Facebook

FilmNerd

Category: Horror

  • The Funhouse (1981)

    The Funhouse (1981)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    In 1974, Texas-born filmmaker Tobe Hooper shocked the world with the horror classic The Texas Chain Saw Massacre. Made on a budget of roughly $140,000, the film grossed over $30 million and is considered a groundbreaking film. Hooper followed this up with 1977’s Eaten Alive, a similarly themed backwoods killer movie that’s since developed a cult following. In 1979, Hooper was hired by Warner Bros Television for the Salem’s Lot miniseries based on the Stephen King book. After Friday the 13th was a massive hit in 1980, numerous studious were trying to make their own slasher film. Universal received a script from writer Lawrence Block that fit the slasher formula, and they hired Hooper to direct. With a budget of roughly $3 million, this was the most expensive film Hooper had made at the time. On Friday, March 13th, 1981, The Funhouse was released to theaters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Young Amy Harper (Elizabeth Berridge) is going out with her boyfriend Buzz (Cooper Huckabee) to the local carnival. They’re on a double date with her best friend Liz Duncan (Largo Woodruff) and Liz’s irresponsible boyfriend Richie (Miles Chapin). While exploring the carnival, Richie comes up with the idea to spend the night at “The Funhouse”. That night, they accidentally witness the mute worker Gunther (Wayne Doba) murder the fortune teller/prostitute Madame Zena (Sylvia Miles). The Funhouse’s carnival barker Conrad Straker (Kevin Conway) discovers what happened, but he also sees that their money is gone. Turns out Richie stole the money while the group was trying to leave, so Conrad sends Gunther after them. The group is soon picked off one by one through various traps and props in the attraction. It’s a carnival of terror as our heroes try to survive The Funhouse!

     

    Review

    Though not quite on par with The Texas Chain Saw Massacre and Poltergeist, The Funhouse is an underrated gem. In anyone else’s hands, this would’ve been a cheap, fly-by exploitation flick, but with Hooper directing, it’s something more. Carnivals have always had a somewhat creepy vibe to them, especially late at night, and this film nails that. The use of colored lighting mixed with the shadows and darkness gives the funhouse set a very nightmarish quality. The score by composer John Beal further adds to the foreboding mood, sounding very off-kilter and bizarre. We first see Gunther wearing a worn-out Frankenstein mask, which is already creepy, but his face reveal is something else. The make-up effects were designed by Rick Baker, who later won an Oscar for An American Werewolf in London. Even though it’s just a mask, it has a very unique design and impressive features.

    Speaking of Gunther, Wayne Doba does a good job given that he has no lines and utilizes his body language. He gives what could’ve otherwise been a mindless monster a sympathetic quality like he has a child’s mind. This is complemented by Kevin Conway’s performance as the barker who’s also Gunther’s father, who clearly cares for his son. Conway gives a very sinister tone as a villain who believes that he’s doing good despite doing evil things. Elizabeth Berridge makes for a fairly likable lead, though the other leads come off a bit standoffish and rude. The late character actor William Finley has a small but memorable role as the eccentric magician Marco The Magnificent. Though more so relying on terror than horror, this is still a very creepy and chilling horror film worth watching. Overall, The Funhouse is one hell of a thrill ride you won’t soon forget.

     

    Buy The Funhouse from Amazon: https://amzn.to/49LIA3e.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch The Funhouse (1981)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”The Funhouse” data-year=”1981″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Nightmare Weekend (1984)

    Nightmare Weekend (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_row _builder_version=”4.9.9″ _module_preset=”default” column_structure=”2_3,1_3″][et_pb_column _builder_version=”4.9.9″ _module_preset=”default” type=”2_3″][et_pb_text _builder_version=”4.9.9″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    With the rise of horror films in the early 1980s, a group of producers worked on a concept. They planned to make a series of R-rated films for roughly $500,00 each aimed at a specific audience. Their first film ended up being an American, British, and French co-production with inexperienced actors and a French crew. French filmmaker Henri Sala was hired to direct, though he mostly made softcore films and never made a horror film. Because of the different languages, two scripts were used, one in English and one in French, but there were problems. For one, the producers started to worry when they saw the dailies and it was mostly sex with little-to-no gore. They ordered reshoots to be done to add more gore in the hopes of trying to salvage the film. Though completed in 1984, Nightmare Weekend wasn’t released until 1986.

    [/et_pb_text][/et_pb_column][et_pb_column _builder_version=”4.9.9″ _module_preset=”default” type=”1_3″][et_pb_circle_counter _builder_version=”4.9.9″ _module_preset=”default” title=”Rating” number=”55″ bar_bg_color=”#EDF000″ hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.9″ _module_preset=”default”][et_pb_column _builder_version=”4.9.9″ _module_preset=”default” type=”4_4″][et_pb_text _builder_version=”4.9.9″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Scientist Edward Brake (Wellington Meffert) has just developed a new computer system that can alter a person’s personality. He intends on using it to turn bad people good, but his assistant Julie (Debbie Laster) has other plans. Meanwhile, Edward’s daughter Jessica (Debra Hunter) confides to her puppet friend George about a guy she’s fallen for. Said guy is Ken (Dale Midkiff), who was in league with Julie before his friend was killed. Julie plans to use Edward’s computer, Apache, to turn people into mutated murderous psychopaths, so she gathers some would-be victims. She has three girls – Annie (Lori Lewis), Linda (Andrea Thompson), and Pamela (Kimberley Stahl) – brought to the house. While at the house, the girls end up hooking up with some guys, who they end up killing. Will Julie’s evil plan be stopped, will Jessica find love, and who will survive this nightmare weekend?

     

    Review

    Of all the films I’ve covered so far for Troma Tuesdays, Nightmare Weekend is truly one of the most baffling. From the title and box cover, you’d think this is going to be some fun, schlocky horror film. However, what you get is something bordering on softcore porn you’d see on Cinemax at 1:00 am on Saturday. Not only that but it’s filled with such laughably bad dialogue and obvious dubbing that it becomes unintentionally hilarious. Admittedly, the concept of using a machine to alter someone’s personality is certainly unique and could lead to something interesting. But then, you’ve got scenes of a young woman talking to a hand-puppet about the birds and the bees. It’d be one thing if the filmmakers were making something intentionally campy, but they wanted this to be taken seriously. Needless to say, they didn’t quite succeed.

    It’s hard to judge the acting here since everyone is dubbed, though at least two actors have their original voices. Going by body language and facial expressions, it seems like a lot of them have no idea what they’re doing. There are some notable actors here: Dale Midkiff (Pet Sematary), Robert John Burke (Robocop 3), and Andrea Thompson (NYPD Blue). Given that many of the cast did not have an enjoyable experience, I’m guessing they’d rather people forget this movie. One positive I can say is that the gore effects, random as they are, are pretty good all things considered. Also, whereas most bad movies are easily forgotten over time, this is one that you’ll at least remember. Some have called this The Room if it were a horror film, and I think that’s a pretty apt comparison. Overall, Nightmare Weekend needs to be seen to be believed.

     

    Buy Nightmare Weekend from Amazon: https://amzn.to/2TUakzO

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Spellcaster (1988)

    Spellcaster (1988)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    Around the time of Troll and Dolls, screenwriter Ed Naha was working on a new script at Empire Pictures. However, he and many other talents at the studio had jumped ship to work on Honey, I Shrunk the Kids. As such, Empire handed the script over to writer and frequent Stuart Gordon collaborator Dennis Paoli to finish. For the director, they hired Canadian-born Rafal Zielinski, who had previously directed the 1987 comedy Valet Girls for Empire. The cast featured Bunty Bailey from the “Take On Me” music video, radio host Richard Blade, and musician Adam Ant. While parts were shot at Dino De Laurentiis’ old studio, much of it was filmed at Castello di Giove. After a roughly six-week shoot that went by smoothly, the film wrapped and was set for release in 1988. Unfortunately, due to Empire Pictures’ collapse, Spellcaster wouldn’t be officially released until May 1992.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    At the castle of one Signore Diablo (Adam Ant), a group of seven people is gathered for a contest. Sponsored by the record company of pop star Cassandra Castle (Buntly Bailey), the contestants are after a $1 million check. Among the contestants are orphaned siblings Jackie (Gail O’Grady) and Tom (Harold Pruett), who agree to split the money. Hosted by VJ Rex (Richard Blade), the contestants have one day to search the whole castle for the check. However, Signore Diablo has other plans for his guests as he uses magic to eliminate them one by one. Before too long, each of the contestants is killed by their own sins, such as gluttony, greed, and pride. While Jackie wants to leave the castle, Tom is determined to get that $1 million check and get rich quickly. Who will win the prize, and who will survive the Spellcaster?

     

    Review

    Though hardly a classic like Re-Animator and Trancers, Spellcaster is still an enjoyable slice of 80s cheese, though somewhat forgettable. From the fashion to the music and even some of the cast, this film just screams the late 80s. There’s so much big mall hair, tacky clothing, and punk/new wave music, it’s like a time capsule of 1988. The cast each fits into various archetypes you’d see in plenty of films at the time for better or worse. You’ve got the fat guy who constantly eats, the goody-two-shoes girl, the valley girl, the womanizing creeper, and more. Richard Blade certainly steals the show as the overly exaggerated though somewhat cynical VJ dealing with the craziness around him. Though he doesn’t show himself until the last act, Adam Ant is still very charming and conniving as the villain. It’s a shame his screen-time is so limited.

    Unfortunately, the rest of the cast either comes off a little on the bland side or even annoying. Bunty Bailey can get slightly annoying, but it’s also kinda funny seeing her play such a drunken bitch. Speaking of, Kim Johnston Ulrich is clearly having fun as the bitchy valley girl Teri, someone you love to hate. Special mention should go to Traci Lind, credited as “Traci Linn”, who is drop-dead gorgeous as the stereotypical French girl. The creature effects have that distinct John Carl Buechler style, where you can tell they’re puppets, but charmingly so. Rafal Zielinski’s direction is decent, and taking advantage of a real Italian castle adds quite a lot of production value. At slightly under 90 minutes, the movie goes by fairly quickly, though you’ll probably forget about it shortly after. Overall, Spellcaster isn’t going to blow you away, but it’ll provide some cheesy entertainment.

     

    Buy Spellcaster on Amazon: https://amzn.to/3AMcnq0.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Spellcaster (1988)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Spellcaster” data-year=”1988″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Prowler (1981)

    The Prowler (1981)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    Writers Glenn Leopold and Neal Barbera, son of famous animator Joseph Barbera, got their start writing for Hanna-Barbera cartoons. After working on shows like Scooby-Doo, Yogi Bear, and Shmoo, they decided to write something far more mature. Around the same time, Joseph Zito was an up-and-coming director who had already made 1975’s Abduction and 1978’s Bloodrage. He read Leopold and Barbera’s script and was drawn to it, saying “It had this strange, dreamlike mood in it.” With a budget of $1 million, the largest budget Zito had at that point, they shot in Cape May, NJ. Though the cast consisted mostly of young, unknown actors, they landed two veterans: Farley Granger and Lawrence Tierney. Tom Savini, who had just done the effects for Friday the 13th, was hired to create some truly gruesome kills. After a six-week shoot, The Prowler was released in the fall of 1981.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    In 1945, Rosemary (Joy Glaccum) and her boyfriend Roy (Timothy Wahrer) are killed by her ex-lover after returning from WWII. Since then, the town of Avalon Bay has not held a graduation dance for 35 years due to the murders. In 1980, college senior Pam MacDonald (Vicky Dawson) is working on starting up a new graduation dance. While visiting her boyfriend, Deputy Mark London (Christopher Goutman), Pam hears a report about a mysterious prowler on the loose. To make matters worse, Sheriff George Fraser (Farley Granger) is going out of town for a fishing trip. Soon enough, the prowler starts killing Pam and Mark’s friends one by one using a pitchfork and a bayonet. As the bodies keep piling up, our heroes discover that the prowler was Rosemary’s killer but was never caught. Will this masked killer be stopped, who will be the prowler’s next victims?

     

    Review

    Admittedly, The Prowler comes off somewhat formulaic compared to other slashers from around that time, but that isn’t necessarily bad. Though this borrows elements from other slashers like My Bloody Valentine, it also stands out in many ways. For one, the idea of the killer being a WWII veteran suffering from PTSD is pretty frightening. The psychological effects of war coupled with extensive military training make for a very unhinged and efficient killer. Not to mention, the green army fatigues add a uniquely terrifying quality to the killer that helps him stand out. On top of that, Zito’s direction is top-notch, as he gives the film a very dreamlike, ethereal quality. Of course, no good slasher would be complete without death scenes, which this movie delivers thanks to Tom Savini. He considers this to be his best work, and I’m honestly inclined to agree with him.

    Unfortunately, what this movie has in solid direction and effects, it lacks when it comes to its characters. Granted, none of the actors are particularly bad, but none of them really stand out as being very memorable. This could be attributed to the script simply not giving the cast much to do aside from spewing exposition. While the presence of Hollywood veterans Granger and Tierney are nice, they don’t really do much aside from showing up. Even at roughly 90 minutes, there are still quite a few dead spots where the cast just wander aimlessly. Honestly, many of the cast just feel like cannon fodder, though this does lead to those memorably murderous moments. For all of my complaints, this is still a solid little slasher that deserves to be rediscovered and appreciated. Overall, The Prowler is a flawed but gruesome slasher that horror fans should see at least once.

     

    Buy The Prowler on Amazon: https://amzn.to/3xjZrFP.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Where to watch The Prowler (1981)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”The Prowler” data-year=”1981″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Terror Firmer (1999)

    Terror Firmer (1999)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    As anybody who’s worked in independent cinema for as long as Lloyd Kaufman has, he can tell you it’s rough. Tempers flare up, cast/crew members come and go, the money runs dry, and many other things can go wrong. The problems don’t stop there, as you’ll have to deal with corrupt executives, stuck-up critics, and stingy audiences. Even still, people like Lloyd Kaufman persevere because they see value in the work they do and keep going. In 1998, Kaufman and James Gunn wrote All I Need to Know about Filmmaking I Learned from the Toxic Avenger. Since Gunn had written Tromeo & Juliet, he was the perfect choice to compile all of Lloyd’s personal stories. Finding inspiration, Kaufman adapted the book into a film that, while fictional, showed what filming a Troma movie was like. The result was the wildly bombastic and absurdly over-the-top 1999 horror/comedy Terror Firmer.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Larry Benjamin (Lloyd Kaufman) is a blind film director who is trying to make his greatest film yet. However, between caring for his daughter Audrey (Charlotte Kaufman) and dealing with a difficult crew, that’s easier said than done. An unknown person is killing off people closely associated with the film in gruesome ways to make matters worse. In the middle of all this, there’s production assistant Jennifer (Alyce LaTourelle), who’s caught up in a love triangle. On the one hand, there’s Casey (Will Keenan), the boom operator that’s ruggedly handsome but somewhat stuck up. On the other hand, there’s Jerry (Trent Haaga), a special effects guy who’s eccentric but also passionate about his work. At first, Jennifer goes for Casey, but then she sees through Jerry’s eccentricities and falls for him to Casey’s chagrin. Who is this mysterious killer, why are they doing this, and will they be stopped?

     

    Review

    While The Toxic Avenger is the film Troma’s best known for, Terror Firmer is quite possibly the ultimate Troma movie. Not only is this a wildly entertaining horror/comedy, but it also shows just how chaotic independent filming can be. Larry Benjamin’s speech about how horrible the world is and how a film set is worse perfectly exemplifies Lloyd’s experiences. From whiny crew members quitting and taking equipment to cast members having nervous breakdowns, it’s everything found in independent filmmaking. Even if you’re not as familiar with filmmaking, everyone can relate to having a difficult time working on tough projects. Mixed in with all this is an insanely over-the-top, ridiculously gross, and horribly politically incorrect slasher film. There are so many memorably gruesome and bloody death scenes involving broken bongs, killer escalators, exploding breasts, and many more. You’ll never hear “Amazing Grace” the same way again.

    Like many other Troma films, many performances are exaggerated and ridiculous, though not to any obnoxious levels. Will Keenan makes for a loveably hateful prick that’s so stuck up and pretentious, yet charismatic and even threatening. Trent Haaga radiates with so much life and energy, you start to feel as passionate about Troma as he is. Alyce LaTourelle works as the straight man, trying to act normal while all this insanity is happening around her. There are also some great appearances from Troma regulars like Debbie Rochon, Joe Fleishaker, and Lemmy from Motorhead. Some other notable cast members include Yaniv Sharon as an overly eager PA and Gary Hrbek as “The Toddster”. Admittedly, it can feel more like random events rather than a cohesive narrative, but that adds to its chaotic nature. Overall, Terror Firmer is both an insanely crazy romp and a love letter to truly independent cinema.

     

    Buy Terror Firmer from Amazon: https://amzn.to/3A6Ked6.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Terror Firmer (1999)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Terror Firmer” data-year=”1999″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Curse of the Puppet Master (1998)

    Curse of the Puppet Master (1998)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]While Puppet Master 5 was intended to be the last film, Charles Band had other ideas for the franchise. He wanted to do an epic trilogy of films known as Puppet Wars, which would see Toulon’s puppets fighting monsters. They would be going up against the likes of The Mummy, Frankenstein’s Monster, and Dracula, and Guy Rolfe would’ve returned. Unfortunately, Full Moon had ended their deal with Paramount, and they were struggling financially, so those plans fell through. David DeCoteau, who previously directed Puppet Master III, wasn’t getting much work when he got to direct Shrieker for Band. DeCoteau was given a script for a new Puppet Master movie, but he didn’t like it. He decided to take inspiration from 1973’s Sssssss and have a female puppet master, but he was overruled. After an 8-day shoot, Curse of the Puppet Master was released in 1998.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Dr. Magrew (George Peck) runs a puppet show/museum called The House of Marvels and recently acquired Toulon’s puppets. His daughter Jane (Emily Harrison) has just returned from college to help him with running the puppet show. At a gas station, Robert “Tank” Winsley (Josh Green) is getting harassed by local bully Joey Carp (Michael D. Guerin). After Joey and his friends leave, Jane finds a statue that Robert carved, which impresses Magrew enough to offer work. He invites Robert to their home and offers him a job to help create a living puppet similar to Toulon’s. Meanwhile, Sheriff Garvey (Robert Donavan) and Deputy Wayburn (Jason-Shane Scott) are questioning Magrew about his last assistant’s whereabouts. Soon enough, the puppets are set free and kill Joey, which paints a bigger target on Magrew. What does Magrew have planned, and what will become of Tank and Jane?

     

    Review

    Compared to the last five entries, Curse of the Puppet Master is a major step down in quality. Say what you will about 4 & 5, but they had the potential to further expand the series. You know you’re in trouble when the opening credits are padded out with stock footage from the previous films. In fact, there’s hardly any original puppet footage included, and they’re just pushed along and barely move at all. Sadly, by this point, stop-motion animator David Allen had left Full Moon and would succumb to cancer in 1999. This is also the first film since the original Puppet Master where the puppets hardly have any screen time. It doesn’t help either that the film itself is pretty boring and moves at a snail’s pace. Admittedly, the concept sounds interesting, but in execution, it falls flat. Granted, these movies were never known for their deep stories.

    Acting-wise, everyone does the best job they can given the somewhat anemic material they’re given to work with. George Peck does a decent job as Dr. Magrew, but he doesn’t quite have the same charisma as Guy Rolfe. On top of being pretty cute, Emily Harrison is likable enough as the female lead, though she doesn’t do much. Josh Green is alright as Tank, but he doesn’t quite pull off the idiot savant quality they were going for. He comes off somewhat bland and wooden, which I suppose is fitting given his character’s ultimate fate at the end. There are maybe one or two kill scenes altogether, but they are plenty bloody and gruesome. The ending is pretty ridiculous, but by that point, it comes a bit too late following an otherwise dull entry. Overall, Curse of the Puppet Master has its moments, but it’s a pretty subpar entry.

     

    Buy Curse of the Puppet Master from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • The Burning (1981)

    The Burning (1981)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.7″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.7″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.7″ _module_preset=”default”][et_pb_text _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    In the early 1980s, Harvey Weinstein was having trouble breaking into the film industry, and he needed a hit. Recognizing the success of The Texas Chain Saw Massacre and Halloween, he and producing partner Michael Cohl started sharing ideas. While exchanging ideas, they remembered hearing about the Cropsy stories told at camp, so they decided to work with that. Harvey, his brother Bob, and Peter Lawrence worked on the screenplay, and Tony Maylam was hired to direct. This would be the first film produced under Miramax, which was named after Harvey and Bob’s parents, Miriam and Max. Tom Savini, who worked on the effects for Friday the 13th, was hired to design some equally gruesome kills. With a relatively-unknown cast and a $1.5 million budget, the film was shot in North Tonawanda in late summer 1980. After being sold to Filmways, The Burning was released in May of 1981.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.7″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”75″ bar_bg_color=”#EDF000″ _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.7″ _module_preset=”default”][et_pb_text _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    At Camp Blackfoot, a group of campers pulls a prank on the groundskeeper Cropsy (Lou David), but it goes wrong. He ends up getting set ablaze and taken to the hospital while the campers swear to keep this a secret. Five years later, Cropsy is released from the hospital after several failed skin grafts and he seeks revenge. At the nearby Camp Stonewater, one of the original campers, Todd (Brian Matthews), is now a counselor. He has a budding romance with fellow counselor Michelle (Leah Ayres) while dealing with the socially awkward Alfred (Brian Backer). Todd and Michelle take a group of campers on a canoe trip, but unfortunately, the canoes go missing. To make matters worse, Cropsy shows up and starts killing off several of the campers as they try escaping. Will Crospy’s murderous spree end, and who will die by his gardening shears next?

     

    Review

    Compared to most other slashers of the time, The Burning somewhat blends into the crowd and isn’t particularly unique. It pretty much lifts most everything from Friday the 13th, with the only main difference being the killer. Instead of avenging someone else’s death, the killer is getting revenge for almost being killed by someone else. What also helps Cropsy stand out is his design, with its warped features, imposing frame, and a black trenchcoat. Tom Savini did an incredible job on the design and created some elaborately gruesome death scenes to satiate any gorehound. The highlight is a scene where he jumps out of a canoe and kills several campers in a grisly fashion. It’s worth noting that this scene alone got the film put on the UK’s Video Nasties list. This list also included The Last House on the Left, Antropophagus, and The Evil Dead.

    The cast features some fairly notable actors, namely Jason Alexander, Fisher Stevens, and Holly Hunter. While Hunter only has a few scenes, Alexander and Stevens have a fairly prominent role as comedic relief characters. It’s easy to see how Alexander would transition from appearing in this to playing George Costanza on Seinfeld. Brian Matthews and Leah Ayres make for a decent leading couple, and Lou David makes for an imposing killer. The story is fairly basic, but it gets the job done for an early 80s slasher film. At roughly 90 minutes, it moves at a fairly decent pace, though once they get stranded, it starts dragging. It doesn’t help that, while not necessarily insufferable, none of the characters are really that interesting or compelling. Still, this is worth a look for fans of slasher films, especially if you love Savini’s effects work. Overall, The Burning is enjoyable but forgettable.

     

    Buy The Burning from Amazon: https://amzn.to/2SgTsCg

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Mansion of the Doomed (1976)

    Mansion of the Doomed (1976)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]Growing up in Italy, Charles Band aspired to get into the film industry much like his father, Albert Band. He came back to the States in the early 70s with hardly any money and started working various odd jobs. One day, he found an ad that someone in Dallas had acquired several volumes of The New York Times. Encompassing 35 years of the newspaper, he was selling them for $300, so Band took the offer. He decided to sell them to high-end clients for $50 each based on their date of birth. Within a few weeks, Band managed to raise $300,000, so he decided to use it to fund a feature film. Charles hired writer Frank Ray Perilli and director Michael Pataki, having worked with them on Last Foxtrot in Burbank. Originally titled The Eyes of Dr. Chaney, the film was released in 1976 as Mansion of the Doomed.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    After his daughter Nancy (Trish Stewart) loses her eyesight in an accident, Dr. Chaney (Richard Basehart) vows to fix it. He decides the optimal solution would be to replace her damaged eyes with new ones, but there’s a problem. According to his assistant Katherine (Gloria Grahame), there’s no way to perform such surgery without damaging the optic nerve. Chaney must extract the entire eyeball from a living donor for the surgery to work and restore Nancy’s eyesight. When Nancy’s fiancée Dr. Bryan (Lance Henriksen), visits, Chaney drugs him and takes his eyes for the surgery. At first, the surgery is a success and Nancy can see, but unfortunately, she loses it soon after. Because of this, Chaney starts kidnapping various people, extracting their eyes, and trying to restore Nancy’s eyesight with similar results. The eyeless victims are locked in the basement, struggling to escape from this Mansion of the Doomed!

     

    Review

    Mansion of the Doomed is a sadly forgotten and underrated grindhouse thriller that deserves to be more well-known. While not exactly a horror classic, this is still a fairly well-constructed and effectively creepy film that’s worth a watch. Though the film was most likely inspired by the 1960 film Eyes Without a Face, it’s still fairly unique. Given that he was mostly known as a character actor, Michael Pataki does a solid job behind the camera. He makes great use of darkness and shadows to give a very foreboding atmosphere, and the film’s fairly well-paced. The cast largely does a solid job, Richard Basehart giving a great performance as a surgeon plagued with guilt. While his methods are wrong, he wants to help his daughter, so you at least understand his perspective. His performance elevates the role from being the stereotypical mad scientist to a more sympathetic yet flawed character.

    Trish Stewart, though not given much to do, is equally sympathetic as the blind daughter wanting her sight back. Gloria Grahame, though clearly washed up after It’s A Wonderful Life, does the best she can with the material. However, the big stand-out is a then-unknown Lance Henriksen, who really shows signs of the great actor he’d become. Speaking of stand-outs, this was one of the first films that special effects legend Stan Winston worked on. While clearly working with a low budget, the make-up used to make people eyeless is pretty impressive. The score by Robert O. Ragland is effectively creepy and perfectly complements the overall tone and style of the film. Admittedly, there are plenty of slow spots, especially scenes with Chaney wandering the streets with droning voiceovers alongside these scenes. Overall, Mansion of the Doomed, while not a classic, is still an underrated gem worth seeking out.

     

    Buy Mansion of the Doomed from

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • A Quiet Place Part II (2021)

    A Quiet Place Part II (2021)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]On a modest $17 million budget, A Quiet Place grossed over $340 million worldwide and received universal acclaim from critics. Paramount immediately greenlit a sequel following its success, though John Krasinski was initially hesitant about the prospect. He and writers Scott Beck and Bryan Woods considered it more of a “one-off” and weren’t interested in sequels. However, Krasinski started brainstorming ideas after Paramount rejected several more franchise-oriented pitches, and he was allowed to write and direct. The surviving cast from the first film returned, alongside newcomers Cillian Murphy and Djimon Hounsou, who replaced Brian Tyree Henry. With a $61 million budget, the film was shot mostly around Western New York, Hudson Valley, and Upstate New York. The film had its worldwide premiere in March of 2020, but due to the COVID-19 pandemic, its release was delayed. Finally, over a year later, A Quiet Place Part II was released to theaters.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Following the first film, Evelyn Abbott (Emily Blunt), daughter Regan (Millicent Simmonds), and son Marcus (Noah Jupe) head out. With their home destroyed, they venture out searching for any other survivors that have a community they can settle in. Unfortunately, Marcus gets caught in a bear trap, which attracts several creatures and they make a break for it. They run into Lee’s old friend Emmett (Cillian Murphy), who reluctantly agrees to take them in despite having limited supplies. Marcus picks up a radio signal playing “Beyond the Sea” on loop, giving Regan the idea to find the source. Regan goes off alone to find the source, and Evelyn sends Emmet to find her and bring her back. Meanwhile, Evelyn goes off to find medical supplies while Marcus explores the complex, though he accidentally alerts the creatures. It’s a fight for survival as everyone sets out on their quest.

     

    Review

    A Quiet Place Part II is about on par with the original, which is both good and bad. On the one hand, it retains everything that made the first film great and expands upon it further. On the other hand, it somewhat feels like a repeat of the first one, not really doing anything different. To be fair, what it does differently is that it has more than one storyline as opposed to just one. You have Regan’s story of searching for survivors, and you have Evelyn’s story of trying to keep the family together. Speaking of, having Millicent Simmonds take centerstage was a good move since she was a standout in the first film. Here, she’s given much more to do and gets to show off just how good of an actress she is. Plus, she and Cillian Murphy make for a good pairing.

    Granted, this comes at the expense of giving Emily Blunt less to do, though she still gives a good performance. Honestly, none of the actors are particularly bad, and they each have their moments to shine. Even John Krasinski and Djimon Hounsou shine in their relatively brief appearances, though Honsou’s brief role is somewhat disappointing. Speaking of Krasinski, the opening sequence which takes place before the original gives a nice look at how this happened. While it does go on for a bit longer than expected, it doesn’t overexplain things and keeps the viewer engaged. Like the previous film, Krasinski’s direction is still solid, and he manages to maintain the same level of tension. At slightly over 90 minutes, the film goes by fairly quickly and never feels bogged down by pointless filler. Overall, A Quiet Place Part II is a solidly entertaining companion piece to the original.

     

    Buy A Quiet Place Part II from Amazon: https://amzn.to/3AquDKa.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

     

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch A Quiet Place Part II (2021)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”A Quiet Place Part II” data-year=”2021″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Castle Freak (1995)

    Castle Freak (1995)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]As mentioned in previous Full Moon Fridays, Charles Band typically sold a film on a poster and a title. While visiting the Full Moon offices, Stuart Gordon saw a poster with a chained-up Quasimodo-like figure being whipping a woman. Gordon expressed interest in filming, so Band gave him carte blanche if it featured a castle and a freak. Gordon wrote the film alongside his writing partner Dennis Paoli, taking inspiration from the H.P. Lovecraft story “The Outsider”. The film was shot in an Italian castle owned by Charles Band where they shot The Pit and The Pendulum. Gordon cast regulars Jeffrey Combs, Barbara Crampton, and Jonathan Fuller, and it would be his first unrated film since Re-Animator. Unfortunately, Full Moon was going through financial problems since their Paramount deal ended in 1994, so the film was delayed. Eventually, Stuart Gordon’s Castle Freak was released direct-to-video in November of 1995.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    John Reilly (Jeffrey Combs) has just inherited a 12-century castle that was previously owned by a famed Duchess. He moves in with his wife Susan (Barbara Crampton) and blind daughter Rebecca (Jessica Dollarhide), though things have gone bad. Years ago, John was drunk driving and got into an accident that killed their son and blinded Rebecca. Because of this, Susan has not forgiven him and blames him for the death, though she’s still with him. Unbeknownst to the family, the Duchess’ deformed son Giorgio (Jonathan Fuller) has been living in the castle dungeons. He manages to escape from his shackles and roams the castle, eventually finding Rebecca and freaking her out. She tries telling her parents, but Susan doesn’t believe her, though John decides to investigate further and learn more. With tensions between John and Susan rising further, it’s only a matter of time before the Castle Freak strikes.

     

    Review

    For what ended up being his last collaboration with Charles Band, Castle Freak is a superb send-off for Stuart Gordon. Gordon manages to construct a well-directed and very atmospheric modern-day gothic horror film even with a limited budget. It helps that they filmed at a real castle, which adds plenty of production value much like with Subspecies. Admittedly, compared to Gordon’s other films which added some humor, this one is largely humorous and much more serious. Granted, it’s better than The Pit and The Pendulum, where the humor clashed with the more serious elements. Jeffrey Combs and Barbara Crampton give some of their best performances here, both sympathetic and in some way tragic. Relative newcomer Jessica Dollarhide does a solid job as a blind girl whose disability is treated respectfully and honestly. However, Jonathan Fuller steals the show as the title character, giving a very expressive and emotive performance.

    Fuller’s performance is very reminiscent of how Lon Chaney portrayed the various monsters he played, using body and facial expressions. The creature and makeup effects from Optic Nerve are wonderfully gruesome and Giorgio’s design ranks among the best practical monsters. Richard Band’s score is a delightful mix of terror and playfulness that fits right alongside his score for Dolls. At roughly 90 minutes, the film goes by fairly quickly without feeling like it’s rushing or having padding added. In terms of flaws, one problem with the film is that some of the characters act rather irrationally. No one really seems to entertain the thought that something more is going on and just act on instinct. Still, given the tensions going on and how emotional everyone is, it’s fair to expect people wouldn’t be thinking straight. Overall, Castle Freak is a solidly underrated gothic horror film that deserves your attention.

     

    Buy Castle Freak from

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]