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Category: Comedy

  • Fairy Tales (1978)

    Fairy Tales (1978)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]Released in May 1977, Charles Band’s Cinderella proved to be an unexpected hit for the burgeoning producer. Seeing the potential, Band decided to make another adult musical comedy film version of a classic fairy tale. He reunited with co-writer Frank Ray Perilli, who also wrote Mansion of the DoomedLaserblast, and Last Foxtrot in Burbank. However, Michael Pataki had since moved on to have a recurring role in the 1970s The Amazing Spider-Man TV show. In the directing chair was Harry Hurwitz, using the pseudonym Harry Tampa, whose prior credits include The Projectionist and Richard. Notably, the director of photography was Daniel Pearl, who previously shot The Texas Chain Saw Massacre and its remake. Band and company decided to include various fairy tale characters in this film rather than adapting one story. After a brief one-to-two-week shoot, Fairy Tales hit US theaters in August 1978.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”50″ bar_bg_color=”#EDF000″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    The Prince (Don Sparks) has turned 21, and his doctors (Irwin Corey, Robert Harris, and Simmy Bow) have an announcement. His father, the king, declares that his son will only inherit the kingdom if he can produce an heir. The only problem is that The Prince is only interested in his dream girl, and no other woman will suffice. He quests for the perfect woman, taking him to the old lady in the shoe, Gussie Gander (Brenda Fogarty). Here, she’s the madam of a whorehouse featuring Little Bo Peep (Angela Aames) and Snow White (Anne Gaybis). Unfortunately, none of the women do it for The Prince, so Gander has her cohort Sirus (Sy Richardson) try helping. He takes The Prince to see Aunt La Voh (Martha Reeves), who can create a love potion to help him. But will our prince ever come, or is he doomed to be a peasant?

     

    Review

    While Cinderella had its charm and was a fun time, Fairy Tales lacks what made the earlier film special. Compared to Michael Pataki’s energetic direction, Harry Hurwitz films the sequences in a flat, dull fashion that feels tired. Watching it, you get the sense that Hurwitz didn’t care for the material and just saw it as another job. However, despite how flat the direction is, Daniel Pearl’s cinematography adds a dreamlike quality that helps sell the picture. It’s easy to see how Pearl transitioned from this to shooting music videos for The Police, Billy Idol, and Animotion. Sadly, the same can’t be said for the poor choreography, where the actors are either standing still or flailing about. Andrew Belling returns to compose the score, but unfortunately, the songs here lack the energy of the previous film. The one exception is “You’ll Feel the Magic in Me” by Martha Reeves.

    The goofy-looking Don Sparks is certainly game for the lead role, but he lacks the charm Cheryl Smith had. He’s certainly a sympathetic character, but he’s kind of a weiner who stumbles about from scene to scene. Sy Richardson once again proves to be a highlight of the film as the wisecracking yet dated pimp Sirus. Irwin Corey from Stuck on You has some funny moments, but he’s gone after the first five minutes. Most notably, this film features future scream queen Linnea Quigley, though she doesn’t show up until near the end. The rest of the cast either strip naked or mug for the camera, which can get old pretty quickly. While the film only clocks in at 76 minutes, it feels like a long 76 minutes to endure. Overall, Fairy Tales is a product of its time, but not a very good one.

     

    Buy Fairy Tales from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Fairy Tales (1978)

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  • The First Turn-On!! (1983)

    The First Turn-On!! (1983)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”]By the early 1980s, Troma wasn’t the only studio producing sex comedies as Hollywood soon followed in their wake. In 1982, 20th Century Fox released Bob Clark’s Porky’s, which became the fifth highest-grossing film of the year. This success led to a wave of teen sex comedies, including Risky BusinessBachelor Party, The Last American Virgin, etc. Seeing this as the end of their run, Lloyd Kaufman and Michael Herz decided to produce one more sex comedy. For inspiration, Herz remembered how he met his wife while attending summer camp as a child. Since summer camp is a time most people remember fondly, they chose to base their movie around that. With their small cast and crew, they filmed in parts of New York and Pennsylvania for this summer camp romp. After screening at Cannes in May 1983, The First Turn-On made its way onto screens that November.

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    Synopsis

    It’s the last day of summer at Camp Big-Tee-Pee, and the kids can’t wait to go home. Before that, hippie counselor Michelle Farmer (Georgia Harrell) takes some of the campers on a hiking trip. Four campers – Mitch (Michael Sanville), Henry (Googy Gress), Danny (John Flood), and Annie (Heidi Miller) – decide to break off. They go to a remote cave to smoke some marijuana, only for Michelle to catch them in the act. Unfortunately, a freak landslide causes a cave-in, trapping our stoned-out campers and their counselor with little hope of escape. To pass the time, they decide to each tell the story of how they lost their virginity. Mitch talks about losing it to a hooker, Danny meeting his dream girl, and Annie frolicking in a barn. As further hijinks ensue at the camp, our five heroes recount how they had their first turn-on!

     

    Review

    While Lloyd Kaufman considers Stuck on You the best of the sex comedies, fans say The First Turn-On is superior. As ambitious as the previous movie was, I agree with the fans who prefer this one over the last three. Like the previous film, this one is an anthology movie, but the stories here actually involve the central characters. Because of this, the stories feel more personal instead of random sketches with nothing relevant to the overall narrative. However, one problem with this film is that it frequently cuts away to what’s happening at camp. These scenes hardly further the story and feel like they’re out of a completely different movie. What we get is a weird cross between a summer camp movie and a sex anthology you’d find on Cinemax. It doesn’t help that, without spoiling too much, the stories ultimately have an unsatisfying payoff.

    The acting is about what you’d expect from this kind of film, with everyone constantly mugging for the camera. While most of the cast is relatively unknown, there are a few stand-outs for Troma fans. Mark Torgl, who later played Melvin in The Toxic Avenger, has a memorable role as a disgusting ex-lover of Michelle. Speaking of, one of the mayor’s goons in that film was actor Al Pia, who played the camp director here. Probably the biggest name here is a then-unknown Vincent D’Onofrio, four years before his iconic role in Full Metal Jacket. While he’s only on-screen briefly, you can see some of the manic energy he’d bring to the Kubrick classic. There’s so much nudity, crass humor, and tasteless gags that it becomes overkill, which might be why they stopped. Overall, The First Turn-On is arguably the best of the four, but it’s more of the same.

     

    Buy The First Turn-On from Amazon: https://amzn.to/4fNXZl1.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch The First Turn-On!! (1983)

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  • Shrunken Heads (1994)

    Shrunken Heads (1994)

    [et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]In 1972, Richard Elfman formed The Mystic Knights of Oingo Boingo, a musical theater troupe that ran for several years. However, his passions turned towards filmmaking, and he made his brother Danny the leader, who formed the band Oingo Boingo. Meanwhile, Richard set off to make his first feature film, the musical comedy Forbidden Zone in 1980. Despite negative reviews and poor box office, the film gained a considerable cult following thanks to midnight showings. Years later, Zone‘s co-writer Matthew Bright got a job working for Full Moon Features, writing Dark Angel: The Ascent. Bright had another screenplay called The Call of Mr. Sumatra, and he convinced Charles Band to have Richard Elfman direct. Charles had huge plans for this film, even announcing this would be Full Moon’s first theatrical release. Retitled Shrunken Heads, the film had a brief theatrical run in May 1994 before going to video that October.

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    Synopsis

    Tommy Larson (Aeryk Egan) is a good-natured kid who spends time hanging with his pal Bill Turner (Bo Sharon). They also make friends with the new kid Freddie Thompson (Darris Love), through their shared love of comic books. Unfortunately, the boys are the targets of a local gang called The Vipers, led by Vinnie Benedetti (A.J. Damato). It turns out that Vinnie is working for local mob boss Big Moe (Meg Foster) and wants to prove himself. However, Vinnie gets in trouble when the boys videotape his gang and try stealing money slips from Moe. Vinne kills the boys to prove his loyalty, but the local witch doctor Mr. Sumatra (Julius Harris) has his plans. Sumatra revives the boys as shrunken heads with unique abilities to exact revenge on their killers and destroy evil. But as Tommy, Bill, and Freddie follow Sumatra’s order, their humanity starts to fade.

     

    Review

    Reportedly, this was going to be Full Moon’s first theatrical release, and I can see it doing reasonably well. Compared to most other Full Moon projects around this time, Shrunken Heads is easily one of their most ambitious. It looks incredible for a film that cost $800,000, thanks to the production design and Richard Elfman’s direction. Elfman gives the movie a distinct comic book style mixed with some film noir elements circa the 1940s. There are also some impressive miniatures used to create cityscapes, and a motorized motion camera help bring them to life. Everyone from the kids to the veteran does a fantastic job, with Meg Foster and Julius Harris being the highlights. Foster is believable as an androgynous gangster who exhibits all the familiar traits while subverting them. This movie was Harris’ last film role before his death in 2004, and he made the most of it.

    Egan, Sharon, and Love work as friends, just trying to have fun while dodging the bullies and navigating the streets. A.J. Damato has fun as the stereotypical greaser bully, though he has moments where he doubts what he’s doing. Rebecca Herbst also does a solid job as Tommy’s love interest Sally, and she has terrific chemistry with Egan. Once the boys become the shrunken heads, it becomes a free-for-all as they fly around and exact their revenge. Admittedly, this is where the film’s lack of budget shows, namely in the compositing shots of the heads flying. The sequences are about on par with the compositing in Dollman, and they add to the film’s campy charm. Adding to that charm is the appropriately haunting theme by Danny Elfman and the eerie score by Richard Band. Overall, Shrunken Heads is an underrated gem in Full Moon’s catalog worth checking out.

     

    Buy Shrunken Heads from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Shrunken Heads (1994)

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  • Stuck on You! (1982)

    Stuck on You! (1982)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]In 1977, Michelle Triola tried to sue classic actor Lee Marvin after breaking up, though they were never married. Triola lost the lawsuit in the end, but the case led to defense attorney Marvin Mitchelson coining the phrase “palimony.” Essentially, palimony combines “partner” and “alimony,” where non-married partners divide their finances and property, or “marriage with no rings attached.” The verdict became national news, which caught the attention of Troma founders Lloyd Kaufman and Michael Herz. Seeing some potential, Kaufman and Herz decided to take the concept of palimony and make it into a sex comedy. Kaufman took inspiration from the works of songwriters Tom Lehrer and Stan Freberg, who were known for their political satire. In addition to talking about palimony, the movie would also be a sketch comedy revolving around historical relationships. In early 1983, Troma released their third sex comedy, Stuck on You!

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    Synopsis

    Bill Andrews (Mark Mikulski) and Carol Griffiths (Virginia Penta) go to Family Court over a palimony settlement. During the trial, Judge Gabriel (Professor Irwin Corey) takes the couple to his office for a private meeting. He wants to figure out how Bill and Carol met, how they became a couple, and what exactly went wrong. As Bill and Carol tell their stories, Gabriel tells them a similar story from history to help them understand. He talks about couples like Adam and Eve, Christopher Columbus and Queen Isabella, and King Arthur and Lady Guinevere. Each one struggles with issues like finding the right one, staying together for a long time, and settling arguments. Unfortunately, the stories don’t seem to help as Bill and Carol only see the negatives and decide they’ve had enough. Is there any hope for this relationship, or are Bill and Carol just not meant for each other?

     

    Review

    Of the sex comedies Troma released around this time, Lloyd Kaufman considers Stuck on You! to be the best. Compared to Squeeze Play and Waitress!, I would have to agree, as this one is at least the most creative. Admittedly, the whole palimony angle does date the movie considerably, but it does touch on relevant themes. At its heart, the film deals with the daily struggles that couples go through to keep their relationship strong. In terms of sketch comedy movies, this one isn’t as good as Kentucky Fried Movie, but it beats Movie 43. Most of the historical sketches are humorous, though they rely on tons of slapstick and double entendres. There isn’t as much nudity in this one as in the previous sex comedies, but nudity doesn’t mean lesser quality. Still, there’s a fair amount of sex to be had, but not as much nudity.

    Professor Irwin Corey is easily the movie’s highlight, with his manic energy, wisecrack remarks, and goofy demeanor. Mark Mikulski works as the lovable doofus who constantly gets into trouble, and Virginia Penta has good chemistry with him. There are also brief appearances from character actress Patricia Tallman (Army of Darkness) and stuntman Kent Shelton (Batman Begins). Like the other sex comedies, the pacing here can sometimes drag, especially if this isn’t your kind of humor. Though, unlike Waitress!, which felt like a mess of ideas, this movie at least has some structure. Also, the music is surprisingly catchy, from the classical stock music to the original songs, including a rapping rabbi. There is some filler at an hour and twenty-eight minutes, but it goes by fairly quickly. Overall, Stuck on You! is definitely the best of Troma’s sex comedies, but it still has its problems.

     

    Buy Stuck on You! from Amazon: https://amzn.to/48FR0Is.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Waitress! (1981)

    Waitress! (1981)

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    Made on an estimated budget of $150,000, Squeeze Play proved to be a hit for the burgeoning studio. After premiering in Norfolk, Virginia, the movie was financially successful and earned positive reviews from The New York Times. With a winning formula, Lloyd Kaufman and Michael Herz decided to start cranking out more sex comedies. Like their last film, the team decided to base their next movie on the rising women’s liberation movement. Kaufman and Herz chose to use a restaurant as the setting for their next sex comedy. They chose a local restaurant called Marty’s in Manhattan for filming locations, which presented a new set of problems. The crew wasn’t allowed to shoot during work hours, so they had to wait and film throughout the night. While filming wrapped in 1981, “Waitress!” premiered at the Cannes Film Market in 1982 and New York later that year.

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    Synopsis

    Andrea (Carol Drake), Jennifer (Carol Bevar), and Lindsey (Renata Hickey) are struggling waitresses working at a high-class restaurant. In addition to the insanity of food service, each has personal problems outside of work they have to deal with. On top of her boyfriend Jerry (Jim Harris) being the restaurant’s manager, Andrea is an aspiring actress looking for work. Jennifer is working as a waitress to interview people for an article she’s hoping to get published. Lindsey’s father, Mr. Bellerman (Ed Fenton), happens to be the restaurant’s owner, and he’s making her work as punishment. Everything at the restaurant gets topsy turvy as the staff goes crazy and the patrons flee. There’s an alcoholic cook, a medical student working as a bartender, and an over-the-top cowboy, among other wacky staff and diners. A complete course meal of zaniness with some hilarity will be served in this madhouse of a restaurant.

     

    Review

    It feels like Kaufman and Herz tried to go all out with “Waitress!” to recreate the success they had before. Unfortunately, they created a movie that tries so hard to be funny that it’s too chaotic to follow. There are so many gags and jokes sprinkled throughout that it’s hard to understand what’s happening. For instance, one scene will have pratfalls, hot food jokes, and rolls flying happening all at once. There will often be a joke that works, but they’re so few and far between. I feel like Kaufman and Herz just threw whatever gags they thought of against the wall and saw what stuck. Later Troma movies like Terror Firmer would have tons of background gags, but they at least had more focus. This movie, however, is such a chaotic mess that it’s more confusing than it is funny.

    Like Squeeze Play, the cast comprises relatively unknown actors who haven’t done much else before or since. Among the cast is soap opera star Hunt Block, Tony Denison from The Closer, and Chris “Mr. Big” Noth. Considering that Block and Denison went under pseudonyms, something tells me they’re not too proud of this. The rest of the cast do the best with the material and play their parts exaggeratedly. Carol Drake, in particular, really goes for it as an actress who’s desperate to play Joan of Arc. On top of looking like a bootleg Billy Crystal, Jim Harris has some of the funniest lines in the movie. The movie goes by quickly at slightly under 90 minutes, though it’s so hectic that you won’t know what happened. Overall, “Waitress!” has its moments, but it’s more of a mess than a hidden comedic gem.

     

    Buy Waitress! from Amazon as part of The Sexy Box: https://amzn.to/3lojFtq.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Evil Bong (2006)

    Evil Bong (2006)

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    While having dinner with his two youngest sons, Charles Band tossed around the idea of a weed movie. His mindset was to make a wacky stoner movie about a bong that teleports people to an alternate dimension. Essentially, he just wanted an excuse to, as he described it, “silliness and naked chicks,” so production got rolling. Since Band loved the idea of crossovers, he decided to add characters from previous Full Moon movies. He included characters from classics like Trancers and Demonic Toys and newer movies, The Gingerdead Man and Doll Graveyard. Because of the subject matter, they hired Tommy Chong to make a small appearance in the movie. The movie is also notable for being cinematographer Mac Ahlberg’s last credit before his passing in 2012. After a brief 7-day shooting period, Evil Bong made its way onto video store shelves in 2006.

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    Synopsis

    Nerdy college student Alistair McDowell (David Weidoff) has just moved into a new apartment with drop-out Larnell (John Patrick Jordan). Larnell lives with his two roommates, the stereotypical surfer Bachman (Mitch Eakins) and the stereotypical jock Brett (Brian Lloyd). Except for Alistair, all the guys are stoners, and Larnell decides to buy a new bong from a local listing. Supposedly, the original owner of the bong claimed it had supernatural powers and was cursed, but they smoke it anyway. After hitting the bong, each guy ends up in another world where demonic strippers kill them. The bong grows stronger with each new victim and starts reverting to its original look. Soon enough, the original owner, Jimbo Leary (Tommy Chong), arrives to destroy the bong and rid humanity of its evil. It’s one hell of a trip as our heroes must contend with Eebee (Michelle Mais), the Evil Bong!

     

    Review

    Going into this movie, you’ll know whether or not you’ll enjoy it based on the title. If your first reaction upon hearing Evil Bong is to groan, you’ll want to avoid this. This film scrapes the bottom of the barrel, even by Full Moon standards, compared to movies like Subspecies and Dollman. Still, unlike Puppet Master: The Legacy, this at least is a whole movie instead of a glorified highlight reel. You can tell this is a far cry from the Paramount era just by how cheap this movie looks. There’s only a handful of characters, most of it takes place on one set, and the puppet’s mouth doesn’t move. Honestly, I wouldn’t be surprised if most of the movie’s budget went to having Tommy Chong and Bill Mosely appear. I’m sure whatever was left was used to get Tim Thomerson to show up for one scene.

    Tommy Chong seems to be having fun swinging a chainsaw at the titular bong to his credit. He delivers the usual stoned-out performance you would expect from his Cheech & Chong movies or That 70s Show. Sadly, the same sentiment can’t be said for the rest of the actors, who range from mediocre to stiff. Instead of playing three-dimensional characters, each cast member plays the most exaggerated stereotype you can think of. For instance, Mitch Eakins is playing a dollar-store version of Dante from Grandma’s Boy, which came out the same year. Weidoff seems miscast as Alistair, looking less like a nerd and more like a jock who’s dressed like a nerd. In fairness, this movie isn’t trying to be anything more than a dumb stoner horror-comedy for what it’s worth. Overall, Evil Bong is far from Full Moon’s peak, but there are worse ways to kill 90 minutes.

     

    Buy Evil Bong from:

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • The Unbearable Weight of Massive Talent (2022)

    The Unbearable Weight of Massive Talent (2022)

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    Born Nicolas Kim Coppola in 1964, Nicolas Cage is one of the most iconic actors of the last few decades. After starring in various films in the 1980s, Cage won an Oscar for Best Actor for 1995’s Leaving Las Vegas. The 1990s were a defining point in Cage’s career, appearing in blockbusters like The RockCon Air, and Face/Off. Unfortunately, going into the 2000s, Cage’s career took a nosedive as he started taking roles in lesser movies. Due to his extravagant lifestyle, he owed the IRS thousands of dollars and accepted any part he could. In the mid-2000s, Cage was memed for his over-the-top performances in movies like Vampire’s Kiss and The Wicker Man. Around 2018, Cage got a script that he initially turned down because of how it poked fun at his career. However, writer-director Tom Gormican convinced him to star in The Unbearable Weight of Massive Talent.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_circle_counter title=”Rating” number=”90″ bar_bg_color=”#7CDA24″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Nicolas Cage has fallen on hard times, struggling to get acting roles and having a strained relationship with his family. After a particularly embarrassing moment at a party for his daughter Addy (Lily Sheen), Cage decides he’s going to retire. That changes when his agent Richard Fink (Neil Patrick Harris) offers him a job: $1 million for a party appearance. Cage agrees and is flown out to Majorca to meet multi-billionaire and massive fan Javi Gutierrez (Pedro Pascal). Though initially annoyed, Cage starts to warm up to Javi, becoming fast friends and bonding over Paddington 2. One night, Cage is abducted by CIA agents Vivian Etten (Tiffany Haddish) and Martin Etten (Ike Barinholtz). They suspect Javi of abducting the daughter of an anti-crime politician and want Cage to investigate. He reluctantly agrees to help, though he soon learns that there’s more at stake than he initially thought.

     

    Review

    First and foremost, I’m a Nicolas Cage fan, and I think he doesn’t get enough credit for his work. To me, he’s one of those actors who can make a good movie great and a bad film watchable. Would anybody remember movies like Deadfall or The Wicker Man if Cage wasn’t in them? Thankfully, The Unbearable Weight of Massive Talent is a case where Cage makes a good movie great. This is Nicolas Cage at his best, combining his trademark manic energy with a quiet solemness for the dramatic moments. Pedro Pascal gives a scene-stealing performance as the eccentric Javi, and he has excellent chemistry with Cage. Much of the movie is a buddy movie between Cage and Pascal, and their scenes together are the highlight. After a while, you start rooting for Javi and don’t want to believe he could be the villain.

    The rest of the cast all do a commendable job, Haddish and Barinholtz standing out with their great back-and-forths. Sharon Horgan is terrific as Cage’s ex-wife, trying to keep him grounded as things get more insane. Relative newcomer Lily Sheen stands out as Cage’s daughter, and I’m excited to see what she does later on. What helps the movie is its central message about wanting to stay relevant at the cost of personal matters. Throughout the film, Cage is more concerned with reclaiming his so-called Hollywood superstardom at the expense of his family life. The movie also explores how blind fandom can influence how you perceive your heroes, not realizing they’re also people. Even if you’re not a Nicolas Cage fan, you can still enjoy this as a funny and emotional buddy movie. Overall, The Unbearable Weight of Massive Talent will undoubtedly be one of the best movies of 2022.

    [/et_pb_text][et_pb_code _builder_version=”4.17.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Buy your tickets now to watch “The Unbearable Weight of Massive Talent” playing in theaters starting April 22nd![/et_pb_code][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Last Foxtrot in Burbank (1973)

    Last Foxtrot in Burbank (1973)

    [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”]After finding success in Italy as a director, Albert Band fell on hard times and moved back to the US. Having grown up in Italy around sets, his son Charles became obsessed with movies and wanted to make his own. Charles had to make a commercial film, and horror was the most profitable genre, so he aimed for that. It was the early 1970s, and, at some point, Band became friends with stand-up comedian Frank Ray Perilli. Perilli suggested that Band should make a spoof of a then-popular movie instead of a horror film. In 1972, Bernardo Bertolucci’s Last Tango in Paris hit theaters and was a massive hit despite all the controversies. Perilli convinced Band that they should make a spoof of Bertolucci’s film with actor Michael Pataki doing a Brando impression. So, in 1973, Charles Band’s Last Foxtrot in Burbank made its way onto the big screen.

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    Synopsis

    In the city of Burbank, France, Paul (Michael Pataki) is grieving the loss of his wife by wandering the streets. Elsewhere, a young woman named Jeanne (Sherry Denton) is looking for an apartment to rent and stumbles across Paul. The two start an illicit affair where neither person knows the other one’s name to maintain anonymity. As their relationship grows, Paul is unsure if he wants to keep Jeanne around anymore or continue the romance. It doesn’t help either that Paul feels inadequate in bed as he cannot fully satisfy Jeanne’s desires. It all comes to a head when Paul finds out that Jeanne has been shooting adult films on the side. Distraught over the perceived betrayal, he confronts her, and she responds by shooting him where he stands. It’s a story of love, death, loyalty, and betrayal that permeates throughout the city of Burbank, France.

     

    Review

    Before going any further, I want to point out just how miraculous it is that I can review this movie. After a disastrous release, Charles Band erased Last Foxtrot in Burbank from history and had several prints destroyed. It was only recently that someone from UCLA was able to find the original negative in their film archives. Frequently, movies that are considered lost tend to stay that way and end up never found. Quality aside, I can appreciate that this obscure piece of cinema history has been uncovered and restored. Admittedly, Last Foxtrot in Burbank isn’t some lost gem, and I can see why Band wanted this buried. It’s not as much of a trainwreck as Big Gus, What’s the Fuss?, but it’s still pretty stupid. Then again, Charles Band was in his early 20s, so I didn’t expect much.

    As a Last Tango in Paris spoof, the movie does hit all the major plot points humorously. Michael Pataki makes a decent Marlon Brando impression, though he goes as over the top as possible with his performance. Even though she doesn’t do much besides getting naked for most of her scenes, Sherry Denton is admirable. The rest of the acting is pretty hit or miss, though everyone acts like they know they’re in a comedy. Admittedly, most of the gags fall flat and are outdated, but the movie made me chuckle every so often. There is a gag where they parody the notorious butter scene, which might seem tasteless, but it made me laugh. At slightly over an hour in length, the movie goes by really fast and will kill time quickly. Overall, Last Foxtrot in Burbank isn’t impressive, but movie completionists will enjoy seeing this previously-lost film.

     

    Watch Last Foxtrot in Burbank on Full Moon Features: https://www.fullmoonfeatures.com/videos/last-foxtrot-in-burbank.

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  • Squeeze Play (1979)

    Squeeze Play (1979)

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    After the disastrous release of Big Gus, What’s the Fuss?, Lloyd Kaufman was in a tight jam. With his business partner Michael Herz, Lloyd founded Troma Entertainment in 1974, where they could produce their movies. Around this time, Kaufman directed a series of adult films under the pseudonyms H.V. Spyder, Louis Su, and David Stitt. In the 70s, the industry took celluloid sex seriously, and mixing sex with other genres was unheard of. With this in mind, Kaufman and Herz thought it would be a good idea to make a sex comedy film. The Women’s Liberation Movement was in full swing, so Kaufman and Herz decided to incorporate that into their movie. Lloyd’s brother Charles worked with screenwriter Haim Pekelis to churn out a 75-page script while Lloyd accumulated a $300,000 budget. While the film premiered in New York in 1979, Squeeze Play wouldn’t be released nationwide until 1980.

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    Synopsis

    Wes (Jim Harris) is captain of the local men’s softball team, The Beavers, and is the talk of the town. However, his fiance, Samantha (Jennifer Hetrick), isn’t happy about how he spends more time with the guys than her. She wants him to quit softball next year so he can spend more time with her, but he’s reluctant. Soon, the girlfriends and wives of the other team members share the same sentiment as Samantha and have had it. One night, the girls meet runaway Mary Lou (Melissa Michaels), who has a wicked throwing arm and can play softball. Suddenly, Samantha gets an idea: she and the girls will form their softball team to teach the boys a lesson. Naturally, the guys don’t take them seriously, so the girls train hard and start getting good. Who will win this epic battle of the sexes, and who will make the squeeze play?

     

    Review

    While not as good as comedies like Animal House or MeatballsSqueeze Play is still an enjoyably silly sex comedy. Admittedly, most of the movie’s humor is dated and relies heavily on slapstick, but plenty of the gags do land. The most famous joke in the film is when a player catches the ball between his buttcheeks. Aside from the dumb jokes, the plot is an excuse to add double entendres and get women naked. This movie is from a bygone era where a Wet T-Shirt Contest, gender stereotypes, and politically incorrect humor were acceptable. The pro-women message, though it lacks subtlety, is weirdly relevant even today and helps it stand out. While it’s easy to hate the men for being gross and rude, the women make plenty of mistakes. It’s interesting how a 70s sex comedy depicted feminism better than today’s crop of movies.

    The cast, mainly made up of relatively unknown actors, does their jobs well and plays into the comedy. There are some notable cast members, including Jennifer Hetrick from Star Trek: The Next Generation and Al Corley from Dynasty. The most memorable actor here is Mike Starr, who later starred in Uncle BuckEd Wood, and Dumb and Dumber. Admittedly, the movie does follow plenty of sports movie tropes, but this was well before those tropes became a thing. As with every sports movie, everything culminates in a final game, though this one has some nudity. At slightly over 90 minutes long, it won’t take up too much of your time and goes by fast. Diehard Troma fans might get a kick out of this, but general audiences will probably dismiss this. Overall, Squeeze Play is a product of its time, for better or for worse, though it has its moments.

     

    Buy Squeeze Play from Amazon: https://amzn.to/3EuFmB1.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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  • Sizzle Beach, U.S.A. (1981)

    Sizzle Beach, U.S.A. (1981)

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    Some of the most prominent actors working today often get their start in low-budget films, though they often regret this. There’s Demi Moore in Parasite 3D, Jennifer Aniston in Leprechaun, and Nicole Kidman in BMX Bandits, to name a few. Then there’s Kevin Costner, who was a stagehand before getting his big break in The Untouchables and No Way Out. While working behind the scenes, Costner would pass by the office of producer Eric Louzil and ask for acting roles. Louzil had a project in line with first-time director Richard Brander, so he offered Costner a minor part. Admittedly, Louzil hired Costner more for his looks than his acting abilities, not to mention he was awkward. The movie was filmed during the winter of 1978-79 and initially released in 1981 as Malibu Hot Summer. In 1986, Troma acquired the rights and re-released the film as Sizzle Beach, U.S.A.

    [/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_circle_counter title=”Rating” number=”40″ bar_bg_color=”#E09900″ _builder_version=”4.16.1″ _module_preset=”default” global_colors_info=”{}”][/et_pb_circle_counter][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

    Synopsis

    Best friends Janice Johnston (Terry Congie), Dit McCoy (Lesley Brander), and Cheryl Reilly (Roselyn Royce) move out to California. Dit wants to be a famous singer, Cheryl gets a job as a physical education teacher, and Janice takes acting lessons. They decide to rent a beach house and Malibu and plan to try and live out their dreams. Janice falls in love with ranch hand John Logan (Kevin Costner), who teaches her horseback riding in between her classes. Dit gets a spot in a singing competition through a friend but soon discovers how sleazy the manager is. Also, Cheryl gets scolded by her supervisor at the school for supposedly having an insatiable libido. The three grow as friends, learn lessons along the way, and meet the loves of their lives. All of this is mixed in with plenty of TNA to distract you from how dull the plot is.

     

    Review

    Going into Sizzle Beach, U.S.A., I expected it to be one of those zany sex comedies from the early 1980s. Instead, you get a bland drama about three women, their friendship, and their dreams mixed with some nudity. After a while, the nudity starts losing its appeal and becomes annoying, like you’re praying they keep their clothes on. At least the three lead women look good naked, but that’s not enough to compensate for a dull movie. Congie, Brander, and Reilly have decent chemistry together, but there’s nothing to their characters to make us care. It’s not a shock that of the three, only one has more than two acting credits to their name. I’d comment on the rest of the cast, but they’re so forgettable that it’s not worth it. Then, of course, there’s the person we’re all here to see: Kevin Costner.

    After hearing Louzil say he hired Costner for his looks, it makes sense given his performance or lack thereof. Costner sounds stiff and wooden, and he looks awkward and uncomfortable as if he doesn’t know what to do. Supposedly, he was most uncomfortable shooting a love scene without clothes on, and you can tell when you see it. While he’s never been great, you’d never guess that Costner would become the superstar he is today seeing this. Usually, I scoff at actors denying or feeling embarrassed by their past work, but in this case, I get it. Even with the rampant nudity, this is such a dull and uninteresting movie that you’ll forget about it fast. Even at 90 minutes long, you could do much better than this, even if you want cheap TNA. Overall, Sizzle Beach, U.S.A. might be worth it for Costner completionists, but it’s otherwise best avoided.

     

    Buy Sizzle Beach, U.S.A. from Amazon: https://amzn.to/3uZxKCg.

    Disclosure: The above link is an affiliate link, which means that, at zero cost to you, I will earn a commission if you click through the link and finalize a purchase.

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    Where to watch Sizzle Beach, U.S.A. (1981)

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