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  • Final Destination (2000)

    Final Destination (2000)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Wanting to enter the industry, aspiring writer Jeffrey Reddick worked on a spec script for The X-Files titled Flight 180. However, the script went to New Line Cinema, who saw potential in adapting it into a feature film. Reddick rewrote the script as per New Line’s wishes, and they hired Glen Morgan and James Wong for further rewrites. Given the popularity of 1996’s Scream, the studio wanted to cast primarily young adult actors to cater to that market. They hired newcomers Devon Sawa, Ali Larter, Sean William Scott, Kerr Smith, Amanda Detmer, and Chad Donella for the leads. With a $23 million budget, filming took place around Long Island, Vancouver, Toronto, and San Francisco. Following various test screenings, many scenes and subplots had to be cut, and a new ending was filmed months later. Now retitled to Final Destination, the film hit theater screens in March 2000.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    A group of high school seniors is boarding an international flight to Paris when something unexplained happens. One of the students, Alex (Devon Sawa), has a vision of the plane exploding and tries to warn everyone. He starts causing a panic, so security removes him and several of his classmates from the plane, which explodes. Roughly a month after the crash, some of the survivors start dying under mysterious circumstances. Given his accurate predictions, FBI Agents Weine (Daniel Roebuck) and Schreck (Roger Guenveur Smith) deem Alex a prime suspect. With help from fellow survivor and love interest, Clear (Ali Larter), Alex tries to figure out Death’s plan. He discovers that Death is claiming the survivors in a specific order, so he tries to stop it. But what Alex soon discovers is that you can’t cheat Death, and Death will always find you.

     

    Review

    Even 25 years after its release, the original Final Destination still holds up as a fantastic horror film. While it may not be as over-the-top as its sequels, this movie still has some fun, elaborate kill sequences. What makes the scenes so enjoyable is seeing all the intricate steps that lead to the character’s ultimate demise. For instance, something as simple as a broken coffee mug can lead to a house catching fire and exploding. The film also features some simple death scenes interspersed to break up the monotony and provide a genuine shock. Though some are more obvious than others, the fact that they happen so suddenly makes them more shocking. Some are so sudden that it borders on being funny, which is fitting given some of the humorous touches. From background pictures foreshadowing the deaths to the use of a John Denver song, it’s cleverly morbid.

    What also elevates this movie above many others of its time is the characters, who are likable in some ways. Devon Sawa shines as the reluctant protagonist trying to save everyone and stop Death’s plan, only to be their undoing. Ali Larter is also great as the loner Clear, and she has excellent chemistry with Sawa. Kerr Smith makes for a great hateable jock who talks tough but shows weakness as the deaths pile on. Kristen Cloke is also great as Ms. Lewton, the adult figure racked with guilt over the deaths of her students. She and the other actors do a great job showing the anguish and remorse they feel over surviving the crash. Also, while he’s only in one scene, the late Tony Todd steals the show as the mortician, William Bludworth. His menacing voice and imposing presence elevate what otherwise is an exposition dump.

    Given that this movie came out a year before 9/11, watching the plane explosion now is unsettling. That said, it’s still an effective sequence, seeing how the suspense builds and builds until the sides blow out. Glen Morgan and James Wong do a great job of keeping the suspense going throughout and putting you on edge. Of course, none of this would be possible without Jeffrey Reddick’s original script, which helped launch an entire franchise. Admittedly, some of the humor clashes with the serious tone they’re trying to go for, but it isn’t awful. Plus, aside from Alex, Clear, Ms. Lewton, and Carter, the other characters exist just for cannon fodder. Granted, none of the characters are overly obnoxious, and the film moves at a solid pace. Overall, Final Destination still works thanks to its solid death sequences and a great mix of horror and humor.

     

    Buy Final Destination from Amazon: https://amzn.to/4ja8rEv.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Final Destination (2000)

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  • Thunderbolts* (2025)

    Thunderbolts* (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]In 1997’s The Incredible Hulk #449, a new team of superheroes known as The Thunderbolts emerged to replace The Avengers. Created by Kurt Busiek and Mark Bagley, the series went through numerous writers and artists who changed the fundamental group. Fast-forward to 2014, when James Gunn wanted to adapt Thunderbolts into a movie after Guardians of the Galaxy. While that never happened, talks of a Thunderbolts team surfaced over the years until Marvel teased it in 2021. In 2022, Jake Schreier came on board to direct a screenplay from Eric Pearson, with additional rewrites from Joanna Calo. The cast included actors from previous MCU projects, including Florence Pugh, Sebastian Stan, David Harbour, Hannah John-Kamen, and Julia Louis-Dreyfus. Due to the writers’ and SAG strikes, filming didn’t start until February 2024, running until that June, mainly in Atlanta. After numerous delays, Thunderbolts* finally hit theaters in May 2025.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Yelena Belova (Florence Pugh) feels unfulfilled, working as a lapdog for CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus). Wanting out, Yelena agrees to one last job from Valentina: go to an abandoned research station and stop a heist. Upon arrival, she runs into Ava Starr, aka Ghost (Hannah John-Kamen), and John Walker (Wyatt Russell). It turns out they’re also working for Valentina, and she set them up to burn with everything inside the station. Along with a seemingly random civilian named Bob (Lewis Pullman), they escape, only for Valentina to recapture Bob. Thankfully, Yelena’s father, Alexei Shostakov aka Red Guardian (David Harbour), rescues her, Ghost, and Walker before Valentina eliminates them. They’re inadvertently saved by Bucky Barnes (Sebastian Stan), who reluctantly agrees to help them take out Valentina. As our team of misfits finds themselves working together, Bob soon discovers there’s more to him than meets the eye.

     

    Review

    While it suffers the same flaws as other MCU movies, Thunderbolts* is a step in the right direction. The conflicting tone and out-of-place quips are still sprinkled in, but it’s more dialed back and less prevalent. In a way, this is one of the most dour and sad entries in the franchise, which is strangely refreshing. You get the typical big action set pieces and whatnot, but there’s more emotional depth than expected. Without going into too many spoilers, the film explores themes of depression, loneliness, self-doubt, redemption, and acceptance. Most action sequences are more grounded and small-scale, akin to the hand-to-hand scenes in Captain America: The Winter Soldier. Granted, this movie isn’t as good as the second Captain America film, but it’s a close call. If Captain America: Brave New World was more middle-of-the-road, this one makes an effort and mostly nails it.

    Despite being marketed as an ensemble film, this is essentially a Florence Pugh vehicle, which isn’t bad. She gives arguably the best performance of her career here since Midsommar, playing a very down-to-earth, broken anti-hero. While she does have the occasional snide comment, she mostly plays it dead serious and shows a more vulnerable side. Hannah John-Kamen and Wyatt Russell also work as supporting characters alongside Pugh, though their characters aren’t as fleshed out. David Harbour steals every scene he’s in, and his scenes with Sebastian Stan are hilarious. I could see them working as a buddy duo similar to movies like Lethal Weapon or The Last Boy Scout. Lewis Pullman has an undeniable charm that makes him likable, and Julia Louis-Dreyfus is better here than in Black Widow. Sadly, despite what the marketing might say, Olga Kurylenko once again gets the shaft as Taskmaster.

    Going back to The Winter Soldier, this movie has some of the same themes of political intrigue as that one. There aren’t as many twists, and the politics are dialed down, but they’re trying to recapture the magic. The film doesn’t succeed since it has the same issues as other MCU movies: out-of-place humor and an inconsistent tone. Some jokes work in a dry, sardonic way, but some snarky one-liners don’t land, though Harbour always gets a laugh. You get the sense that the filmmakers wanted something more serious and grounded, but the studio insisted on adding humor. Regardless of my issues, more of this film works than doesn’t, and it’s a step up in quality. There are some pacing issues at slightly over two hours, but it never feels like it’s dragging to the end. Overall, much like the titular team, Thunderbolts* is flawed but still works.

     

    Buy Thunderbolts* from Amazon: https://amzn.to/40Om4TA.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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  • Daydreamers (2023)

    Daydreamers (2023)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Born in Saigon and raised in Sunnyvale, Timothy Linh Bui dreamed of being a filmmaker since childhood. After graduating from Columbia College Hollywood, Bui co-wrote Three Seasons with his brother, Tony Bui, in 1999. Bui made his directorial debut with 2001’s Green Dragon starring Patrick Swayze and Forest Whitaker. He also directed 2009’s Power Blue, which was Swayze’s final role before his untimely death in September of that year. Aside from directing, Bui also worked as a producer, having started the production company Happy Canvas Film in 2013. After relocating the company to Vietnam, Bui produced 2016’s The Housemaid and a Vietnamese version of The Bachelor. Following a substantial gap, Bui returned to directing with 2023’s Ngôi Mát Trời, the first Vietnamese vampire movie. After premiering at the 2024 Viet Film Festival, Dark Star Pictures acquired the distribution rights and retitled the film “Daydreamers.”

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Four hundred years ago, European vampires fled to Southeast Asia to escape persecution, spreading their curse to the locals. Cut to modern times, where vampires live by a strict law: live in darkness, leave no witnesses. In a remote fishing village close to Ho Chi Minh City, a group of vampires hope to regain their humanity. One of them is Nhat (Trang Ngoc Vang), who clings to this belief despite his doubts. He gets a visit from his older brother Marco (Thuan Nguyen), who shows him what the outside world is like. While Nhat rejects the thirst for blood, Marco revels in it and wants his brother to join him. Unfortunately, Nhat accidentally exposes his nature to a young girl named Ha (Trinh Thao), meaning she must die. With Marco and the vampire queen, Trieu (Chi Pu), hunting them, Nhat and Ha must work together to survive.

     

    Review

    Daydreamers feels both familiar and different, as it takes Western vampire tropes and adds Vietnamese sensibilities to the formula. You can tell Tim Bui drew influence from movies like The Lost Boys, Near Dark, and Interview with the Vampire. Here, it comes off less as a rip-off and more as taking familiar ideas and doing something unique with them. Going into this, I hadn’t seen any Vietnamese horror films before, so I didn’t know what to expect. If this movie is any indication, it seems that Vietnam is poised to have a thriving horror scene. Daydreamers is one of the most stylish, visceral, genre-bending horror films I’ve seen in quite some time. The filmmakers do a great job showcasing Ho Chi Minh City, from the dingy alleyways to the vibrant cityscapes. Cinematographer Nguyen K’Linh makes excellent use of color to accentuate the mood in a way few modern movies do.

    Trang Ngoc Vang gives a solid performance as Nhat, a reluctant vampire who yearns to be human again. He brings a level of vulnerability to the character that makes him sympathetic, especially when he tries to save Ha. Speaking of Ha, Trinh Thao brings a real toughness to her role, showing that she isn’t a damsel in distress. She has excellent chemistry with Vang, and it never feels like the movie forces them into a romance. Thuan Nguyen steals the show as Marco, who looks like a cross between Kiefer Sutherland’s David and Bill Paxton’s Severin. He has the right amount of swagger and chill viciousness that makes him instantly memorable. Chi Pu is both stunning and chilling as the vampire queen Trieu, even if her role feels underdeveloped. All in all, the cast does a phenomenal job, and I hope to see them in bigger movies.

    The action sequences are well-staged, featuring fast-paced editing and solid choreography that rivals the best of Hong Kong action movies. Seeing the actors flying around on wires, flipping and kicking, is always entertaining, despite the somewhat lackluster CGI. That’s probably my biggest gripe with the film: many of the digital effects are noticeable in a negative way. What’s worse is that there are some nicely done practical effects, which make the CGI even more evident. Additionally, the melodrama may be a bit too much for some audiences, but it suits the overall tone. The film deals with themes of family, brotherly love, redemption, betrayal, and what it means to be human. At slightly under two hours, the movie maintains a fast pace, but it never feels rushed to the end. Overall, even with its flaws, Daydreamers is a solid vampire film that horror fans will enjoy.

     

    Buy Daydreamers from Amazon: https://amzn.to/49Vcq6S.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Daydreamers (2023)

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  • Deliverance (1972)

    Deliverance (1972)

    [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_fullwidth_header title=”Special Review” subhead=”This review is a special request from Patreon supporter BodaciousCNO. If you’d like to support me on Patreon, click the button below.” text_orientation=”center” button_one_text=”Visit Patreon” button_one_url=”https://www.patreon.com/filmnerd” background_overlay_color=”#f96854″ _builder_version=”4.27.4″ _module_preset=”default” title_level=”h2″ background_color=”#f96854″ custom_button_one=”on” button_one_bg_color=”#052d49″ custom_margin=”||||false|false” custom_padding=”25px||25px||false|false” global_colors_info=”{}”][/et_pb_fullwidth_header][/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]After publishing a series of poems in the 50s and 60s, James Dickey published his first novel, Deliverance, in 1970. The book became a massive critical and commercial success, leading to Warner Bros. acquiring the film rights. They hired John Boorman to direct, who had previously helmed the films Point Blank and Hell in the Pacific. Despite acquiring the rights, Warner Bros. had little faith in the project, offering only a $2 million budget. While Boorman wanted to cast Marlon Brando and Jack Nicholson, he ultimately had to settle for lesser-known or unknown actors. Filming took place primarily in northeastern Georgia and parts of South Carolina between May and August 1971. Despite the studio’s efforts to kill the project, Boorman and company forged ahead, even with many actors getting hurt. After numerous broken bones, fistfights, and near close calls, John Boorman’s Deliverance hit theaters in July 1972.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Longtime friends Lewis (Burt Reynolds), Ed (Jon Voight), Bobby (Ned Beatty), and Drew (Ronny Cox) embark on a canoe trip. Being an outdoorsman, Lewis leads the group, and Ed lacks his courage, while the other guys are newcomers. Along the way, the guys mingle with some locals, with Drew engaging in a banjo duel with a young kid. Eventually, the guys reach their canoes and travel in pairs, but they end up getting separated. Ed and Bobby get ambushed by some mountain men, who tie Ed to a tree and rape Bobby at gunpoint. Thankfully, Lewis sneakily kills the rapist while Drew grabs the shotgun from the lone mountain man before he flees. Given the situation, the guys decide to bury the body and continue like nothing happened, only for things to worsen. With one injured and another lost, the remaining survivors must fight to stay alive.

     

    Review

    Deliverance is considered a landmark in American cinema, and it deserves that status for its raw visceral energy. The way the movie is filmed, along with the absence of a soundtrack, contributes to its sense of realism. Vilmos Zsigmond, who won an Oscar for Close Encounters of the Third Kind, shows why he was a legendary cinematographer. He perfectly captures the feeling of isolation that the guys feel as they canoe their way along the river. Adding to this is the absence of a traditional soundtrack, although the Dueling Banjos scene remains memorable. Like many thrillers from the 1970s, the film moves at a slow pace, which might put modern audiences off. However, the pacing adds to the tension that builds throughout as the adventure from hell worsens for our heroes. You could probably shave a few minutes off, but the film only runs at slightly less than two hours.

    Though it’s weird seeing him without a mustache, Burt Reynolds shows why he became such a big star. He exudes charisma and gives off a strong presence that makes him stand out from the other cast members. Jon Voight, who earned an Oscar nomination years earlier for Midnight Cowboy, is also excellent. You see him transform from a meek middle-class worker to a hardened survivor as the film progresses. Given that this was the debut of both Ned Beatty and Ronny Cox, they certainly went through a lot. It’s interesting to see Cox, best known for his role in RoboCop, play a free-spirited guitar player. Beatty does a good job as a trauma-ridden rape victim who remains quiet and reserved throughout the film. While many of the mountain men blend in with each other, Billy Redden is memorable as Cox’s banjo-playing rival.

    Considering the movie’s legacy, audiences who are familiar with it but haven’t seen it might find the film tame. While Beatty’s rape scene is disturbing, it lacks the visceral quality of The Last House on the Left. It doesn’t help that Craven’s film spent time with its villains, whereas the mountain men here appear briefly. That said, I’d probably rank Boorman’s film higher, as it has a more consistent tone and doesn’t have comedic relief. Also, kudos to the actors for doing many of their stunts, which adds a sense of danger. That aspect also makes the story feel more relatable since almost everyone has ventured somewhere they shouldn’t have. Even if the numerous parodies and references have diminished the film’s impact, it remains a cultural milestone for a reason. Overall, Deliverance is a solid thriller, featuring some great performances and a subtle sense of dread that pervades throughout.

     

    Buy Deliverance from Amazon: https://amzn.to/3S2qKQM.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost to you, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Deliverance (1972)

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  • Sinners (2025)

    Sinners (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]In early 2024, reports surfaced that Ryan Coogler of Creed and Black Panther fame had a new film in development. Once the news broke, a bidding war ensued with Sony Entertainment, Warner Bros., and Universal Pictures vying for distribution rights. Eventually, Warner Bros. won, agreeing to provide Coogler with a $90 million budget and complete creative control. Longtime collaborator Michael B. Jordan would play the lead, alongside Hailee Steinfeld, Wunmi Mosaku, Delroy Lindo, and newcomer Miles Caton. Under the working title Grilled Cheese, filming took place in New Orleans between April and July 2024. Coogler also brought in cinematographer Autumn Durald Arkapaw and composer Ludwig Göransson, both of whom he had previously worked with. The film was initially scheduled for release in March 2025, but it was postponed due to post-production issues. Now under the title Sinners, Coogler’s period piece horror film hit theaters in April.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Set in Prohibition Era Mississippi, twin brothers Smoke and Stack (Michael B. Jordan) return home after spending time in Chicago. With the money they’ve earned, the twins decide to open a juke joint and plan to have a grand opening. Their younger cousin, Sammie (Miles Caton), agrees to play guitar at the joint despite warnings from his pastor father. Smoke and Stack also recruit piano player Delta Slim (Delroy Lindo) and singer Pearline (Jayme Lawson) to perform. Smoke rekindles his relationship with his estranged wife Annie (Wunmi Mosaku) while Stack deals with his ex Mary (Hailee Steinfeld). Despite some setbacks, the joint’s opening is a smashing success, with drinks overflowing and music swaying the crowd. Unfortunately, the music also attracts a group of vampires led by Remmick (Jack O’Connell), who wants to turn everyone. Who will survive the night, and who will become one of Remmick’s vampiric followers?

     

    Review

    Sinners was one of my most anticipated movies of 2025, and I’m happy to say that it exceeded my expectations. I’ve been a fan of Ryan Coogler for years, and this is easily one of his best movies. It’s exciting to see Coogler create his first original property, and for it to be as successful as it is. Admittedly, the film does bear more than a few similarities to From Dusk Till Dawn, but it’s not a rip-off. Aside from the fact that the leads are brothers, the vampires, and the isolated location, they are two distinct movies. I do not doubt that Coogler took inspiration from Robert Rodriguez’s crime thriller/vampire hybrid, but that’s where it ends. Sinners is strictly a Ryan Coogler film in all the best ways possible, retaining his trademark urban grit. Everything here works: the cast, the music, the setting, the story, and so on.

    Michael B. Jordan is so good as the SmokeStack twins that I forgot it was the same person playing both. He manages to make both brothers feel distinct enough that they feel like two different characters. Character actor Delroy Lindo steals the show as a drunken pianist, acting as a father figure to the twins. Wunmi Mosaku and Jayme Lawson also shine as Annie and Pearline, respectively, both adding a seductive charm. Hailee Steinfeld is another highlight as the part-black, part-white Mary, who relishes every line she delivers. Jack O’Connell is delightfully sinister as the vampire leader Remmick, acting more like a charismatic cult leader, ala Jim Jones. However, the real standout is newcomer Miles Caton, who, in addition to being a great musician, delivers a fantastic performance. Seeing him transition from a shy preacher boy to a confident young man to a shell-shocked survivor is astounding.

    Given the film’s Jim Crow era setting, there’s an obvious racial allegory about whites infecting the black community. Thankfully, Coogler is a masterful enough filmmaker that the message is woven into the story rather than the central focus. Of course, vampires have traditionally symbolized the other, something foreign and unknown, tainting the status quo like a disease. Here, it’s almost flipped on its head, where the marginalized groups are the ones tainted by the predominantly white society. The music further develops this message, combining classical blues with more modern sensibilities in an organic way. My only major complaint is that the filmmakers could’ve trimmed some scenes to reduce the runtime, but it’s a stretch. Otherwise, this is a beautifully crafted, well-acted genre blend that more than deserves its acclaim. Overall, Sinners is not only Ryan Coogler’s best film, but it’s also one of the best movies of 2025.

     

    Buy Sinners from Amazon: https://amzn.to/4pwUiEF.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Sinners (2025)

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  • Warfare (2025)

    Warfare (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]In 1997, Ray Mendoza joined the US Navy, rising through the ranks to join SEAL Team 5. After serving 16 years, he worked as a military consultant on various movies, beginning with 2012’s Act of Valor. Mendoza also worked on Lone Survivor, Jurassic World, and The Terminal List, learning the tricks of the trade. He met filmmaker Alex Garland while working on 2024’s Civil War, where the two became fast friends. Mendoza told Garland about a failed surveillance mission in 2006 that almost killed one of his squadmates. Seeing the potential, Garland worked with Mendoza to adapt the story, consulting the NAVY seals from the mission. With the script written and the cast assembled, filming occurred around London in May 2024 with a $20 million budget. Less than a year later, Mendoza and Garland’s efforts hit theaters in April 2025 as Warfare.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In the Iraqi city of Ramadi, NAVY Seal Team Alpha One takes control of a multi-story house for surveillance. Ray Mendoza (D’Pharaoh Woon-A-Tai) monitors their position while Elliot Miller (Cosmo Jarvis) trains his sniper rifle on a nearby market. Things quickly go wrong when a grenade gets thrown into the room Miller’s in, which injures him. The team calls in an evac to get Elliot some medical attention, but an IED blows up the transport. While only one soldier gets killed, Miller and the team’s medic, Sam (Joseph Quinn), are both gravely wounded. The team’s leader, Erik (Will Poulter), tries forming a plan of action but is understandably shaken by what’s happened. With a team of soldiers scrambling for answers and two men nearly dying, Erik calls in Alpha Two for assistance. Will the other Seals make it in time, or will this be Alpha One’s final mission?

     

    Review

    Much like Oliver Stone’s Platoon, Warfare succeeds in depicting its war in a real and visceral way. It also helps that its respective filmmakers served in the military and used their experiences as references. While I think Stone’s Vietnam movie is better, Mendoza’s first-time directing effort is commendable, and I’m excited for what’s next. You feel like you’re there with the soldiers as they try to survive this unknown environment. The slow start might put some off, but it feels natural and gives a false sense of security. The action happens so abruptly that you feel the shock that the characters experience and are similarly discombobulated. This movie isn’t any pro-America propaganda showing how awesome being part of the military is that depicts Middle Easterners offensively. Instead, the filmmakers want you to experience war in its purest form: raw, unfeeling, gritty, nonpolitical, and unbiased.

    The cast does an excellent job with the material, even if there’s a lack of characterization. Relative newcomer D’Pharaoh Woon-A-Tai is fantastic as the communications officer trying to stay focused amid the chaos. Will Poulter is also great, using his facial expressions and body language to communicate a feeling of helplessness and confusion. You can tell he’s trying to be an effective leader, but he is way over his head. Cosmo Jarvis and Joseph Quinn also excel as ordinary soldiers enduring some of the worst pain imaginable. While I’d typically dock this movie points for its lack of deep characters, that’s not the point. In war, you don’t have time to get to know people better, especially when anyone can die anytime. You don’t need character insights or deep backstories to feel emotional for these guys fighting to see another day.

    For a first-time director, Ray Mendoza shows much promise, as he knows how to capture action effectively. The editing is fast-paced and kinetic, but it’s never so chaotic that you can’t tell what’s happening. David Thompson’s cinematography goes from long, sweeping shots to in-your-face, shaky cam, but in a way that feels natural. The sound design adds to the sense of realism, with the faraway gunshots mixed with deep breathing. The pacing is deliberate, slow before going headfirst without a second’s notice, and still easy to follow. It helps that the film is only 95 minutes long, so it never feels padded or overlong. Please don’t expect a straightforward narrative since this is more about capturing an experience, which it does phenomenally. Overall, Warfare is one of the best war films in recent memory and one of 2025’s best movies so far.

     

    Buy Warfare from Amazon: https://amzn.to/4qHK3y6.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

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    Where to watch Warfare (2025)

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  • Godzilla vs. Biollante (1989)

    Godzilla vs. Biollante (1989)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Despite The Return of Godzilla making its money back, longtime Godzilla producer Tomoyuki Tanaka was hesitant about making a follow-up. However, after seeing how successful Frank Oz’s remake of Little Shop of Horrors was, Tanaka decided to push forward. In a bold move, Tanaka held a contest where the public could submit story ideas for a potential script. Tanaka then handed the five finalists to writer/director Kazuki Ōmori, who chose the entry submitted by dentist Shinichiro Kobayashi. Using his biologist background, Ōmori modified Kobayashi’s original treatment, focusing on genetic engineering and botany while adding spy elements. After being impressed by his work on 1989’s Gunhed, Toho hired Koichi Kawakita as the special effects supervisor. With a $10.7 million budget, substantially more than the last installment, Toho hoped this would be the hit they wanted. Godzilla Vs. Biollante hit Japanese theaters in 1989 before going direct-to-video in the US in 1992.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    Following Godzilla’s rampage, scientists find his cells scattered across Tokyo, only for Saradian agent SSS9 (Manjot Bedi) to steal them. The cells are delivered to the Saradian Institute of Technology and Science, where scientists hope to create fertile land. The Saradian government enlists Dr. Genshiro Shiragami (Kōji Takahashi), who brings along his daughter, Erika (Yasuko Sawaguchi), for the project. Unfortunately, a terrorist bombing destroys the lab where the cells were housed and kills Erika. Years later, Dr. Shiragami becomes a recluse trying to merge Erika’s cells with a rose to keep her soul. Japanese scientists are developing “Anti-Nuclear Energy Bacteria” using Godzilla’s cells, and they recruit Dr. Shiragami, to whom he reluctantly agrees. Unbeknownst to the scientists, Shiragami merges the Godzilla cells with the rose, creating the plant-like monster Biollante. With Godzilla reawakening from his volcanic tomb, it’s only a matter of time before both monsters duke it out. 

     

    Review

    Godzilla Vs. Biollante tends to be overlooked outside hardcore fans, which is a shame considering its uniqueness. This film not only boasts one of the series’ most original monsters, but it also features a strong human-centered storyline. Shiragami’s arc of trying to preserve his daughter echoes themes of grief and loss and offers commentary on genetic engineering. Remember that this film came out two years before Jurassic Park tackled similar issues of the dangers of science. Also, Biollante herself has a distinctive monster design, being a giant puppet instead of the tried-and-true guy-in-suit monster. From its initial appearance as a giant rose to a massive plant mass with a crocodile head, it’s truly memorable. While the limited mobility means we don’t get the knock-down drag-out fights of previous films, the battle is still unforgettable. Plus, Biollante is one of the only monsters that make Godzilla look small in comparison.

    Kōji Takahashi does a great job as the brilliant yet grief-stricken Dr. Shiragami trying to atone for his mistakes. Even if you disagree with his methods, you understand what he goes through in wanting to bring his daughter back. Another cast member worth mentioning is Megumi Odaka as Miki Saegusa, a psychic girl who becomes a recurring character. Another aspect that makes this entry stand out is establishing continuity with the previous films, which carries on throughout. Seeing how the world evolves to combat these new threats is exciting and makes you want to see what’s next. Like before, the scenes of the military fighting Godzilla are spectacular with its miniatures and guy-in-suit techniques. The Godzilla suit in this looks much more menacing and threatening than the admittedly goofy one in the last film. Unfortunately, the music sometimes lacks, trying to mix the original theme with fast-paced rock.

    As great as the human storyline is, it’s not without its flaws, namely how scattered it feels. The subplot with the Saradian agent comes and goes out of nowhere without any meaningful payoff. So many little subplots and side stories happen one after another that it’s hard to focus on what’s happening. Also, like the last film, this tries to philosophize Godzilla by asking who the real monster is, which is silly. Sure, the original explored themes of nuclear destruction in post-war Japan, but it was still a giant monster movie. The film takes a while to get going, but once it does, the final battle with Biollante is a show-stopper. Despite its flaws, this is still a unique and original Godzilla film that longtime fans and newcomers should enjoy. Overall, Godzilla Vs. Biollante is a hidden gem within the legendary monster’s historic franchise.

     

    Buy Godzilla Vs. Biollante from Amazon: https://amzn.to/428Peww.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Godzilla vs. Biollante (1989)

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  • The Day the Earth Blew Up: A Looney Tunes Movie (2024)

    The Day the Earth Blew Up: A Looney Tunes Movie (2024)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]After finishing his run on Uncle Grandpa in 2017, series creator Peter Browngardt expressed interest in Looney Tunes. This desire led him to create the Looney Tunes Cartoons series for HBO Max, which debuted in 2020. While developing the show in 2019, Browngardt offered feature film ideas, settling on a “sci-fi B-movie from the ’50s.” He also wanted to focus the film on Porky Pig and Daffy Duck, citing shorts like Duck Dodgers as references. To maintain the style of animators like Bob Clampett and Tex Avery, the filmmakers chose traditional animation over 3D animation. Though initially set for release on HBO Max and Cartoon Network, Warner Bros decided to pull the film indefinitely. Thankfully, indie studio Ketchup Entertainment acquired distribution rights after premiering in June 2024 and scheduled it for a theatrical release. March 2025 saw the release of The Day the Earth Blew Up: A Looney Tunes Movie.[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Since childhood, Porky Pig and Daffy Duck (both voiced by Eric Bauza) have been lifelong friends through thick and thin. Unfortunately, things worsen when home inspector Mrs. Grecht (Laraine Newman) deems their house unlivable and threatens to condemn it. Porky and Daffy try getting jobs to pay for home repairs, but Daffy’s antics get them fired from every job. Things seem hopeless when scientist Petunia Pig (Candi Milo) helps get them jobs at the Goodie Gum factory. Little do they know that an alien known as The Invader (Peter MacNicol) has contaminated the gum with mind-controlling goo. Daffy tries warning everyone that the gum turns people into mindless zombies, but no one believes him. Soon, the gum-chewing zombies swarm the town, and it’s up to Porky, Petunia, and Daffy to stop them. Will they save the world, or will The Invader’s plan come to fruition?

     

    Review

    It’s shameful that Warner Bros. seems disinterested because The Day the Earth Blew Up is one of the year’s best. In a time dominated by 3D animated movies, along comes a 2D animated movie that breathes life into the medium. The animation is breathtaking, fluid, and dynamic, perfectly capturing the spirit of classic Looney Tunes shorts. You can tell that the people working on this film love animation and put their hearts into the material. The style of animation combined with the 50’s sci-fi premise reminded me of The Iron Giant, which is not bad. Coincidentally, both movies underperformed at the box office despite receiving critical acclaim, showing that not much has changed. There are also some great visual gags, like the intentionally stiff movement of Farmer Jim or characters crying literal waterfalls. Admittedly, some more modern gags don’t land well, but they’re not enough to ruin the film.

    One refreshing aspect of this movie is that the cast doesn’t include A-list actors shoehorned in for name recognition. Instead, you have talented voice actors like Eric Bauza, Candi Milo, Fred Tatasciore, Laraine Newman, and Wayne Knight. Each of them delivers an exceptional performance, especially Bauza, who provides the voice of both Porky Pig and Daffy Duck. He’s so good that you don’t even notice that it’s one person doing two different voices. Peter MacNicol is also fantastic as The Invader, playing an appropriately over-the-top villain while still playing it straight. Milo’s demure voice helps make Petunia that much more adorable, and her scenes with Porky are cute. None of the vocal performances fell flat; everyone delivered exceptional work, bringing these characters to life. Hollywood should take some lessons about casting an animated movie from this, but sadly, they most likely won’t.

    Fans of old-school Looney Tunes cartoons, as well as kids not familiar with these characters, will enjoy this. Admittedly, the plot is somewhat generic and predictable, but that doesn’t make it any less enjoyable. Sometimes, you don’t need complicated storylines, twists at every turn, and deep characterizations to make a good movie. Like the old shorts, this one has a simple storyline that’s plenty of fun without talking down to the audience. Plus, at only 91 minutes, the movie never overstays its welcome and gets in and out quickly. Unfortunately, so many people talk about the live-action Snow White that they ignore this genuinely good film. If you’re a parent deciding what to take your kids to see, please bring them to this. Overall, The Day the Earth Blew Up: A Looney Tunes Movie is fantastic fun for all audiences, young and old.

     

    Buy The Day the Earth Blew Up: A Looney Tunes Movie from Amazon: https://amzn.to/48mYrVh.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch The Day the Earth Blew Up: A Looney Tunes Movie (2024)

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  • Novocaine (2025)

    Novocaine (2025)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Growing up, Dan Berk and Robert Olsen were big fans of over-the-top action movies like Commando and Lethal Weapon. While horror movies like Body, Stake Land 2, and Villains got them attention, they dreamed of making an action movie. That opportunity came when Berk and Olsen got a script from Lars Jacobson about a man who can’t feel pain. Specifically, the lead has Congenital insensitivity to pain (CIP), a rare condition where those affected can’t feel physical pain. Seeing potential, Berk and Olsen knew they had to make this a comedic action movie like the ones they loved. They hired Jack Quaid fresh off his role in The Boys due to his Tom Hanks-like charm and likeability. With a budget of $18 million, principal photography took place in South Africa in mid-2024. After an early premiere at Regal Theaters, Novocaine hit the silver screen in March 2025.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Mild-mannered Nathan Caine (Jack Quaid) is an assistant bank manager living with Congenital Insensitivity to Pain with Anhidrosis, or CIPA. Despite his introverted nature, he develops a romantic interest in coworker Sherry Margrave (Amber Midthunder) and hesitantly asks her out. The two fall in love, but things go awry when the bank gets robbed, and the thieves take Sherry hostage. Despite his instincts telling him not to, Nathan decides to go after the robbers and rescue Sherry. Meanwhile, officers Mincy Langston (Betty Gabriel) and Coltraine Duffy (Matt Walsh) believe Nathan is working with the robbers. Throughout his journey, Nathan gets stabbed, gets shot at, has his hand deep-fried, and gets knocked out numerous times. With help from his internet pal, Roscoe Dixon (Jacob Batalon), Nathan tracks down the leader, Simon Greenly (Ray Nicholson). But what Nathan soon discovers will change his life forever.

     

    Review

    Novocaine is one of the year’s biggest surprises, combining comedy and action with a surprisingly sweet love story. When I first saw the trailer, I was excited but worried it might not live up to its potential. Thankfully, the movie was every bit as entertaining and fast-paced as I hoped it would be. Like many great action movies of the 80s, this one perfectly organically combines action and comedy. The jokes never get in the way of the action, and the action isn’t gratuitous enough to derail the comedy. Given the premise, making the hero an indestructible bullet farm would be easy, but that’s not the case. While he can’t feel pain, that doesn’t mean he can’t get hurt, and we’re shown how vulnerable he is. A modern action movie rarely has a hero who’s beaten and bloody, and it’s greatly appreciated here.

    Jack Quaid is perfectly cast as the introverted but good-hearted Nathan Caine, bringing great charm and likability. His snarky wit and dry humor make him a fun lead you instantly root for. Amber Midthunder does a great job as the love interest, Sherry Margrave, and she’s got great chemistry with Quaid. It helps that the first third is spent developing their relationship so that when she’s kidnapped, it’s more impactful. Much like his father, Ray Nicholson makes for a great hateable villain with his broad smile and explosive energy. Betty Gabriel and Matt Walsh are fun in their scenes together as they try to make sense of what’s happening. Like in the Tom Holland Spider-Man movies, Jacob Batalon works as the comic relief, though he can get tiresome. All in all, the cast does a fine job with the material, which could’ve gone wrong in lesser hands.

    As undeniably enjoyable as the film is, that’s not to say it’s without flaws, though they aren’t especially egregious. For one, as inventive as having a pain-resistant lead in an action movie is, it’s not significantly groundbreaking. Plus, as wonderfully gratuitous as the violence is, it lacks the grit or over-the-top vibes of John Wick or Deadpool. I’ve seen people criticize that the hero could still die even if he can’t feel pain, which the movie addresses. Granted, if inconsistencies like that bother you, you already know whether or not you’ll enjoy this. Sure, the movie has problems, but if you can sit back and let the film go, it’s a fun ride. While some of the hour and 50-minute runtime could’ve been trimmed, the pacing is so fast that you won’t notice. Overall, Novocaine is an enjoyable thrill ride thanks to its likable lead, gratuitous violence, and gleeful attitude.

     

    Novocaine is currently in theaters.

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  • Leprechaun 2 (1994)

    Leprechaun 2 (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]Despite primarily negative reviews, 1993’s Leprechaun was a surprise hit, grossing $8.5 million on a $900,000 budget. Trimark Pictures wanted a sequel right away, but the original’s writer/director, Mark Jones, went off to make Rumplestilskin. For the sequel, Trimark hired relative newcomer Rodman Flender, who made his debut directing The Unborn for Roger Corman. Aside from Warwick Davis, none of the original cast returned, so this sequel became more of a reboot. With a slightly higher budget of $1.5 million, filming lasted 18-21 days in and around Los Angeles. Despite going overschedule and shooting late into the night, production went off relatively well, and everyone got along. After the original’s success, the studio hoped that they’d be able to strike gold again with a theatrical sequel. Roughly a year after the first one, Leprechaun 2 made its way onto screens in April 1994.

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    Synopsis

    In ancient Ireland, Lubdan the Leprechaun (Warwick Davis) seeks a bride to celebrate his 1,000th birthday. He promises to free his servant, William O’Day (James Lancaster), once married, except Lubdan’s intended bride is O’Day’s daughter. While O’Day manages to stop him, Lubdan vows to marry one of O’Day’s descendants on his 2,000th birthday. Cut to 1990s Los Angeles, where Lubdan sets his sights on O’Day’s descendant, Bridget Callum (Shevonne Durkin). She’s unhappy because her boyfriend, Cody Ingalls (Charlie Heath), is focused more on his work than her. Cody and his drunken boss Morty (Sandy Baron) run a haunted tour that’s scamming people hoping to see celebrity gravesites. Soon, Lubdan goes on a killing spree as he tries to abduct Bridget and make him his bride. Will Cody step up and save his girlfriend, or will Lubdan finally get his bride?

     

    Review

    Say what you will about the first Leprechaun, but at least it had an undeniable charm. The filmmakers put in more effort than you’d expect for a low-budget horror-comedy about a killer leprechaun. Sadly, Leprechaun 2 lacks the energy and fun that the original had, though it isn’t entirely awful. As with the first film, Warwick Davis is the highlight of the movie and the main reason to watch. You can tell he’s having a blast playing this character, and Gabe Bartalos’ makeup effects are still top-notch. There are also some fun gags here, including a guy hallucinating that a twin-bladed lawnmower is the lead actress’s breasts. Plus, seeing character actors like Clint Howard, Kimmy Robertson, Tony Cox, Billy Beck, and Michael McDonald is a treat. Also, The Leprechaun’s layer is a nifty bit of production design, even if there are some prominent styrofoam rocks.

    Sadly, the rest of the movie is dull and uninteresting, not helped by the lackluster leads. Shevonne Durkin, who coincidentally appeared in Tammy and the T-Rex that same year, can’t act to save her life. She might be pretty, but her delivery is so flat that it makes you appreciate Jennifer Aniston in the original. It doesn’t help that Charlie Heath is a wet blanket as her boyfriend, Cody, who’s uninteresting and bland. It’s the typical “guy who’s too focused on work neglects his love interest” storyline we’ve seen hundreds of times. Sandy Baron has funny moments as Cody’s drunken boss, Morty, like him exploiting the “30 minutes or free” pizza rule. There’s also a cool effect where he wishes for The Leprechaun’s gold, and the pot grows in his stomach. Unfortunately, little moments like that can’t save an otherwise dull movie.

    I know it seems like I’m expecting too much from a movie called Leprechaun 2, but I’m not. I only want a goofy, occasionally creepy, killer leprechaun movie, and I barely got that watching this. To the film’s credit, Rodman Flender’s direction isn’t too bad, and he does throw in some creative touches. There’s some foggy scenery, the aforementioned underground layer, and some colored lighting added to create an eerie mood. Plus, having The Leprechaun’s layer in Harry Houdini’s old house has tons of potential that sadly gets wasted. For as much fun as the cast and crew had, it’s a shame the audience won’t experience that same feeling. Even at slightly under 90 minutes, the pacing drags, and the movie feels longer than it is. Overall, Leprechaun 2 isn’t the worst sequel, but it’s a step down from the original, which wasn’t that good either.

     

    Buy Leprechaun 2 from Amazon: https://amzn.to/4bMWjaE.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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