Facebook

FilmNerd

Category: Troma Tuesdays

  • Tales from the Crapper (2004)

    Tales from the Crapper (2004)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ global_colors_info=”{}”][et_pb_row admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”2_3,1_3″][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.11″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Following a successful web-comic on Troma’s website in the early 2000s, Lloyd Kaufman wanted to expand it further. He signed a contract with adult film star India Allen to produce two digitally-shot films and a TV series. Unfortunately, a year into production, the footage presented to Kaufman was unwatchable, and the entire budget was gone. Kaufman and his business partner, Michael Herz, were unhappy about what had happened and needed a plan. So, to try and salvage the footage, they decided to turn the two movies into one anthology film. Filming began in 2003 around New York and Los Angeles, though the production problems were just getting started. Alongside dealing with an incompetent crew, many scenes had to be redubbed and stitched together to make it work. After a rather tumultuous post-production period, Troma finally released Tales from the Crapper in September of 2004.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter _builder_version=”4.9.11″ _module_preset=”default” title=”Rating” number=”50″ bar_bg_color=”#EDF000″ hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default”][et_pb_column _builder_version=”4.9.11″ _module_preset=”default” type=”4_4″][et_pb_text _builder_version=”4.9.11″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Our illustrious master of ceremonies, the Crap Keeper (Lloyd Kaufman), presents us with two stories to get the juices flowing. The first tale, “The Case of the Melon Heavy Alien Man Eater,” involves a man-eating alien who becomes a stripper. Sgt. Ivana Dance (Julie Strain) goes undercover to investigate the bizarre murders happening at The Shimmering Beaver strip club. The second tale, “Tuition of the Terror Twat”, involves Timmy (Rob Zazzali) losing his college tuition money. His skinny buddy (Andy Lazarus) and friend Racoon Head (Jorge Garcia) decide to host a stripper party to raise money. They hire Demanda (Julie Strain) and her girls, but it turns out the strippers are vampires who slaughter the partiers. In between these stories, the Crap Keeper reads fan letters and teaches us how to make our damn movie. It’s a cornucopia of blood, boobs, and bad jokes in Tales from the Crapper!

     

    Review

    Considering the production problems that happened, it’s a wonder that Tales from the Crapper even exists in the first place. While it’s admirable that they tried to salvage this whole debacle, it might’ve been better to cut their losses. Still, $200,000 is a lot of money for Troma, so I understand them wanting to make some effort. You can quickly tell what footage was shot by India Allen by the horrible lighting and obvious dubbing. Unfortunately, the reshoots aren’t much better, though they are more watchable, and you can hear the original audio. The Troma team tried spicing up the unwatchable footage by adding gore, nudity, and tons of politically incorrect humor. Unfortunately, much of the comedy comes off more obnoxious than humorous, especially the intentionally lousy dubbing and the patented “Boner-Vision.” Admittedly, when they change it to “Doggie-Vision” at one point, that was kinda funny.

    Since the filmmakers added dubbing due to the bad sound, it’s hard to gauge their acting without hearing their voices. It also doesn’t help that you can’t tell what’s happening most of the time because of the poor filmmaking. That said, the late Julie Strain is trying to make the most of the material by chewing the scenery. We also get fun cameos from Troma alumni James Gunn, Joe Fleishaker, Trey Parker, Eli Roth, and Trent Haaga. Additionally, the gore they added in post-production is pretty impressive, given the lack of available resources. In addition to the “Boner-Vision,” the sound will frequently cut to a fake commentary track talking about the poor quality. While these can make the viewing experience harder, it’s nice to see them self-aware of the disaster unfolding. Overall, Tales from the Crapper is awful on a technical level but somewhat admirable given the circumstances.

     

    Buy Tales from the Crapper from Amazon: https://amzn.to/2Xw8Qgu.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Igor and the Lunatics (1985)

    Igor and the Lunatics (1985)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.10″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.10″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.10″ _module_preset=”default”][et_pb_text _builder_version=”4.9.10″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    In addition to producing their brand of schlock, Troma Entertainment has picked up several titles to distribute. Admittedly, most of them can be complete dreck, but every so often, you’ll find something like Cannibal! The Musical. For every classic like The Toxic Avenger and Class of Nuke ‘Em High, you’ll get trash like Deadly Daphne’s Revenge. Quality aside, Troma wants to encourage young, independent filmmakers to get their movies out there for the world to see. While you may not be financially successful right away, your film will eventually find its audience, which is more important. That said, Troma will sometimes pick up a movie for distribution to have a product to push out. Often, this can lead to Troma putting out just pure garbage that even they come to regret later on. Such is the case with the forgotten 1985 film Igor and the Lunatics.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.10″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.9.10″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.10″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.10″ _module_preset=”default”][et_pb_text _builder_version=”4.9.10″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    In the 1960s, Paul Byron (T.J. Glenn) led a hippie cult that worshiped him among men. However, one of its members, Jimmy (Christopher Chandley), wants out because he witnessed them committing terrible acts of murder. While Paul is locked away in prison for several murders, he’s freed after 16 years and is looking for revenge. He reunites with his old lackey Igor (Joe Niola) to search for a child Paul believes is his. Said child is found by Jimmy’s wife, Mary-Ann (Mary Ann Schacht), making it more personal for Paul. Meanwhile, a Native American man named Hawk (Peter Dain) is trying to protect the child since he helped raise him. Soon, all the groups come together to fight to the death to either reclaim or protect the child. It’s an all-out rampage headlined by Igor and the Lunatics!

     

    Review

    As of writing this review, I’ve done the Troma Tuesdays series for almost a year now. In that time, I’ve reviewed some genuinely Troma-rific classics, but I’ve also seen my fair share of dreck. Unfortunately, Igor and the Lunatics is probably the worst Troma movie I’ve reviewed so far, and that’s saying something. I had to look up several other reviews to remember what exactly happened because I forgot just about everything. I could go on about the shoddy production value, the questionable acting, and the weird pacing issues. However, despite all of that, this film commits the ultimate sin a film could commit: it’s boring. The opening scene offers some nudity and blood, and there are a few other scenes like that. Unfortunately, for those ten minutes, you have to sit through an hour and twelve minutes of nothing!

    When you look up the cast for this, you’ll find that most of them never worked on anything else. In fact, the film’s director didn’t make another film for almost twenty years and hasn’t made one since 2011. Considering how little information there is on the production, I almost wonder what happened to these people. Its production history would probably be much more interesting than the film itself, but we may never know. If there are any positives, I will say that some of the gore effects are actually pretty good. Some highlights include a girl getting sawed in half and a guy getting a machete to the face. Also, while I panned this movie for its shoddy production values, some scenes have a nice gritty quality. This one might be good for a few drunken laughs, but overall, Igor and the Lunatics is not worth watching.

     

    Buy Igor and the Lunatics from Amazon: https://amzn.to/3AluZw7.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Citizen Toxie: The Toxic Avenger IV (2001)

    Citizen Toxie: The Toxic Avenger IV (2001)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_text _builder_version=”4.9.10″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Following The Toxic Avenger Part III: The Last Temptation of Toxie, Toxie was made into the Toxic Crusaders 1991 animated series. Over the years, Troma president and filmmaker Lloyd Kaufman was not happy with how the sequels turned out. While Parts II and III had their moments, they weren’t able to catch the same energy as the original. After the making of Terror Firmer, Troma felt it was now time for New Jersey’s first superhero to return. Having proved himself, Trent Haaga not only was an actor in this but also a writer, producer, and casting director. With a $500,000 budget, this would prove to be the most ambitious yet most grueling-to-film entry in the series. This had the largest cast, the most special effects, and the most stunts of any film since Troma’s War. Though premiering in 2000, Citizen Toxie: The Toxic Avenger Part IV wasn’t released until 2001.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.10″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.9″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_text _builder_version=”4.9.10″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    The Diaper Mafia, led by Tex Diaper (Trent Haaga), is shooting up the Tromaville School for the Very Special. Thankfully, our favorite hideously deformed creature of superhuman size and strength The Toxic Avenger (David Mattey) is here for us. Though Toxie and his overweight by loveable sidekick Lardass (Joe Fleishaker) stop them, an explosion causes a dimensional rift. Toxie is transported to the mirror dimension, Amortville, while his evil self The Noxious Offender (David Mattey) is in Tromaville. While Toxie is trying to find a way back home, Noxie is causing chaos and eventually becomes the mayor. At the same time, Toxie’s wife Sarah (Heidi Sjursen) is pregnant with two babies: Toxie’s child and Noxie’s child. Will Toxie be able to return home and stop his evil doppelganger, or will he be stuck in Amortville? Also, how is Sarah pregnant with two kids from two different fathers?

     

    Review

    While The Toxic Avenger is a beloved cult classic, Parts 2 and 3 aren’t quite as fondly remembered. Thankfully, Citizen Toxie: The Toxic Avenger Part IV writes the wrongs of its predecessors and is the true sequel. You know you’re watching something special when comic book legend and master of cameos Stan Lee does the opening narration. In addition, there are tons of celebrity cameos to look for, including Eli Roth, James Gunn, and even Corey Feldman! Troma fans will also notice appearances from Bill Weeden, Lisa Gaye, Rick Collins, Debbie Rochon, Ron Jeremy, and Lemmy. Truth be told, there are so many cameos that it’s impossible to list them all in this one review. Needless to say, Tromaholics and genre fans alike will get a kick out of the many appearances here. Even a few actors from the original film make an appearance save for Marisa Tomei.

    If Terror Firmer was Lloyd Kaufman’s way of venting, then Citizen Toxie is him giving back to the fans. This film has all the blood, boobs, bodily functions, and bad taste in humor you’d expect in a Troma film. Some scenes tackle the Columbine shooting, abortion, AIDS, racism, and the mentally challenged, all injected with that distinct Troma flavor. David Mattey makes for a solid Toxie/Noxie, and the makeup effects used are some of Troma’s best. The late great Joe Fleishaker shines in his dual role of Lardass/Chester, showing more humanity than you’d expect. However, Lisa Terezakis, Barry Brisco, and especially Michael Budinger steal the show as Toxie’s friends, each offering some memorable lines. Admittedly, some moments feel like they’re stretching to reach two hours, but the pure insanity makes up for those moments. Overall, Citizen Toxie: The Toxic Avenger Part IV earns its “true sequel” status.

     

    Buy Citizen Toxie: The Toxic Avenger IV from Amazon: https://amzn.to/3eCMDmv

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Nightmare Weekend (1984)

    Nightmare Weekend (1984)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.9″ _module_preset=”default”][et_pb_row _builder_version=”4.9.9″ _module_preset=”default” column_structure=”2_3,1_3″][et_pb_column _builder_version=”4.9.9″ _module_preset=”default” type=”2_3″][et_pb_text _builder_version=”4.9.9″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    With the rise of horror films in the early 1980s, a group of producers worked on a concept. They planned to make a series of R-rated films for roughly $500,00 each aimed at a specific audience. Their first film ended up being an American, British, and French co-production with inexperienced actors and a French crew. French filmmaker Henri Sala was hired to direct, though he mostly made softcore films and never made a horror film. Because of the different languages, two scripts were used, one in English and one in French, but there were problems. For one, the producers started to worry when they saw the dailies and it was mostly sex with little-to-no gore. They ordered reshoots to be done to add more gore in the hopes of trying to salvage the film. Though completed in 1984, Nightmare Weekend wasn’t released until 1986.

    [/et_pb_text][/et_pb_column][et_pb_column _builder_version=”4.9.9″ _module_preset=”default” type=”1_3″][et_pb_circle_counter _builder_version=”4.9.9″ _module_preset=”default” title=”Rating” number=”55″ bar_bg_color=”#EDF000″ hover_enabled=”0″ sticky_enabled=”0″][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.9″ _module_preset=”default”][et_pb_column _builder_version=”4.9.9″ _module_preset=”default” type=”4_4″][et_pb_text _builder_version=”4.9.9″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Scientist Edward Brake (Wellington Meffert) has just developed a new computer system that can alter a person’s personality. He intends on using it to turn bad people good, but his assistant Julie (Debbie Laster) has other plans. Meanwhile, Edward’s daughter Jessica (Debra Hunter) confides to her puppet friend George about a guy she’s fallen for. Said guy is Ken (Dale Midkiff), who was in league with Julie before his friend was killed. Julie plans to use Edward’s computer, Apache, to turn people into mutated murderous psychopaths, so she gathers some would-be victims. She has three girls – Annie (Lori Lewis), Linda (Andrea Thompson), and Pamela (Kimberley Stahl) – brought to the house. While at the house, the girls end up hooking up with some guys, who they end up killing. Will Julie’s evil plan be stopped, will Jessica find love, and who will survive this nightmare weekend?

     

    Review

    Of all the films I’ve covered so far for Troma Tuesdays, Nightmare Weekend is truly one of the most baffling. From the title and box cover, you’d think this is going to be some fun, schlocky horror film. However, what you get is something bordering on softcore porn you’d see on Cinemax at 1:00 am on Saturday. Not only that but it’s filled with such laughably bad dialogue and obvious dubbing that it becomes unintentionally hilarious. Admittedly, the concept of using a machine to alter someone’s personality is certainly unique and could lead to something interesting. But then, you’ve got scenes of a young woman talking to a hand-puppet about the birds and the bees. It’d be one thing if the filmmakers were making something intentionally campy, but they wanted this to be taken seriously. Needless to say, they didn’t quite succeed.

    It’s hard to judge the acting here since everyone is dubbed, though at least two actors have their original voices. Going by body language and facial expressions, it seems like a lot of them have no idea what they’re doing. There are some notable actors here: Dale Midkiff (Pet Sematary), Robert John Burke (Robocop 3), and Andrea Thompson (NYPD Blue). Given that many of the cast did not have an enjoyable experience, I’m guessing they’d rather people forget this movie. One positive I can say is that the gore effects, random as they are, are pretty good all things considered. Also, whereas most bad movies are easily forgotten over time, this is one that you’ll at least remember. Some have called this The Room if it were a horror film, and I think that’s a pretty apt comparison. Overall, Nightmare Weekend needs to be seen to be believed.

     

    Buy Nightmare Weekend from Amazon: https://amzn.to/2TUakzO

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Terror Firmer (1999)

    Terror Firmer (1999)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]

    As anybody who’s worked in independent cinema for as long as Lloyd Kaufman has, he can tell you it’s rough. Tempers flare up, cast/crew members come and go, the money runs dry, and many other things can go wrong. The problems don’t stop there, as you’ll have to deal with corrupt executives, stuck-up critics, and stingy audiences. Even still, people like Lloyd Kaufman persevere because they see value in the work they do and keep going. In 1998, Kaufman and James Gunn wrote All I Need to Know about Filmmaking I Learned from the Toxic Avenger. Since Gunn had written Tromeo & Juliet, he was the perfect choice to compile all of Lloyd’s personal stories. Finding inspiration, Kaufman adapted the book into a film that, while fictional, showed what filming a Troma movie was like. The result was the wildly bombastic and absurdly over-the-top 1999 horror/comedy Terror Firmer.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Larry Benjamin (Lloyd Kaufman) is a blind film director who is trying to make his greatest film yet. However, between caring for his daughter Audrey (Charlotte Kaufman) and dealing with a difficult crew, that’s easier said than done. An unknown person is killing off people closely associated with the film in gruesome ways to make matters worse. In the middle of all this, there’s production assistant Jennifer (Alyce LaTourelle), who’s caught up in a love triangle. On the one hand, there’s Casey (Will Keenan), the boom operator that’s ruggedly handsome but somewhat stuck up. On the other hand, there’s Jerry (Trent Haaga), a special effects guy who’s eccentric but also passionate about his work. At first, Jennifer goes for Casey, but then she sees through Jerry’s eccentricities and falls for him to Casey’s chagrin. Who is this mysterious killer, why are they doing this, and will they be stopped?

     

    Review

    While The Toxic Avenger is the film Troma’s best known for, Terror Firmer is quite possibly the ultimate Troma movie. Not only is this a wildly entertaining horror/comedy, but it also shows just how chaotic independent filming can be. Larry Benjamin’s speech about how horrible the world is and how a film set is worse perfectly exemplifies Lloyd’s experiences. From whiny crew members quitting and taking equipment to cast members having nervous breakdowns, it’s everything found in independent filmmaking. Even if you’re not as familiar with filmmaking, everyone can relate to having a difficult time working on tough projects. Mixed in with all this is an insanely over-the-top, ridiculously gross, and horribly politically incorrect slasher film. There are so many memorably gruesome and bloody death scenes involving broken bongs, killer escalators, exploding breasts, and many more. You’ll never hear “Amazing Grace” the same way again.

    Like many other Troma films, many performances are exaggerated and ridiculous, though not to any obnoxious levels. Will Keenan makes for a loveably hateful prick that’s so stuck up and pretentious, yet charismatic and even threatening. Trent Haaga radiates with so much life and energy, you start to feel as passionate about Troma as he is. Alyce LaTourelle works as the straight man, trying to act normal while all this insanity is happening around her. There are also some great appearances from Troma regulars like Debbie Rochon, Joe Fleishaker, and Lemmy from Motorhead. Some other notable cast members include Yaniv Sharon as an overly eager PA and Gary Hrbek as “The Toddster”. Admittedly, it can feel more like random events rather than a cohesive narrative, but that adds to its chaotic nature. Overall, Terror Firmer is both an insanely crazy romp and a love letter to truly independent cinema.

     

    Buy Terror Firmer from Amazon: https://amzn.to/3A6Ked6.

    Disclosure: The above link is an affiliate link, which means that, at no additional cost, I will earn a commission if you click through the link and make a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Terror Firmer (1999)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Terror Firmer” data-year=”1999″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Father’s Day (2011)

    Father’s Day (2011)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_text _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    In 2007, Canadian filmmakers Adam Brooks and Jeremy Gillespie formed the production company Astron-6, named after 1980s video labels. The group later included Matt Kennedy, Conor Sweeney, and Steven Kostanski, each having a unique set of expertise. They shot a series of short films in 2007 before moving on to starting the feature film Manborg in 2008. A send-up of ’80s genre films, the film wasn’t released until 2011 due to the extensive post-production work. Manborg premiered at Fantastic Fest 2011, where it made the Official Selection and was a huge hit with audiences. While Steven Kostanski was finishing up Manborg, the others were making more short films and prepping their next feature film. Their next feature would be an action-horror comedy evocative of old grindhouse films and was distributed by Troma. In October 2011, Astron-6’s Father’s Day premiered at the Toronto After Dark Film Festival.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.7″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.6″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.6″ _module_preset=”default”][et_pb_text _builder_version=”4.9.7″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    As a child, Ahab (Adam Brooks) witnessed his father get killed by Chris Fuchman (Mackenzie Murdock), a serial rapist/killer. He’s raised by Father O’Flynn (Kevin Anderson), who trains him to eventually hunt down and exact his revenge on Fuchman. Years later, Ahab kills what he thinks is Fuchman, but it’s actually one of his victims, and he’s arrested. Meanwhile, male prostitute Andrew (Conor Sweeney), aka Twink, sees his father get set on fire by Fuchman. Father John Sullivan (Matthew Kennedy) tries to comfort him, but Twink shoots him down, so he asks O’Flynn for advice. O’Flynn tells John to seek out Ahab, as he’s the only one who can kill Fuchman, but Ahab is reluctant. However, after Ahab’s sister Chelsea (Amy Groening) is kidnapped, Ahab joins John and Twink to hunt down the Fuchman. Will our heroes succeed, and what does Fuchman have planned for Chelsea?

     

    Review

    Father’s Day is a testament to the power of drive and perseverance found in the best of low-budget films. Given the budget was roughly $10,000, it’s impressive the film got made, let alone looking as good as it does. Joe Dante once said that there are two types of movies: color movies and movies that happen to have color. This is definitely a color movie, given the use of colored lighting, which enhances the film’s style and looks fantastic. Combined with the film scratches and subtle shaky cam, the filmmakers went above and beyond to recreate the grindhouse look. The fully synthesized score is evocative of John Carpenter’s best film scores, especially Escape from New York. There are also some intentionally silly effects used, including choppy stop-motion and obvious green screen compositing. Some might be put off by this, but to me, they enhance its charm.

    The cast all do a fantastic job, with Brooks, Sweeney, and Kennedy making for a solid trio of oddball heroes. They’re able to skirt the fine line of taking themselves seriously enough while also acknowledging how absurd the story is. On top of being stunning, Groening shines as Ahab’s estranged sister, as she has some fun back-and-forths with the guys. Though mostly speechless, Murdock makes for a truly revolting and hideous rapist/killer, the perfect hateable and terrifying villain. The practical effects are really good, especially given the small budget, and the filmmakers revel in the gross-out factor. While there are some genuinely disturbing moments, the over-the-top scenes balance things out without clashing with the more serious scenes. Admittedly, it goes maybe too over-the-top in the last third, but given everything else that happens, but what’d you expect? Overall, hardcore genre fans will love Father’s Day, but fathers probably won’t.

     

    Buy Father’s Day from Amazon: https://amzn.to/3vqblw6

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Tromeo & Juliet (1996)

    Tromeo & Juliet (1996)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]In the early 90s, Troma founder and president Lloyd Kaufman was working on a Shakespeare adaptation by way of Troma. In early 1992, Kaufman wrote the first draft alongside employees Andy Deemer and Phil Rivo entirely in a Shakespearean language. Unfortunately, this draft was pretty hated by everyone at Troma, so it was scrapped for the time being. In 1995, a newcomer named James Gunn came along and decided to take a crack at the script. He completely rewrote the script, making it much darker and more obscene but still using the Shakespearean verse. Kaufman worked with Gunn to rework the script further, removing the Shakespearean verse and adding more comedic elements. With a budget of roughly $350,000, this wound up being one of the cheapest films in Troma’s history. Though premiering at Cannes in 1996, Tromeo & Juliet wouldn’t see a US release until 1997.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    For years, the Que and Capulet families have been at war with each other, tearing up Manhattan in the process. While the Que’s son Tromeo (Will Keenan) lives in squalor, the Capulet’s daughter Juliet (Jane Jensen) lives a luxurious life. However, Juliet has to deal with her abusive father Cappy (Maximillian Shaun), and overprotective cousin Tyrone (Patrick Connor). During a costume party, Tromeo and Juliet cross paths and instantly fall in love despite their family rivalry. Unfortunately, Juliet is being forced to marry the young meat millionaire London Arbuckle (Steve Gibbons), but they have a plan. They get secretly married, but unfortunately, Tyrone finds out and tries killing Tromeo, only for Tromeo to kill Tyrone. With Tromeo on the run from the cops, Juliet is forced to marry London instead under threat from her father. Will Tromeo and Juliet be reunited, or will this end the way the play does?

     

    Review

    If you’re expecting Tromeo & Juliet to be a faithful adaptation of Shakespeare’s classic play, you’re going to be disappointed. Without going into spoilers, this film goes in some wildly different directions and is almost an in-name-only adaptation. Purists will probably hate the deviations this takes, but if you’re willing to look past that, you’ll have some fun. Even by Troma standards, this is one of the most wildly outrageous and obscene movies in their catalog. It has a very punk rock quality to it, which fits with the rebellious and anti-mainstream nature of Troma. This is exemplified by the soundtrack, which features the likes of Motorhead, Sublime, Supernova, the Ass Ponys, and more. Speaking of, the late great Lemmy from Motorhead appears in this as the narrator, who adds some eloquence. Still, it can be somewhat hard to understand him through his mumbling and raspy voice.

    In typical Troma fashion, the cast plays this as over-the-top and ridiculous as possible though not in an annoying way. Will Keenan and Jane Jensen shine as the star-crossed lovers torn apart by family and actually have some solid chemistry. Maximillian Shaun makes for a great villain, being both charismatic and so hateable that you want to see him die. Speaking of death, the gore scenes aren’t quite as outrageous as The Toxic Avenger Part III, but they’re still fun. Steve Gibbons is probably the only cast member who teeters on being annoying, acting like an even crazier Jim Carrey. Valentine Miele and Stephen Blackehart make for a fun comedic duo, Debbie Rochon is stunning, and Sean Gunn is funny. At slightly over 90 minutes, the film does drag in places, but it’s never boring largely thanks to the cast. Overall, Tromeo & Juliet would’ve been Shakespeare’s favorite movie…probably.

     

    Buy Tromeo & Juliet from Amazon: https://amzn.to/4fyF3Xf.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Tromeo & Juliet (1996)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Tromeo & Juliet” data-year=”1996″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Graduation Day (1981)

    Graduation Day (1981)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]

    After being dissatisfied with being a rabbi, Herb Freed was convinced by his wife to pursue his true passion: film. Freed really wanted to make arthouse films but recognized that there was no money to be made in arthouse films. He made his debut film A.W.O.L. in 1972, which was followed by the horror film Haunts in 1976. While working on that film, Freed met David Baughn, an executive who worked with MGM and Russ Meyer’s company. The two entered a partnership to produce and distribute their own films, agreeing that the real money was in horror. Together, they produced the supernatural horror film Beyond Evil, which was released the same year as Friday the 13th. Seeing that slasher films were becoming popular, they decided to find a holiday that hadn’t been made into one yet. They settled on Graduation Day, which was released in May of 1981.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”85″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    At Midvale High School, young athlete Laura Ramstead (Ruth Ann Llorens) dies from a blood clot during a track meet. Months later, her older sister Anne (Patch Mackenzie) comes home to take part in the high school’s graduation. Meanwhile, someone is killing off the remaining members of Laura’s track team and crossing them off a team picture. Right before the killer strikes, they pull out a stopwatch to make sure they kill their victims within 30 seconds. The track team is killed in various methods, including a football with a metal spike and a steel spike pit. As more and more students are disappearing, Principal Guglione (Michael Pataki) is having to deal with their parents. Anne confronts Laura’s track coach George Michaels (Christopher George) who’s still dealing with being blamed for her death. Who is this mysterious killer, and who will survive and make it to graduation day?

     

    Review

    Graduation Day is not only a solid slasher, but it also works as a great mystery film. Throughout the film, there are various red herrings placed about, and each one makes sense for being the killer. Between the grieving sister Anne, the angry coach George, and the eccentric principal, any of them could be the killer. Admittedly, one thing that somewhat drags the film is that there isn’t one central character to focus on. While Anne is initially the lead early on, she disappears for much of the film until the third act. Also, we don’t really get to know much of the track team aside from their names up until they’re killed. That being said, for an early 80s slasher, the film has some fairly likable characters that you honestly care about. Plus, slashers aren’t really known for their deep characterizations or rich backstories.

    Though she disappears for much of the film, Patch Mackenzie makes for a solid lead, being both sympathetic and tough. One of her best scenes is when she’s confronting the coach, and she bounces off of Christopher George with ease. Speaking of, Christopher George delivers a great performance as always, and Michael Pataki has some funny moments as the principal. However, the biggest name here is a then-unknown Vanna White, who got the job since George was her uncle. Plus, we get an early appearance of future 80s scream-queen Linnea Quigley from Sorority Babes in the Slimeball Bowl-O-Rama. What really makes the film stand out is the editing, which incorporates a lot of quick cuts and split-second shots. While some may find it distracting, it’s used just enough here to make the scenes more energetic and tense. Overall, Graduation Day is a slasher classic that should be talked about more.

     

    Buy Graduation Day from Amazon: https://amzn.to/2S48mLI

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Mother’s Day (1980)

    Mother’s Day (1980)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]

    Charles Kaufman, brother of Troma co-founder Lloyd Kaufman, currently runs a bakery in San Diego that’s been operating since 1994. However, before entering the baking industry, Charles wanted to get into the film industry and attended UCLA’s film school. After graduating, Kaufman got a job working on the Bob Hope Show before moving on to making B-movies. Not having much luck in Hollywood, Charles decided to move back to New York to work with his brother Lloyd. His directorial debut was the 1977 adult film, The Secret Dreams of Mona Q, which Lloyd also produced. Around this time, John Carpenter’s Halloween was dominating the box office, and studios were trying to capitalize on its success. Seeing the potential in this, Charles decided to make his next project a horror film, albeit with some humor added. Made on a budget of $115,000, Mother’s Day was released in September of 1980.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    Former college roommates Trina (Tiana Pierce), Abbey (Nancy Hendrickson), and Jackie (Deborah Luce) have an annual “mystery weekend” tradition. Each year, one of them picks a mystery destination for them to spend the weekend, and this is Jackie’s year. She plans a camping trip for the three of them at Deep Barons, a wooded area in rural New Jersey. One night, they’re stuffed into their sleeping bags and kidnapped by brothers Ike (Frederick Coffin) and Addley (Michael McCleery). The girls are brought before the brothers’ demented mother (Beatrice Pons), who subjects them to physical and mental torture. While the girls manage to escape, Jackie dies from her wounds, leaving Trina and Abbey to fend for themselves. After recovering, the girls head back to the house to get their revenge on the brothers and their mother. Truly, this will be one Mother’s Day they won’t soon forget.

     

    Review

    After having viewed Mother’s Day, I’m somewhat conflicted on my feelings towards the overall film, mostly due to the tone. When the girls are kidnapped and tortured, it’s effectively disturbing and uncomfortable, which makes the revenge all the more satisfying. However, several scenes are so ridiculous in between the disturbing moments, it’s hard to take it seriously. From what I understand, Charles Kaufman intended for this to have some satire, which many contemporary critics have noted. I can see where they’re coming from, given that the boys are raised on junk food and TV. Also, there are numerous pop culture references sprinkled in, such as a Star Trek poster and G.I. Joe action figures. It comes off as a satire of rampant consumerism, a society raised on popular media, and parental upbringing. Granted, I could be reaching for something deep in an exploitation film.

    Directing-wise, Charles does well behind the camera, and the low budget gives it a very raw and gritty feel. In terms of acting, it’s about what you’d expect from this type of movie, though there are a few stand-outs. Credited as Rose Ross, Beatrice Pons steals the show as the demented mother who wants her boys to prove themselves. Frederick Coffin and Michael McCleery work well off each other as the dimwitted brothers and they have some good back-and-forths. Speaking of, Tiana Pierce, Nancy Hendrickson, and Deborah Luce have decent chemistry, and you feel for what they’re going through. While the film clocks in roughly 90 minutes, much of the runtime is padded out with a pretty meaningless filler. These slower scenes do detract from the film, but it’s almost expected for this era of exploitation film. Overall, Mother’s Day is a bit disjointed, but it’s still a good time.

     

    Buy Mother’s Day from Amazon: https://amzn.to/2QMdq76

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Frostbiter: Wrath of the Wendigo (1994)

    Frostbiter: Wrath of the Wendigo (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]

    Tom Chaney was studying filmmaking in Michigan when he met special effects designer Gary Jones while working on The Carrier. The two instantly became good friends, having a shared love for monster movies and started working together. Chaney and Tom were both influenced by Sam Raimi and company, and Jones did special effects on Evil Dead II. While working on commercials and still attending school, Chaney was saving up to buy film stock for his first movie. Over the course of several weekends, Chaney, Jones, and their small cast and crew worked on a fairly ambitious film. Chaney connected with Nanette Sorensen, who produced Singapore Harbor, U.S.A., which Jones worked on, to help finish the film. Though it was originally filmed in 1988, the film, originally titled Wendigo, wouldn’t see a release until 1994. Once Troma picked it up, they released it under the title Frostbiter: Wrath of the Wendigo.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.9.4″ _module_preset=”default”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Synopsis

    On Manitou Island, friends Gary (Ron Asheton) and Dave (David Wogh) are out hunting when they encounter an old man. Referring to himself as The Guardian (Mike Missler), Gary accidentally shoots him, which breaks the circle holding the Wendigo captive. Meanwhile, The Guardian visits his granddaughter Sandy (Lori Baker) as a ghost to tell her she must reseal the Wendigo. She hires Duke (John Mietelka) to fly her to the island, only for the plane to crash after he’s killed. Elsewhere, Gary’s with his friends Peter (Patrick Butler), Tony (Tom Franks), Nick (Alan Madlane), and Jerry (John Bussard). Along with new guy Leo Phillipe (Devlin Burton), the group encounters chili monsters, witches disguised as centerfolds, and the Wendigo. Before long, the guys are gradually picked off one by one by the Wendigo until only a few are left. Will Sandy successfully reseal the Wendigo, or will she suffer its wrath?

     

    Review

    Frostbiter: Wrath of the Wendigo is one of those movies you’ll either love or hate depending on your expectations. If you’re looking for a low-budget schlocky monster movie with gore and nudity, you’ll more than likely enjoy this. Given that this was made by guys with experience in special effects, those are the movie’s main selling point. For the most part, the effects look pretty decent given the low budget they had to work with. There are some decent gore effects and some fun stop-motion animation sequences that’ll satisfy fans of practical effects. Admittedly, the old man makeup used for The Guardian looks decent in wide shots, but in close-up looks terrible. Some optical effects are thrown in that add to the film’s low-budget charm, particularly towards the finale. Also, the design of the titular Wendigo is pretty cool and easily the best part of the film.

    Unfortunately, what this movie has in terms of effects lacks in story and characters, which are pretty lacking. Granted, something like this shouldn’t require a deep story and nuanced characters, but this doesn’t give much to work with. We hardly get to know anything about the characters other than their names and maybe some ancillary background information. It doesn’t help either that almost everyone is giving a fairly sub-par performance that’s neither good nor bad but forgettable. Ron Asheton and Lori Baker are at least trying given the small amount of material they’re given to work with. Also, in between the scenes of monsters and gore, the film is padded out with tons of filler. These scenes ultimately lead to nothing and drag down the pacing of a fairly short film at under 90 minutes. Overall, Frostbiter: Wrath of the Wendigo is an average monster movie worth watching once.

     

    Buy Frostbiter: Wrath of the Wendigo from Amazon: https://amzn.to/2S6faIR

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]