Kimball tells Bateman that he’s no longer a suspect, which relieves him and makes him nervous. As his paranoia grows, Bateman’s sense of reality begins to crumble.

     

    Review

    American Psycho is a movie that is still relevant despite being set in the past, specifically the 1980s. While current audiences view that decade with nostalgia, this film almost seems like the antithesis of the time. This movie deconstructs all the excess, culture, and social status of the 1980s and shows its horror. The film exemplifies this through Bateman’s monologues about popular songs from Robert Palmer, Phil Collins, and Whitney Houston. When he’s discussing Phil Collins’ Sussudio, it sounds less like an academic dissertation and more like the liner notes. Much like the book, Harron can abruptly cut from these darkly comedic moments to the more gruesome scenes of murder. The violent, more horrific scenes starkly contrast the intentionally drab, almost hollow look of 1980s glamor. Ordinarily, these radical shifts in tone and genre would be a detriment, but here, it works perfectly.

    Speaking of working perfectly, Christian Bale nails it as the psychopathic and hateful yet charming and suave Patrick Bateman. By all accounts, he’s a terrible person, but Bale injects so much life into his performance that you accept it. Bale can go from haunting to charming to deranged to panicked so effortlessly, and you buy every second of it. You’ve also got a great supporting cast: Willem Dafoe, Reese Witherspoon, Chloe Sevigny, and Justin Theroux. Even minor appearances from Cara Seymour, Matt Ross, and co-writer Guinevere Turner stand out in their brief moments. Along with the catchy soundtrack, there’s also the haunting score by John Cale that contrasts perfectly with the upbeat songs. My only major complaint is that the movie can drag at times, and the ending will leave audiences confused. Overall, American Psycho is a hilariously frightening satire on 1980s culture punctuated by an iconic performance.

     

    Buy American Psycho from Amazon: https://amzn.to/3z1xqqn.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Friday the 13th Part 3 (1982)

    Friday the 13th Part 3 (1982)

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    On a budget of $1.25 million, Friday the 13th Part 2 grossed $21.7 million in the US. As you’d expect, critics were none too kind towards the movie, with Roger Ebert giving it 1/2 a star. While not as big a hit as the original, Paramount still decided to move ahead with another sequel. Steve Miner returned to direct and offered an idea to make this entry stand out: shoot it in 3D. In the early 1980s, there was a mini-revival of 3D movies thanks to the success of Comin’ at Ya! Because of the new technology, filming was more complicated, with setups taking hours and actors having to perform multiple takes. To accommodate for theaters that couldn’t show 3D movies, Paramount spent an extra $2 million on a 3D conversion. Despite these setbacks, Friday the 13th Part 3 slashed onto screens on Friday, August 13, 1982.

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    Synopsis

    Chris Higgins (Dana Kimmell) and her friends are going on a weekend trip to her old home, Higgins Haven. Joining her are Debbie (Tracie Savage), Andy (Jeffrey Rogers), Shelley (Larry Zerner), Vera (Catherine Parks), and Rick (Paul Kratka). Unbeknownst to them, Jason Voorhees (Richard Brooker) hides in a nearby barn, having survived the last film. At first, Jason kills a gang – Ali (Nick Savage), Fox (Gloria Charles), and Loco (Kevin O’Brien) – when they break inside. Before too long, Jason makes his way to Higgins Haven and starts picking everyone off one by one. At one point, Chris reveals to Rick that she came back to confront her fears after a traumatic experience. As the bodies keep piling up, it’s up to Chris to fight off Jason and try to survive the night. Will she be able to fend him off, or will she be Jason’s next victim?

     

    Review

    On its own, Friday the 13th Part 3 is a fairly standard slasher film, but that’s not bad. The film gives you what you want in a slasher: likable characters, gruesome kills, and a basic story. What makes this stand out is its use of 3D, namely the old-school gimmick of throwing stuff at the screen. They throw popcorn, yo-yos, eyeballs, harpoons, pitchforks, marijuana cigarettes, and baseball bats toward the camera, which adds to the fun. Just seeing how far they go to justify the 3D cameras adds to the charm. Admittedly, you won’t get the same experience without a 3D setup, but it’s still fun to see in 2D. Unfortunately, the 3D is the only thing this movie has going for, but it has plenty to offer. Just don’t go in expecting anything new and groundbreaking in this entry.

    Like the first two movies, this one has some fun, likable characters that you feel bad for when they die. Though not as memorable as Adrienne King or Amy Steel, Dana Kimmell still makes for a good final girl. She has a warm, innocent charm that makes it more impactful when she goes toe-to-toe with Jason. Larry Zerner steals the show as the loveable prankster Shelley, who feels he has to scare people for their attention. He’s also notable for providing Jason with his iconic hockey mask, replacing the flour sack from the last film. Speaking of Jason, Richard Brooker does an excellent job giving Jason an imposing presence and making him more threatening. The cherry on top of the sundae is the music, particularly the theme song, easily the most memorable. Overall, Friday the 13th Part 3 is pretty basic, but the 3D makes it more enjoyable.

     

    Buy Friday the 13th Part III from Amazon: https://amzn.to/409OnuK.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Friday the 13th Part 3 (1982)

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  • Slutty the Clown (2022)

    Slutty the Clown (2022)

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    Claire Bacon is a model and photographer from the UK who has worked on various shoots. She specialized in finding rundown, abandoned, and neglected urban areas and staging elaborate photoshoots with her husband Richard. In addition, she’s dabbled in cosplay, designing her costumes and creating unique characters, one of which was a psychopathic clown. At some point, she met aspiring filmmaker Joe Cash, who I talked about in my Carnal Monsters review. With his help, Claire expanded her character, Slutty the Clown, and the two discussed ideas for potential movies. Cash cast her for the short film She Dogs of the SS, which was part of the anthology Grindsploitation 9. After that, they gathered a budget of £500 and shot their dream project featuring Claire’s character. Following a brief filming period, Slutty the Clown finally premiered on the streaming service Troma NOW in 2022.

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    Synopsis

    Slutty the Clown (Claire Bacon) is a crazed, sex-obsessed psychopath who wanders the English countryside looking for victims. Two urban explorers, Cheryl Williams (Lauren Annetts) and Mia Rosemary (Eve Bamfield), check out some ruins near where Slutty resides. They stumble across Slutty’s residence during their exploration and proceed to deface it, not knowing who lives there. Naturally, Slutty is none too happy about strangers messing with her things, so she sets her eyes on the girls. After running into her, the girls watch a video from Professor Fellatio (Lloyd Kaufman), explaining who or what Slutty is. They even get a warning from survivalist Sean Voorhees (Ari Lehman) about what Slutty is capable of. Unfortunately, the girls don’t listen to the alarm, and they get captured and tortured by Slutty. Will the girls be able to escape, or will they be the latest victims of Slutty the Clown?

     

    Review

    Once again, I’d like to thank Joe Cash from Screaming Screening for reaching out to me to review his movies. Unfortunately, many of the problems I had with his previous film are here. Like Cash’s last effort, this barely qualifies as a movie since there’s hardly a plot or characters. Sure, things happen, and people are in it, but aside from Slutty, none of the leads even have names. I know I mentioned the other female leads by name, but they never refer to each other as such. Even the synopsis I provided is a series of random events rather than a cohesive plot. I understand that low-budget filmmaking is challenging, but that’s no excuse for whatever dreck this is. Admittedly, I don’t go into a movie called Slutty the Clown expecting Citizen Kane, but I at least expect competency.

    For her part, Claire Bacon seems to be having fun playing the titular character, skipping around with psychotic glee. She seems to be the only one since the two other leads look disinterested and don’t want to be there. Lloyd Kaufman seems confused in his cameo, and Ari Lehman is giving a performance that’s almost too good for this. To call the filmmaking shoddy would be an understatement, as there are times when it’s hard to tell what’s happening. Not only that but there are at least six or seven times where a “Missing Reel” title card pops up. I’m not sure what happened behind the scenes, but they should’ve either reshot the missing scenes or scrapped the footage. The movie is only an hour long, but there are far better ways to kill an hour than watching this. Overall, Slutty the Clown is a waste of time.

     

    Follow Screaming Screening on all of their socials: https://linktr.ee/screamingscreening.

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  • Forbidden World (1982)

    Forbidden World (1982)

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    After graduating from the American Film Institute, Allan Holzman got a job as an editor for New World Pictures. Working with B-movie kingpin Roger Corman, Holzman edited Candy Stripe NursesCrazy Mama, and Checkered Flag or Crash. Holzman wanted to direct despite having a terrible stutter, and he managed to convince Corman to give him a shot. Corman originally suggested making Lawrence of Arabia in space but instead asked Holzman to rip off Alien to save money. Galaxy of Terror had finished shooting, and Corman was impressed with the set, so he kept it for this project. Holzman hired his girlfriend Susan Justin for the soundtrack, and future Charles Band regular John Carl Buechler handled the effects. The film was originally going to be called Mutant, but Corman decided to change the title at the last minute. Finally, the movie hit theaters in May 1982 as Forbidden World.

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    Synopsis

    While drifting through space, Officer Mike Colby (Jesse Vint) learns of a new assignment from his robot SAM-104 (Don Olivera). Their mission is to investigate a research facility in Xarbia, where an experimental lifeform got loose and attacked the staff. Colby meets the survivors, including research head Gordon Hauser (Linden Chiles) and his assistant Barbara Glaser (June Chadwick). The creature wrapped itself in a cocoon after killing some of the research team, so Colby wants to kill it. However, Hauser tells him not to terminate the creature and remains secretive about what happened, much to everyone’s dismay. One day, lab technician Jimmy Swift (Michael Bowen) gets killed by the beast, and it sabotages their communication equipment. As more people get picked off, Colby learns more about the experiment and its method of consuming people. With the body count rising, who will be able to survive this forbidden world?

     

    Review

    Compared to Corman’s other space movies around this time, Forbidden World is one of the oddest. The tone is all over the place, where sometimes it feels intentionally funny and other times unintentionally amusing. Granted, this is partly due to Corman not being happy with the more comedic moments and having those trimmed out. While the direction is relatively basic, Holzman keeps the pacing tight and shows plenty of potential for a first-time director. Jesse Vint is decent as the smooth leading man, bedding both women and creating a love triangle. June Chadwick and Dawn Dunlap are knock-outs who bare it all on more than one occasion. Character actor Fox Harris hams it up as the eccentric Dr. Cal Timbergen, who ends up helping defeat the monster. Linden Chiles comes off a bit wooden, but he makes for a good foil for Vint.

    Susan Justin’s score helps this movie stand out, adding an off-kilter, punk rock vibe to the proceedings. Admittedly, it can be slightly overbearing at times, but it’s weird enough to stick with you after the movie. The creature’s design is relatively basic, but it works in its simplicity, essentially looking like a giant slug with teeth. In addition to Buechler, effects artist Mark Shostrom (The BeastmasterEvil Dead 2From Beyond) contributed to the film. They manage to create some gruesome set pieces, such as the creature’s death and the crew being half dissolved. At 77 minutes long, the movie goes by quickly, though there’s some padding to get it to feature-length. While it’s the least well-known of Corman’s space movies, it’s still a fun watch for genre enthusiasts. Overall, Forbidden World is a sleazy rip-off of a better film, but that makes it more enjoyable.

     

    Buy Forbidden World from Amazon: https://amzn.to/3ELmLRb.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Puppet Master: The Legacy (2003)

    Puppet Master: The Legacy (2003)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.17.1″ _module_preset=”default” global_colors_info=”{}”]Due to financial problems, Charles Band temporarily shut down Full Moon Features in 2002 and rebranded as Shadow Entertainment. Having made a deal with Twentieth Century Fox Home Video, Band tried staying afloat despite the market dying out. Thankfully, he still held the rights to the Puppet Master series, but he had to make sense of the continuity. Much like the Friday the 13th series, the timeline of the movies was all over the place and became confusing. He brought back C. Courtney Joyner, writer of Puppet Master III, to pen a script for a soft reset. Joyner used the pseudonym Gene Yarbrough, while Band went by his Head of the Family credit, Robert Talbot. Fans would have to wait four years for this entry, and what they got was a huge disappointment. In 2003, Puppet Master: The Legacy hit video store shelves across the country.

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    Synopsis

    Rogue agent Maclain (Kate Orsini) searches for André Toulon’s secret of resurrecting the dead for a mysterious client. Her search takes her to the Bodega Bay Inn, where she finds Eric Weiss (Jacob Witkin) working on the puppets. It turns out that Weiss knew Toulon before his death and swore never to reveal his secrets. When Maclain threatens his life, Weiss plays a recording left by Toulon explaining how he acquired the magic. Some stock footage later, Weiss reveals that his real name is Peter Hertz, the boy Toulon saved from Nazi Germany. The two begin arguing over whether Toulon was good or evil and whether the puppets justified their killings. Maclain soon learns more than she ever expected, including the war with Sutek and how Toulon’s secrets keep getting discovered. Soon enough, they’ll find just what kind of a legacy has been left by the Puppet Master.

     

    Review

    Admittedly, Full Moon Features was never going to produce a film that would get an Oscar nomination, let alone win. They always maintained at least some level of quality and were generally fun B-movies that knew what they were. With Puppet Master: The Legacy, the company has hit an all-time low for the franchise and Full Moon themselves. At 80 minutes in length, about 15 minutes is original footage, with the remaining 65 being stock footage. It’s on par with Silent Night Deadly Night 2‘s use of stock footage, but at least that was more even. With Legacy, there will be two minutes of original footage followed by ten minutes of clips from the other movies. It feels less like a full-length feature, and more a glorified clip show trying to pass off as a movie. I understand why they did it, but that doesn’t make it less lazy.

    To give them some credit, the filmmakers tried to make sense of the series’ continuity being all over the place. Unfortunately, they leave you with more questions than answers and make the timeline even more confusing. For instance, Rick Meyers, the lead from Puppet Master 4, was killed off-screen after the events of Puppet Master 5. Also, we learn that the puppets hired Maclain to kill Weiss, the new puppet master, which raises tons of questions. If that was their endgame, why didn’t the puppets kill Weiss themselves when they had the chance? Also, how were the puppets able to talk to Maclain when none of them had voices? After the ending, there’s a message thanking all the people who worked over the years on this franchise. Overall, they may have had good intentions, but Puppet Master: The Legacy feels like desperation more than a celebration.

     

    Buy Puppet Master: The Legacy from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Def by Temptation (1990)

    Def by Temptation (1990)

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    In the 70s, James Bond III was a prominent child actor known for the short-lived series The Red Hand Gang. He also made appearances on popular shows like Wonder WomanThe Love Boat, and The Waltons. In 1988, Bond starred in Spike Lee’s second feature-length film, School Daze, with Laurence Fishburne and Giancarlo Esposito. While working on the film, Bond became acquainted with some cast and crew members, including cinematographer Ernest Dickerson. Once filming wrapped, Bond recruited some of his School Daze costars to appear in his directorial debut film. Bond cast Kadeem Hardison, Bill Nunn, and a relatively unknown Samuel L. Jackson from the earlier production. Troma stepped in to help with filming at some point, including having Redneck Zombies director Pericles Lewnes handle the effects. In March 1990, Bond’s only directing effort, Def by Temptation, held its premiere in Chapel Hill, North Carolina.

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    Synopsis

    Joel (James Bond III) is a devout Christian studying to become a minister when he decides to take a break. He meets up with his brother “K” (Kadeem Hardison), an aspiring actor who’s happy to have his brother stay over. While showing him around New York City, they stop into the One Step Down club for some drinks. The night before, “K” met his dream woman (Cynthia Bond) and hopes to find her there again. Much to his dismay, she sets her sights on Joel and latches onto him, completely blowing off “K.” He becomes suspicious after noticing she has no reflection, so he asks his detective friend Dougy (Bill Nunn) for help. According to Dougy, she’s been seducing and killing men for years, and they discover she’s a succubus. Joel is in for the ultimate test of his faith unless his brother can save him from Temptation.

     

    Review

    Like many great low-budget films, Def by Temptation manages to rise above its limitations to become something special. It’s a shame this is James Bond III’s only directing effort because he shows a lot of promise here. With help from cinematographer Ernest Dickerson, he uses colored lighting and soft focus to give the film a nightmarish quality. Bond also uses fog and darkness to further add to the already spooky mood established. Additionally, the gore effects are surprisingly decent for such a small budget, and gorehounds will be satisfied. Admittedly, some makeup effects look slightly dodgy, but the quick editing and low lighting help hide it. This ties into what’s probably the film’s biggest flaw: the budget was unfortunately not enough for the filmmaker’s ambition. You don’t need huge budgets to make a good movie, but they might’ve bitten off more than they could chew.

    In terms of the acting, it’s very hit or miss, but you can tell many of them are trying. While a decent director, James Bond III isn’t the best at acting, coming off somewhat flat and wooden. It helps that his costars, Kadeem Hardison and Bill Nunn, can carry the film with him. However, the performance that stands out the most is Cynthia Bond as the captivating yet deadly temptress. She owns every scene she’s in, and you have no trouble believing her ability to seduce any man she wants. It’s a shame she didn’t act in much else after this because she’s easily the film’s highlight. Also, despite the marketing plastering his face all over, don’t expect Samuel L. Jackson to have a significant role here. Overall, Def by Temptation is a highly underrated supernatural horror film that genre enthusiasts should give a watch.

     

    Buy Def by Temptation from Amazon: https://amzn.to/34lQORM.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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