Facebook

FilmNerd

Category: Cult Films

  • Decampitated (1998)

    Decampitated (1998)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]

    After getting a book about legendary special effects artist Dick Smith, budding filmmaker Matt Cunningham’s path was set. In his own words, the book “set his hair on fire” as he started working on creating homemade make-up. By this time, it was the early 90s, and horror was expanding a mini-boom as self-aware slashers became popular. In 1995, Cunningham and his friends Ryan Lowery, Carolyn C. Miller, and Brian Walters started working on their slasher parody. Filming occurred in Colorado Springs on a minimal budget with a cast primarily of no-name actors. Unfortunately, they didn’t have enough money to market the film, and that’s when Troma stepped in. Lloyd Kaufman helped get the movie in front of audiences by taking it to the 1998 Cannes Film Festival. A few months later, Matt Cunningham’s Decampitated hit video store shelves in November 1998.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Garret (Mike Hart) and April (Christine Patterson) are organizing a camping trip with their friends to DeCamp Acres. There’s Candace (Amy Gordon), Toby (Steve Ladden), Paige (Bethany La Voo), Roger (Thomas Martwick), and Vince (Deus Xavier Scott). Unfortunately, they get into a car accident on their way there and have to hike the rest of the way. Once they get to the campsite, things don’t get much better as there’s a killer on the loose. Throats are sliced, arms are hacked off, ears get cut off, and people get stabbed with tree taps. Also, the group runs into an old friend of Garrret’s, Jake (Ryan Lowery), who’s become a transvestite. As the group scatters across the woods, the mysterious backwoods killer stalks them, waiting for his moment to strike. Who is this mysterious slasher, and who will survive this camping trip from hell?

     

    Review

    Decampitated is one of those movies you’ll love or hate depending on your sense of humor. There’s no hope if a camper trying to escape a killer by hacking her limbs off doesn’t make you giggle. The film is littered with these gags, like a woman beating up the killer with her severed arm. Almost every scene of this movie has some joke or funny moment that comes one after the other. Admittedly, plenty of them miss their mark and often get repeated too much, but there are some real hitters. With a few exceptions, almost everyone plays their parts as silly as possible without mugging for the camera. One of the few exceptions is Amy Gordon, who acts annoyed around these people and always makes passive-aggressive comments. That said, she does have some of the film’s best lines, especially when dealing with Garrett.

    It doesn’t look half bad for a film that most likely only had a few thousand dollars in the budget. There are some decent gore effects, and Cunningham keeps the action moving with some fluid camera movements. Unfortunately, this movie is a product of its time, so get used to tight zooms and choppy editing. The soundtrack has a few nu-metal bands, including H2O, Strife, Coalesce, and Hatebreed, as well as some kitschy 40’s music. The vintage music is mainly used when the killer’s about to strike, which adds to the cartoony vibe. That’s probably the best way to describe this film: a live-action cartoon with gore and some poorly aged stereotypes. At slightly over 90 minutes, this movie is a good time waster you and your friends can enjoy laughing at. Overall, Decampitated is rough around the edges, but it makes for a decent bad movie night.

     

    Buy Decampitated from Amazon: https://amzn.to/4iPOG6Q.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Decampitated (1998)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Decampitated” data-year=”1998″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Galactic Gigolo (1987)

    Galactic Gigolo (1987)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]

    Released in 1987, Psychos in Love was a minor hit for Charles Band’s Wizard Video. After this, Band offered director Gorman Bechard a multi-picture deal to produce more direct-to-video titles for Empire Pictures. With his previous film, Bechard had complete creative control since Band was merely distributing the movie. However, Bechard would grow to hate his time working with Empire Pictures, starting with a sci-fi sex comedy. Originally titled Club Earth, Bechard intended the film to be a “non-animated adult cartoon” with bright, flashy colors. In an interview with Cinefantastique, Bechard said Empire chopped the movie in editing and removed all the colors. To this day, Gorman Bechard has disowned the film and is thankful that Empire Pictures went bankrupt soon after. With all that in mind, let’s look at 1987’s Galactic Gigolo and see how bad it is.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    After winning a game show, the intergalactic alien Eoj (Carmine Capobianco) wins a trip to Earth. Specifically, he’s sent to Prospect, CT, “The Horniest Town in the Galaxy,” to sleep with as many women as possible. His arrival catches the attention of two groups of people, a family of Jewish rednecks and some mobsters. Billy Joe Bob (Barry Finkel), Big Peter Dick (Todd Kimsey), and Sammy Harry Bill (J.E.L. Gitter) want him captured. Meanwhile, Sonny (Michael Citriniti), Carmine (Tony Kruk), and Tony (David Coughlin) want Eoj to help them commit robberies. Tagging along with Eoj on his sexcapades are reporter Hildy (Debi Thibeault) and her photographer Waldo (Frank Stewart). During one of his more prominent sexcapades with Dr. Pepper (Ruth Collins), Eoj is intercepted by the rednecks and mobsters. Will Eoj escape them and finish his vacation, or is this Galactic Gigolo done for?

     

    Review

    Despite its flaws, I found Psychos in Love a fun, strangely heartfelt horror-comedy romance with a home-grown feel. Because of that, it hurts to say that Galactic Gigolo is one of the most unfunny comedies I’ve ever seen. Granted, I don’t go into a movie like Galactic Gigolo expecting something similar to The Marx Brothers or Mel Brooks. The humor is pretty low-brow, relying either on stereotypes, innuendos, or slapstick, complete with cartoon sound effects. It doesn’t help that the film doesn’t have much of a narrative, just going from one scene to another. It goes like this: sex scene, rednecks acting goofy, sex scene, mobsters doing whatever, rinse and repeat. Even at 80 minutes, the movie feels like it’s slowly plodding along, trying to get to the ending. Honestly, this movie was a slog for me, so be warned if you’re curious to watch it.

    Everyone in the cast plays their parts as exaggeratedly as possible, which can get irritating after a while. The worst is with the rednecks, who stretch their lines so long that you’ll scream, “Cut!” Like Bechard’s last movie, Carmine Capobianco and Debi Thibeault are easily the movie’s highlights and get the biggest laughs. They have a few scenes together where you can see the same chemistry they had in Psychos. Speaking in Bechard’s defense, I can see how he intended this to be like a live-action cartoon. I’m unsure how much Charles Band did to this movie, but I’d be curious to see Bechard’s original vision. Regardless, as unfunny as this movie is, I’d still watch this over It’s Pat or Freddy Got Fingered. Overall, Galactic Gigolo isn’t the worst comedy, but I still wouldn’t give it a glowing recommendation.

     

    Buy Galactic Gigolo on Amazon: https://amzn.to/40m5BUw.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Unlucky Charms (2013)

    Unlucky Charms (2013)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]During a meeting with Charles Band, editor Don Adams mentioned 1993’s Leprechaun, a sore spot for Band. For decades, Band had been known for making tiny terror movies, including Dolls, Puppet Master, and Demonic Toys. So, to have another low-budget company make a similar movie and have it be successful stung him. In 2011, Charles Band announced he would make his take on a horror-comedy about an evil leprechaun. After seeing America’s Next Top Model, Band injected a subplot around models competing on a reality TV show. According to effects designer Tom Devlin, Band cast the actresses for the models based on their Twitter followers. For instance, lead actress Tiffany Thornton had over 1 million followers when she switched from Disney to Full Moon’s camp. In 2013, Charles Band’s Unlucky Charms was released on DVD in a mock cereal box for promotional purposes.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#E09900″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Five girls compete in a reality TV show to get a modeling contract and become company spokespeople. There’s Darla (Alex Rose Wiesel), Sheila (Nikki Leigh), Mika (Masuimi Max), Erin (Anna Sophia Berglund), and Audrey (Tiffany Thornton). Leading the competition is DeeDee Deville (Jeryl Prescott), and she’s accompanied by judges Pirl (Seth Peterson) and Baxter (Charlie O’Connell). Unbeknownst to the girls, DeeDee is using four magical charms to steal their souls so she’ll stay young. Meanwhile, Farr Darrig (Nathan Phillips), Bloody Bones (Peter Donald Badalamenti II), Pookah (Ben Woolf), and Banshee (Katrina Kemp) are hunting. It turns out DeeDee stole the magic she’s been using, and Farr and his cohorts are looking to reclaim it. However, they are under her control as they’re forced to kill off the competing models individually. Will DeeDee be stopped, and will the Irish terrors reclaim their Unlucky Charms?

     

    Review

    Say what you will about Leprechaun, but it was at least well-made and had a clear idea. With Unlucky Charms, it feels like Band had a lot of ideas but didn’t know how to execute them fully. The whole “modeling reality show” concept has much potential for parody, but they don’t do much with it. Also, for a Full Moon movie, the kills are minimal, with only two in total, and both are uninspired. Aside from the cycloptic Bloody Bones, the makeup effects look remarkably cheap, especially with Farr Darrig’s design. Unlike Warwick Davis’ iconic look, all Nathan Phillips gets are red splotches on his face and a wig. Even the version of Farr Darrig on the DVD cover looks more terrifying than in the actual movie. The film’s biggest problem is it’s boring and moves at a snail’s pace, even at under 90 minutes long.

    As much as this movie doesn’t work, a few bright spots make this at least tolerable to watch. For one, Nathan Phillips does a decent job playing the diminutive terror Farr Darrig, actually playing the part seriously. Jeryl Prescott, for her part, does an outstanding job as the villain, and the Dorian Gray-inspired plotline is handled well. Also, the five main actresses aren’t terrible, even if they were hired because of their Twitter followers. While many of the digital effects look shoddy, a few sequences aren’t half bad, namely the opening scene. Also, some of the film’s practical effects are alright, namely the Bloody Bones and Pookah designs. While I wouldn’t call this one of Full Moon’s worst movies, the fact that it’s unremarkable is almost worse. Overall, Unlucky Charms won’t ruin your day, but there are far better movies about evil leprechauns you could be watching.

     

    Buy Unlucky Charms on Amazon: https://amzn.to/3CkFPZk.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Leprechaun (1993)

    Leprechaun (1993)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Since the 1970s, Mark Jones has worked in television primarily as a writer for animation and live-action. His credits include Scooby-Doo and Scrappy-DooHeathcliffThe Fall GuyThe A-TeamMisfits of Science, and The Highwayman. While he had some success, Jones wanted to be a filmmaker, so he decided to make a low-budget horror movie. He made the central figure an evil leprechaun, taking inspiration from Lucky Charms commercials and films like Critters. Jones brought the idea to Trimark Pictures, and they agreed to finance what would become their first in-house production. Jones hired Warwick Davis, who was in a dry spell after making 1988’s Willow, for the lead role. With a roughly $1 million budget, the movie was shot in Valencia Studios and Big Sky Ranch between October-December 1991. After an aggressive marketing campaign from Trimark, Leprechaun hit the silver screen in January 1993.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Dan O’Grady (Shay Duffin) returns home from Ireland after stealing gold from an evil leprechaun (Warwick Davis). Unfortunately for him, the leprechaun managed to follow him home, and he wants his gold back. O’Grady overpowers the leprechaun with a four-leaf clover and locks him in a crate, only to suffer a stroke afterward. Ten years later, J.D. Redding (John Sanderford) and his daughter Tory (Jennifer Aniston) rent O’Grady’s house for the summer. J.D. hires contractors Nathan (Ken Olandt), 10-year-old Alex (Robert Hy Gorman), and dimwitted Ozzie (Mark Holton) to re-paint the house. While exploring the place, Ozzie finds the leprechaun’s crate and accidentally brushes off the four-leaf clover, freeing him. Soon, Ozzie and Alex discover the leprechaun’s gold at the end of a rainbow and stash it away. Determined to reclaim his gold, the leprechaun goes on a rampage as our heroes fight to survive the tiny terror.

     

    Review

    Leprechaun is a ridiculously silly horror-comedy with a laughable monster and a nonsensical plot, and that’s perfectly fine. Sure, this movie is no masterpiece like The Exorcist or Rosemary’s Baby, but it doesn’t have to be. Mark Jones and his crew wanted to make a comedic fantasy slasher, and they mostly succeeded at it. With such a low budget, the filmmakers do a decent job of making the film look dynamic. There are colored lighting, tilted angles, low-angle shots, and running POV shots to help keep the pacing going. Admittedly, the film’s first half drags as we’re introduced to the main cast and their plotlines, which aren’t that exciting. Aside from the five-minute opening, the leprechaun doesn’t show up until roughly 30-40 minutes in. But when he does, the movie gets more ridiculous and fun as the leprechaun wreaks havoc.

    The film’s real highlight is Warwick Davis as the evil Leprechaun, and he’s having the time of his life here. He delivers ridiculous lines with such devilish glee that it almost feels like he improvised most of his dialogue. What helps are the makeup effects by Gabe Bartalos, which look impressive given their limited budget. Of course, the most noteworthy cast member aside from Davis is a then-unknown Jennifer Aniston, who’s decent, if unmemorable. Ken Olandt is ok as Jennifer’s love interest Nathan, even if he looks like a knock-off version of Kevin Bacon. Mark Holton has some funny moments as the dim-witted Ozzie, and Robert Hy Gorman has the movie’s best line. At over 90 minutes, the film goes by quickly, despite a few dead spots. Overall, Leprechaun is hardly the next great horror classic, but it doesn’t have to be, and that’s perfectly fine.

     

    Buy Leprechaun from Amazon: https://amzn.to/3TggpRj.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Enemy Territory (1987)

    Enemy Territory (1987)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]

    1986’s Eliminators had one of Empire Pictures’ biggest openings, grossing over $4 million at the box office. Following its relative success, Peter Manoogian was working on Deadly Weapon, which was meant to be a sequel to Laserblast. Charles Band’s then-wife, Debra Dion, gave Manoogian a script to read from Stuart Kaminsky, a writer known for pulp novels. The screenplay was initially set in Chicago, but because of Band’s deal with Tim Kincaid, the setting became New York. While Kincaid and his wife Cynthia De Paula were used to $100,000 shoots, Manoogian’s budget went up to $850,000. For the cast, Manoogian hired TV actor Gary Frank, Ray Parker Jr. of Ghostbusters fame, and former star Jan-Michael Vincent. The original DOP, Arthur D. Marks, was replaced by Ernest Dickerson, who had just worked on She’s Gotta Have It. In the end, Enemy Territory got a limited theatrical release in May 1987.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Due to his alcoholism, Barry Rapchick (Gary Frank) has fallen on hard times as an insurance salesman. Down on his luck, his boss sends him to a rundown apartment complex to sign over a significant insurance policy. He meets with the elderly Elva (Frances Foster), who signs for the insurance and wishes Barry luck as he tries to leave the building. Unfortunately, Barry runs into The Vampires, the gang that controls the building, along with their leader, The Count (Tony Todd). He orders his goons to kill Barry, but he’s rescued by telephone worker Will Jackson (Ray Parker Jr). They run into Elva’s granddaughter Toni (Stacey Dash), who suggests they meet Vietnam veteran Mr. Parker (Jan-Michael Vincent). Meanwhile, The Count puts a hit out on Barry and Will for the gang members they’ve killed trying to escape. Barry’s job isn’t the only thing in danger when he enters Enemy Territory!

     

    Review

    Enemy Territory is as far removed as possible from other movies from Empire Pictures, like Re-Animator, Trancers, and Ghoulies. In a way, that works to help makes this film stand out from the rest of Charles Band’s library. Director Peter Manoogian and cinematographer Ernest Dickerson do a great job capturing the raw grit of 1980s New York. Even before Barry enters the apartment complex, the movie has this grimy, gritty, lived-in feel but with some 80s flair. This would make a great double feature with urban crime films like Exterminator 2 and Tenement. As simple as the story is, it touches on some relevant themes, such as redemption, racial tensions, and class warfare. A white businessman enters a rundown complex ruled by a gang leader who uses their struggles to take control. The themes practically write themselves with that kind of synopsis.

    What also makes this film work is a cast of memorable character actors giving it their all. Gary Chalk is great as the meager insurance salesman trying to reclaim his status at any cost. However, the real star is Ray Parker Jr., who shows he can be a capable lead and a skilled musician. It’s a shame this didn’t lead to more starring roles for Parker, but at least he has those Ghostbusters residuals. The always great Tony Todd shines as the ruthless gang leader, The Count, chewing tons of scenery while remaining intimidating. Jan-Michael Vincent has a few moments as a Vietnam veteran who uses a wheelchair, but he’s strung out on something. While not high art, it’s still an entertaining thrill ride that proves Empire Pictures was willing to branch out. Overall, Enemy Territory is a highly underrated action thriller in desperate need of a Blu-ray release.

     

    Watch Enemy Territory on YouTube: https://youtu.be/fGzI9sNG0lY.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Blood Junkie (2010)

    Blood Junkie (2010)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.1″ _module_preset=”default” global_colors_info=”{}”]

    In 1899, the U.S. Glue Company factory in Carrollville was founded to make glue from animal hide remnants. The factory was sold to the Peter Cooper Corporation in the 1930s before being sold in 1976 to Rousselot. During all this time, the factory continued to produce glue until it was ultimately shut down in 1985. Fast forward to 2004, when aspiring filmmaker Drew Rosas stumbled across the glue factory with his friends. Rosas always wanted to make a horror film similar to 1980s slashers, so he picked the factory as his setting. After putting together a 50-page script and an additional month of preproduction, the three months of shooting commenced. On a $7,000 budget, the movie titled initially Rocky Trails was shot mainly around Wisconsin with some LA pick-up shots. Now retitled Blood Junkie, the film premiered in Milwaukee in 2010 before Troma released it on DVD in 2011.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.20.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    It’s Summer 1989, and friends Craig Wilson (Nick Sommer) and Teddy Bender (Mike Johnson) are looking to score. Meanwhile, Laura (Sarah Luther) has to babysit her little brother Andy (Brady Cohen) while their parents are away. She uses her mom’s emergency money to buy booze with her friend Rachel (Emily Treolo) to party all weekend. Laura and Rachel run into Craig and Teddy at the liquor store, who invites them on a camping trip. The girls agree, but Laura has to bring Andy along since she still has to look after him. After a night of booze, drugs, and sex, Laura and Rachel check out the old chemical factory nearby. Little do they know that a mysterious figure in a jumpsuit and gas mask lurks throughout the factory. But this isn’t just your average junkie, as this maniac is a Blood Junkie!

     

    Review

    Given how low of a budget they had to work with, it’s impressive that Blood Junkie was even finished. Drew Rosas’ love of 80s horror is on display, from the fashions to the music and even the killer’s look. Admittedly, the killer is a knock-off of the one from My Blood Valentine, but it’s nonetheless creepy. Sadly, the kills are few and far between, and they don’t happen until the movie’s last third. What helps make up for it are the inventive camera angles and the fitting synth wave music. Not only is the score catchy, but the use of synthesizers helps this feel like something out of the 1980s. Not all of the jokes land as a comedy, but a few gags get a hearty chuckle. The movie is a bit of a mess, but you can tell there’s an effort put into this.

    Unfortunately, what ultimately hurts this film are the characters, who are unlikable and annoying to the point of frustration. Everyone plays their parts with a very hipstery self-aware attitude, making them less quirky and more obnoxious. Sure, these characters will die, but that doesn’t mean we shouldn’t want to see at least one of them survive. Granted, that could’ve been the filmmakers’ intent to make the characters obnoxious 80s stereotypes, similar to those in TerrorVision. The only difference is that Nicolaou made them endearing, whereas no one in this movie has that quality. Supposedly, this was originally a 30-40 minute short film, and I think it would’ve worked better that way. At 72 minutes, the movie goes by fast, giving off a vibe of trying to rush to the end. Overall, Blood Junkie has some glaring flaws, but the effort put into it almost makes the experience worth it.

     

    Buy Blood Junkie from Amazon: https://amzn.to/3SYOuox.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Seedpeople (1992)

    Seedpeople (1992)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”]

    After Empire Pictures went bankrupt following the release of 1989’s Arena, filmmaker Peter Manoogian had trouble finding work. Once Charles Band started Full Moon Features, Manoogian ran into him and made a deal with him. For $15,000, Manoogian would get to direct for four weeks, which turned into three to four months. While he was initially supposed to helm one film, Manoogian shot two back-to-back, the first being 1992’s Demonic Toys. That project went over so well that Charles Band had another in line for Peter Manoogian to direct. Originally intended as a “psychological thriller” by Band, the film became a riff on Invasion of the Body Snatchers. Manoogian tried to make it more of an action movie, but unlike his killer doll movie, this didn’t get sequels. Just weeks after his film about evil toys, Peter Manoogian’s Seedpeople hit video store shelves in May 1992.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”60″ bar_bg_color=”#EDF000″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In the small town of Comet Valley, geologist Tom Baines (Sam Hennings) is visiting to lecture on meteorites. The townsfolk have become enamored with meteorites after several of them landed recently, much to the chagrin of local farmers. While visiting, Tom runs into his old flame Heidi Tucker (Andrea Roth), who’s dating the local sheriff Brad (Dane Witherspoon). Tom soon notices the other townsfolk are acting strange, Heidi’s niece Kim (Holly Fields) believing him and wanting to investigate. Meanwhile, strange plants have sprouted up all over town, sending local nutcase Doc Roller (Bernard Kates) into a panic. Tom and Kim soon find evidence suggesting a connection between the plants and the townsfolks’ strange behavior. Heidi initially doesn’t believe them, but after seeing video proof, she joins them in fighting the alien seed pods. Who will survive, the uncontaminated humans or the Seedpeople?

     

    Review

    Seedpeople isn’t as good compared to Demonic Toys, but it’s still an enjoyably silly creature feature. Sure, it’s a low-budget version of Don Siegel’s 1956 classic, but plenty of similar movies have been made. The acting is above average, but none of the performances would earn any awards recognition. Sam Hennings makes for a decent lead and has good chemistry with Andrea Roth, though their love triangle is unexciting. Bernard Kates has some fun moments as a crazy old man trying to expose the aliens despite being mocked. Full Moon regular Sonny Carl Davis also appears as a local farmer who meets a horrible fate. Peter Manoogian’s direction is decent, especially during the nighttime scenes where he uses various colored lights. It helps that he had Full Moon’s go-to cinematographer Adolfo Bartoli on hand to enhance the style.

    The film’s real highlight is the creature effects from John Carl Buechler and Mike Deak, primarily puppets and rubber suits. Each titular monster’s distinct look closely matches the box cover, which is a plus. Admittedly, the film’s low budget shows when you can tell the actors are just moving the puppets around. That said, it’s very progressive how they hired disfigured performers to wear alien costumes and gave them opportunities. This movie feels like the filmmakers wanted to pay tribute to classic 1950s B-movies and succeeded, for the most part. At barely under 90 minutes, the film goes by fairly quickly, though there’s a lot of filler sprinkled throughout. This isn’t on par with Full Moon classics like Puppet Master III or Dark Angel: The Ascent, but it’s decent. Overall, Seedpeople is best recommended as a rental, much like other Full Moon movies you’d find at the video store.

     

    Buy Seedpeople on:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Seedpeople (1992)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Seedpeople” data-year=”1992″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • Breeders (1986)

    Breeders (1986)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Tim Kincaid, real name Tim Felix, first hit the scene for his 1973 sexploitation film The Female Response. In 1976, Kincaid started making gay porn films under the pseudonym Joe Gage beginning with Kansas City Trucking Co. Up until 1985, Kincaid produced titles like El Paso Wrecking CoClosed Set, Heatstroke, and Blue Hanky Left. In 1986, Kincaid and producer/wife Cynthia De Paula transitioned into mainstream filmmaking with the women-in-prison film Bad Girls Dormitory. Charles Band was so impressed with Kincaid’s work that he agreed to fund four DTV movies made in NYC. For the first film, shooting would last for ten days on a budget of $80,000 with effects by Ed French. While Kincaid had filmed Mutant Hunt beforehand, this sci-fi horror film would be released first. In 1986, Tim Kincaid’s Breeders hit video store shelves under Charles Band’s Wizard Video line.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    In the seedy streets of Manhattan, various women are being attacked and killed by a strange entity. Detective Dale Andriotti (Lance Lewman) and Dr. Gamble Pace (Teresa Yvon Farley) investigate what’s targeting these women and their connection. They find that the thing these women have in common is that they’re all virgins who’ve been raped. Among the victims are model Karinsa (Frances Raines), nurse Kathleen (LeeAnne Baker), and local girl Donna (Natalie Savage). Almost all of the victims end up catatonic or with some form of amnesia, making the investigation more difficult. Eventually, the women get up from the hospital, fully nude, and wander the streets in a trance. Detective Andriotti and Dr. Pace follow them into the sewers, only to discover something horrific. The sexual invasion is about to begin as the breeders emerge to try and conquer the Earth. Anything this hideous must be stopped from breeding!

     

    Review

    Without mincing words, Breeders is pure trash and not even the enjoyable kind of trash that you can laugh at. Sure, it has everything you’d expect in a cheesy B-movie: gratuitous nudity, bad acting, and gross effects, but it’s boring. So much nothing happens that, even at 77 minutes, it feels like a movie that’ll never end. For instance, there’s a sequence where a model strips naked and does yoga for at least three minutes. Other than having an excuse for more nudity, it just drags on and on without advancing the story. Then again, there’s so little story here that you could sum it up in one sentence. Acting-wise, I didn’t expect anything Shakespearian, but I highly doubt any of these people have ever acted before. Everyone’s line delivery is so flat and dull that they might as well be cardboard cutouts.

    While I haven’t seen much of Tim Kincaid’s work, I can only imagine they’re all just as poorly made. Not only are all the camera angles basic, but so many scenes drag out you’ll be begging for a cut. The one positive I can give this movie is that the effects, while cheap, are pretty decent. It shouldn’t be surprising since Ed French (Blood RageThe Dead Come Home, and Sleepaway Camp) did the effects. The best effect shot in the movie is when a character’s chest bursts and reveals an alien monster. Also, the alien creature responsible for the ravaged virgins doesn’t look half bad, though we don’t see it much. That said, I can only recommend this to hardcore fans of Empire Pictures and the most curious viewers. Overall, Breeders should’ve been at least delightfully bad, but instead, it’s just plain bad.

     

    Buy Breeders from Amazon: https://amzn.to/4oY46aA.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Breeders (1986)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Breeders” data-year=”1986″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]

  • LolliLove (2004)

    LolliLove (2004)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”]

    While she’s famous today as Pam from The Office, St. Louis native Jenna Fischer was unknown in the early 2000s. She moved to LA in 1998, mostly landing small parts in Spin City, Cold Case, and That 70’s Show. Shortly after moving, she attended a charity event for a low-income school, where she saw something that stuck with her. While everyone in attendance was formally dressed and eating fancy meals, the schoolchildren were forced to sing. Two years after moving, Fischer married aspiring filmmaker and fellow St. Louisan James Gunn, who had just done The Specials. With Gunn’s help, she took the charity event experience and started working on a mockumentary about wealthy people doing charity. With a budget of $2,000, filming was done mostly on weekends over four years with Jenna, James, and their friends. Upon completion, LolliLove premiered at the St. Louis International Film Festival in November 2004.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”80″ bar_bg_color=”#7CDA24″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Jenna (Jenna Fischer) and James (James Gunn) are a young, hip couple living in Southern California with a dream. Wanting to help others, as well as get name recognition, Jenna and James decide to start a charity program. Dubbed “LolliLove,” the program entails giving a lollipop with an inspirational drawing/message to a homeless person to brighten their day. They try getting help from their wealthy friends Jason (Jason Segel) and Linda (Linda Cardellini), but neither is interested. As the couple struggles to get the program off the ground, Jenna and James’ marriage gets rocky. They try talking with Father Lloyd (Lloyd Kaufman) to fix their marriage while working on bringing their charity to life. Thankfully, with help from her friends Sarah (Sarah Sido), Michelle (Michelle Gunn), and Judy (Judy Greer), things are a go. Will their charity program succeed or fail like so many others?

     

    Review

    LolliLove is a wicked satire that pokes fun at the hypocrisy of well-to-do trying to do charity for selfish reasons. The characters claim they want to help the poor, but it’s clear they’re only doing it for attention. While they talk of wanting to do good, they’re immediately put off once they meet the homeless. When James and Jenna do a presentation to try and get a sponsor, it’s so artificial that it’s hilarious. Fischer perfectly captures how ridiculous it is that certain people only do charity for self-love and recognition. Aside from them being married at the time, Fischer and Gunn play off each other well and have great chemistry. The film is worth watching to see future superstars like Jason Segel, Linda Cardellini, and Judy Greer. Along with Fischer and Gunn, the supporting cast gets the satire and plays along with it.

    The mockumentary style works for this film, and it weirdly predicts Jenna Fischer’s future success with The Office. Framing this like a documentary adds a sense of realism to where you believe the ridiculousness on screen. Admittedly, the movie’s not quite spot-on as similar mockumentaries like This Is Spinal Tap, but it still works. The film goes by quickly at a little over an hour, though there is some padding that drags it down. It doesn’t help that much of the dialogue was improvised, which makes the film feel unstructured. Also, the film’s satire might put off some audiences and make them think it discourages trying to be charitable. However, Fischer and company never intended to make that point, but rather that even the most well-intentioned can stumble. Overall, LolliLove is a brilliantly witty social satire that, while uneven, is still relevant today.

     

    Buy LolliLove from Amazon: https://amzn.to/3m8cd9v.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

  • Hideous! (1997)

    Hideous! (1997)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”]After their partnership with Paramount Pictures ended, Full Moon Features was financially precarious, solely relying on Kushner-Locke. It was in the late 90s that Full Moon took advantage of the burgeoning internet to announce their future titles. Some of the titles featured that got made included The Creeps, ShriekerSubspecies 4Puppet Master 6, and Blood Dolls. One of the other features mentioned wouldn’t be funded by Kushner-Locke but by producers David DeFalco and Michael Fiechtner. Shot on location in Bucharest over two weeks in February 1997, Charles Band directed while Benjamin Carr wrote the script. Carr previously wrote Head of the Family, starring Jacqueline Lovell and Michael Citriniti, a.k.a. J. W. Perra, who returned here. Another notable cast member was Mel Johnson Jr., who later partnered with Charles Band to form Alchemy/Big City Pictures. After a brief filming period, Charles Band’s Hideous! was released in August 1997.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”70″ bar_bg_color=”#EDF000″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]

    Synopsis

    A group of sewage workers finds a strange embryo and sell it to the International Medical Specimens corporation. Headed by Ms. Belinda Yost (Tracie May-Wagner), she sells it to eccentric collector Napoleon Lazar (Mel Johnson Jr.) for $650,000. Word gets out to rival collector Dr. Lorca (Michael Citriniti), who has his assistant Sheila (Jacqueline Lovell) steal it. After the embryo is stolen, Lazar hires Detective Leonard Kantor (Jerry O’Donnell) to help him return it from Lorca. Along with Yost and her secretary, Elvina Shaw (Rhonda Griffin), Lazar and Kantor go to Lorca’s castle to confront him. While there, they see Lorca’s four other strange creatures, who break free and wander the castle. Soon, our hapless victims are picked off individually as Lorca and Lazar fight over ownership of the medical oddities. Who will survive against these deformed, depraved, and devious creatures and escape the castle?

     

    Review

    In some ways, Hideous! is almost a throwback to the Empire Pictures classic Ghoulies, both in story and visuals. Both are about people going to an isolated area and are systematically picked off by tiny creatures. Also, both movies have a similar lo-tech feel to the effects, which makes sense, given who handled the effects. Mark Rappaport, the film’s special effects supervisor, previously worked under John Carl Buechler on Demonic Toys. Admittedly, there is some questionable CGI, and the puppets aren’t the most complex, but they work for this movie. They’re not in the film very much, but the creatures are fun to watch when they are. Filming in a Bucharest castle adds much production value to the movie and helps it stand out. Say what you will about Full Moon using Romania, but it helped make their films look more expensive.

    For the most part, the cast plays their roles as campy as possible without going too overboard. Mel Johnson Jr. is one of the biggest highlights, and his back-and-forths with the rest of the cast are entertaining. Michael Citriniti is an excellent rival for Johnson, and Tracie May-Wagner is fun as the stuck-up rich bitch. Jacqueline Lovell is another highlight as Dr. Lorca’s sexy and devious assistant, spending her screen time with her cleavage exposed. She and Johnson easily have the movie’s most memorable scene, where she robs him while topless in a gorilla mask. Even in context, the sequence comes out of nowhere and is never brought up again, which makes it more bizarre. At under 90 minutes, the movie goes by pretty quickly and doesn’t have too many slow scenes. Overall, Hideous! isn’t one of Full Moon’s best, but it’s a decent creature feature.

     

    Buy Hideous! from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

    [/et_pb_text][et_pb_code _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]

    Where to watch Hideous! (1997)

    data-api-key=”LMVDLdLSH5ZJnQ4FMGMgyJCB8cmGbfCV” data-object-type=”Movie” data-title=”Hideous!” data-year=”1997″ data-theme=”light”>

    [/et_pb_code][/et_pb_column][/et_pb_row][/et_pb_section]